Ulisse Stacchini - architect

Designer behind two famous Milan landmarks

Ulisse Stacchini

Ulisse Stacchini, the architect who designed two of Milan's most famous 20th century landmarks, was born on this day in 1871 in Florence.

A champion of Liberty style Art Nouveau designs, Stacchini's defining work was the gargantuan Stazione di Milano Centrale - the city's main railway terminal.

He also designed the stadium that evolved into the city's iconic Stadio Giuseppe Meazza, joint home of Milan's two major football clubs, Internazionale and AC Milan.

Stacchini studied in Rome and moved to Milan soon after graduating, setting up a partnership with the engineer Giulio de Capitani, building houses, offices and shops for private clients

Among his early projects was the Savini Caffè in the Galleria Vittorio Emanuele II.  His style can be seen in a number of town houses commissioned by wealthy patrons, including Via Gioberti 1 at Via Revere 7, which feature linear designs.

He became involved with the Milano Centrale project when he won a design competition in 1912, although construction was delayed by more than a decade because of the crisis in the Italian economy that followed the First World War.

This 1964 photo of  Milano Centrale illustrates the
enormous size of the building

The project gained momentum only after Benito Mussolini became Prime Minister, with consequences for Stacchini's designs.  It was originally modelled on the Union Station in Washington but Mussolini wanted the new station to represent the power of the Fascist regime and encouraged Stacchini to create a majestic building that would have a huge presence.

To some critics, the end result was an incongruous mix of Liberty, Art Deco and classical features, adorned with numerous sculptures, yet it was impressive for its sheer scale.  Its façade spans 660 feet (200mt) and is 90 feet (27mt) high with three enormous porticos, each almost 30 feet (9mt) wide and 53 feet (16mt) high. It dominates the Piazza Duca D'Aosta.

It was while the station project was under way that Piero Pirelli, the president of AC Milan, commissioned Stacchini to design a new stadium for the club on a site in the San Siro district of the city.

Stacchini's original stadium bore little resemblance to the instantly recognisable structure of today, with its 11 cylindrical towers, three tiers of seats and a vast roof, but was impressive at the time, consisting of two grandstands, one of which was partially covered, and two end terraces, with a capacity of 35,000.  The first match there was staged in September 1926, a friendly between AC Milan and rivals Internazionale that the latter won 6-3.

It underwent several expansions and reconstructions and became home to both Milan clubs in 1945.  It was named after the footballer Giuseppe Meazza in part because he played for both AC Milan and Inter. He spent much the larger part of his career with Inter, however, hence AC Milan fans prefer to describe the stadium as the San Siro.

Stacchini went on to design many more buildings, especially for the banking sector, before spending the latter part of his working life teaching architecture at the Milan Polytechnic.  He died in Sanremo, Liguria, in 1947, aged 75.

Travel tip:

Milano Centrale has 24 platforms and handles about 320,000 passengers per day, using approximately 500 trains. The station is a major hub on the north-south route between Bologna and Salerno and also has trains running daily to international destinations including Bern, Lugano, Geneva, Zürich, Paris, Vienna, Barcelona and Munich.

The Stadio Giuseppe Meazza today

Travel tip:

The new M5 metro line has made access to the Stadio Giuseppe Meazza easy to reach, with a new station (San Siro Stadio) situated directly outside the ground.  The line does not pass directly through the city centre but travellers using line M1 can change at Lotto, or at Garibaldi on line M2.   The Line 16 tram still runs from west of Piazza Duomo to the stadium, where the route terminates.  The journey by metro takes about 20 minutes, by tram half an hour.

(Old photo of Milano Centrale by Albertomos CC BY-SA 3.0)

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Marco Zanuso - architect and designer

Innovative ideas put Italy at the forefront of contemporary style

Marco Zanuso

Marco Zanuso, the architect and industrial designer whose innovative ideas helped revolutionize furniture and appliance design in Italy after the Second World War, was born in Milan on this day in 1916. 

