Ferdinando Galiani - economist and philosopher

Leading figure in the Neapolitan Enlightenment

Ferdinando Galiani spent much of
his life in government service

The economist and philosopher Ferdinando Galiani, whose theories on market economics are considered to be years ahead of his time, was born on this day in 1728 in Chieti, now in Abruzzo but then part of the Kingdom of Naples.

Galiani spent much of his life in the service of the Naples government, spending 10 years as secretary to the Neapolitan ambassador in Paris before returning to Naples in the role of councillor of the tribunal of commerce, being appointed administrator of the royal domains in 1777.

A fine writer and wit as well as a talented economist, Galiani wrote a number of humorous works as well as two significant treatises, the first of which, Della Moneta, was written while he was still a student, at the age of 22.

Initially published anonymously, Della Moneta - On Money - was ostensibly a work about the history of money and the monetary system, but Galiani used it as an opportunity to intervene in the Neapolitan debate on economic reform, his opinions on the development of the Neapolitan economy evolving into a theory of market value based on utility and scarcity.

At the same time, he put forward what was then a revolutionary notion of the importance of freedom to the well-being of any society, one shared by many contemporary thinkers, including the French writer and philosopher Voltaire.

Advancing arguments based on the principle of personal freedom, Galiani suggested that the value of anything should be determined by the mutual agreement of buyer and seller, with prices and wages set naturally according to demand.

Galiani's seminal work, Della
Moneta, which he wrote at 22

He argued that any form of control of the market would lead to injustices in society and could therefore be defined as tyranny. 

Galiani’s views on fairness could almost certainly be attributed to the education he received from his uncle, Monsignor Celestino Galiani, a prominent archbishop, whose intention was to prepare his nephew for a life as a clergyman.

In the event, Galiani revealed a talent not only for economics but as a witty writer, whose clever parodies of the Neapolitan literary style established his reputation as a humorist. In all his writing, however, he was faithful to the fundamental principles of truth and justice imbued in him by his uncle. 

During his time in Paris, Galiani wrote his second important treatise, Dialogues sur le commerce des blés - Dialogues on the Grain Trade - in which he argued in favour of regulation of the corn market on the basis that free international trade in grain, not so much a commodity as a necessity, risked the wellbeing of the population if foreign markets were more attractive to producers than domestic ones.

Galiani wrote fluently in both French and Italian, and his letters are seen as valuable for their depiction of economic, social, and political life in 18th-century Europe. He died in Naples in 1787 at the age of 58.

Chieti's Baroque Cathedral
of San Giustino

Travel tip:

Chieti, the capital of the Abruzzi region, is among the most historic Italian cities, reputedly founded in 1181BC by the Homeric Greek hero Achilles and named Theate in honour of his mother, Thetis. The city is notable for the Gothic Cathedral of San Giustino, which has a Romanesque crypt dated at 1069 but is mainly of later construction, having been rebuilt a number of times, usually because of earthquake damage.  The main part of the cathedral is in early 18th century Baroque style.  Situated about 20km (12 miles) inland from the Adriatic city of Pescara, the city consists of Chieti Alta, the higher part and the historic centre, and the more modern Chieti Scalo.

Pescara, with the snow-capped mountains of the
Gran Sasso range in the background

Travel tip:

Pescara, a city of almost 120,000 people on the Adriatic in the Abruzzo region, is known for its 10 miles of clean, sandy beaches, yet is only 50km (31 miles) from the Gran Sasso mountain range, the snow-capped peaks of which are visible even from the coast on a clear winter’s day. The city is the birthplace of the poet, patriot and military leader, Gabriele D’Annunzio. His childhood home, the Casa Natale di Gabriele D’Annunzio, which can be found in the historic centre of the city on the south side of the Fiume Pescara, which bisects the city, houses a museum about his life and works. The Museo delle Genti d'Abruzzo has exhibitions on regional industries like ceramics and olive oil. Pieces by Miró and Picasso are on view at the Vittoria Colonna Museum of Modern Art.

Also on this day:

1684: The birth of cook and unlikely war hero Maria Bricca

1916: The death of composer Paolo Tosti

1930: The birth of fashion designer Roberto Capucci

1946: The birth of fashion designer Gianni Versace

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Masaniello - insurgent

Fisherman who led Naples revolt 

Onofrio Palumbo's portrait of Masaniello,
which is in San Martino museum in Naples

The 17th century insurgent known as Masaniello was born on this day in 1620 in Naples.

A humble fishmonger’s son, Masaniello was the unlikely leader of a revolt against the Spanish rulers of his home city in 1647, which was successful in that it led to the formation of a Neapolitan Republic, even though Spain regained control within less than a year.

The uprising, which followed years of oppression and discontent among the 300,000 inhabitants of Naples, was sparked by the imposition of taxes on fruit and other basic provisions, hitting the poor particularly hard.

Masaniello - real name Tommaso Aniello - was a charismatic character, well known among the traders of Piazza Mercato, the expansive square that had been a centre of commerce in the city since the 14th century.

Born in a house in Vico Rotto al Mercato, one of the many narrow streets around the market square, situated close to the city’s main port area, he followed his father, Ciccio d’Amalfi, into the fish trading business. 

He had his own clients among the Spanish nobility, with whom he traded directly to avoid taxation. He was a smuggler, too, although he was frequently caught. He took his regular spells in prison on the chin but was less phlegmatic when his young wife, Bernardina, was arrested and sentenced to eight days in jail, after she had entered the city with a quantity of flour - also subject to tax - hidden in a sock.

Masaniello was told he could spare Bernardina from the ordeal of prison if he paid the authorities a ransom of one hundred crowns. He found the money, but only by putting himself in debt, after which he resolved that he would somehow avenge the Neapolitan people against their oppressors.

