Michelangelo’s David

Masterpiece emerged from an abandoned block of marble

A replica of Michelangelo's David now stands
 in front of the Palazzo Vecchio in Florence

A huge statue of the Biblical hero David, sculpted by Michelangelo, was unveiled in Piazza della Signoria in Florence on this day in 1504.

The 5.17m (17ft) high statue was placed outside the Palazzo Vecchio, the seat of civic government in Florence. The sculpture symbolised the defence of civil liberties in the republic of Florence, which at the time was an independent city state threatened on all sides by rival states. It was thought that the eyes of David were looking towards Rome and seemed to have a warning glare.

David is regarded as one of Michelangelo’s masterpieces. He was sculpted from a block of Carrara marble originally designated to be one of a series of prophets for Florence Cathedral. The marble was worked on by two artists before being abandoned and left exposed to the elements in the yard of the Cathedral workshop.

The original statue in its home in
Galleria dell'Accademia

After 25 years of neglect, the Cathedral authorities decided to find an artist to produce a sculpture from their expensive block of marble.

At the age of 26, it was Michelangelo who convinced the overseers of works for the Cathedral that he deserved the commission.

He began work early in the morning of September 13, 1501. The resulting statue of a nude David produced nearly three years later is thought to represent the hero after he had made the decision to fight Goliath but before the battle has actually taken place. It is one of the most recognised works of sculpture from the Renaissance period and is a symbol of strength and youthful beauty.

On completion, the statue was moved the half mile from Michelangelo’s workshop to Piazza della Signoria, a journey that took four days. It was to remain there for more than 300 years.

But in 1873 David was removed from the piazza, allegedly to protect the statue from damage, and put on display in the Galleria dell’Accademia in Florence, where it has attracted many thousands of visitors over the years. A replica of the original statue now stands outside the Palazzo Vecchia.

The L-shaped Piazza della Signoria in Florence

Travel tip:

Piazza della Signoria is an L-shaped square in the centre of Florence, important as the location of the 14th century Palazzo Vecchio, the focal point for government in the city. Citizens gathered here for public meetings and the religious leader Girolamo Savonarola was burned at the stake in the square in 1498. The piazza is a unique outdoor sculpture gallery filled with statues, some of them copies, commemorating major events in the city’s history.

Travel tip:

The Galleria dell’Accademia in Florence has become famous as the home of Michelangelo’s statue of David. It is the second most visited museum in Italy, after the Uffizi, the main art gallery in Florence. The Galleria dell’Accademia was established in 1784 in Via Ricasoli in Florence. For more information about the gallery visit galleriaaccademiafirenze.beniculturali.it

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Eleonora di Garzia di Toledo

The shocking fate of a Spanish noblewoman

Leonora, as depicted by the 16th century
portrait painter Alessandro Allori

The beautiful wife of Don Pietro de' Medici, Eleonora di Garzia di Toledo, was strangled to death with a dog lead on this day in 1576 in a villa near Barberino di Mugello in Tuscany.

The murder was carried out by her husband, Pietro, but he was never brought to justice. His brother, Francesco, the Grand Duke of Tuscany, gave out as the official line that his sister-in-law had died as a result of an accident.

Eleonora, who was more often referred to as Leonora, was born in Florence in 1553, the daughter of Garcia Alvarez di Toledo and Vittoria d’Ascanio Colonna. Her father and mother were living in Florence at the time because Garcia was in charge of the castles of Valdichiano.

When her mother died a few months later, the baby, Leonora, was left in the care of her aunt, Eleonora, the Duchess of Florence, and her husband, the Grand Duke Cosimo I de' Medici, who raised her, preparing her for a life at the Medici court.

After the Duchess, Eleonora, died, her daughter, Isabella, took over the supervision of the young Leonora.

A marriage was arranged between Leonora and Cosimo’s son and Isabella’s brother, Pietro, with the approval of King Philip II of Spain.

Alessandro Allori's portrait of what is thought
to be Pietro de' Medici

The couple were married at Palazzo Vecchio in 1571 and it was reported that Pietro had to be forced to consummate the union. Leonora later gave birth to a son, Cosimo, but the marriage was not a great success. This was also the case with her mentor and sister-in-law, Isabella, who had been married off for political reasons to Paolo Giordano Orsini.

Isabella chose not to live at her husband’s castle, or in Rome, where Orsini conducted his political and amorous affairs, but remained in Florence at her own villa, cultivating an artistic salon and discreetly taking lovers.

Leonora was part of Isabella’s circle and followed her example in sponsoring the arts and charities and also in taking lovers.

Under Cosimo I de' Medici such behaviour was tolerated as long as discretion was maintained. But when he died and was succeeded by his son, Francesco, things changed. Although he had a mistress himself, Francesco was less tolerant than his father. Crucially, he was less willing to turn a blind eye to the behaviour of Isabella and Leonora and to ignore the complaints of their husbands.

However, neither woman realised the danger posed to them by the new regime.

On 11 July 1576 Pietro sent a note to his brother, the Grand Duke Francesco, saying that Leonora had died as the result of an accident.

Isabella suffered the same fate as Leonora

Francesco passed on the news that she had been found dead in bed, having apparently suffocated.

But, in fact, Leonora’s death at the age of 23 was not an accident. She had been strangled by her own husband.

