Showing posts with label Mantua. Show all posts
Showing posts with label Mantua. Show all posts

18 November 2016

Eleonora Gonzaga – Holy Roman Empress

Pious princess who promoted the arts and education


Eleonora Gonzaga: a portrait by Frans Luycx, the Flemish artist
Eleonora Gonzaga: a portrait by
 Frans Luycx, the Flemish artist
Eleonora Gonzaga, Princess of Mantua, Nevers and Rethel, was born on this day in 1630 in Mantua.

She grew up to marry the Holy Roman Emperor, Ferdinand III, and established a reputation as one of the most educated and virtuous women of her time.

Eleonora became fascinated by religious poetry, founded a literary academy and was a patron of musical theatre.

As Holy Roman Empress she developed the cultural and spiritual life at the Imperial Court in Vienna, continuing the work of her great aunt, also called Eleonora, who had introduced opera to Vienna in the early part of the 17th century.

Vienna subsequently became recognised as the music capital of Europe.

Eleonora was the second child of Charles Gonzaga, Duke of Nevers, who was heir to the Duchy of Mantua, and Maria Gonzaga, who was heiress to the Duchy of Montferrat.

She was given a good education, became fluent in French, Spanish and Italian and learnt about literature, music and art.

Having become interested in poetry, she composed religious and philosophical poems herself.

Ferdinand III, as depicted by Jan van den Hoecke
Ferdinand III, as depicted by Jan van den Hoecke
A marriage was arranged for her with the Holy Roman Emperor, who imposed the condition that the Duchy of Mantua had to remain loyal to the Empire. It was agreed that Mantua would stay loyal to the empire provided it didn’t have negative consequences for the Duchy.

It was the third marriage for Ferdinand, who had children from both his previous marriages.

But after the wedding in April 1651 at Wiener Neustadt, he became happy with Eleonora and she established good relationships with all her stepchildren.

She learned German and Ferdinand learned Italian. They were both interested in literature and music and enjoyed going to the theatre and hunting together.

They founded a literary academy and encouraged the development of science.

Italians became more influential at the Imperial Court and Italian became the most used language among the German aristocracy.

They had four children between 1652 and 1657, but Ferdinand died two months after the birth of his first son by Eleonora, Ferdinand Joseph Alois, who himself died just over a year later.

But under Ferdinand’s will, Eleonora assumed guardianship of all his children and she supported her stepson, Leopold I, when he became the new Emperor.

She tried to improve the standard of education for girls by inviting the Ursuline nuns to Vienna, where they established a monastery, church and school. She also established the Order of Virtuosity and the Order of the Starry Cross for women.

After Eleonora’s death in Vienna in 1686 she was buried in the Imperial Crypt.

The Basilica of Sant'Andrea in Mantua
The Basilica of Sant'Andrea in Mantua
Travel tip:

Mantua, where Eleonora Gonzaga was born, is an atmospheric old city in Lombardy, to the south east of Milan. In the Renaissance heart of Mantua is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, an ampoule containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.

Hotels in Mantua by Hotels.com

Travel tip:

Mantua is famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. The Camera degli Sposi is decorated with frescoes by Andrea Mantegna, depicting the life of Eleonora’s ancestor, Ludovico Gonzaga and his family in the 15th century. The beautiful backgrounds of imaginary cities and ruins reflect Mantegna’s love of classical architecture.

More reading:


Monteverdi's l'Orfeo, the oldest opera still regularly performed, makes its debut in Mantua

Claudio Monteverdi - the viola player at the court of Vincenzo Gonzaga who became the first great opera composer

How Andrea Mantegna from Mantua used perspective to break new ground in painting

Also on this day:


1626: The consecration of St Peter's Basilica in Rome

(Picture of Basilica di Sant'Andrea in Mantua by Vitold Muratov via Wikimedia Commons)

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13 September 2016

Andrea Mantegna – artist

Genius led the way with his use of perspective


The painter Andrea Mantegna died on this day in 1506 in Mantua.

Mantegna's San Sebastian is at the Louvre in Paris
Mantegna's San Sebastian is at
the Louvre in Paris
He had become famous for his religious paintings, such as St Sebastian, which is now in the Louvre in Paris, and The Agony in the Garden, which is now in the National Gallery in London.

