Alessandro Allori – painter

Artist was Bronzino’s favourite pupil

Alessandro Allori's 1570 painting, The Pearl
Fishers, is considered to be his masterpiece

Prolific painter Alessandro Allori, whose style of painting was to influence many other famous artists in the late 16th century, was born on this day in 1535 in Florence.

His father, who was a sword maker, died when he was five. The painter Agnolo Bronzino became guardian of the Allori family and little Alessandro spent a lot of his time in the artist’s workshop while he was growing up.

Bronzino was the court painter for Cosimo I de’ Medici, Grand Duke of Tuscany. He painted mainly portraits, but also some religious and allegorical subjects. It is said that Allori was his favourite pupil.

Allori was so close to him that he incorporated Bronzino’s name into his own, as can be seen on the inscription on one of his paintings that was dated 1552  – Alessandro Allori, foster son of Agnolo Bronzino. He even sometimes signed himself Alessandro Bronzino or Alessandro Bronzino-Allori.

It was also Allori who completed Bronzino’s last fresco, The Martyrdom of Saint Lawrence, in Basilica di San Lorenzo in Florence, which Bronzino was unable to finish before his death in 1572.

Allori spent six years studying in Rome, where he was highly influenced by Michelangelo’s work. On his return to Florence, he also became one of the leading painters for the members of the Medici family who ruled Florence at the time.

Much of his work displays the complicated, twisting poses typical of Florentine Mannerist painting. To help him paint realistic figures he conducted anatomical research, which included the dissection of human corpses supplied by the Hospital of Santa Maria Nuova in Florence.

He painted altarpieces, frescoes and portraits and also designed tapestry, having been made director of the Florentine tapestry factory in the 1570s.

In 1570, Allori painted The Pearl Fishers, a landscape showing figures diving for pearls, for the Studiolo of Francesco I de’ Medici in Palazzo Vecchio and this is generally considered to be his masterpiece. Working under the guidance of Giorgio Vasari, Allori’s painting shows the influence of Michelangelo, with its figures in complex poses as they dived, which became emblematic of late Florentine Mannerism.

A self-portrait that Allori is thought
to have painted in about 1555

Allori was the father of the painter Cristofano Allori, who was born in 1577 and was taught to paint by his father. Alessandro Allori had many other pupils, including Giovanni Bizzelli.

Suffering from gout, Allori died in Florence in 1607. He is buried with many other famous artists from the period in the Cappella di San Luca (Chapel of the Painters) at the Basilica della Santissima Annunziata in Florence. 

After his death, Allori’s style of painting was to influence artistic developments in Tuscany for another 50 years. 

It is estimated that anywhere between 100 and 200 of Allori’s works have survived. The largest single collection is held by the Uffizi Gallery in Florence; others are in galleries around the world or in private collections.

One work, a 16th century portrait of Eleonora of Toledo, the first wife of Cosimo I de’ Medici, was returned to the Gemaeldegalerie in Berlin in 2006 after spending more than half a century in the possession of British broadcaster Charles Wheeler.

Wheeler, who worked as a foreign correspondent for the BBC for 61 years until his death in 2008, was given the painting, which measures only 16cm by 12cm, as a gift by a contributor to a programme he was making while working at the BBC’s Berlin Bureau in 1952. 

He assumed it was a copy but liked it enough to take it with him on various assignments around the world before it found a more permanent home on a bookshelf in his office.

It was not until 54 years later, while making a programme about missing art, that he decided to look into the history of the painting.

His enquiries revealed that it was not a copy but a priceless original, one of an estimated 400 paintings at the Gemaeldegalerie that had been looted or destroyed during World War Two.

The Palazzo Vecchio in Florence's Piazza
della Signoria is a familiar landmark

Travel tip:

Palazzo Vecchio, which Allori helped to decorate with his painting, is the town hall of Florence. It overlooks the Piazza della Signoria as well as the gallery of statues in the Loggia dei Lanzi. The palace was originally called the Palazzo della Signoria, after the Signoria of Florence, the ruling body of the Republic of Florence.  The building acquired its current name when the Medici Duke's residence was moved across the Arno to the Palazzo Pitti. The cubical palazzo is made of solid rusticated stonework topped by a simple tower with a clock, known as the Torre d’Arnolfo after its designer, Arnolfo di Cambio. The Palazzo Vecchio acquired renewed importance as the seat of united Italy's provisional government from 1865 to 1871, at a moment when Florence had become the temporary capital of the Kingdom of Italy.  Although most of the building is now given over to a museum, since 1872 it has housed the office of the mayor of Florence, and it is the seat of the City Council.

