Ancona comes under attack as Italy enters World War I

The day the capital of Le Marche was bombarded from the sea

A painting, by an unknown artist, depicting battleships
of the Austria-Hungary fleet bombarding Ancona

The port city of Ancona on the Adriatic Sea became an immediate target for naval ships deployed by Austria-Hungary on this day in 1915 after Italy entered World War I.

The Austrian fleet were quick to react after Italy declared that it was joining the war on the side of the Allies, having initially remained neutral. 

Destroyers immediately set sail from their base in Pola - modern-day Pula in Croatia - heading towards Ancona to attack both military and civilian targets under the cover of darkness.

The rest of the Austrian fleet set off to join in the bombardment the following day and the enemy ships attacked several other coastal cities in the province of Ancona, destroying a train and a railway station while they were firing on Senigallia. 

Two destroyers and a torpedo boat bombarded Ancona’s harbour for about an hour and 15 minutes, and an Italian destroyer, which was trying to defend the city, was badly damaged. 

There were two enemy aircraft in the sky above Ancona signalling the targets that had been chosen to be hit by the ships. The city’s military hospital, penal colony, orphanage, the Bank of Italy building, and some shipyard workshops in Ancona were all selected and many ended up badly damaged as a result.

The primary objective of Austria-Hungary was to hinder Italian mobilisation by attacking the key naval, industrial, and logistical infrastructure along the Adriatic coast.

Ancona's cathedral sits on top of a hill above the
harbour, making it an obvious target

The Austria-Hungary navy managed to inflict heavy damage on the whole area and 63 people, including some civilians, were killed in Ancona alone. 

The dome and a chapel inside Ancona’s cathedral - the Cattedrale di San Ciriaco - were seriously damaged by eight Austrian cannon shots.

This major onslaught on the Adriatic coast culminated in a bombing raid on Venice by Austrian seaplanes.

It was the largest and most ambitious naval operation carried out by the Austro-Hungarian navy during World War I. But eventually, a large Allied blockade was set up to prevent the enemy fleet from leaving the Adriatic.  

There had been widespread public support after King Victor Emmanuel III had formally declared war, siding with the Allies, at 15.00 on 23 May. Many Italians were hoping it would give them the chance to regain lost territory, such as areas of present-day Trentino alto Adige and the South Tyrol, as well as parts of Istria and the Dalmatian coast. 

However, Italy had been unprepared for immediate offensive operations, particularly along the Adriatic coast where fortifications were inadequate. 

The Allies were able to subsequently blockade the Strait of Otranto between Brindisi in Italy and Corfu in Greece to prevent the Austro-Hungarian navy from escaping into the Mediterranean and threatening any more of their operations.

Although the attackers did not suffer many casualties themselves, after this raid on Ancona, the major Austro-Hungarian battleships rarely left their bases.

The previous year, when General Luigi Cadorna had been preparing for war, his attention had been focused on Italy’s western border with France. For many people, trench warfare remains a lasting image of World War I, which makes them think of the conflict as principally a land war.

But the sea and air operations that were also carried out during World War I foreshadowed the important part the sea and air were to play during World War II, just 25 years later.

Pope Clement XIII's statue looks over
Ancona's pretty Piazza del Plebiscito

Travel tip:

Ancona is a city and a seaport in the Marche region of central Italy and is the capital of both the province and the region. The city is 280km (170 miles) northeast of Rome and is one of the main ports on the Adriatic Sea for passenger traffic. Ferries link Ancona with ports in Greece, Turkey and Croatia. The name Ancona derives from the shape of the harbour that the Greek founders of the city referred to as ‘ankon’, meaning elbow. Thanks to this unusual configuration, Ancona is the only city in Italy, and one of the few in the world, where it is possible to see the sun both rise and set over the sea. A famous site near the harbour is the towering Trajan’s Arch, built in AD115 overlooking the port in honour of the Roman Emperor, Trajan. Near to it is the smaller Clementine’s Arch, built by architect Luigi Vanvitelli in 1733 on the orders of Pope Clement XII, who wanted to be remembered for the work he had commissioned to modernise the port in order to revive the city’s maritime trade. A large statue of Clement XII also stands in front of the 13th century Church of San Domenico in Piazza del Plebiscito, which is a lively square, just off the seafront, with plenty of bars and restaurants.

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The cathedral's Gothic porch,
flanked by red marble lions

Travel tip:

High above Ancona on Monte Guasco stands the Cattedrale di San Ciriaco in Piazza del Duomo, which was damaged during the bombardment by Austria-Hungary. It is a short bus ride from the centre of Ancona. The cathedral was founded during the fourth century but was later rebuilt and consecrated in 1017. It has a Gothic porch flanked by red marble lions that was added in about 1200. The body of Ancona’s patron saint, San Ciriaco (Saint Cyriacus) is kept in the crypt, but it is no longer on public view.  There, you can also see the remains of the original Greek temple that stood on the site, and some early frescoes. The grounds surrounding Ancona’s Duomo have panoramic views of the harbour below and provide a good opportunity for taking photographs on a clear day. On the road just below the Duomo can be found a site with the remains of a Roman amphitheatre, which was  built towards the end of the first century BC, and nearby is a lift that will carry you down to the Lungomare Luigi Vanvitelli, a road that overlooks the port and leads into the centre of the city.