An illustration of Masaniello (right)
with academic Giulio Genoino

The opportunity arose after one of his own stays in prison, in which he met a lawyer, Marco Vitale, through whom he came into contact with several members of the Naples middle classes who wanted to see something done about the corruption among the tax inspectors and the privileges granted to the nobility.

Among them was an octogenarian cleric and academic, Giulio Genoino, who recognised in Masaniello someone who could command popular support and recruited him to his cause.

It was under Genoina’s instruction that Masaniello organised a demonstration on 7 July, 1647, among the fruit sellers of Piazza Mercato, having persuaded two of his relatives to refuse to pay the tax on fruit imposed by a new viceroy, Rodrigo Ponce de León, Duke of Arcos, who had arrived in Naples the previous year with a brief to raise money for the faltering Spanish Habsburg empire.

The demonstrators were aware that there had been an uprising against the Spanish rulers in Sicily a couple of months earlier and their protests quickly turned into a riot.  Genoino tried to restore order, having envisaged a longer campaign of insurgency, but Masaniello had his own motives. He led a mob numbering nearly a thousand on a rampage, ransacking the armouries and opening the prisons.

The Roman painter Michelangelo Cerquozzi's
painting of the revolt in Piazza del Mercato

The viceroy tried to placate the insurgents by promising to abolish the new taxes and appointing Masaniello as Captain-General of the People. He and Genoino negotiated with De León through the mediation of the Archbishop of Naples, demanding parity between people and nobility on the city council.

De León acceded but the Naples nobility were unhappy. Even before the ceremony to confirm his elevation to Captain-General, Masaniello was the target of an assassination attempt.  Little more than a week after the riots in Piazza del Mercato, Masaniello went to the Basilica Santuario di Maria Santissima del Carmine, a church on the edge of the square.

He interrupted mass and delivered a blasphemous address denouncing his fellow-citizens. Arrested, he was taken to a nearby monastery and executed, after which his head was paraded on a pike around the streets of Naples.

The death of Masaniello did not restore order. Extremists took over and a second revolution took place in August which culminated in the proclamation of a Neapolitan republic under French protection.  

The Spanish fleet attempted to regain control, bombarding the city in October 1647 but failed to break the resolve of the insurgents and Naples was declared a free republic. However, rival factions among the revolutionaries could not agree on a way forward and in April 1648 the Spanish regained control of the city. 

The Fountain of the Lions in Piazza Mercato looking
towards the Chiesa di Santa Croce e Purgatorio

Travel tip:

Piazza Mercato in Naples has long been the focal point of commercial life in the city due to its location not far from the port. Overlooked by the Basilica of Santa Maria del Carmine, it was the setting for the execution of Eleonora Fonseca Pimentel and her fellow revolutionaries in 1799. It was also the location for the beheading in 1268 of Corradino, a 16-year-old King of Naples.  Michelangelo Cerquozzi, the Baroque painter born in Rome in 1602, collaborated with the painter Viviano Codazzi in 1648 on a canvas depicting the Revolt of Masaniello, which is currently at the Galleria Spada in Rome.

The Basilica of Santa Maria del
Carmine overlooks the square

Travel tip:

The Basilica of Santa Maria del Carmine can be found at one end of Piazza Mercato. Its history goes back to the 13th century, when it was established by Carmelite friars driven from the Holy Land in the Crusades, who probably arrived in the Bay of Naples aboard Amalfitan ships. Some sources, however, place the original refugees from Mount Carmel as early as the eighth century. The church is still in use and the 75m (246ft) bell tower is visible from a distance, while the square adjacent to the church was the site in 1268 of the execution of Conradin, the last Hohenstaufen heir to the throne of the kingdom of Naples, at the hands of Charles I of Anjou, thus beginning the Angevin reign of the kingdom.

Also on this day:

1844: The birth of photographer and catering entrepreneur Federico Peliti

1861: The death of poet Elizabeth Barrett Browning

1925: The birth of politician Giorgio Napolitano

1929: The birth of journalist Oriana Fallaci

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Carlo Filangieri - military general

Brilliant soldier who served several masters

Carlo Filangeri was known as a
brilliant military strategist

The military general Carlo Filangieri, who fought for both the Napoleonic and Bourbon leaders of Naples in the 19th century and is best known for his suppression of the Sicilian uprising of 1848, was born on this day in 1784 in Cava de’ Tirreni in Campania.

Filangieri was a key strategist for Joachim Murat, the flamboyant cavalry leader Napoleon had made King of Naples, achieving a major victory at personal cost in Murat’s ultimately failed campaign against Austria in 1815.

When Murat was defeated and the Bourbon monarch Ferdinand IV was reinstated as King of Naples, Filangieri was retained, going on to serve his successor, Ferdinand II of the Two Sicilies, under whose orders he put down the revolution of 1848.

Filangieri was from a noble family in Naples, the son of Gaetano Filangieri, a celebrated philosopher and jurist who had the title of Prince of Satriano, a town in Calabria, which Carlo would inherit.  His family were staying at the Villa Eva in Cava de’ Tirreni at the time of his birth, because it was felt his father’s poor health would benefit from living away from Naples.

From an early age he was keen to follow a military career and, after making the acquaintance in Milan of the commander of the French army in Italy, who was an admirer of his father’s work, he was introduced to Napoleon Bonaparte and given a place at military school in France. On graduating, he became a lieutenant and fought in the War of the Third Coalition, part of the Napoleonic Wars, in 1805, serving with distinction under General Louis-Nicolas Davout in the French victory against the Austrian and Russian Empires at the Battle of Austerlitz.

