Pope Clement XII

Financially shrewd pontiff used papal cash for building projects

Pope Clement XII commission many
architectural works in Rome and Ancona

Lorenzo Corsini, who during his time as Pope Clement XII substantially built up the wealth of the Vatican, was born on this day in 1740 in Florence.

While he was pontiff, Clement XII began the construction of the Trevi Fountain, established the Capitoline Museums in Rome, and carried out extensive public building works in the Papal States.

Corsini was the son of Bartolomeo Corsini, Marquis of Casigliano, and Elisabetta Strozzi, who was from an old Florentine noble family. He was a nephew of Cardinal Neri Corsini and a distant relative of Saint Andrew Corsini.

After studying at the Jesuit College in Rome, he went to the University of Pisa where he achieved a doctorate in both civil law and canon law.

He practised law under his uncle, Cardinal Corsini, but after the death of both his uncle and father, he renounced his right to become head of his family.

Instead, he purchased from Pope Innocent XI, for 30,000 scudi, a position as a prelate. He subsequently devoted his time and his money to the enlargement of the library bequeathed to him by his uncle.  His home in Piazza Navona went on to become the centre of Rome’s scholarly and artistic life.

In 1690, Corsini was made titular Archbishop of Nicomedia and he was chosen as nuncio to Vienna, receiving a dispensation from Pope Alexander VIII because he had not yet been ordained as a priest. He did not proceed to the imperial court, because Leopold I, the Holy Roman Emperor, declared that he had the right to select the nuncio from a list of three names furnished by the pope.

Corsini was appointed as governor general of the Castel Sant’Angelo in 1696. Under Pope Clement XI, his talents were used as a courtier and in 1706 he was named as Cardinal Priest of Santa Susanna, and he was also retained as papal treasurer.

Pope Benedict XIII made him Prefect of the Apostolic Signatura and he was also appointed as the Cardinal-Priest of San Pietro in Vincoli and Cardinal Bishop of Frascati.

Luigi Vanvitelli was Pope
Clement XII's architect of choice

Under Benedict XIII the finances of the Papal States had been drained by the cardinal who had been looking after them. After Pope Benedict’s death, the College of Cardinals selected Corsini as his successor, who was by then aged 78.

After he became Pope in 1730, Corsini took the papal name Clement in honour of Pope Clement XI, who had made him a cardinal.

He restored the Papal finances, demanding restitution from the people who had abused the trust of his predecessor. Soon money was pouring into his treasury, enabling him to undertake extensive building programmes in Rome and the Papal States.

Clement XII restored the Arch of Constantine, paved the streets of Rome, and widened Via del Corso.

As part of his aim to improve the wellbeing of his subjects through economic development, Clement XII granted Ancona in Le Marche freeport status and commissioned the architect Luigi Vanvitelli to redesign the ancient port.

He also commissioned Vanvitelli to build the Lazzaretto of Ancona as a quarantine station for the port.

After Clement XII’s death in 1740 his remains were transferred to a tomb in the Basilica of San Giovanni in Laterano, for which he had commissioned the building of a new facade after organising a competition, won by Alessandro Galilei, who completed it in 1735.

The Arch of Clementine with the
Arch of Trajan in the foreground

Travel tip:

The architect Luigi Vanvitelli  worked extensively in Ancona in the 1730s under Pope Clement XII, who commissioned him to modernize and expand Ancona’s maritime infrastructure, which had fallen into decline. His contributions included redesigning the port layout, building the Molo Nuovo (New Pier) and most notably the Lazzaretto, also known as the Mole Vanvitelliana, a striking pentagonal complex built on an artificial island, which originally served as a quarantine station for travelers and goods. He also built the Chiesa del Gesù and Casa degli Esercizi spirituali - a church and adjoining spiritual retreat house facing the port, and the Arch of Clementine, which he built just a few metres away from the Arch of Trajan, built 1600 years earlier by the Senate and people of Rome in honour of the Emperor Trajan, who expanded the port of the city out of his own pocket, improving the docks and the fortifications.

Stay in Ancona with Expedia

The statue of Pope Clement XII in
front of the San Domenico church

Travel tip:

Also in Ancona, in front of the Chiesa di San Domenico and looking out across the rectangular Piazza del Plebescito, is a statue of Pope Clement XII, the work of the sculptor Agostino Cornacchini, which was erected in 1738. It was originally destined for the portico of the Basilica of San Giovanni in Laterano in Rome, where it remained for just under a year before being moved to Ancona at the suggestion of the pope’s nephew, Cardinal Neri Maria Corsini, in recognition of the work he had commissioned to modernise the port and the city.  Piazza del Plebiscito is also known locally as Piazza del Papa. The Chiesa di San Domenico, at the top of the square’s incline, is a Baroque church built by Carlo Marchionni and completed in 1778. The interior is notable for two outstanding paintings, the Annunciation by Guercino in the first chapel on the left, and Titian’s altarpiece, The Crucifixion. 

Ancona hotels from Hotels.com

More reading:

How the election of Antipope Clement VII sparked a split in Catholic Church

Pope Innocent XII, the pontiff who ended the practice of nepotism in the papal appointments

The flamboyant pope who helped make books available to ordinary people

Also on this day:

1763: The birth of musician Domenico Dragonetti 

1794: The birth of opera singer Giovanni Battista Rubini

1883: The birth of painter and mosaicist Gino Severini

1906: Vesuvius eruption kills more than 200

1973: The birth of footballer Marco Delvecchio

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Pietro Ottoboni - patron of music and art

Venetian cardinal spent fortune on composers and painters

Francesco Trevisiani's portrait of Cardinal
Pietro Ottoboni, painted in around 1689

Cardinal Pietro Ottoboni, who is remembered as the biggest sponsor of the arts and music in particular in Rome in the late 17th and early 18th centuries, died on this day in 1740 in Rome.