Six days later, Isabella was also strangled by her husband at a remote villa in Cerreto Guidi in Tuscany.

Word soon got out in Florence that both women had been murdered in cold blood by their husbands.

The Spanish were outraged at the treatment of Leonora and eventually Francesco admitted the truth to Philip II of Spain, on whose favour his title depended.

Pietro was never brought to justice for Leonora’s murder, despite the protests of her brother, Pedro Alvarez de Toledo y Colonna. Pietro was eventually exiled by Francesco and died in 1604, heavily in debt because of his gambling.

The Villa Medicea di Caffagiolo, outside
the Tuscan town of Barberino di Mugello

Travel tip:

The Villa Medicea di Caffagiolo, where Leonora was strangled, is near the Tuscan town of Barberino di Mugello, 25 kilometres north of Florence. The villa was reconstructed following the designs of the Renaissance architect Michelozzo in the 1450s and became a meeting place for many Renaissance intellectuals. Pietro had summoned his wife to the villa and strangled her with a dog leash after letters from Leonora’s lover had fallen into the hands of the Grand Duke, Francesco.

Travel tip:

Cerreto Guidi, where Isabella was strangled in a remote villa, is about 30 kilometres west of Florence. The Grand Duke, Francesco, announced that his sister’s death was an accident. The 16th century Medici villa is in the centre of the village. It is claimed that the ghost of Isabella still roams the villa seeking peace. The legend attracts many visitors who want to see the bedroom where the murder took place.

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Cosimo de' Medici

Banker who founded the Medici dynasty

This portrait of Cosimo by Jacopo da Contormo
 can be viewed in the Uffizi Gallery in Florence

The first of the Medici rulers of Florence, Cosimo di Giovanni de' Medici, died on this day in 1464 in Careggi in Tuscany.

Cosimo had political influence and power because of the wealth he had acquired as a banker and he is also remembered as a patron of learning, the arts and architecture.

Cosimo, who is sometime referred to as Cosimo the Elder (il Vecchio) was born into a wealthy family in Florence in 1389. His father was a moneylender who then joined the bank of a relative before opening up his own bank in 1397.

The Medici Bank opened branches in Rome, Geneva, Venice and Naples and the Rome branch managed the papal finances in return for a commission.

The bank later opened branches in London, Pisa, Avignon, Bruges, Milan and Lubeck, which meant that bishoprics could pay their money into their nearest branch for the Pope to use.

In 1410, Baldassarre Cossa, who was on one side of a power struggle within the Catholic Church, borrowed money from the bank to buy himself into the office of Cardinal and in return put the Medici in charge of all the papal finances.   This gave the Medici family the power to threaten defaulting debtors with excommunication.

Cosimo and his younger brother Lorenzo took over the running of the bank from their father in 1420 and Cosimo established power over Florence using his wealth to control votes. He was described at the time as ‘king in all but name'.

The Villa Medici in Careggi near Florence, where
Cosimo died in 1464

Eventually his enemies had him imprisoned him in the Palazzo Vecchio for the crime of ‘failing to conquer Lucca’ but he managed to have his sentence changed to exile. He went to live in Padua and then to Venice, taking his bank with him.

When the order of banishment was lifted he was able to return to Florence, where effectively he was to govern the city for the next 30 years.

Cosimo worked to create peace in northern Italy by establishing a balance of power between Florence, Venice and Milan, which allowed for the development of the Renaissance.

The architects Brunelleschi and Michelozzo carried out Cosimo’s building projects in Florence and artists such as Ghiberti, Donatello and Fra Angelico were commissioned to produce works of art for him.

Cosimo also organised a methodical search for ancient manuscripts in Europe and the East and the books and documents procured by him are now housed in the Laurentian Library (Biblioteca Medicea-Laurenziana), which was built in a cloister of the Basilica di San Lorenzo.

Cosimo had married Contessina de' Bardi, who was from another wealthy banking family, in about 1415 and the couple had two sons, Piero and Giovanni.

On his death on 1 August 1464 Cosimo was succeeded by Piero, who later became the father of Lorenzo the Magnificent.

The Government of Florence awarded Cosimo the title Pater Patriae, Father of the Country, which is carved on his tomb in the Church of San Lorenzo.

Travel tip:

Cosimo died in 1464 at the Villa Medici at Careggi, in the hills above Florence. The villa had been purchased in 1417 by Cosimo’s father as a working farm to make his family self sufficient. Cosimo employed the architect Michelozzo to remodel it around a central courtyard overlooked by loggias. Cosimo’s grandson, Lorenzo, later extended the terraced garden and the shaded woods.

The interior of the Basilica of
San Lorenzo in Florence

Travel tip:

The Basilica of San Lorenzo, where Cosimo is buried, is in the centre of the market district and is one of the biggest churches in Florence. It also claims to be the oldest in the city as it dates back to 393. Cosimo’s father offered to pay for a new building to replace the 11th century Romanesque structure there at the time and commissioned Brunelleschi to design it. Michelangelo later designed the Biblioteca Medicea-Laurenziana to house the Medici family’s collection of manuscripts.

More reading:

How Cosimo II maintained the family tradition

Grand designs of Cosimo I


(Photo of Villa Medici by Sailko CC BY-SA 3.0)
(Photo of San Lorenzo Basilica by Stefan Bauer CC BY-SA 2.5)

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