The Palazzo Ravaschieri di Satriano a Napoli, the palace,
 on the Naples waterfront that became Filangieri's home

The following year he returned to Italy, where he served under Jean-Andre Massena's command during his campaign against Bourbon Naples, and he would later become an adjutant to Murat when the latter became King of Naples. He lived in some style at the Palazzo Ravaschieri di Satriano a Napoli, on the then-prestigious Riviera di Chiaia, the long waterfront boulevard that stretches west from the Castel dell'Ovo.

On Murat’s behalf, Filangieri pulled off a brilliant victory over the Austrians at the Battle of the Panaro near Modena in northern Italy, although he was severely wounded in the process.  

The campaign ended in defeat for Murat and Naples returned to Bourbon control, initially under the leadership of Ferdinand IV of Naples, who assumed the title of Ferdinand I of the Two Sicilies when the Kingdoms of Naples and Sicily merged in 1816.  Filangieri was retained in his rank but after siding with the Italian patriot and constitutionalist General Guglielmo Pepe in the uprisings of 1820 was dismissed from service.

He retired to his estates in Calabria but was persuaded to return by Ferdinand II in 1831. When more uprisings broke out in 1848, he advised the monarch to grant the constitution. However, this was put on hold again when Sicily seceded from Naples he was charged with regaining control of the island.

An 1830 painting shows Joachim Murat helping
the wounded Filangieri at the Battle of the Panaro

After severe fighting and sustained bombardment, he captured Messina, the city at the northeast tip of the island, closest to the mainland, after which he advanced south, laying siege to Catania. By May 1849, at a cost of considerable bloodshed, he had subdued the whole of Sicily, though not without much bloodshed.

He remained in Sicily until 1855. On the death of Ferdinand II in 1859, the new monarch Francis II appointed Filangieri as minister of war and president of the council. However, he soon resigned after Francis rejected another proposal to grant a popular constitution and to ally Naples with France and Piedmont against Austria. 

The following year, Francis at last promulgated the constitution, but by then Giuseppe Garibaldi’s forces were in Sicily and Naples was a cauldron of rebellion. Filangieri refused to fight against Garibaldi and was ordered to leave Naples. 

He initially went to Marseilles, moved for a time to Florence and eventually settled at his villa in San Giorgio a Cremano, in the foothills of Vesuvius, where he died in October 1867 at the age of 81.

The Borgo Scacciaventi is
part of Cava's main street

Travel tip:

Cava de’ Tirreni, where Filangieri was born, is a fascinating historical town just a few kilometres inland from Vietri sul Mare, the seaside resort at the southern end of the famed Amalfi Coast, occupying the valley between the cities of Salerno and Nocera Inferiore.  It takes its name from its first inhabitants, the Tyrrhenians, who were descended from the Etruscans. The focal point of the town is the long, porticoed Corso Umberto, which runs from one end of the centre to the other, eventually turning into the narrow, winding Borgo Scacciaventi, which was Cava’s 15th century shopping centre. With its nearby Benedictine Abbey, the Abbazia della Santissima Trinità, Cava de' Tirreni has been an important destination for travellers since the 17th century and was popular with poets and Grand Tourists in the 19th century.

The Villa Vannucchi, with its impressive gardens, is
one of the Ville Vesuviane in San Giorgio a Cremano

Travel tip:

Now a densely populated suburb of the Naples metropolis, San Giorgio a Cremano was a much different place in the 18th and 19th centuries, when it was one of the five traditional towns that travellers would pass through as they made their way south along the Bay of Naples, along with Portici, Ercolano, Torre del Greco and Torre Annunziata. All five towns were then popular summer resorts and many wealthy and aristocratic families chose them for their holiday homes. The sumptuous summer residences they built became known as the Ville Vesuviane (Vesuvian Villas), a great number of which are still preserved in San Giorgio.

Also on this day:

1548: The birth of Doge of Venice Antonio Priuli

1922: The birth of journalist Antonio Ghirelli

1949: The birth of fashion designer Miuccia Prada

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Benedetto Croce – philosopher and historian

Prolific writer opposed the Fascists and supported democracy

Benedetto Croce influenced literature,
philosophy and politics in his lifetime

Benedetto Croce, one of the most important figures in Italian life and culture in the first half of the 20th century, was born on this day in 1866 in Pescasseroli in the region of Abruzzo.

Croce was an idealist philosopher, historian and erudite literary scholar whose approach to literature influenced future generations of writers and literary critics. He was nominated for the Nobel Prize in Literature 16 times.

He became a Senator in 1910 and was Minister for Education from 1920 to 1921 in the last pre-Fascist government of the so-called Giolitti era. He is also remembered for his major contribution to the rebirth of Italian democracy after World War II.

Croce was born into a wealthy family and raised in a strict Catholic environment.  However, from the age of 16 he gave up Catholicism and developed a personal philosophy of spiritual life.

In 1883, while he was still a teenager, he was on holiday with his family on the island of Ischia when an earthquake struck the town of Casamicciola Terme and destroyed the house they were staying in. His mother, father and sister were all killed, but although he was buried for a long time, he managed to survive.

Croce inherited his family’s fortune and was able to live a life of leisure, devoting his time to philosophy and writing while living in a palazzo in Naples. His ideas began to be publicised at the University of Rome by Professor Antonio Labriola.

After his appointment to the Senate, Croce was a critic of Italy’s involvement in World War I. He left Government office about a year before Benito Mussolini assumed power.

Benedetto Croce (left), with the first president of
the post-War Italian republic, Enrico De Nicola

In 1923, Croce was instrumental in relocating the Biblioteca Nazionale Vittorio Emanuele III to the Palazzo Reale in Naples.

After Giacomo Matteotti was assassinated by the Fascists in 1924, Croce was one of the signatories to the manifesto of the anti-Fascist intellectuals and he provided financial support to anti-Fascist writers.

