Showing posts with label Francesco Barberini. Show all posts
Showing posts with label Francesco Barberini. Show all posts

5 August 2019

Antonio Barberini – Cardinal

Pope’s nephew amassed fortune and became patron of the arts


Carlo Maratta's portrait of Antonio Barberini as an older man
Carlo Maratta's portrait of Antonio
Barberini as an older man
Catholic cardinal, military leader and patron of the arts Antonio Barberini was born on this day in 1607 in Rome.

As one of the cardinal-nephews of Pope Urban VIII he helped to shape the politics, religion, art and music of 17th century Italy and took part in many papal conclaves.

He is sometimes referred to as Antonio the Younger, or Antonio Barberini Iuniore, to distinguish him from his uncle, Antonio Marcello Barberini.

Antonio was the youngest of six children born to Carlo Barberini and Costanza Magalotti. Like his brothers, he was educated at the Collegio Romano.  His brother, Francesco Barberini, became Grand Inquisitor of the Roman Inquisition

His uncle, Maffeo Barberini, was elected as Pope the day after Antonio’s 16th birthday and became Pope Urban VIII.

Urban VIII was notorious for nepotism and he appointed Antonio as a cardinal just after his 20th birthday.  Nepotism was commonplace among popes from the Middle Ages up to the 17th century. The word derives from the Latin nepos (Italian: nipote), meaning nephew, to describe the practice among popes, who had taken vows of chastity and therefore could have no legitimate children, of appointing nephews to key positions.

Antonio was made papal legate in Avignon, where he forged some powerful connections. In 1636 he accepted the post of Crown-Cardinal-Protector of the Kingdom of France.

Barberini in a portait dated at around 1725, when he would have been 18 years old
Barberini in a portait dated at around 1725,
when he would have been 18 years old
It has been estimated that Antonio accumulated more than 63 million scudi in personal wealth during the 21-year pontificate of Urban VIII.

Antonio and his brother, Taddeo, led the Pope’s forces to occupy Castro after Urban VIII started a feud with the Farnese family. But their victory over the Farnese was short lived and they suffered a series of losses during which Antonio himself was nearly captured.

The Pope was forced to sign a peace treaty with the Farnese to prevent them from marching on Rome.

After Innocent X was elected as Pope, Antonio and Taddeo were accused of financial abuses and had to go into exile in Paris under the protection of Antonio’s supporter, Cardinal Mazarin.

The next Pope, Alexander VII, made Antonio the Cardinal Bishop of Frascati and Louis XIV of France made him the Archbishop of Rheims.

Antonio had a number of mistresses, including one he is said to have had whipped for flaunting herself during Carnevale and another who died mysteriously while carrying his child. There were also allegations that he had homosexual relationships, in particular with the castrato singer Marc'Antonio Pasqualini. But in later life he changed his lifestyle and became deeply religious.

Bernini's monument to Barberini in the church of San Giovanni dei Fiorentini
Bernini's monument to Barberini in the
church of San Giovanni dei Fiorentini
He was patron to many composers, musicians, architects and artists. The composer Marco Marazzoli wrote music for him and dedicated his Fiori Musicali to Antonio in 1635.

Antonio commissioned Gian Lorenzo Bernini to design the Palazzo del Propaganda Fide in Rome, but while Antonio was in exile, Bernini was replaced by Francesco Borromini, who had Bernini’s chapel demolished and replaced it with one built to his own design. Antonio and his brothers also commissioned the Teatro delle Quattro Fontane, an opera house built in 1632 near Piazza Barberini.

Antonio was a great admirer of Caravaggio, who died when he was just three years old. His extensive art collection contained many paintings by Caravaggio. He also commissioned Lorenzo Ottoni to complete a number of Barberini family sculptures for him.

Antonio died at Nemi near Rome in 1671, two days before his 64th birthday. There is a monument to him by Bernini in the church of San Giovanni dei Fiorentini in Rome.

An 18th century engraving of the Palazzo di Propaganda Fide in Rome by Giuseppe Vasi
An 18th century engraving of the Palazzo di Propaganda
Fide in Rome by Giuseppe Vasi
Travel tip:

Palazzo di Propaganda Fide, commissioned by Antonio Barberini, is at the southern end of Piazza di Spagna in Rome close to the Basilica Sant’Andrea delle Fratte. The main façade was designed by Bernini, but the side looking out on to Via di Propaganda was designed by Borromini. The chapel of the Biblical Magi was built by Borromini. One of the most famous examples of Italian baroque architecture, the palace was built to house the Congregation for the Evangelisation of Peoples and since 1929 it has been an extraterritorial property of the Holy See.

