Showing posts with label Pino Presti. Show all posts
Showing posts with label Pino Presti. Show all posts

5 January 2019

Severino Gazzelloni - flautist

Lead player with RAI orchestra considered a great of Italian music


Severino Gazzelloni was regarded as one of Italy's finest flautist
Severino Gazzelloni was regarded as one of
Italy's finest flautist
The flautist Severino Gazzelloni, who for 30 years was the principal player of his instrument in the prestigious RAI National Symphony Orchestra but who had a repertoire that extended well beyond orchestral classical music, was born on this day in 1919 in Roccasecca, a town perched on a hillside in southern Lazio, about 130km (81 miles) south of Rome.

He was known for his versatility. In addition to his proficiency in classical flute pieces, Gazzelloni also excelled in jazz and 20th century avant-garde music. As such, many musicians and aficionados regard him as one of the finest flute players of all time.

Gazzelloni also taught others to master the flute. His notable pupils included the American jazz saxophonist Eric Dolphy and the Dutch classical flautist Abbie de Quant.

The son of a tailor in Roccasecca, Gazzelloni grew up in modest circumstances yet had music around him from a young age as his father played in a local band.  He taught himself music and became fascinated with the flute as an instrument, acquiring the technique to play it simply by practising for endless hours on his own.

Severino Gazzelloni's golden flute was made for him by a craftsman in Germany
Severino Gazzelloni's golden flute was made for him
by a craftsman in Germany
By the age of seven, his father considered him good enough to sit alongside him in the band, whose conductor and musical director, Giambattista Creati, recognised him as a musician of natural talent and great potential.

With Creati’s encouragement, Gazzelloni developed as a performer over the next few years and in 1934, at the age of 15, obtained a place at Italy’s premier conservatory, the National Academy of Santa Cecilia in Rome, where he graduated in 1942 under the guidance of the accomplished flautist Arrigo Tassinari.

During the war years he stayed in Rome, finding work in the orchestra at a variety theatre, where he met Alberto Semprini, who would go on to become director of the RAI National Symphony Orchestra.

When Gazzelloni played with that orchestra for the first time in 1944, it was called the Radio Roma Orchestra, led by Fernando Previtali. His debut appearance began an association that would last until the mid 1970s.

Gazzelloni was as comfortable playing jazz as he was with classical music
Gazzelloni was as comfortable playing jazz as he
was with classical music
He began to give solo recitals in 1945, launching his solo career with a tour of Belgium. His debut as a soloist in an Italian venue did not come until 1947, when Italy was beginning to get back on its feet after the devastation of the Second World War, and Gazzelloni gave a performance at the Teatro Eliseo in Rome.

His interest in avant-garde music developed after he had met the Venetian-born composer Bruno Maderna, through whom he was introduced to the Internationale Ferienkurse für Neue Musik - a summer school for ‘new music’ - that was held each year in Darmstadt, near Frankfurt.

Gazzelloni went to Darmstadt for the first time in 1952 and taught there continuously from 1956 to 1966.

In those years he developed friendships and professional relationships with some of the leading lights of the 20th century avant-garde movement, including Pierre Boulez, Karlheinz Stockhausen, Luigi Nono, Franco Donatoni, Olivier Messiaen, John Cage, Luciano Berio and Sylvano Bussotti.

The composer Igor Stravinsky composed music for Gazzelloni
The composer Igor Stravinsky composed
music for Gazzelloni
Berio, the experimental composer who was a pioneer of electronic music, Boulez, Maderna and Igor Stravinsky - the Russian-born pianist considered one of the most important composers of the 20th century - all wrote pieces specifically for Gazzelloni, who was nicknamed “the Golden Flute” - in part in recognition of his virtuosity but also because he did actually own a gold-plated flute, made for him by a German craftsman in 1956.

Gazzelloni is said to have enjoyed the informality of the jazz scene and one of his most successful tours came in 1976, when he was accompanied by the eminent classical pianist Bruno Canino and a jazz combo that comprised some of Italy’s top names, including the jazz piano player Enrico Intra, the saxophonist Giancarlo Barigozzi, bass guitarist Pino Presti, drummer Tullio De Piscopo and lead guitarist Sergio Farina.

At his peak as a soloist, Gazzelloni played as many as 250 concerts a year, as well as teaching at the Academy of Santa Cecilia and at the Chigiana Academy in Siena.

He died in Cassino, not far from Roccasecca, in 1992 in a clinic where he had been undergoing treatment for a brain tumour.

Two years after his death, the municipality of Roccasecca launched a musical festival in his honour and the event, the International Festival Severino Gazzelloni, is today an annual month-long event staged in August and September, supported by the Licinio Refice Conservatory of Frosinone and the University of Cassino and Southern Lazio, with sponsorship from businesses in the area.

The remains of the castle at Roccasecca
The remains of the castle at Roccasecca
Travel tip:

The town of Roccasecca occupies a strategic position at the entrance to two narrow gorges that provide access to the Valle di Comino below the slopes of Monte Asprano. It has a castle built in the 10th century at the behest of the Abbot of Montecassino. The abbot later put the castle in the control of the D’Aquino family and it was there that Tommaso D’Aquino, the Dominican friar who was canonized as Saint Thomas Aquinas fifty years after his death, was supposedly born in 1225. The castle fell into disrepair in the 17th century.