His home and library in Naples were ransacked by the Fascists in 1926 and he was put under surveillance. No mainstream newspaper or academic publication was allowed to refer to him.

Croce kept a diary during World War II entitled ‘Quando l’Italia era tagliato in due (When Italy was cut into two)’.

He made daily entries in this diary between July 1943 and June 1944. He had left his home in Naples, Palazzo Filomarino della Rocca, and gone to Sorrento to escape the Allied air raids.

He was staying in the Villa Tritone, a clifftop residence in Via Marina Grande overlooking the sea. The Germans entered and occupied Naples during September and on 12 September the Germans rescued Mussolini - who had been overthrown by the Fascist Grand Council and held captive - from his prison on Gran Sasso in the mountains of Abruzzo with a glider-borne team.

The entrance to Villa Tritone on Via Marina Grande
in Sorrento, where Croce moved during World War II

On 13 September, Croce writes that he has been receiving anonymous threats. The following day he reports that there were lots of Fascists roaming the streets of Sorrento.

He is advised to leave the Villa Tritone immediately to avoid being taken hostage by Fascists who would use him for propaganda purposes.

The next day’s entry was written by him on Capri. Croce reports that a floating mine was found in the sea below the villa and it was thought the retreating Germans might have been planning to come and take him as they had taken other prominent Italians in Salerno.

A motorboat was sent for him and his daughters from Capri, which was at the time firmly in Allied hands. The family were able to use the stairs that led from Villa Tritone down to the beach to get away. On board were a police commissioner from Capri and an English army officer who had been tasked with rescuing him. 

The boat returned to Sorrento later to collect Croce’s wife and another of his daughters who had stayed behind to pack up their possessions. On board were the same police commissioner and Major Munthe, the son of Axel Munthe, the Swedish doctor who was a Capri resident for a large part of his life and was famous for his best-selling memoir, The Story of San Michele. The Fascist and German radio stations broadcast that ‘Croce and others’ were to be severely punished, but the Allies were able to counter this by broadcasting that the philosopher was now safely on Capri.

When democracy was restored in Italy in 1944, Croce became a minister in the governments of Pietro Badoglio and Ivanoe Bonomi.

He voted for the Monarchy in the Constitutional referendum in 1946. He was elected to the Constituent Assembly that existed until 1948 but he declined to stand as provisional president of Italy.

Croce’s philosophical ideas were expressed in more than 80 books and 40 years worth of articles in his own literary magazine, La Critica. His theories were later debated by many Italian philosophers, including Umberto Eco.

Croce was President of PEN International, the worldwide writer’s association, from 1949 until his death in Naples in 1952.

His widow and daughters established the Fondazione Biblioteca Benedetto Croce in the Palazzo Filomarino della Rocca in 1955. The street on which the palazzo stands is now named Via Benedetto Croce.

The Palazzo Reale in Naples, which houses the
Biblioteca Nazionale Vittorio Emanuele III

Travel tip:

The Biblioteca Nazionale Vittorio Emanuele III, a national library of Italy, now occupies the eastern wing of the 18th century Palazzo Reale in Naples as a result of efforts made on its behalf by Benedetto Croce in the 1920s. It houses nearly one and a half million printed volumes, as well as hundreds of thousands of pamphlets, manuscripts and periodicals. The library had been founded in the 18th century in the Palazzo degli Studi but after various collections were added to it, following the suggestion of Croce, the library was moved to Palazzo Reale and installed in accommodation granted to it by King Victor Emmanuel III.

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A plaque on the exterior wall of the
Villa Tritone commemorates Croce's stay

Travel tip:

A plaque on the exterior wall of Villa Tritone in Sorrento records the residence there during World War II of Benedetto Croce ‘when Italy was cut in two’. A villa had been built on the site in the first century AD by Agrippa Postumus, grandson of Emperor Augustus, and Ovid was said to have been a frequent visitor. This became the site of a convent in the 13th century and then the land was purchased in the 19th century by Count Labonia and the present villa was built. At the beginning of the 20th century William Waldorf Astor bought the villa and designed the garden behind it with windows cut in the high wall on the seaward side to give views of the sea and Vesuvius across the bay.

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More reading:

How Mussolini's thugs kidnapped and murder brave politician Giacomo Matteotti

The controversial general who turned against Mussolini

Political philosopher who defined Right and Left in simple terms

Also on this day:

1626: The death of painter Enea Salmeggia

1683: The birth of pathological anatomist Giovanni Battista Morgagni

1707: The birth of playwright Carlo Goldoni

1873: The birth of opera singer Enrico Caruso

2003: The death of comic actor Alberto Sordi

(Picture credit: Palazzo Reale by Vitold Muratov via Wikimedia Commons)

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Giovanni Amendola - journalist and politician

Liberal writer died following attack by Mussolini’s thugs

Giovanni Amendola was a committed anti-Fascist who
accused Mussolini of murdering a fellow politician

Giovanni Amendola, a dedicated opponent of Fascism, was born on this day in 1882 in Naples in southern Italy.

As a critic of the right wing extremists in Italy, Amendola had to suffer a series of attacks by hired thugs. He endured a particularly brutal beating in 1925 by 15 Blackshirts armed with clubs near Montecatini Terme in Tuscany and he later died as a result of his injuries, becoming one of the earliest victims of the Fascist regime.

Amendola had obtained a degree in philosophy and contributed to the newspapers, Il Leonardo and La Voce, expressing his philosophical and ideological views. He was given the chair of theoretical philosophy at the University of Pisa but, attracted by politics, he stood for parliament and was elected to the Chamber of Deputies three times to represent Salerno.

