Alessandro Striggio - composer and diplomat

Medici musician who invented the madrigal comedy

The score of Striggio's best known
work was missing for 281 years

The Renaissance composer Alessandro Striggio, famous as the inventor of the madrigal comedy, once thought to be the forerunner of opera, died on this day in 1592 in Mantua (Mantova), the town of his birth.

Although there is no accurate record of his age, it is thought he was born in 1536 or 1537, which would have put him in his mid-50s at the time of his death. 

Striggio spent much of his career in the employment of the Medici family in Florence, for whom he also served as a diplomat, undertaking visits to Munich, Vienna and London among other places on their behalf. 

He produced his best work while working for the Medici, composing madrigals, dramatic music, and intermedi - musical interludes - to be played between acts in theatrical performances.

Striggio’s best known composition is his Il cicalamento delle donne al bucato e la caccia (The gossip of the women at the laundry),  an innovative piece that combined music and words to tell a story, without acting. This was an example of what became known as the madrigal comedy, comprising a series of 15 humorous madrigals that together tell a story in words and music.

Perhaps his greatest achievements, though, were his choral works, including his motet Ecce beatam lucem, a feat of polyphony that included 40 independent voices, and his still more impressive Mass, Missa sopra Ecco sì beato giorno, which also featured 40 different voice parts and a final movement for 60 voices, which is thought to be the only piece of 60-part counterpoint in the history of Western Music.

Cosimo I de' Medici sent Striggio on
a diplomatic mission to Vienna

Although Striggio was born into an aristocratic family in Mantua, there is only sparse knowledge of his early life there. He possibly moved to Florence in his late teens or early 20s. He started work for Cosimo I de' Medici, Duke of Florence, on 1 March 1559 as a musician, eventually to replace Francesco Corteccia as the principal musician to the Medici court.

In the 1560s, he visited Venice and produced two books of madrigals influenced by the musical styles he encountered there.

Music was central to the Medici’s use of Striggio in a diplomatic role. Cosimo I craved the title of Archduke or Grand Duke, which within the hierarchy of the Holy Roman Empire was a rank below Emperor but a notch above Duke and equivalent to a King.

He ordered Striggio to travel to Vienna in the winter of 1566-67, sending his principal musician on a perilous journey through the Brenner Pass in order to meet Emperor Maximilian II and present Cosimo’s case for the Medici to be granted a royal title.

Striggio’s grand opus, Missa sopra Ecco sì beato giorno, was to be part of the presentation, underlining Cosimo’s commitment to the Catholic faith. Striggio was also charged with convincing Maximilian II that the Medici could support him both financially and militarily.

Unfortunately, Striggio reached Vienna only to find he needed to journey a further 140km (87 miles) north to Brno, where Maximilian had removed himself for the winter months. He presented the Emperor with a copy of the Mass, although he had too few musicians or singers with him in Brno for the piece to be performed.

The English composer Thomas Tallis is
said to have been inspired by Striggio

Instead, as Striggio continued his travels, it was performed in full before the courts of Munich and Paris, to great acclaim, before Vienna.  The Medici were granted the right to be headed by a Grand Duke two years later but it took almost 10 years for it to be given approval by the Emperor, although Cosimo I went by the title from 1569 until his death in 1574.

Striggio went on to visit England, having much respect for the work of musicians in the royal court there. He is said to have met Queen Elizabeth I and the composer Thomas Tallis, who had served in the courts of four monarchs - Henry VIII, Edward VI and Mary I, as well as Elizabeth I - and is considered one of England’s greatest composers, particularly of choral music. His own 40-voice motet, Spem in alium, is thought to have been inspired by his meeting with Striggio.

Striggio returned to Florence, where he became friends with Vincenzo Galilei, the lutenist and composer whose son was the astronomer and scientist, Galileo Galilei.

During the 1580s, Striggio began an association with the Este court in Ferrara, which at the time was at the forefront of musical composition in Italy. In 1586, he moved back to his home city, Mantua, although he would continue to compose music for the Medici at least until 1589.

Although the idea of Striggio’s madrigal comedy being the forerunner of opera is no longer widely held, the composer has a connection with the roots of opera in that his son, also called Alessandro, wrote the libretto of Claudio Monteverdi's L'Orfeo, one of the earliest works to fit the conventional definition of an opera.