The entrance to the Conservatory of the Academy of Santa Cecilia
The entrance to the Conservatory
of the Academy of Santa Cecilia
Travel tip:

The National Academy of Santa Cecilia is one of the oldest musical academies in the world. It was founded in Rome by Pope Sixtus V in 1585 at the Church of Santa Maria ad Martires, better known as the Pantheon. Over the centuries, many famous composers and musicians have been members of the Academy, which lists opera singers Beniamino Gigli and Cecilia Bartoli among its alumni. Since 2005 the Academy’s headquarters have been at the Parco della Musica in Rome, which was designed by the architect Renzo Piano, but the historic conservatory in Via dei Greci remains, offering preparatory courses, and also houses the Italian Institute for Music History.



More reading:

How avant-garde composer Luigi Nono saw music as a form of political expression

Why Pino Presti is an important figure in Italian contemporary music

The brilliance of classical flute player Leonardo De Lorenzo

Also on this day:

1905: The birth of Michele Navarra - practising doctor and Mafia boss

1932: The birth of academic and novelist Umberto Eco

1948: The birth of anti-Mafia activist Giuseppe Impastato


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23 August 2018

Pino Presti – bass player and composer

Talented musician could sing, play guitar, compose and conduct


Pino Presti has been one of the Italian music scene's most important figures since the 1960s
Pino Presti has been one of the Italian music scene's
most important figures since the 1960s
Pino Presti, one of the most important personalities in the Italian music business, was born Giuseppe Prestipino Giarritta on this day in 1943 in Milan.

He is a bass guitar player, arranger, composer, conductor and record producer and his work ranges between the different music genres of pop, jazz, funk, latin and dance.

His father, Arturo Prestipino Giarritta, was a well-known violinist and Presti began studying piano and music theory at the age of six.

He taught himself to play the bass guitar and began playing professionally at the age of 17, having developed his own special technique using either the pick or thumb.

Presti was a pioneer of electric bass and was probably the first to play a Fender Jazz Bass in Italy.

His talent for playing the instrument led him to collaborate with the major Italian pop artists of the 1960s, including the famous singer, Mina, who is Italy's all-time top-selling female recording artist. Presti arranged and conducted 86 tracks and composed four songs for her, also sometimes backing her as a singer.

Presti enjoyed a long working relationship with the major Italian star, Mina
Presti enjoyed a long working relationship
with the major Italian star, Mina
Among the many other artists he worked with were Bobby Solo, Gigliola Cinquetti and Adriano Celentano

In 1976 he created and produced for Atlantic Records, the album, Ist Round, which was considered the first funk dance production and one of the most innovative albums of the 1970s in Italy.

In 1977 he signed a contract with RAI2 to be arranger, conductor and composer of original music for the famous TV show, Auditorio A, and he was responsible for conducting a big band of 56 notable musicians.

Presti also collaborated with some of the biggest names on the international music scene such as Shirley Bassey, Wilson Pickett, Stephane Grappelli and Maynard Ferguson.

In 2013 he produced the tribute album Shirley Bunnie-Foy, consisting of 17 tracks performed by jazz vocalist Shirley Bunnie-Foy during her 60-year career.

In 2014 he composed, co-produced and released under the pseudonym Mad of Jazz, the album Deep Colours and in 2016 he composed the music for the advertising campaign of Scavolini, an Italian kitchen and bathroom manufacturer.

Between 1967 and 1985 Presti trained in Shotokan karate under Japanese masters and obtained his 5th degree black belt in Rome in 1987.

Since 2004, he has lived in Nice in the South of France.

The Piccolo Teatro in Milan
The Piccolo Teatro in Milan
Travel tip:

Milan, where Presti was born and lived for many years, has a wealth of theatres with a long tradition of staging different entertainment. Teatro Litta next to Palazzo Litta in Corso Magenta is believed to be the oldest theatre in the city. Teatro Dal Verme in San Giovanni sul Muro opened in 1872 and the Piccolo Teatro in Via Rivoli opened in 1947. Milan’s most famous theatre, Teatro alla Scala, in Piazza della Scala, across the road from Galleria Vittorio Emanuele II,  was first inaugurated in 1778. The theatre has a fascinating museum that displays costumes and memorabilia from its long history. The entrance is in Largo Ghiringhelli, just off Piazza Scala. It is open every day except the Italian Bank Holidays and a few days in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30pm.

One side of the Sforza Castle in Milan
One side of the Sforza Castle in Milan
Travel tip

One of the other main sights in Milan is the impressive Sforza castle, Castello Sforzesco, built in the 15th century by Francesco Sforza, Duke of Milan. After Ludovico Sforza became Duke of Milan in 1494 he commissioned Leonardo da Vinci to fresco several rooms. The castle now houses some of the city’s museums and art galleries. For more information visit www.milanocastello.it

More reading:

How Mina changed the rules for women in 1960s Italy

Adriano Celentano spans the ages of Italian pop music

Gigliola Cinquetti - Italy's first queen of Eurovision

Also on this day:

1945: The birth of 60s singing star Rita Pavone

1974: The death of pioneering psychiatrist Roberto Assagioli


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