He began contributing to Il Resto di Carlino and Corriere della Sera, urging Italy’s entry into World War I in 1915. He then fought as a volunteer, reaching the rank of captain and winning a medal for valour.

Amendola supported the Italian Liberal movement but was completely against the ideology of prime minister Giovanni Giolitti. During the war he adopted a position of democratic irredentism and at the end of hostilities was nominated as a minister by prime minister Francesco Saverio Nitti.

Socialist leader Giacomo Matteotti was murdered
on the orders of Fascist leader Benito Mussolini

In 1924 Amendola refused to adhere to the ‘Listone Mussolini’ and attempted to become prime minister himself at the head of a liberal coalition. He was defeated in the election but continued his battle for democracy, writing for Il Mondo, a new daily newspaper, which he had founded together with other intellectuals.

Amendola is famous for publishing the Rossi Testimony in December 1924. The document directly implicated the prime minister, Mussolini, in the murder of Giacomo Matteotti, the leader of the Socialist PSU party as well as declaring that Mussolini was behind the reign of terror that had led up to the 1924 elections.

Amendola was one of the deputies who withdrew from the Chamber in protest against the result afterwards. In spite of the threats against his life that had been made during the election campaign, he declared the Fascist government to be unconstitutional.

He was resented by Mussolini for his prominent opposition and as a result suffered an horrific attack in July 1925. He managed to get out of the country and into the south of France but, still suffering from his severe injuries, he died in April 1926 in Cannes.

Amendola left a wife and four children. His eldest son, Giorgio Amendola, became an important political writer and politician.

The statue of Giovanni Amendola in
front of Salerno's Palazzo di Giustizia

Travel tip:

Salerno, the city represented in parliament by Giovanni Amendola, is in Campania in southern Italy on the Gulf of Salerno on the Tyrrhenian Sea. It has a Greek and Roman heritage and was an important Lombard principality in the middle ages, when the first medical school in the world was founded there. King Victor Emmanuel III moved there in 1943, making it a provisional seat of Government for six months and it was the scene of Allied landings during the invasion of Italy in World War II.  There is a statue of Giovanni Amendola in front of the Palazzo di Giustizia in Salerno.

The Terme Tettuccio is one of the most famous of
Montecatini Terme's famed spas

Travel tip:

Montecatini Terme in Tuscany, where Amendola suffered the attack that caused his death, is an elegant spa town in the province of Pistoia. Its heyday was in the early part of the 20th century, when restaurants, theatres, nightclubs and a casino were built there and many celebrities visited. The town welcomed the famous composers, Ruggero Leoncavallo, Giuseppe Verdi and Pietro Mascagni, and the tenor, Beniamino Gigli.

Also on this day:

1446: The death of architect Filippo Brunelleschi

1452: The birth of Renaissance polymath Leonardo da Vinci

1754: The death of Venetian mathematician Jacopo Riccati


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Edoardo De Martino – painter

Naval officer who painted battle scenes was a favourite of British royal family

Edoardo De Martino, photographed at
work in around 1906

Edoardo Federico De Martino, an artist who became famous for his paintings of warships and naval battles, was born on this day in 1838 in Meta, just outside Sorrento.

At the height of his success, De Martino worked in London, where his paintings of ships and famous British naval victories were held in high regard by Queen Victoria.

He went on to work as a painter for Queen Victoria’s son, King Edward VII, and he often accompanied the King on naval tours.

De Martino was born in the small town of Meta, to the northeast of Sorrento, which had a long history of boat building.  He served as an officer in the Italian Navy but by the time he was 30 his main interest was painting.

He became associated with the School of Resina, a group of artists who painted landscapes and contemporary scenes that gathered in Resina, a seaside resort south of Naples, now incorporated into the towns of Herculaneum and Portici. Influenced by his fellow artists, De Martino eventually went to live and work in Naples.

He found fame after moving to London, where he painted scenes from the battles of Trafalgar, the Nile and Cape San Vincenzo.

A naval scene, thought to be depicting a battle in
1826, painted by De Martino in 1888

For his service as Marine painter in Ordinary to King Edward VII, De Martino was appointed an Honorary Commander of the Royal Victorian Order (CVO) in the 1902 Birthday Honours. He received the decoration from King Edward VII at Sandringham House on 9 November 1902.

From 1905 onwards, De Martino travelled widely, completing paintings of Italian naval ships and views of the Brazilian coast.  He died in Richmond-upon-Thames in London in 1912 at the age of 76.

In 2013, many of De Martino’s sketches and paintings were put on display in an exhibition organised by the Association of Commercianti del Casale di Meta.

The Basilica of Santa Maria del Lauro is one of the finest
churches on the Sorrentine peninsula

Travel tip:

Meta, where Edoardo De Martino was born, lies between Piano di Sorrento and Vico Equense on the main coastal road going from Sorrento in the direction of Naples. The town has a long history of boat building and by the time of his birth its shipyards were producing hundreds of boats, with the local women sewing the sails for them in the courtyards of their houses. Although steamships eventually replaced sailing boats, the shipyards continued to produce the Sorrentine Gozzo, a small sailing and rowing boat that enables the occupant to fish and row at the same time. Meta has a magnificent church, the Cathedral of Santa Maria del Lauro, in the centre of the town, just off the main road. The church was built in medieval times on the site of an ancient temple after a local deaf and dumb woman was said to have found a statue of the Virgin Mary under a laurel tree and then miraculously had her hearing and speech restored. It was rebuilt in the 16th century and restored and modified in the 18th and 19th centuries. The wooden door is from the 16th century building and the Chapel of the Madonna del Lauro has frescoes from the 18th century. Meta celebrates the Festa of Santa Maria del Lauro every year on 12 September.