As a footnote, the score of Striggio’s Missa sopra Ecco sì beato giorno was declared lost in 1726 but was rediscovered in 2007 by a musicologist from the University of California, Berkeley in the Bibliothèque nationale de France in Paris, where it had resided for most of the intervening years, unnoticed because it had reportedly been recorded in an inventory of manuscripts as being a four-part Mass by a composer called Strusco.

The Ducal Palace is one of many highlights of
the atmospheric city of Striggio's home city

Travel tip:

Mantua is an atmospheric old city in Lombardy, to the southeast of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. In the Renaissance heart of Mantua is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, an ampoule containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.  In nearby Piazze delle Erbe is the Chiesa di San Lorenzo, another masterpiece of Renaissance architecture. Its elegant facade and interior are adorned with beautiful artwork and sculptures.  In the same square, the Torre dell’Orologio Astronomico - the Astronomical Clock Tower - displays lunar cycles as well as the time. Installed in 1473, the clock has failed twice but was restored in 1989.

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Palazzo Vecchio was at
one time Cosimo I's home

Travel tip:

Florence’s imposing Palazzo Vecchio, formerly Palazzo della Signoria, a cubical building of four storeys made of solid rusticated stonework, crowned with projecting crenellated battlements and a clock tower rising to 94m (308ft), became home of Duke Cosimo I de' Medici moved his official seat from the Medici palazzo in via Larga in May 1540. When Cosimo later removed to Palazzo Pitti, he officially renamed his former palace the Palazzo Vecchio, the "Old Palace", although the adjacent town square, the Piazza della Signoria, still bears the original name. Cosimo commissioned the painter and architect Giorgio Vasari to build an above-ground walkway, the Vasari corridor, from the Palazzo Vecchio, through the Uffizi, over the Ponte Vecchio to the Palazzo Pitti. Cosimo I also moved the seat of government to the Uffizi, which translated literally, simply means ‘offices’. Today, of course, the Uffizi, is known the world over for its collection of art treasures.

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More reading:

Gonzaga court violinist Salomone Rossi, the leading Jewish musician of the Renaissance

Cosimo II de' Medici, patron of Galileo

Claudio Monteverdi, the Baroque composer who wrote the first real opera

Also on this day

1792: The birth of composer Gioachino Rossini

(Picture credit: Palazzo Vecchio by Geobia via Wikimedia Commons)

(Paintings: Portrait of Cosimo I de' Medici, Bronzino, Art Gallery of New South Wales)

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Saverio Bettinelli – writer

Jesuit scholar and poet was unimpressed with Dante

Saverio Bettinelli saw only limited
merit in Dante's Divine Comedy

Poet and literary critic Saverio Bettinelli, who had the temerity to criticise Dante in his writing, died at the age of 90 on this day in 1808 in Mantua.

Bettinelli had entered the Jesuit Order at the age of 20 and went on to become known as a dramatist, poet and literary critic, who also taught Rhetoric in various Italian cities.

In 1758 he travelled through Italy and Germany and met the French writers Voltaire and Rousseau.

Bettinelli taught literature from 1739 to 1744 at Brescia, where he formed an academy with other scholars. He became a professor of Rhetoric in Venice and was made superintendent of the College of Nobles at Parma in 1751, where he was in charge of the study of poetry and history and theatrical entertainment.

After travelling to Germany, Strasbourg and Nancy, he returned to Italy, taking with him two young relatives of the Prince of Hohenlohe, who had entrusted him with their education. He took the eldest of his pupils with him to France, where he wrote his famous Lettere dieci di Virgilio agli Arcadi, which were published in Venice.

He also wrote a collection of poems, Versi sciolti, and some tragedies for the Jesuit theatre.

The cover page for the first of 24 volumes
of Bettinelli's complete works 

In 1757 he wrote a series of letters addressed to Virgil, in which he criticised the Divine Comedy by Dante Alighieri. He stated: ‘Among the erudite books, only certain parts from the Divine Comedy should be included, and these would form no more than five cantos.’ Voltaire praised his opinions but Bettinelli made enemies among Italians as a result of what he had written.

In 1758 he was sent by King Stanislaw, Duke of Lorraine to visit Voltaire on a business matter.

Afterwards he went to live in Modena where he became a professor of Rhetoric again. In 1773 after the suppression of the Jesuit Order, he returned to live in his home town of Mantua. Then a siege of the city by the French caused him to move to Verona.