Corso Vittorio Emanuele is one of the main streets in Nemi
Corso Vittorio Emanuele is one of the
main streets in Nemi
Travel tip:

Nemi, the town where Antonio Barberini died, is in the Alban Hills overlooking Lake Nemi, a volcanic crater lake. It is about 30km (19 miles) southeast of Rome. The Roman emperor Caligula built several large barges for use on the lake. They were rediscovered during the Renaissance period but attempts to raise them from the bottom of the lake proved unsuccessful. Mussolini ordered them to be salvaged in 1929 but most of them were destroyed by fire in 1944, either deliberately by the retreating German army, or accidentally by squatters who had taken refuge in the building that housed them. The surviving remnants and replicas of Caligula’s barges can be seen in the Museo Nazionale at the Palazzo Massimo in Rome. Nemi is also famous for the wild strawberries that grow on the side of the volcanic crater in ideal conditions that make them taste sweet.

More reading:

Why Grand Inquisitor Francesco Barberini refused to condemn Galileo as a heretic

The genius of Gian Lorenzo Bernini

How Pope Urban VIII's extravagance ended in disgrace

Also on this day:

1623: The birth of composer Marc'Antonio Cesti

1953: The birth of magistrate Felice Casson, who exposed secretive Operation Gladio

2002: The death of thriller writer Franco Lucentini


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30 January 2019

Feast of Saint Martina of Rome

The day Pope Urban VIII’s own hymns are sung


Saint Martina as portrayed in Pietro da Cortona's Saint Martina Refuses to Adore the Idols
Saint Martina as portrayed in Pietro da Cortona's
 Saint Martina Refuses to Adore the Idols

The feast day of Saint Martina of Rome, who was martyred by the Romans in 228, is celebrated every year on this day.

Martina is now a patron saint of Rome and the patron saint of nursing mothers.

She was the daughter of an ex-consul, one of the chief magistrates of the Roman Republic, but became an orphan while still young.

Described at the time as a noble and beautiful virgin who was charitable to the poor, she openly testified to her Christian faith.

She was persecuted during the reign of Emperor Alexander Severus and arrested and commanded to return to idolatry, the worship of false gods.

When she refused she was whipped and condemned to be devoured by wild beasts in the amphitheatre. When she was miraculously untouched by the animals she was thrown on to a burning pyre from which she is also said to have escaped unhurt. Finally she was beheaded.

Afterwards it was claimed some of her executioners converted to Christianity and were also later beheaded.

In 1634 the relics of Martina were rediscovered by the artist Pietro da Cortona. They were in the crypt of a church originally built in the sixth century on the site of the ancient temple of Mars near the Mamertine Prison and Foro Romano in Rome.

Gian Lorenzo Bernini's portrait of Pope Urban VIII, who supported the rebuilding of the church
Gian Lorenzo Bernini's portrait of Pope Urban
VIII, who supported the rebuilding of the church
Da Cortona had been elected president of the Academy of San Luca, the academy of painters, sculptors and architects in Rome, which had been given the church in 1588.  It was after Da Cortona had begun restoring the crypt that he discovered Martina’s remains.

The Pope at that time was Urban VIII, who visited the church with his nephew, Cardinal Francesco Barberini the month after Da Cortona’s discovery. They dedicated 6000 scudi towards the cost of rebuilding the church. The saint’s body was then returned to the church, which rededicated to saints Luca and Martina.

Da Cortona’s beautiful painting, Saint Martina Refuses to Adore the Idols, was probably painted for Cardinal Barberini. It is now in the Princeton University Art Museum in America.

It has been claimed Pope Urban VIII himself composed the hymns that are sung each year on Martina’s feast day.

The Chiesa dei Santi Luca e Martina, where Martina's remains are buried
The Chiesa dei Santi Luca e Martina,
where Martina's remains are buried
Travel tip:

The Chiesa dei Santi Luca e Martina, where Martina is buried, is in Via della Curia between the Mamertine prison and the Foro Romano. Two stairways from the upper church lead down to the lower church and the chapel of Saint Martina, which is below the high altar, is richly decorated with colour, marble and gilt bronze.

The Forum was the centre of life in Ancient Rome
The Forum was the centre of life
in Ancient Rome
Travel tip:

The Roman Forum, off Via dei Fori Imperiali, was once the centre of day to day life in Rome, the venue for public speeches, criminal trials and the nucleus of commercial affairs. It has the most concentrated array of excavated Roman buildings in the city. It is open to visitors from 8.30 am till one hour before sunset.

