Giuseppe Sarti – composer

Musician and teacher whose work inspired Mozart 

Giuseppe Sarti composed more than 50
operas in a career spanning half a century 

Giuseppe Sarti, who composed more than 50 operas and a large quantity of liturgical music, was baptised on this day in 1729 in Faenza, in what used to be the Papal States, but is now part of the region of Emilia-Romagna.

Also sometimes referred to as Il Domenichino, Sarti was playing the organ in Faenza by the time he was 13, but he then went to Bologna to study the organ and composition. He returned to Faenza to become organist at the cathedral and the director of the theatre there and began writing operas.

He was successful with his first opera, Pompeo in Armenia, which is believed to have been first performed in 1752. It was seen as establishing his musical capabilities while he was still in his early 20s.

After his second opera, Il re pastore, was well received in Venice in 1753, Sarti travelled to Copenhagen, where he was to spend the next 20 years. 

He worked in various jobs, including that of music director at the court of King Frederick V of Denmark, and he produced 30 operas in Italian and Danish at the Italian Opera there.

After he returned to Italy, Sarti became director of the Conservatorio dell’Ospedaletto in Venice in 1775. He moved to Milan in 1779, to become choirmaster of Milan Cathedral.

While he was there, he wrote many of his operas, which became increasingly popular, and a large amount of sacred music for the cathedral.  He also attracted many students, including the composer, Luigi Cherubini. 

Mozart (above) included an aria by
Sarti in his own opera, Don Giovanni

In 1784 he accepted an invitation to become court conductor in St Petersburg to Empress Catherine II of Russia, who became known as Catherine the Great. He took over the post in succession to the Neapolitan opera composer Giovanni Paisiello, who had served the Empress for eight years.

While he was in St Petersburg, Sarti established a music conservatory, investigated the laws of acoustics, and invented a device for calculating sound vibrations to determine pitch standards.

The Academy of Science in St Petersburg appointed Sarti as an honorary member because of his discoveries.

Among his most popular operas were Ciro riconosciuto (1754), Didone abbandonata (1762), Le gelosie villane (1776), Achille in Sciro (1779), Giulio Sabino (1781), Fra i due litiganti il terzo gode (1782), and Armida e Rinaldo (1786).

Sarti's opera, Fra I due litiganti il terzo gode, was admired by Mozart to the extent that he introduced an aria from it into the dinner scene of his opera, Don Giovanni. Mozart's opera, Le nozze di Figaro, is also thought to have been influenced by the same Sarti opera, which Mozart is believed to have heard in Vienna in 1784. 

Giuseppe Sarti died at the age of 73 in 1802 in Berlin, when he was on his way back from Russia to Italy.

Surviving manuscript copies of some of his works are now kept in an archive of musical works in the Municipal Library at Montecatini Terme in Tuscany.

Faenza's duomo, the Cattedrale di San Pietro
Apostolo, where Sarti wrote his earliest operas

Travel tip: 

Giuseppe Sarti’s baptism was registered on 1 December in Faenza and he was possibly born in the town on the same day. At that time, Faenza was part of the Papal States, an area of Italy that was under the direct rule of the Pope between 756 and 1850. It has now become part of the Emilia-Romagna region, and is about 50 kilometres south east of Bologna. The city is famous for the manufacture of a type of decorative majolica-ware known as faience. It is also home to the International Museum of Ceramics, which has examples of ceramics from ancient times, the Middle Ages and the 18th and 19th centuries, as well as displaying work by important contemporary artists. The museum is in Viale Baccarini in Faenza. For more information visit www.micfaenza.org.

Milan's imposing duomo, where Sarti
composed much of his sacred music

Travel tip:

Sarti was choirmaster at Milan Cathedral, which is also known as the Duomo of Milan, where he taught pupils, including Cherubini, and wrote many of his operas and pieces of sacred music. Milan’s duomo is the largest church in Italy and the fifth largest in the world. Construction of the impressive church began in 1386 using marble brought into the city along Milan’s Navigli canals. Although it was consecrated as a Cathedral in 1418, building work on the Duomo was not finally completed until the 19th century, when Napoleon arranged for the façade to be finished before his coronation was held there.