But his frescoes for the Bridal Chamber (Camera degli Sposi) at the Palazzo Ducale in Mantua - Mantova in Italian - were to influence many artists who followed him because of his innovative use of perspective.

Mantegna studied Roman antiquities for inspiration and was also an eminent engraver.

He was born near Padua - Padova - in about 1431 and apprenticed by the age of 11 to the painter, Francesco Squarcione, who had a fascination for ancient art and encouraged him to study fragments of Roman sculptures.

Mantegna was one of a large group of painters entrusted with decorating the Ovetari Chapel in the Church of the Eremitani in Padua.

Much of his work was lost when the Allied forces bombed Padua in 1944, but other early work by Mantegna can be seen in the Basilica of Sant’Antonio and in the Church of Santa Giustina in Padua.

Mantagna's Miracolo di San Giacomo in the Ovetari  Chapel of the Church of the Eremitani in Padua
Mantagna's Miracolo di San Giacomo in the Ovetari
Chapel of the Church of the Eremitani in Padua
The artist later came under the influence of Jacopo Bellini, the father of Giovanni and Gentile Bellini, and in 1453 he married Jacopo’s daughter, Nicolosia.

By 1459 he had moved on to Verona, where he painted a grand altarpiece for the Church of San Zeno and the following year he was appointed court artist by the Marquis Ludovico III Gonzaga of Mantua.

Mantegna’s frescoes for the Camera degli Sposi are considered among his best works and include portraits of members of the Gonzaga family.

The artist went on to paint nine pictures of the Triumphs of Caesar, drawing on his classical knowledge, which are also considered by experts to be among his finest works. These were sold in 1628 to King Charles I of England and are now in Hampton Court Palace.

After his death at about the age of 75 in Mantua, Mantegna’s sons set up a monument to him in the Church of Sant’Andrea.

Mantegna's ceiling of the Camera degli Sposi shows how he created an illusion of depth through his use of perspective
Mantegna's ceiling of the Camera degli Sposi shows how he
created an illusion of depth through his use of perspective
Mantegna’s main artistic legacy is considered to be the introduction of spatial illusionism, as exemplified by the ceiling cupola of the Camera degli Sposi, which although flat appears concave. This use of perspective was followed by other artists for centuries.

Travel tip:

Mantua is an atmospheric old city in Lombardy, to the south east of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. The Camera degli Sposi is decorated with frescoes by Andrea Mantegna, depicting the life of Ludovico Gonzaga and his family. The beautiful backgrounds of imaginary cities and ruins reflect Mantegna’s love of classical architecture.

The Basilica of Sant'Andrea in Mantua.
The Basilica of Sant'Andrea in Mantua.
Travel tip:

The 15th century Basilica of Sant’Andrea, which houses Andrea Mantegna’s tomb, is in Piazza Mantegna in Mantua. Mantegna was buried in the first chapel on the left, which contains a picture of the Holy Family and John the Baptist that had been  painted by him. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, an ampoule containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.

(Photo of the Basilica of Sant'Andrea by Geobia CC BY-SA 3.0)

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24 June 2016

Battle of Solferino

Suffering of soldiers led to the founding of the Red Cross


Painting by Carlo Bossoli of the Battle of Solferino
A scene from the Battle of Solferino painted by the
Swiss-born Italian artist Carlo Bossoli
The Battle of Solferino took place on this day in 1859 south of Lake Garda between Milan and Verona.

It was the last battle in world history where all the armies were under the personal command of their monarchs.

The French army under Napoleon III was allied with the Sardinian army commanded by Victor Emmanuel II. Together, they were victorious against the Austrian army led by Emperor Franz Joseph I.

The battle lasted more than nine hours and resulted in thousands of deaths on both sides.

The Austrians were forced to retreat and it was a crucial step towards the eventual unification of Italy under an Italian King.

Jean-Henri Dunant, a Swiss businessman, toured the battlefield afterwards and was horrified by what he saw, joining in with the efforts of local people to care for the injured.

Greatly moved by the suffering of the thousands of wounded and dying soldiers, he wrote a book about what he had seen and set about establishing the International Red Cross.

This battle is also referred to as the Battle of Solferino and San Martino as there was fighting near both of the towns.

Travel tip:

Solferino is in the province of Mantua about ten kilometres south of Lake Garda. A chapel, the Cappella Ossuaria, behind the Church of San Pietro in Solferino, contains the remains of about 7000 soldiers. There is also a museum with weapons and memorabilia from the battle.