More reading:

How Pietro da Cortona decorated some of Italy's finest palaces

Francesco Barberini - the Inquisition chief who refused to condemn Galileo

Why Urban VIII's papacy ended in disgrace

Also on this day:

1629: The death of architect Carlo Maderno

1721: The birth of painter Bernardo Bellotto

1935: The birth of actress Elsa Martinelli


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23 September 2018

Francesco Barberini – Cardinal

Patron of the arts sympathised with Galileo



Francesco Barberini knew Galileo from his days as a student at the University of Pisa
Francesco Barberini knew Galileo from his
days as a student at the University of Pisa
Francesco Barberini, a cardinal who as Grand Inquisitor of the Roman Inquisition refused to condemn the scientist Galileo Galilei as a heretic, was born on this day in 1597 in Florence.

As a cardinal working within the Vatican administration, Barberini also became an important patron of literature and the arts.

The son of Carlo Barberini and Costanza Magalotti, Francesco was assisted by Galileo during his studies at the University of Pisa. The scientist was also a family friend. Francesco graduated in canon and civil law at the age of 25 in 1623.

Later that year, his uncle, Maffeo Barberini, who had been recently elected as Pope Urban VIII, made him a cardinal and sent him to be papal legate to Avignon.

He was sent to Paris as a special legate to negotiate with Cardinal Richelieu and then to Spain as a papal legate, but both his missions were unsuccessful.

From 1628 onwards Barberini led the foreign diplomacy of the Papal States, always favouring France.

Galileo subscribed to the view that the Earth was not the centre of the universe
Galileo subscribed to the view that the Earth
was not the centre of the universe
From 1633 until his death more than 40 years later, Barberini was the Grand Inquisitor of the Roman Inquisition. He was part of the Inquisition tribunal investigating Galileo after the publication of writings supporting the arguments put forward by the German scientist Nicolaus Copernicus that the sun and not the earth was the centre of the universe.

He was one of three members of the tribunal who refused to condemn the scientist, although the majority verdict was that Galileo was "vehemently suspect of heresy" and he was sentenced him to indefinite imprisonment, later commuted to house arrest, where he remained until his death in 1642.

The Barberini family fortunes declined after hostilities between the papacy and the Duchy of Parma and Piacenza led to the First War of Castro in which the papacy did badly. Peace was concluded only a few months before the death of Urban VIII.

Once it became clear that the Barberini candidate for the papacy was not going to be elected. Francesco and his brother, Antonio, switched their support to Giovanni Battista Pamphili.

Gian Lorenzo Bernini's bust of  Barberini,  in the National Gallery of Art in Washington
Gian Lorenzo Bernini's bust of  Barberini,
 in the National Gallery of Art in Washington
But after Pamphili became Pope Innocent X, he launched an investigation into their handling of the finances during the War of Castro, forcing the Barberini brothers to flee to Paris.

Two years later, Francesco Barberini was pardoned, his properties were restored to him and he was able to continue as a patron of the arts.

He was a member of various literary associations and secured altarpiece commissions for St Peter’s from prominent artists, such as Pietro da Cortona and the French Baroque painter, Poussin.

Barberini bought several paintings by Poussin for himself during the artist’s early years living in Rome.

In 1625 he had acquired the former Sforza palace and, after buying further land, he engaged the architect, Carlo Maderno, to transform it into a much larger and grander building, which eventually became Palazzo Barberini.

Francesco Barberini died in Rome in 1679 at the age of 82.

The Palazzo alla Giornata on the Arno embankment is one of the main buildings of the University of Pisa
The Palazzo alla Giornata on the Arno embankment is
one of the main buildings of the University of Pisa
Travel tip:

The University of Pisa, where Galileo taught and Francesco Barberini studied, was founded in 1343 making it the 10th oldest in Italy and it houses Europe’s oldest academic botanical garden. The main University buildings are in and around Lungarno Antonio Pacinotti, overlooking the River Arno, a short walk from the city’s famous Leaning Tower.

The Palazzo Barberini was Barberini's home in the centre of Rome, just off Piazza Barberini
The Palazzo Barberini was Barberini's home in the
centre of Rome, just off Piazza Barberini
Travel tip:

Palazzo Barberini is just off Piazza Barberini in the centre of Rome. It was completed in 1633 as a home for Francesco Barberini and was the work of three great architects, Carlo Maderno, Francesco Borromini and Gian Lorenzo Bernini. The palace now houses part of the collection of Italy’s National Gallery of Ancient Art.

More reading:

Galileo Galilei convicted of heresy

How Carlo Maderno created the facade of St Peter's  

Pope Innocent X and revenge for Castro

Also on this day:

1943: Mussolini proclaims the puppet republic of Salò

1956: The birth of World Cup hero Paolo Rossi


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