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The Basilica della Santissima Annunziata, with
its facade by Giovanni Battista Caccini

Travel tip:

Alessandro Allori is buried in the Chapel of San Luca in the Basilica della Santissima Annunziata in Piazza della Santissima Annunziata. The chapel has belonged to the artists’ confraternity since 1565. Many artists are buried in its vault, including Benvenuto Cellini, and Pontormo. Inside there are murals by Alessandro Allori and works by other famous painters from his period. The Basilica, in the San Marco district of Florence, was founded by the Servite order in 1250 and later rebuilt by Michelozzo between 1444 and 1481. The facade of the church is by the architect Giovanni Battista Caccini. It was added in 1601 to imitate the Renaissance-style loggia of Filippo Brunelleschi's facade of the Foundling Hospital, which defines the eastern side of the piazza. 

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More reading:

Bronzino, the Medici court painter who became the master of Mannerism

Giorgio Vasari, the painter and architect credited with being the first art historian

Cosimo I de’ Medici, the first Grand Duke of Tuscany

Also on this day:

1594: The death of painter Tintoretto

1914: The death of coffee machine pioneer Angelo Moriondo

1921: The birth of royal jeweller Andrew Grima

1970: The birth of film director Paolo Sorrentino

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Isabella de’ Medici – noblewoman

Tuscan beauty killed by her husband

Isabella Romola de' Medici: a portrait painted by
Alessandro Allori owned by the Uffizi Gallery

Isabella Romola de’ Medici, the daughter of the first Grand Duke of Tuscany, was born on this day in 1542 in Florence.

She was said to have been beautiful, charming, educated and talented and was the favourite child of her father, Cosimo I de’ Medici.

But she died at the age of 33, believed to have been murdered by the husband her family had chosen for her to marry.

While Isabella was growing up she lived first in Palazzo Vecchio and later in Palazzo Pitti in Florence with her brothers and sisters. Her brother, Francesco, who was a year older than her, eventually succeeded his father as Grand Duke of Tuscany.

The Medici children were educated by tutors in classics, languages and the arts and Isabella particularly loved music.

When Isabella was 11 she was betrothed to 12-year-old Paolo Giordano Orsini, heir to the Duchy of Bracciano in Tuscany, because her father wanted to secure the southern border of Tuscany and his relationship with the Orsini family.

Five years later, when Isabella was 16, they were married at the Medici country estate, Villa di Castello.

The only known painting of Paolo
Giordano Orsini, Isabella's husband

Cosimo decided to keep his daughter and her substantial dowry at home with him in Florence, while Paolo continued to live a lavish lifestyle in Rome. This gave Isabella greater freedom and control over her life than most women had at the time.

After the death of her mother, Eleonora di Toledo, Isabella took on her role of first lady of Florence, showing an aptitude for politics.

She suffered several miscarriages and was childless until her late 20s when she bore Paolo a daughter in 1571 and a son in 1572.

After Paolo’s cousin, Troilo Orsini, was charged with looking after Isabella while Paolo was away on military duties, rumours began to circulate about the nature of their relationship. Troilo fled to France after being accused of murder and Isabella was summoned by her husband to join him on a hunting holiday.

She was given no choice and had to leave Florence to be with him in July 1576. Within a few days of her arrival, Isabella was found dead at the Medici villa in Cerreto Guidi. The official version was that her death happened while she was washing her hair, but the story leaked out that she was strangled by her husband in the presence of several servants.

Her death occurred just a few days after her cousin, Leonora, had died in a similar ‘accident.’ She had been married to Cosimo’s son, Pietro, and so was also Isabella’s sister in law as well as a cousin. Leonora had been part of Isabella’s circle and had followed her example in sponsoring the arts and taking a lover.

Isabella's father, Cosimo I de' Medici, who
arranged for her to marry Orsini

While Cosimo I de’ Medici had been alive their behaviour had been tolerated, but once Francesco became Grand Duke he was less willing to condone it, despite having a mistress himself, and felt he could not ignore the complaints of their husbands.

Most historians believe Paolo killed Isabella because she was having an affair with his cousin, Troilo, but another theory is that she died of natural causes but that enemies of the Medici family had spread rumours that she was murdered.

In order to keep in favour with the King of Spain, Francesco eventually had to admit the truth about Leonora’s death and exile his brother, Pietro.

The Palazzo Vecchio was
Isabella's home as a child

Travel tip:

Palazzo Vecchio in Florence, where Isabella lived as a child, was built in the 14th century as a government building in Piazza della Signoria, an L-shaped square in the centre of the city where important events and public meetings were held. Isabella’s father, Cosimo I, had the interior of Palazzo Vecchio redecorated and also adopted Palazzo Pitti as another residence for his family. He had a gallery over Ponte Vecchio built to enable them to move easily from one palace to another.

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An 18th century depiction of the Medici villa at the
Tuscan town of Cerreto Guidi, south of Florence

Travel tip:

Isabella’s death occurred at a villa commissioned by Cosimo de’ Medici in Cerreto Guidi, a small town to the south of Florence. It was built around 1556 as a hunting residence and is now a UNESCO World Heritage Site along with other Medici villas. The design is attributed to Bernardo Buontalenti. The villa is in Via Ponti Medicei and now houses the Historical Museum of Hunting, which has a collection of hunting and shooting equipment dating from the 17th to the 19th century.