Photo of the harbour at Desenzano del Garda
The harbour at Desenzano del Garda
Travel tip:

San Martino della Battaglia, where the Austrians took a pounding from Victor Emanuel II’s troops, is close to the lovely resort of Desenzano del Garda, at the foot of Lake Garda. Desenzano is a good base for a holiday as a boat service links it with other pretty resorts on the lake, such as Sirmione, Bardolino and Peschiera.

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15 May 2016

Claudio Monteverdi – composer

Baroque musician who gave us the first real opera



Portrait of Monteverdi
Bernardo Strozzi's 1630 portrait of Monteverdi
The composer and musician Claudio Monteverdi was baptised on this day in 1567 in Cremona in Lombardy.

Children were baptised soon after their birth in the 16th century so it is possible Monteverdi was born on 15 May or just before.

He was to become the most important developer of a new genre, the opera, and bring a more modern touch to church music.

Monteverdi studied under the maestro di cappella at the cathedral in Cremona and published several books of religious and secular music while still in his teens.

He managed to secure a position as a viola player at Vincenzo Gonzaga’s court in Mantua where he came into contact with some of the top musicians of the time. He went on to become master of music there in 1601
.
It was his first opera, L’Orfeo, written for the Gonzaga court, that really established him as a composer.

In the early 17th century, the intermedio, the music played between the acts of a play, was evolving into the form of a complete musical drama, or opera. Monteverdi’s L’Orfeo was the first fully developed example of this and is the earliest opera still being regularly staged.

It had its first performance in 1607 in Mantua. Two letters, both dated 23 February, 1607, refer to the opera due to be performed the next day in the Ducal Palace as part of the annual carnival in Mantua in Lombardy.

Picture of L'Orfeo frontispiece
The frontispiece from Monteverdi's
score of L'Orfeo, performed in 1607
In one of them a palace official writes: ‘… it should be most unusual as all the actors are to sing their parts.’

Francesco Gonzaga, the brother of the Duke, wrote in a letter dated 1 March, 1607 that the performance had been to the ‘great satisfaction of all who heard it.’

L’Orfeo, or La favola d’Orfeo as it is sometimes called, is based on the Greek legend of Orpheus. It tells the story of the hero’s descent to Hades and his unsuccessful attempt to bring his dead bride, Eurydice, back to the living world.

The libretto had been written by Alessandro Striggio and the singers were accompanied by an orchestra of about 40 musical instruments.

It was staged again in Mantua and then possibly in other towns in Italy before the score was published by Monteverdi in 1609. There is evidence that the opera was also performed in Salzburg, Geneva and Paris from 1614 onwards.

But after Monteverdi’s death in 1643 the opera was forgotten until a 19th century revival led to other performances.

While it is recognised that L'Orfeo is not the first opera, it is the earliest opera that is still regularly performed in theatres today and it established the basic form that European opera was to take for the next 300 years.

A performance in Paris in 1911 gave L’Orfeo particular prominence and it has since been regularly included in the repertoire of opera houses.

Nowadays, Monteverdi is acknowledged as the first great opera composer.


Photo of Cremona's Duomo
The Duomo in Cremona, where
Monteverdi studied music
Travel tip:

Cremona’s Duomo, where Monteverdi studied music, is an important example of Romanesque architecture dating from the 12th century. The facade with its large rose window was probably added in the 13th century. Linked to the cathedral by a loggia, is the Torrazzo, the tallest bell tower in Italy and the third largest in the world, standing at 112.7 metres. Work began on the Torrazzo in the eighth century and the spire was completed in 1309. 


Travel tip:

Mantua is an atmospheric old city, to the south east of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family, which has a famous room, Camera degli Sposi, decorated with frescoes by Andrea Mantegna.  It is not known for certain, but the premiere of L’Orfeo may have taken place in the Galleria dei Fiumi, which has the dimensions to accommodate a stage and orchestra and space for a small audience.