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More reading:

The World War I flying ace who became physician to Italy’s Chamber of Deputies

The army commander who was one of first to see the potential of air power

The general who masterminded Italy's decisive World War 1 victory

Also on this day:

1498: The execution of hellfire preacher Girolamo Savonarola

1670: The death of Ferdinando II de’ Medici, Grand Duke of Tuscany

1729: The birth of poet and satirist Giuseppe Parini

1933: The birth of football referee Sergio Gonella 

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Vincenzo Gemito - sculptor

Neapolitan who preserved figures from local street life

Gemito's statue, Il giocatore di carte, so impressed Vittorio
Emanuele II he placed it on permanent display in a museum

Vincenzo Gemito, one of the sculptors responsible for eight statues of former kings that adorn the western façade of the Royal Palace in Naples, was born on this day in 1852.

The statues are in niches along the side of the palace that fronts on to the Piazza del Plebiscito, displayed in chronological order beginning with Roger the Norman, also known as Roger II of Sicily, who ruled in the 12^th century, and ends with Vittorio Emanuele II, who was on the throne when his kingdom became part of the united Italy in 1861.

Gemito sculpted the fifth statue in the sequence, that of Charles V, who was the Holy Roman Emperor from 1519 to 1556 and, by virtue of being king of Spain from 1516 to 1556, also the king of Naples.

Born in Naples, Gemito’s first steps in life were difficult ones.  The son of a poor woodcutter, he was taken by his mother the day after his birth to the orphanage attached to the Basilica of Santissima Annunziata Maggiore in the centre of the city and left on the steps.

He was brought up by a family who adopted him after two weeks at the orphanage. It is thought that his adoptive father, an artisan, encouraged him to work with his hands and even before the age of 10 he was working as an apprentice in the studio of Emanuele Caggiano.  He was enrolled into the Naples Academy of Fine Arts when he was 12.

Gemito's Il pescatorello

Gemito was known for the outstanding realism in his work, as can be seen in his sculpture Il giocatore di carte – the Card Player - which he created when he was only 16, which depicts a boy seated with one leg crossed, the other bent so that the knee is level with his chin, scratching the side of his head with one hand while he contemplates the cards he holds in the other.

It was such an impressive piece of work that after it has been exhibited for the first time in Naples, the King, Vittorio Emanuele II, purchased it and had it placed on permanent display in the Museo di Capodimonte.

Where many other sculptors created romanticised figures or works of fantasy, Gemito was fascinated by what he saw around him, on the streets of Naples, and it was everyday scenes that were his inspiration.  Another brilliant example of his eye for detail, especially for facial expression and natural poses, was Il pescatorello – the Fisherboy – which shows a boy, his fishing rod tucked under his arm, looking down at the fish he has just caught, which he clutches to his chest with both hands.

Gemito moved to Paris in 1877, where he forged a friendship with the French artist Jean-Louis-Ernest Meissonier and created new works in various media, exhibiting in major salons and galleries, and at the Universal Exposition of 1878. It was at the Paris Salon - the official exhibition of the Paris Academy of Fine Arts – that his Fisherboy was unveiled, a work greeted with such acclaim that he won widespread fame, as well as lucrative commissions for portraits.

He remained in Paris for three years before returning to Naples. He settled on the island of Capri for a short time, where he married.

The Royal Palace in Naples, with the eight statues inset in
niches along the frontage overlooking Piazza del Plebiscito

Back in Italy, Gemito constructed his own foundry on Via Mergellina in Naples, where he revived a Renaissance process for using wax for bronze casting.

The commission to create a marble statue of Charles V, to be erected as part of the changes made by Umberto I of Savoy to the frontage of the Royal Palace, came in 1888.

It caused Gemito much anxiety. He did not like working with marble and suffered a crisis of confidence, doubting his ability to produce a statue that would meet expectations. He finished the job but became so depressed he suffered a mental breakdown. He became a virtual recluse, living in a one-room apartment and several times being admitted to a mental hospital.

For the next 21 years he produced only drawings and did not resume his sculpting career until 1909. 

In 1911, by which time he had turned to using gold and silver, he created another masterpiece, a severed head of Medusa in partial gilt silver, which again was notable for the realism of expression and the intricacy of detail.

In 1952, Gemito’s life was commemorated in an Italian postage stamp issued to celebrate the 100^th anniversary of his birth.

The waterfront at Mergellina, with Vesuvius in the distance

Travel tip:

Mergellina is a coastal area of city of Naples, technically in the district of Chiaia, standing at the foot of Posillipo Hill and facing Castel dell'Ovo.  It was once a fishing village entirely separate from Naples but was incorporated into the Naples metropolitan area in the early 20^th century.  Today it has an important tourist harbour for ferries from the islands of Ischia, Capri and Procida and points on the Campania mainland. It is also a popular area for seafood restaurants.

Almost always thronged with tourists, the
bustling Piazzetta is at the heart of Capri town

Travel tip:

Capri, an island situated off the Sorrentine peninsula on the south side of the Bay of Naples, has been a popular resort since Roman times.  In the 19^th and early 20^th century, it was a place to which many wealthy intellectuals and authors were drawn. Norman Douglas, Maxim Gorky, Graham Greene and Axel Munthe were among the authors who chose to live there for parts of their careers.  It has been a magnet, too, for figures from the entertainment world. The English singer and actress Gracie Fields spent many years at her villa there; today, the American singer Mariah Carey has a property on the island.  Tourists are drawn to Capri town, the pretty harbour Marina Piccola, the Belvedere of Tragara  - a panoramic promenade lined with villas - the limestone sea stacks known as the Faraglioni, the Blue Grotto and the ruins of Roman villas.

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