In 1797 he returned to Mantua, where despite his age, he remained energetic and capable. He published a complete edition of his works, which ran to 24 volumes, in 1799 in Venice.

Bettinelli died on 13 September 1808 in Mantua having reached the age of 90.

Detail from Andrea Mantegna's frescoes in the Camera
degli Sposi in Mantua's Palazzo Ducale

Travel tip:

Mantua is an atmospheric old city in Lombardy, to the south east of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. The Camera degli Sposi is decorated with frescoes by Andrea Mantegna, depicting the life of Ludovico Gonzaga and his family. The beautiful backgrounds of imaginary cities and ruins reflect Mantegna’s love of classical architecture.

Paolo Monti's 1972 photograph of the Basilica

Travel tip:

The 15th century Basilica of Sant’Andrea in Mantua, which houses the artist Andrea Mantegna’s tomb, is in Piazza Mantegna. Mantegna was buried in the first chapel on the left, which contains a picture of the Holy Family and John the Baptist that had been painted by him. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, an ampoule containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.

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Andrea Mantegna – artist

Genius led the way with his use of perspective

The painter Andrea Mantegna died on this day in 1506 in Mantua.

Mantegna's San Sebastian is at
the Louvre in Paris

He had become famous for his religious paintings, such as St Sebastian, which is now in the Louvre in Paris, and The Agony in the Garden, which is now in the National Gallery in London.

But his frescoes for the Bridal Chamber (Camera degli Sposi) at the Palazzo Ducale in Mantua - Mantova in Italian - were to influence many artists who followed him because of his innovative use of perspective.

Mantegna studied Roman antiquities for inspiration and was also an eminent engraver.

He was born near Padua - Padova - in about 1431 and apprenticed by the age of 11 to the painter, Francesco Squarcione, who had a fascination for ancient art and encouraged him to study fragments of Roman sculptures.

Mantegna was one of a large group of painters entrusted with decorating the Ovetari Chapel in the Church of the Eremitani in Padua.

Much of his work was lost when the Allied forces bombed Padua in 1944, but other early work by Mantegna can be seen in the Basilica of Sant’Antonio and in the Church of Santa Giustina in Padua.

Mantagna's Miracolo di San Giacomo in the Ovetari
Chapel of the Church of the Eremitani in Padua

The artist later came under the influence of Jacopo Bellini, the father of Giovanni and Gentile Bellini, and in 1453 he married Jacopo’s daughter, Nicolosia.

By 1459 he had moved on to Verona, where he painted a grand altarpiece for the Church of San Zeno and the following year he was appointed court artist by the Marquis Ludovico III Gonzaga of Mantua.

Mantegna’s frescoes for the Camera degli Sposi are considered among his best works and include portraits of members of the Gonzaga family.

The artist went on to paint nine pictures of the Triumphs of Caesar, drawing on his classical knowledge, which are also considered by experts to be among his finest works. These were sold in 1628 to King Charles I of England and are now in Hampton Court Palace.

After his death at about the age of 75 in Mantua, Mantegna’s sons set up a monument to him in the Church of Sant’Andrea.

Mantegna's ceiling of the Camera degli Sposi shows how he
created an illusion of depth through his use of perspective

Mantegna’s main artistic legacy is considered to be the introduction of spatial illusionism, as exemplified by the ceiling cupola of the Camera degli Sposi, which although flat appears concave. This use of perspective was followed by other artists for centuries.

Travel tip:

Mantua is an atmospheric old city in Lombardy, to the south east of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. The Camera degli Sposi is decorated with frescoes by Andrea Mantegna, depicting the life of Ludovico Gonzaga and his family. The beautiful backgrounds of imaginary cities and ruins reflect Mantegna’s love of classical architecture.

The Basilica of Sant'Andrea in Mantua.

Travel tip:

The 15th century Basilica of Sant’Andrea, which houses Andrea Mantegna’s tomb, is in Piazza Mantegna in Mantua. Mantegna was buried in the first chapel on the left, which contains a picture of the Holy Family and John the Baptist that had been  painted by him. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, an ampoule containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.

(Photo of the Basilica of Sant'Andrea by Geobia CC BY-SA 3.0)

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Claudio Monteverdi – composer

Baroque musician who gave us the first real opera

Bernardo Strozzi's 1630 portrait of Monteverdi

The composer and musician Claudio Monteverdi was baptised on this day in 1567 in Cremona in Lombardy.