More reading:

The story of Monteverdi's L'Orfeo

Luca Marenzio, the madrigal writer who influenced Monteverdi

How court musician Jacopo Peri wrote the first 'opera'

Also on this day:

1902: The birth of band leader Pippo Barzizza

1936: The birth of actress and opera singer Anna Maria Alberghetti





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24 February 2016

L’Orfeo – an early opera

The lasting appeal of Monteverdi’s first attempt at opera


This bust of Monteverdi can be found in the John Paul II public gardens
A bust of Claudio Monteverdi in the
Pope John Paul II gardens in Cremona
L’Orfeo by Claudio Monteverdi, the earliest opera still being regularly staged, had its first performance on this day in 1607 in Mantua.

Two letters, both dated 23 February, 1607, refer to the opera due to be performed the next day in the Ducal Palace as part of the annual carnival in Mantua in Lombardy.

In one of them a palace official writes: ‘… it should be most unusual as all the actors are to sing their parts.’

Francesco Gonzaga, the brother of the Duke, wrote in a letter dated 1 March, 1607, that the performance had been to the ‘great satisfaction of all who heard it.’

L’Orfeo, or La favola d’Orfeo as it is sometimes called, is based on the Greek legend of Orpheus. It tells the story of the hero’s descent to Hades and his unsuccessful attempt to bring his dead bride, Eurydice, back to the living world.

While it is recognised that L'Orfeo is not the first opera, it is the earliest opera that is still regularly performed in theatres today and it established the basic form that European opera was to take for the next 300 years.

The composer, Claudio Monteverdi, was born in Cremona in Lombardy in 1567 and studied under the maestro di cappella at the cathedral in the city.

He managed to secure a position as a viola player at Vincenzo Gonzaga’s court in Mantua and went on to become master of music there in 1601.

In the early 17th century, the intermedio, the music played between the acts of a play, was evolving into the form of a complete musical drama or opera.

Monteverdi’s L’Orfeo was the first fully developed example of this. The libretto had been written by Alessandro Striggio and the singers were accompanied by an orchestra of about 40 musical instruments.

It was staged again in Mantua and then possibly in other towns in Italy before the score was published by Monteverdi in 1609. There is evidence that the opera was also performed in Salzburg, Geneva and Paris from 1614 onwards.

But after Monteverdi’s death the opera was forgotten until a 19th century revival led to other performances. Nowadays, Monteverdi is acknowledged as the first great opera composer.

A performance in Paris in 1911 gave L’Orfeo particular prominence and it has since been regularly included in the repertoire of opera houses.

In 2007, the 400th anniversary of the opera was celebrated with performances all over the world and new recordings of it were issued.

Monteverdi studied music at Cremona's Duomo
The Duomo in Cremona, where
Monteverdi studied music
Travel tip:

Cremona’s Duomo, where Monteverdi studied music, is an important example of Romanesque architecture dating from the 12th century. The facade with its large rose window was probably added in the 13th century. Linked to the cathedral by a loggia is the Torrazzo, the tallest bell tower in Italy and the third largest in the world, standing at 112.7 metres. Work began on the Torrazzo in the eighth century and the spire was completed in 1309.

Hotels in Cremona by Bookings.com

Travel tip:

Mantua is an atmospheric old city, to the south east of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family, which has a famous room, Camera degli Sposi, decorated with frescoes by Andrea Mantegna.  It is not known for certain, but the premiere of L’Orfeo may have taken place in the Galleria dei Fiumi, which has the dimensions to accommodate a stage and orchestra and space for a small audience.



Also on this day:






6 December 2015

Baldassare Castiglione – courtier and diplomat

Writer left a definitive account of life at court in Renaissance Italy


Baldassare Castiglione, the author of the Italian classic, The Book of the Courtier, was born on this day in 1478 near Mantua in Lombardy.
The portrait of Castiglione can be seen in the Louvre gallery in Paris
Raphael's portrait of Castiglione
now housed in the Louvre in Paris

His book about etiquette at court and the ideal of the Renaissance gentleman, has been widely read over the years and was even a source of material for Shakespeare after it was translated into English.

Castiglione was born into a noble household and was related on his mother’s side to the powerful Gonzaga family of Mantua. After studying in Milan he succeeded his father as head of the family and was soon representing the Gonzaga family diplomatically.

As a result he met Guidobaldo da Montefeltro, Duke of Urbino, and later took up residence in his court, which was regarded as the most refined and elegant in Italy at the time and received many distinguished guests.

The court was presided over by the Duke’s wife, Elisabetta Gonzaga, who impressed Castiglione so much that he wrote platonic sonnets and songs for her.