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More reading:

An unsolved murder mystery: the death of Francesco I de' Medici

The shocking fate of Eleonora Garcia di Toledo

The banker who founded the Medici dynasty

Also on this day:

1834: The birth of Amilcare Ponchielli, opera composer

1900: The birth of Gino Lucetti, an anarchist who tried to kill Mussolini

1907: The birth of Altiero Spinelli, the man who invented the EU

1947: The birth of businessman Luca Cordero di Montezemolo

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Bronzino – master of Mannerism

Florentine became Medici court painter

Bronzino's portrait of Eleonora of Toledo, wife
of Cosimo I de' Medici, with her son, Giovanni

The Mannerist painter Agnolo di Cosimo – better known as Il Bronzino or simply Bronzino – was born on this day in 1503, just outside Florence.

Bronzino is now recognised as the outstanding artist of what has become known as the second wave of Mannerism in the mid-16^th century.  His style bears strong influences of Jacopo Pontormo, who was an important figure in the first wave and of  whom Bronzino was a pupil as a young man in Florence.

The Mannerist movement began in around 1520, probably in Florence but possibly in Rome. In the evolution of art it followed the High Renaissance period.

Typical of Mannerist painters is their use of elongated forms and a style influenced by the attention to detail allied to restrained realism that was characteristic of the Renaissance masters Raphael, Michelangelo and Leonardo da Vinci.

Bronzino became best known for his portraits, which were detailed and stylishly sophisticated, in which the subjects were superbly realistic but also tended to wear stoical, rather haughty expressions.

He also paid particular attention to fabric and clothing, his works often notable for his recreation of textures. He often used strong colours - sometimes cold blues, at other times warm reds – and created effects that were almost like theatrical lighting.

Cosimo I de' Medici in armour, as portrayed by
Bronzino in 1545

He painted many religious works, in which the influence of Michelangelo could be seen in his use of dramatic body shapes, but his greatest contribution to the Mannerist period was his portraiture, particularly during his time in the Medici court, where his ability to give his subjects an air of elegant nobility made him very popular.

Born in Monticelli, then a small town just outside Florence but now essentially a neighbourhood of the Tuscan city, Bronzino became apprenticed to Pontorno in 1515, their relationship developing almost as that of father and son. Indeed, when plague swept the city in 1522, Pontorno took his pupil with him to stay in the relative seclusion of the Certosa di Galuzzo, a monastery.

When they returned, Pontorno’s trust in Bronzino – who is thought to have acquired his nickname mainly on account of a dark complexion, possibly due to a pigment disorder – was such that he enlisted his help in creating what is seen as his own masterpiece, the Deposition from the Cross, an altarpiece in the church of Santa Felicità in Florence, not far from the Ponte Vecchio, where they also worked together on a sidewall fresco, Annunciation.

Indeed, Bronzino became so adept as following his master’s methods that there has at times been fierce debate between experts over whether certain paintings were the work of Pontorno or his pupil.

Bronzino's Portrait of a Young Man, painted in
around 1540, is seen as one of his finest works

Bronzino left the city for a second time in 1530 when it came under siege from the armies of Spain and the Holy Roman Empire, who were seeking to overthrow the Florentine republic established in 1527 and restore the Medici family to power.

When he rejoined Pontorno in Florence some years later, he had revealed his talent for portraiture while in the employ of the Duke of Urbino and it was not long before he was appointed by the Medici court as official portraitist, a role he would keep until he died in 1572, at the age of 69.

Bronzino’s figures influenced portraiture in Europe for almost a century. His best-known works include portraits of the Grand Duke of Tuscany, Cosimo I de' Medici, and his wife, Eleonora, and other members of their court such as Bartolomeo Panciatichi and his wife Lucrezia.  He also painted idealized portraits of the poets Dante and Petrarch.

By the time of his death he had developed a relationship similar to that he had enjoyed with Pontorno with his own pupil, the late Mannerist painter Alessandro Allori.

The church of Santa Felicità in Florence

Travel tip:

The church of Santa Felicità is described as the oldest religious building in Florence, apart from the Basilica of San Lorenzo.  Although the current structure was built in 1739, it is thought that the first church on the site was probably built in the late fourth century.  As well as Pontorno’s painting, assisted by Bronzino, the church is famous for the fact that the Vasari Corridor, the enclosed passage built by the Medici to link the Palazzo Vecchio in Piazza della Signoria with the Medici’s family residence, the Palazzo Pitti, passes through the façade.

Piero della Francesco's Flagellation

Travel tip:

The town of Urbino in Le Marche has long been associated with art, most famously as the birthplace of Raffaello Sanzio – better known by the anglicised name, Raphael.  Its Galleria Nazionale delle Marche houses many fine works, including Raphael’s La Muta, several paintings by Titian and Paolo Uccello and Piero della Francesco’s Flagellation, measuring 59cm by 82cm and once described as ‘the greatest small painting in the world’.

Also on this day: 

1494 - the death of philosopher Giovanni Pico della Mirandola

1878 - Attempted Assassination of Umberto I

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