The Castel Nuovo in Naples, with the port, one of the
largest in the Mediterranean, in the background

Travel tip:

Naples, the Italian city where Edoardo De Martino lived after becoming a full-time painter, has one of the largest ports in Italy and one of the largest on the Mediterranean, which would have been a constant source of inspiration to him. Nowadays the port has a huge capacity for cargo traffic and receives many cruise ships. There are also ferry services to the islands of Capri, Ischia and Procida out in the bay and regular services to Sicily, Sardinia, the Aeolian islands and Ponza.

Also on this day: 

1281: The birth of condottiero Castruccio Castracani

1825: The birth of compassionate priest Francesco Faà di Bruno

1888: The birth of aviation pioneer Enea Bossi

1939: The birth of actor Terence Hill 


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Giuseppe Millico - opera singer, composer and teacher

Castrato taught Lord Nelson’s lover

Giuseppe Millico was for a while a celebrated
and in-demand castrato singer

The castrato opera singer and composer Giuseppe Millico, who numbered Lord Nelson’s future lover, Emma Hamilton, as among his pupils as a singing teacher in Naples, was born on this day in 1737 in Terlizzi, a town in Apulia.

As a singer, Millico is best remembered for his performances in the operas of the Bavarian composer Christoph Willibald Gluck. He also compiled a significant body of work of his own, including eight operas, eight cantatas, numerous arias and duets not part of wider works, and 82 canzonets.

Having learned his craft in Naples in the 1750s, Millico returned to the city in 1780 after many years of touring, becoming a teacher as well as a composer. He taught singing to the Bourbon princesses Maria Teresa and Luisa Maria, as well as to Emma, Lady Hamilton, the actress and model, who was living in Naples after her marriage to Sir William Hamilton, the British Ambassador.

After studying at one of the Naples conservatories, Millico made his performing debut in Rome in 1757. Soon afterwards, he went to Moscow to sing at the Russian court. He remained in Russia for seven years, earning the nickname Il Moscovita on his return.

His links with Gluck began in 1769 in Parma, Gluck was preparing a great celebratory work, Le feste d’Apollo, for the marriage of the Bourbon Duke Ferdinand of Parma and Maria Amalia of Austria. The work incorporated part of his opera Orfeo ed Euridice, which Gluck adapted to suit voice of Millico in the role of Orfeo. The following year, Gluck rewrote the whole of the opera with Millico in mind and invited him to play Orfeo in Vienna. He similarly adapted his opera Alceste and wrote a new work, Paride ed Elena, specifically for him.

One of the many paintings of Emma Hamilton
by the English portrait painter, George Romney

After performing for the composer Antonio Sacchini in Milan, Millico joined Sacchini in London in 1772, becoming primo musico - principal castrato - at the King's Theatre. He performed the leading male roles in the first London operas by Sacchini, Il Cid and Tamerlano, both in 1773.

While he was based in London, Millico travelled extensively, singing in Paris and at several opera houses in Germany, including Mannheim, Schwetzingen and Zweibrücken. He toured the major opera centres in Italy – Venice, Milan, Florence and Rome before returning to Naples.

Some time after 1777, he was appointed Virtuoso di Camera e della Regia Cappella - Virtuoso of the Chamber and Royal Chapel - in Naples, and music master to the Royal princesses, Maria Teresa and Luisa Maria.

It was not long before he had given up performing as a singer in order to dedicated himself to composing and teaching.

His operas included Le cinesi and L’isola disabitata, written for the Bourbon princesses. He wrote two operas to libretti by Pietro Metastasio and one to words by Ranieri de' Calzabigi, who had been Gluck's librettist.  His work La pietà d’amore, commissioned by Antonio Lucchesi-Palli, Prince of Campofranco in Sicily, was interpreted as a message of support for Gluck.

Millico came into contact Emma Hamilton, who was married to Sir William Hamilton in 1791, having become his lover in Naples, probably through Queen Maria Carolina, sister of Marie Antoinette and wife of Ferdinand I of Naples, with whom she developed a friendship.

Lady Hamilton became a talented amateur singer under Millico’s tutelage, confidently entertaining guests at her home. Indeed, she was good enough to be approached by the Royal Opera in Madrid, who tried to engage her for a season to compete with their star, the Italian soprano Angelica Catalani. She turned down the offer.

Millico remained in Naples until his death in 1802, at the age of 65.

The Naples waterfront, as depicted in an 18th century view
towards Santa Lucia and Castel dell'Ovo

Travel tip:

Naples in the 18th century was one of Europe's great cities. It featured what was then Italy's largest opera house, the Teatro di San Carlo, and was considered by Grand Tourists to be a stimulating diversion from the stuffier historical splendour of Rome. South of Naples, the newly excavated remains of Herculaneum and Pompeii, the ancient Roman cities buried by volcanic lava in the first century AD, were another attraction.   Part of the Bourbon legacy to Naples is the vast Reggia di Caserta, the royal palace commissioned in 1752 by Charles VII of Naples and built by the Italian architect Luigi Vanvitelli along the lines of the French royal palace at Versailles.

The Roman ruins at Ercolano are in many ways
better preserved than at neighbouring Pompeii

Travel tip:

Until 1969, the town now called Ercolano was known as Resina, the name given to the medieval settlement that built on top of the volcanic material left by the AD 79 eruption of Vesuvius that also destroyed nearby Pompeii.  The existence of Ercolano - the Roman city of Herculaneum - was not known until the early 18th century, when a farmer sinking a well came across ancient marble columns.  Herculaneum was smaller and less prestigious than Pompeii but is better preserved due to the different volcanic materials that covered the town.  The ruins at Ercolano are better preserved than Pompeii’s, although its more famous neighbour was a bigger city and its destruction particularly well documented.  The ruins at Pompeii and Ercolano can both be reached by using the Circumvesuviana railway, which runs from Naples along the southern stretch of the Bay of Naples, terminating at Sorrento.