Influenced by the Rationalist movement that emerged in the 1920s, he was one of the pioneers of the Modern movement, which brought contemporary styling to mass-produced consumer products.  His use of sculptured shapes, bright colours, and modern synthetic materials helped make Italy a leader in furniture fashion.

Italy had for many years been something of a trendsetter in interior design but during the post-War years, with the fall of Fascism and the rise of Socialism, there was a sense of liberation among Italian creative talents.

With the recovery of the Italian economy there was a substantial growth in industrial production and mass-produced furniture. By the 1960s and 1970s, Italian interior design reached its pinnacle of stylishness.

Zanuso was at the forefront, producing designs that used tubular steel, acrylics, latex foam, fibreglass, foam rubber, and injection-moulded plastics.

His first major successes came for Pirelli, the tyre makers, who in 1948 opened a new division, Arflex, to design seating using foam rubber upholstery. They commissioned Zanuso to produce their first designs and his distinctively shaped "Lady" armchair won first prize at the 1951 Milan Triennale.

A folding radio cube designed by Marco Zanuso and
Richard Sapper for Brionvega

In 1957, Zanuso entered into a partnership with German designer Richard Sapper. 

They convinced consumers that plastic could be a viable material for furniture in the home with a brightly coloured, stackable child's chair. Their moulded metal "Lambda" kitchen chair became a worldwide bestseller.

In 1959, Zanuso and Sapper were hired as consultants to Brionvega, an Italian company trying to produce stylish electronics that would challenge those being made in Japan and Germany. They designed a series of  radios and televisions that became stylistic icons. Their portable "Doney 14" was the first completely transistorised television.

They also designed a folding "Grillo" telephone for Siemens in 1966, one of the first telephones to put the dial and the earpiece on the same unit.

Zanuso turned his ideas and versatility to other household items, including a bright red fan, bright yellow kitchen scales, a knife sharpener and a streamlined sewing machine.

Several of his award-winning product designs eventually became part of a permanent collection of the Museum of Modern Art in New York City.

As an architect, Zanuso also designed housing, factories and offices, not only in Italy but in South America and South Africa.

He designed the Olivetti factory buildings in Buenos Aires in 1954, which featured external air conditioning, another Olivetti building in São Paulo, the Necchi sewing machine company's office building in Pavia in Italy and IBM factory buildings in Milan.

As a member of the city planning commission in Milan, his projects included the renovation of the Teatro Fossati and the construction of the Teatro Strehler, a new venue for the Piccolo Teatro della Città di Milano.

The fifth of six sons of an orthopaedic doctor, he trained in architecture at the Milan Polytechnic university and after military service in the Italian Navy he opened his own design office in 1945 and edited the influential design magazines Domus and Casabella.

He taught architecture and design at the Milan Polytechnic from the 1960s, and served twice as president of the Italian Association of Industrial Design.  He continued working into his late 70s, designing a cutlery set for Alessi in 1995.

He died in Milan in 2001, aged 85.  His son, Marco Zanuso Jnr, one of four children, followed him into architecture and design.

Zanuso's Piccolo Teatro Strehler in Milan

Travel tip:

The Piccolo Teatro della Città di Milano, founded in 1947, was Italy's first permanent repertory company. It has three venues, the Teatro Grassi, in Via Rovello, between Sforza Castle and the Piazza del Duomo, the Teatro Studio and the Teatro Strehler.  The company puts on around 30 performances per year, while the venues host cultural events, including festivals, films, concerts, conferences and conventions.

Travel tip:

The Medieval city of Pavia, once the most important town in northern Italy, has many fine churches, including a cathedral boasting one of the largest domes in Italy and the beautiful Romanesque Basilica di San Michele.  The Visconti Castle, surrounded by a large moat, houses the Civic Museum. Another notable attraction is the covered bridge across the Ticino River, a reproduction of a 13th-century bridge destroyed during the Second World War.

(Photo of Zanuso radio by Andrea Pavanello CC BY-SA 3.0)
(Photo of Piccolo Teatro Strehler by Dispe CC BY-SA 3.0)

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