During this time he also became a friend of the painter, Raphael, who painted a portrait of him.

Castiglione later took part in an expedition against Venice organised by Pope Julius II during the Italian wars and was then sent by Pope Clement VI as a papal ambassador to Madrid. He died after contracting the plague in Toledo in 1529.

His book, Il Libro del Cortegiano, The Book of the Courtier, was published in 1528, the year before he died. It was written in the form of an imaginary dialogue between Elisabetta Gonzaga and her guests. Some readers have seen it as a guide to how to behave in society, while others have interpreted it as a philosophical work. But Castiglione has undoubtedly left us with a definitive and fascinating account of Renaissance court life.

Travel tip:

Mantua, the capital of the art-loving Gonzaga dukes, is an atmospheric city in Lombardy with many interesting things to see. The highlight is the magnificent Ducal Palace, which dominates the northern part of the city. It has about 500 rooms, which include the remarkable Camera degli Sposi, adorned with frescoes by Andrea Mantegna.

The imposing Ducal Palace in Urbino
Photo by Florian Prischi (CC BY-SA 3.0)

Travel Tip:

Urbino, which is inland from the Adriatic resort of Pesaro, is a majestic city on a steep hill.  It was once a centre of learning and culture, known not just in Italy but also in its glory days throughout Europe. The Ducal Palace, a Renaissance building made famous by Castiglione’s 'The Book of the Courtier', is one of the most important monuments in Italy and is listed as a Unesco World Heritage site.

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15 November 2015

Annunzio Mantovani - conductor

Orchestra leader brought light relief during World War Two


Mantovani moved to England as a child and made his career there
Mantovani moved to England as
a child and made his career there
Conductor and composer Annunzio Paolo Mantovani - best known simply as Mantovani - was born on this day in Venice in 1905.

The music produced by his orchestras, which became known as ‘the Mantovani sound', brought pleasure to millions and his recordings were best sellers in Britain and the US before the Beatles came on the scene.

Mantovani’s father, Benedetto Paolo Mantovani, who was known as ‘Bismarck’, was a violinist and leader of the orchestra of Teatro alla Scala opera house in Milan, at the time Arturo Toscanini was conductor.

The Mantovani family moved to England in 1912 after Bismarck was appointed conductor of the orchestra at Covent Garden.

Young Annunzio Mantovani studied the violin and piano in London before joining a touring orchestra. He quickly became a violin soloist and then a conductor.

Mantovani's popularity was based on light orchestral 'easy listening' music
Mantovani's popularity was based on light
orchestral 'easy listening' music
He went on to form his own orchestra, which toured the country, made radio broadcasts and recorded albums for Columbia and Decca.

His music was popular with the troops, who danced to it with their sweethearts when they came home on leave during the Second World War. It became known as ‘light orchestral’ or ‘easy listening’ music.

After the war, Mantovani concentrated on recording and developed his trademark ‘cascading strings’, or ‘tumbling strings’ effect with arranger Ronald Binge. The sound was used for the first time on the 1951 single, Charmaine, which sold more than one million copies.

Mantovani's father was orchestra leader at Teatro alla Scala under Arturo Toscanini.

More than 40 of his albums had also registered in the US pop charts before his recording career came to an end in 1972.

Annunzio Mantovani died in 1980 in Tunbridge Wells, Kent, aged 74.

Mantovani's father played in the orchestra at La Scala under conductor Arturo Toscanini
Mantovani's father played in the orchestra at La Scala
under conductor Arturo Toscanini
Travel tip:

Visitors can have a look inside Teatro alla Scala in Milan, where Mantovani’s father played in the orchestra, by touring the theatre’s museum. Costumes and memorabilia from the history of the theatre are kept on display there. The museum entrance is in Largo Ghiringhelli, just off Piazza Scala. It is open every day except the Italian Bank Holidays and certain days in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30 pm.

The Palazzo della Ragione in the centre of Mantua
The Palazzo della Ragione in the centre of Mantua
Travel tip:

The surname Mantovani originates from the Italian name given to people from Mantova in northern Italy. Mantova (in English, Mantua) is an atmospheric old city, to the southeast of Milan, in Lombardia. It is well known for its renaissance Palazzo Ducale, the seat of the Gonzaga family, which has a famous room, Camera degli Sposi, decorated with frescoes by Andrea Mantegna. 

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