Also on this day:

1739: The birth of architect Giuseppe Bonomi, also known as Joseph Bonomi the Elder

1853: Verdi's opera Il trovatore is performed for the first time

1935: The birth of Assunta Maresca, the beautiful gangster's widow famous for murdering a Mafia boss in an act of revenge

1940: The birth of anti-Mafia magistrate Paolo Borsellino


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Pino Daniele - guitarist and songwriter

Naples mourned star with flags at half-mast

Pino Daniele on stage in 1982 in the early part of his
career, when he was already becoming a star

The Neapolitan singer-songwriter and guitarist Pino Daniele died on this day in 2015 in hospital in Rome.

Daniele, whose gift was to fuse his city’s traditional music with blues and jazz, suffered a heart attack after being admitted with breathing difficulties. Because of a history of heart problems, he had been taken to a specialist hospital in Rome after falling ill at his holiday home in Tuscany.

On learning of his death at only 59, the Naples mayor Luigi de Magistris ordered that flags on municipal buildings in the city be flown at half-mast.

Born in 1955, Daniele grew up in a working class family in the Sanità neighborhood of Naples, once a notorious hotbed of crime. His father worked at the docks.

As a musician, he was self-taught, mastering the guitar with no formal lessons and developing a unique voice, alternately soaring and soft, and gravelly to the point of sounding almost hoarse.  He named the great American jazz musicians Louis Armstrong and George Benson as his major influences but also drew deeply on the life, culture and traditions of his home city, which he loved.

Daniele taught himself how to play
the guitar

His songs sometimes combined Italian, English and Naples dialect.  One of his best known songs was Napule E, which he wrote as a tribute to the city and its contradictions.

Daniele coined the term "tarumbò" to define his music, which he described as a blend of tarantella, blues and rumba. His lyrics often railed against what he perceived as the social injustices of Naples and broader Italian society.

He released his first album, Terra mia - "My Land" - in 1977 and his popularity grew quickly.  Only four years later, he staged an outdoor concert in Naples that attracted 200,000 fans.  His reputation was further enhanced when he was asked to be the opening act at a Bob Marley concert in Milan.

Terra mia was the first of 24 studio albums, one of the most successful of which was the 1980 release Nero a metà - "Half-black". He also recorded seven live albums and 23 singles. His last recording - Nero a metà Live - captured his performance on stage in Milan only a couple of weeks before he died. It was released after his death.

Daniele’s total record sales have been conservatively estimated at in excess of five million. He was at his peak in the mid-1990s. His 1995 album Non calpestare i fiori nel deserto - “Don’t Step on the Flowers in the Desert” - sold more than 800,000 copies, while Dimmi cosa succede sulla Terra - “Tell me What Happens on Earth” (1997) - topped one million.

He also wrote the lyrics and music, including the hit Quando - "When", for three films directed by his fellow-Neapolitan, the actor-director and comic Massimo Troisi.

Daniele in 2010, at around the time he was performing
in concerts with the legendary Eric Clapton

In 2010, Daniele was invited by his friend Eric Clapton to play at the Crossroads Guitar Festival at Toyota Park in Chicago, and the following year reciprocated by performing in a concert with former Cream lead guitarist Clapton at Cava de' Tirreni stadium.

Daniele was hailed by the great and good after his death. As well as receiving countless tributes from fellow musicians, including his close friend Eros Ramazzotti, the then-prime minister Matteo Renzi spoke of “an incredible voice...precious guitar-playing…” and “a rare sensitivity that was tinged with passion and melancholy that will continue to tell the story of our country to the whole world."

A service for Daniele took place at Rome's Sanctuary of Our Lady of Divine Love before his remains were taken back to Naples, where the funeral had to be moved from the Basilica di San Francesco Di Paola to the Piazza del Plebiscito to accommodate tens of thousands of fans.

Daniele grew up in the working class neighbourhood of
Rione Sanità, at the foot of Capodimonte hill

Travel tip:

The Rione Sanità district of Naples, where Daniele was born and grew up, is situated at the foot of the Capodimonte hill and was once home to some of the richest families in Naples, as the presence of some fine palaces is a reminder. It then fell into disrepair, becoming a notorious slum area, with high unemployment and a dominant Camorra presence.  However, its air of faded grandeur attracted a number of writers and film directors to use it as a backdrop and it has seen something of a revival in recent years, with shops, artistic studios and workshops springing up, and a growing number of bars and restaurants turning into a popular area after dark. Sanità was also the birthplace of the brilliant comic actor Totò.

Porticoes line the historic main
street through the centre of Cava

Travel tip:

Cava de’ Tirreni is a fascinating historical town just a few kilometres inland from Vietri sul Mare, the seaside resort at the southern end of the famed Amalfi Coast, occupying the valley between the cities of Salerno and Nocera Inferiore.  It takes its name from its first inhabitants, the Tyrrhenians, who were descendant from the Etruscans. The focal point of the town is the long, porticoed Corso Umberto, which runs from one end of the centre to the other, eventually turning into the narrow, winding Borgo Scacciaventi, which was Cava’s 15th century shopping centre. With its nearby Benedictine Abbey, the Abbazia della Santissima Trinità, Cava de' Tirreni has been an important destination for travellers since the 17th century and was popular with poets and Grand Tourists in the 19th century.