Despite a somewhat licentious lifestyle that reportedly saw him father between 60 and 70 children, Ottoboni, whose great uncle was Pope Alexander VIII, was considered a candidate to succeed Pope Clement XII as pontiff following the death of the latter on 6 February.

However, he developed a fever during the conclave and had to withdraw. He died three weeks later.

Born into a noble Venetian family, Ottoboni was the last person to hold the office of Cardinal-nephew, a tradition dating back to the Middle Ages that allowed a pontiff to appoint members of his own family to key positions. The practice was abolished by Alexander VIII’s successor, Pope Innocent XII, in 1692.

Ottoboni was also made vice-chancellor of the Holy Church of Rome, a position he held until his death, which gave him an annual income that would have been the equivalent today of almost £5 million (€5.79m).  Although he had several positions of responsibility, including superintendent general of the affairs of the Apostolic See, and governor of the cities of Fermo and Tivoli, he was an unashamed seeker of sensual pleasure.

This translated into a considerable number of mistresses but also a great love of music, in the pursuit of which he spent lavishly and, despite his wealth, managed to run up substantial debts.

Arcangelo Corelli's career flourished with
Pietro Ottoboni's financial support

Soon after he was made a Cardinal, he set about restoring the theatre at the Palazzo della Cancelleria, his residence in Rome.  The theatre had been unused for 15 years but Ottoboni was determined to make it the centre of music in Rome.  Filippo Juvarra, his court architect, enlarged the theatre and turned it into one of the most technically advanced opera venues in the city, while Ottoboni hired the finest singers and musicians available. One of his favourites, the castrato Andrea Adami, was made master of the papal choir at the Sistine Chapel.

Operas by Alessandro Scarlatti, Antonio Caldara and many other leading composers were premiered at the Cancelleria.  Ottoboni supported Arcangelo Corelli, the greatest violinist of his generation, and worked with the German musician and composer George Frideric Handel for a period early in the 18th century.

His relationship with Corelli was such that when the musician died in 1713 he left his entire estate to the Cardinal, who in turn distributed it among Corelli’s family and arranged for him to buried at the Pantheon in Rome, his tomb marked with an elaborate memorial. 

Other composers who had Ottoboni to thank for the advancement of their careers included his fellow Venetians Antonio Vivaldi and Tomaso Albinoni.

Ottoboni’s patronage extended beyond his own theatre. He was also the major benefactor of what is now the Accademia Nazionale di Santa Cecilia, Italy’s premier conservatory, and the Accademia Filarmonica di Bologna. 

The cover of the libretto for Scarlatti's
 'The Martyrdom of St Cecilia'

He made his own contribution to the advancement of the opera genre as a librettist.  His position in the Church meant he could not publish them under his own name, especially after Clement XI banned all public opera performances in 1701. It is widely thought, for instance, that the libretto for Scarlatti's 1693 opera La Giuditta was written by Ottoboni.

Beyond the world of music, the Sicilian architect Giovanni Battista Vaccarini, who became one of the most prominent figures in the Sicilian Baroque movement that grew after the earthquake of 1693, and painters Sebastiano Conca, Sebastiano Ricci and Francesco Trevisan also benefited from his support. The Seven Sacraments, which he commissioned in 1712 and was executed by Giuseppe Maria Crespi, is now in the Museum of Dresden in Germany.

Ottoboni was a collector of art as well as a sponsor, yet much of his vast collection was lost to Italy when he died, as a result of his debts, which demanded that his possessions be sold and the proceeds shared among his creditors.

Among his 530 paintings, some of which he inherited from his great uncle but many that he bought himself over half a century, included works by Guido Reni, Tintoretto, Pietro da Cortona, Jacopo Bassani, Giuseppe Cesari and Paolo Veronese.  They were disposed of in four sales and have consequently been distributed around the world.

The Palazzo della Cancelleria in Rome was Cardinal Ottoboni's
home as vice-chancellor of the Holy Roman Church

Travel tip:

The Palazzo della Cancelleria, which was Cardinal Ottoboni’s residence in Rome, is situated between Corso Vittorio Emanuele II and the Campo de' Fiori. It is probably the earliest Renaissance palace to be built in Rome, designed by the architect Donato Bramante and constructed between 1489 and 1513, initially as a residence for Cardinal Raffaele Riario, who was treasurer of the Holy Roman Church under Pope Sixtus V, and subsequently evolved as the seat of the Chancellery of the Papal States. It was also used as the parliament building by the short-lived Roman Republic in the mid-19th century.

Rome's ancient Pantheon is the burial place of many
famous individuals, including Arcangelo Corelli

Travel tip:

Considered to be Rome’s best preserved ancient building, the Pantheon, which can be found in Piazza della Rotonda, was built in AD 118 on the site of a previous building dating back to 27 BC. It was consecrated as a church in the seventh century and many important people are buried there, including the kings Victor Emmanuel II and Umberto I, and Umberto’s wife, Queen Margherita, and the writers Voltaire, Rousseau, Victor Hugo and Émile Zola.

More reading:

How Arcangelo Corelli influenced the development of music

Why Alessandro Scarlatti was ahead of his time

Vaccarini's legacy to the city of Catania

Also on this day:

1792: The birth of composer Gioachino Rossini


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