Children were baptised soon after their birth in the 16th century so it is possible Monteverdi was born on 15 May or just before.

He was to become the most important developer of a new genre, the opera, and bring a more modern touch to church music.

Monteverdi studied under the maestro di cappella at the cathedral in Cremona and published several books of religious and secular music while still in his teens.

He managed to secure a position as a viola player at Vincenzo Gonzaga’s court in Mantua where he came into contact with some of the top musicians of the time. He went on to become master of music there in 1601
.
It was his first opera, L’Orfeo, written for the Gonzaga court, that really established him as a composer.

In the early 17th century, the intermedio, the music played between the acts of a play, was evolving into the form of a complete musical drama, or opera. Monteverdi’s L’Orfeo was the first fully developed example of this and is the earliest opera still being regularly staged.

It had its first performance in 1607 in Mantua. Two letters, both dated 23 February, 1607, refer to the opera due to be performed the next day in the Ducal Palace as part of the annual carnival in Mantua in Lombardy.

The frontispiece from Monteverdi's
score of L'Orfeo, performed in 1607

In one of them a palace official writes: ‘… it should be most unusual as all the actors are to sing their parts.’

Francesco Gonzaga, the brother of the Duke, wrote in a letter dated 1 March, 1607 that the performance had been to the ‘great satisfaction of all who heard it.’

L’Orfeo, or La favola d’Orfeo as it is sometimes called, is based on the Greek legend of Orpheus. It tells the story of the hero’s descent to Hades and his unsuccessful attempt to bring his dead bride, Eurydice, back to the living world.

The libretto had been written by Alessandro Striggio and the singers were accompanied by an orchestra of about 40 musical instruments.

It was staged again in Mantua and then possibly in other towns in Italy before the score was published by Monteverdi in 1609. There is evidence that the opera was also performed in Salzburg, Geneva and Paris from 1614 onwards.

But after Monteverdi’s death in 1643 the opera was forgotten until a 19th century revival led to other performances.

While it is recognised that L'Orfeo is not the first opera, it is the earliest opera that is still regularly performed in theatres today and it established the basic form that European opera was to take for the next 300 years.

A performance in Paris in 1911 gave L’Orfeo particular prominence and it has since been regularly included in the repertoire of opera houses.

Nowadays, Monteverdi is acknowledged as the first great opera composer.

The Duomo in Cremona, where
Monteverdi studied music

Travel tip:

Cremona’s Duomo, where Monteverdi studied music, is an important example of Romanesque architecture dating from the 12th century. The facade with its large rose window was probably added in the 13th century. Linked to the cathedral by a loggia, is the Torrazzo, the tallest bell tower in Italy and the third largest in the world, standing at 112.7 metres. Work began on the Torrazzo in the eighth century and the spire was completed in 1309. 


Travel tip:

Mantua is an atmospheric old city, to the south east of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family, which has a famous room, Camera degli Sposi, decorated with frescoes by Andrea Mantegna.  It is not known for certain, but the premiere of L’Orfeo may have taken place in the Galleria dei Fiumi, which has the dimensions to accommodate a stage and orchestra and space for a small audience.


More reading:

The story of Monteverdi's L'Orfeo

Luca Marenzio, the madrigal writer who influenced Monteverdi

How court musician Jacopo Peri wrote the first 'opera'

Also on this day:

1902: The birth of band leader Pippo Barzizza

1936: The birth of actress and opera singer Anna Maria Alberghetti





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Baldassare Castiglione – courtier and diplomat

Writer left a definitive account of life at court in Renaissance Italy

Baldassare Castiglione, the author of the Italian classic, The Book of the Courtier, was born on this day in 1478 near Mantua in Lombardy.

Raphael's portrait of Castiglione
now housed in the Louvre in Paris

His book about etiquette at court and the ideal of the Renaissance gentleman, has been widely read over the years and was even a source of material for Shakespeare after it was translated into English.

Castiglione was born into a noble household and was related on his mother’s side to the powerful Gonzaga family of Mantua. After studying in Milan he succeeded his father as head of the family and was soon representing the Gonzaga family diplomatically.