Also on this day:

1710: The birth of ‘opera buffa’ composer Giovanni Battista Pergolesi

1881: The birth of Gaetano Merola, founder of the San Francisco Opera

1952: The birth of Mafia executioner Giuseppe ‘Pino’ Greco

1975: The death of Carlo Levi, author of Christ Stopped at Eboli


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Domenico Scarlatti - composer

Neapolitan famous for his 555 keyboard sonatas

A portrait of Domenico Scarlatti, painted by
Domenico Antonio Velasco in 1738

The composer Giuseppe Domenico Scarlatti, known as Domenico Scarlatti, was born in Naples on this day in 1685.

Born in the same year as Johann Sebastian Bach and George Frideric Handel, Scarlatti was the sixth of 10 children fathered by the composer Alessandro Scarlatti.

Like his father, Domenico composed in a variety of musical styles, making the transition in his lifetime from Baroque to traditional Classical. Today, he is known mainly for his 555 keyboard sonatas, which expanded the musical possibilities of the harpsichord.

Although he began his career in Naples, Scarlatti spent a large part of his life in the service of the Portuguese and Spanish royal families. In fact, he died in Madrid in 1757.

Early in 1701, at the age of just 15, Scarlatti was appointed as composer and organist at the royal chapel in Naples. At 17, his first operas, L’Ottavia restituita al trono and Il Giustino, were produced there.

In 1705 his father sent him to Venice, reputedly to study with the composer Francesco Gasparini, although nothing is known with certainty about his life there. It is thought he may have met a young Irishman, Thomas Roseingrave, who later described Scarlatti’s advances in harpsichord music to the English musicologist Charles Burney, although other accounts of his life suggest he may have first encountered Roseingrave in Rome.

Alessandro Scarlatti passed on his musical
versatility to his son, Domenico

Scarlatti is known to have been in Rome from 1709, having entered the service of the exiled Polish queen Marie Casimire. In Rome, Scarlatti is believed to have developed a friendship with Handel, against whom, legend has it, he featured in a trial of skill on harpsichord and organ at the palace of Cardinal Ottoboni in Rome. Handel is said to have been judged the better organ player but outperformed by Scarlatti on the harpsichord. He became known as the "greatest Italian harpsichord composer of all time".

While in Rome, Scarlatti was maestro di cappella at St. Peter's from 1715 to 1719. Also in Rome, he produced his last opera, Ambleto and collaborated with Nicola Porpora in Berenice, regina di Egitto.

His Rome adventure also brought a commission from the Portuguese embassy, for which in 1714 he composed a cantata in honour of the birth of a crown prince of Portugal. A few years later, he quit his position at the Vatican to move to Lisbon, where his serenata La Contesa delle Stagioni was performed at the royal palace.

Scarlatti became musical director to King John V of Portugal, as well as music master to the king’s younger brother Don Antonio and to Princess Maria Bárbara de Bragança, who was to remain his patroness and for whom most of the harpsichord sonatas were written.

In 1728, after his father had died, Scarlatti returned to Italy, where he married a Roman girl, Maria Caterina Gentili, who was much younger than him and who bore him six children.  In the same year, after his pupil, Maria Bárbara, married the Spanish crown prince, the future Ferdinand VI, he followed the newlywed royal couple to Spain.

The castrato singer Farinelli, like Scarlatti, enjoyed
the patronage of the court of Madrid

Initially based in Seville, Scarlatti moved to Madrid in 1733 to be music master to Maria Bárbara. He stayed in Spain for the last 25 years of his life.  After the death of his first wife in 1742, he married a Spaniard, Anastasia Maxarti Ximenes, with whom he had five more children.

Among his compositions for the Spanish court were most of his 555 keyboard sonatas.  While in their service, he befriended the Neapolitan castrato singer Farinelli, who also enjoyed royal patronage in Madrid.

Scarlatti died in Madrid at the age of 71. His residence on Calle Leganitos is designated with a historical plaque. His descendants still live in the Spanish capital.

His music, the sonatas in particular, had a profound influence on the compositions of contemporary and subsequent composers. Among his admirers, apart from Handel and Bach, were Bartók, Mozart, Beethoven, Liszt, Brahms, Chopin and Debussy.

The Conservatorio di Musica San Pietro a Majella became
the centre of the 18th century music scene in Naples

Travel tip:

The famous Conservatorio di Musica San Pietro a Majella, which became the centre of the city’s musical world in the years after Scarlatti, evolved from four institutions set up in the 16th century with the prime purpose of providing a refuge for orphan children.  The name ‘conservatorio’ relates to this original purpose, which was to conserve the lives of the children.  The oldest was the orphanage of Santa Maria di Loreto, situated in the poor fisherman’s district of the city. These institutions aimed to provide tuition in various skills, including music.  In time they acquired such a good reputation for providing a musical education that they began to be seen as music colleges primarily, and Naples eventually became one of the most important centres for musical training in Europe, nicknamed the “conservatory of Europe". Under the rule of Joachim Murat, the French cavalry leader Napoleon installed as King of Naples for a short period in the early 19th century, the original four conservatories were consolidated into a single institution, which was relocated in 1826 to the premises of the ex-monastery, San Pietro a Maiella.

The Palazzo della Cancelleria in Rome was the home of
Cardinal Pietro Ottoboni, a patron of music in the city

Travel tip:

The Palazzo della Cancelleria, the palace of Cardinal Ottoboni where Domenico Scarlatti’s musical trial against Handel is thought to have taken place, is situated between Corso Vittorio Emanuele II and the Campo de' Fiori. It is probably the earliest Renaissance palace to be built in Rome. It is the work of the architect Donato Bramante between 1489 and 1513, initially as a residence for Cardinal Raffaele Riario, who was the Camerlengo - treasurer - of the Holy Roman Church under Pope Sixtus V. It evolved as the seat of the Chancellery of the Papal States.  The Roman Republic used it as their parliament building.


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