Also on this day:

1455: The death of sculptor Lorenzo Ghiberti

1958: The birth of athlete Alberto Cova

1964: The birth of footballer Salvatore Schillaci

2003: The death of bobsleigh champion Eugenio Monti

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Giovanni Battista Viotti – violinist and composer

Brilliant musician wrote the melody for the Marseillaise

Giovanni Battista Viotti spent much of his
career in Paris and London

Violinist Giovanni Battista Viotti, who was to become court musician to Marie-Antoinette and composed 29 violin concertos, was born on this day in 1755 in Fontanetto Po in the region of Piedmont.

Among Viotti’s many compositions for the violin, string quartets and the piano, his violin concerto No. 22 in A Minor became particularly well known. 

He is also credited with having composed the original music of La Marseillaise, the national anthem of France, 11 years before it was officially published by another composer.

Viotti’s musical talent was spotted early and he was taken into the household of Principe Alfonso dal Pozzo della Cisterna in Turin, where he received a musical education.

This prepared him to become a pupil of the virtuoso violinist and composer Gaetano Pugnani, while still a teenager, funded by the prince.

Viotti served at the Savoy court in Turin from 1773 to 1780, before travelling with Pugnani in Germany, Poland and Russia.

He went to France alone, where he made his debut as a violinist in 1782 in Paris.  He was an instant sensation and became court musician to Marie-Antoinette at Versailles.

Viotti established himself in France as a teacher and an opera impresario. He founded a new opera house, the Theatre de Monsieur, under the patronage of Louis-Stanislas-Xavier, comte de Provence, the King’s brother, whose title at court was ‘Monsieur’. Viotti put on the operas written by his friend, Luigi Cherubini, who he had introduced into French society.

Luigi Cherubini was a friend of Viotti, who
introduced him to French society

In 1792, after royal connections had become a dangerous liability because of the French revolution, Viotti went to London, where he put on Italian operas and played his own compositions for the violin in concerts.

He became a big success as a solo violinist, manager of Italian opera and an orchestra leader and director.  He was invited to perform in the houses of London’s elite, including the Prince of Wales.

When Britain went to war with France, Viotti came under suspicion of having Jacobin sympathies and was ordered to leave the country. He moved to Germany for three years, but returned to London to resume his wine business in 1801 and continued to perform and to compose music.

When his wine business failed, he went back to Paris, where he was director of the Italian opera from 1819 to 1822.  He then returned to London, where he died in 1824 at the age of 68.

Viotti is considered to be the founding father of the 19th century French violin school. Some of the people he taught had an influence on future virtuoso violinists, including Niccolò Paganini.

Viotti had owned a violin made by Antonio Stradivari and had commissioned at least one replica, which was bought by the Royal Academy of Music in 2005. The instrument is meant to be heard as well as seen and is played sparingly at occasional events.

His violin concertos are said to have been an influence on Ludwig van Beethoven.

Recent research has suggested that one of his compositions has a very strong resemblance to the music for the French hymn, La Marseillaise, which was published 11 years later.

Viotti is remembered every year at the Viotti International Music Competition and the Viotti Festival held near his birthplace in the province of Vercelli.

The Oratory of San Sebastian, built in the 11th century,
is a feature of the small town of Fontanetto Po

Travel tip:

Fontanetto Po, where Giovanni Battista Viotti was born, is in the province of Vercelli in the region of Piedmont, about 40 kilometres (25 miles) northeast of Turin and about 20 kilometres (12 miles) southwest of Vercelli. One of the main sights is the Oratory of Saint Sebastian, which was built in the 11th century and refurbished in the 15th century and still has some mid 15th century frescoes inside.

Piazza Cavour in the Piedmont town of Vercelli, where
Viotti is a celebrated figure

Travel tip:

Vercelli is a city in Piedmont situated between Milan and Turin. It is one of the oldest towns in northern Italy, founded in around 600 BC. Vercelli had the world’s first university funded by public money, which was established in 1228 and was the seventh university in Italy, but it closed in 1372. The city has an amphitheatre from the Roman period and seven towers. The main local dish is called panissa and is made from risotto rice and beans, with pork and red wine.

Also on this day:

1590: The birth of Cosimo II de' Medici, patron of Galileo

1893: The birth of World War One fighter pilot Silvio Scaroni

1993: The death of Olympic skiing champion Zeno Colò

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