As a result he met Guidobaldo da Montefeltro, Duke of Urbino, and later took up residence in his court, which was regarded as the most refined and elegant in Italy at the time and received many distinguished guests.

The court was presided over by the Duke’s wife, Elisabetta Gonzaga, who impressed Castiglione so much that he wrote platonic sonnets and songs for her.

During this time he also became a friend of the painter, Raphael, who painted a portrait of him.

Castiglione later took part in an expedition against Venice organised by Pope Julius II during the Italian wars and was then sent by Pope Clement VI as a papal ambassador to Madrid. He died after contracting the plague in Toledo in 1529.

His book, Il Libro del Cortegiano, The Book of the Courtier, was published in 1528, the year before he died. It was written in the form of an imaginary dialogue between Elisabetta Gonzaga and her guests. Some readers have seen it as a guide to how to behave in society, while others have interpreted it as a philosophical work. But Castiglione has undoubtedly left us with a definitive and fascinating account of Renaissance court life.

Travel tip:

Mantua, the capital of the art-loving Gonzaga dukes, is an atmospheric city in Lombardy with many interesting things to see. The highlight is the magnificent Ducal Palace, which dominates the northern part of the city. It has about 500 rooms, which include the remarkable Camera degli Sposi, adorned with frescoes by Andrea Mantegna.

The imposing Ducal Palace in Urbino
Photo by Florian Prischi (CC BY-SA 3.0)

Travel Tip:

Urbino, which is inland from the Adriatic resort of Pesaro, is a majestic city on a steep hill.  It was once a centre of learning and culture, known not just in Italy but also in its glory days throughout Europe. The Ducal Palace, a Renaissance building made famous by Castiglione’s 'The Book of the Courtier', is one of the most important monuments in Italy and is listed as a Unesco World Heritage site.

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Annunzio Mantovani - conductor

Orchestra leader brought light relief during World War Two

Mantovani moved to England as
a child and made his career there

Conductor and composer Annunzio Paolo Mantovani - best known simply as Mantovani - was born on this day in Venice in 1905.

The music produced by his orchestras, which became known as ‘the Mantovani sound', brought pleasure to millions and his recordings were best sellers in Britain and the US before the Beatles came on the scene.

Mantovani’s father, Benedetto Paolo Mantovani, who was known as ‘Bismarck’, was a violinist and leader of the orchestra of Teatro alla Scala opera house in Milan, at the time Arturo Toscanini was conductor.

The Mantovani family moved to England in 1912 after Bismarck was appointed conductor of the orchestra at Covent Garden.

Young Annunzio Mantovani studied the violin and piano in London before joining a touring orchestra. He quickly became a violin soloist and then a conductor.

Mantovani's popularity was based on light
orchestral 'easy listening' music

He went on to form his own orchestra, which toured the country, made radio broadcasts and recorded albums for Columbia and Decca.

His music was popular with the troops, who danced to it with their sweethearts when they came home on leave during the Second World War. It became known as ‘light orchestral’ or ‘easy listening’ music.

After the war, Mantovani concentrated on recording and developed his trademark ‘cascading strings’, or ‘tumbling strings’ effect with arranger Ronald Binge. The sound was used for the first time on the 1951 single, Charmaine, which sold more than one million copies.

Mantovani's father was orchestra leader at Teatro alla Scala under Arturo Toscanini.

More than 40 of his albums had also registered in the US pop charts before his recording career came to an end in 1972.

Annunzio Mantovani died in 1980 in Tunbridge Wells, Kent, aged 74.

Mantovani's father played in the orchestra at La Scala
under conductor Arturo Toscanini

Travel tip:

Visitors can have a look inside Teatro alla Scala in Milan, where Mantovani’s father played in the orchestra, by touring the theatre’s museum. Costumes and memorabilia from the history of the theatre are kept on display there. The museum entrance is in Largo Ghiringhelli, just off Piazza Scala. It is open every day except the Italian Bank Holidays and certain days in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30 pm.

The Palazzo della Ragione in the centre of Mantua

Travel tip:

The surname Mantovani originates from the Italian name given to people from Mantova in northern Italy. Mantova (in English, Mantua) is an atmospheric old city, to the southeast of Milan, in Lombardia. It is well known for its renaissance Palazzo Ducale, the seat of the Gonzaga family, which has a famous room, Camera degli Sposi, decorated with frescoes by Andrea Mantegna. 

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