Bruno Bartoletti – operatic conductor

Florentine maestro conquered hearts in Chicago

Bruno Bartoletti spent more than 50 years at Lyric
Opera Chicago as conductor and artistic director  

Internationally acclaimed operatic conductor Bruno Bartoletti, who conducted and served as an artistic director at Lyric Opera Chicago for more than 50 years, was born on this day in 1926 in Sesto Fiorentino in Tuscany.

Bartoletti is recognised as having shaped the excellent reputation of Lyric Opera Chicago for staging great productions of Italian opera masterpieces, as well as modern works. He also directed Teatro dell’Opera di Roma and Maggio Musicale Fiorentino, and was principal conductor at the Danish Royal Opera.

His father, Umberto, was a blacksmith who played the clarinet in a band, and as a young boy Bruno Bartoletti played the piccolo. One of his teachers recognised his musical talent, and her husband, who was the sculptor Antonio Berti, recommended him to the Cherubini conservatory, where he studied the flute and the piano.

Bartoletti went on to play in the orchestra of the Maggio Musicale Fiorentino and then became a pianist on the staff of Teatro Comunale in Florence.

He assisted conductors such as Artur Rodzinski, Dimitri Mitropoulos, Vittorio Gui and Tullio Serafin, who was the one who encouraged Bartoletti to study conducting.

Bartoletti made his professional debut as
a conductor in Florence in 1953

In 1953, Bartoletti made his professional conducting debut at Teatro Comunale in Florence with Giuseppe Verdi’s opera Rigoletto.

Bartoletti made his debut as a conductor in the United States in 1956 with Lyric Opera Chicago when he conducted Verdi’s Il trovatore, after Tullio Serafin had been taken ill. He had been recommended to the theatre by the Italian baritone, Tito Gobbi. 

He subsequently became principal conductor of the Royal Danish Opera between 1957 and 1960.

From 1956 until 2007, Bartoletti conducted 600 performances of 55 different operas for Lyric Opera of Chicago. He became their principal conductor in 1964 and continued in that role until his retirement in 1999. 

He also became co-artistic director at Lyric Opera and was later named sole artistic director. He worked with many famous opera singers, including Placido Domingo, Luciano Pavarotti and Renata Tebaldi. 

His final appearance at Lyric Opera was in 2007 when he conducted Verdi’s La traviata.

Bartoletti died the day before
his 87th birthday in 2013

After his retirement, Bartoletti was given the title of artistic director emeritus by Lyric Opera for the rest of his life.

Bartoletti was awarded the title of Cavaliere di Gran Croce della Repubblica Italiana by the Italian Government, and he was made a member of the Accademia di Santa Cecilia, one of the oldest and most prestigious musical institutions in the world. In his later years, he taught at the Accademia Chigiana in Siena. Bartoletti conducted his final opera, Manon Lescaut, in 2011.

With his wife, Rosanna, he had two daughters and five grandchildren.  He died in Florence the day before his 87th birthday in 2013.

He has been acknowledged as a superb interpreter of 19th century and early 20th century Italian opera, but Bartoletti also embraced modern music and Slavic works, such as Bedrich Smetana’s Bartered Bride and Modest Mussorgsky’s Boris Godunov, during his career, although he is said to have rarely conducted symphonies.

Sesto Fiorentino's historic Palazzo Pretorio was
built at the end of the 15th century

Travel tip:

Bartoletti’s home town, Sesto Fiorentino, known locally as simply Sesto, is a town within the metropolitan area of Florence in Tuscany, situated about 12km (7.5 miles) to the northwest. With a population of around 49,000. It is famous above all for its tradition of ceramics. Once an ancient Etruscan settlement, it began to flourish at the time of ancient Romans, thanks to its position along the Via Cassia. Today, there are more than 100 pottery producers in Sesto Fiorentino, the first having been founded there in 1735 by Marquis Carlo Ginori. Now under the name Richard-Ginori, the company is still located in Sesto, which also hosts a state school for teaching pottery, L'Istituto Statale d'Arte. Notable buildings in Sesto Fiorentino include the beautiful Romanesque parish church of San Martino and the Palazzo Pretorio, built at the end of the 15th century as the seat of the podestà, the local representative of Florentine authority. The 15th century façade is still decorated with the coats of arms of the families who exercised power over the town between the 15th and 16th centuries.

The new Teatro del Maggio Musicale Fiorentino
has been the home of the festival since 2014

Travel tip:

The Maggio Musicale Fiorentino is an annual festival in Florence that has been held since 1933. It was started by Luigi Ridolfi Vay da Verrazzano, a politician and entrepreneur who also founded the AC Fiorentina football club, in conjunction with the conductor Vittorio Gui and another politician, Carlo Delcroix, who was its first president. It usually takes place from the end of April to the beginning of July and includes operas, concerts, ballets and prose performances. It has its origins in the ancient tradition of the musical festivals of May, called maggiolate. Originally, the festival was staged at the Teatro Comunale in Corso Italia, on the edge of the city’s historic centre, about 1.5km (1 mile) from the Ponte Vecchio along the Arno river.  Since 2014, the festival has had its own base at the new Teatro del Maggio Musicale Fiorentino, situated less than a kilometre away on land opposite the public park known as Le Cascine. Designed by Paolo Desideri, it was inaugurated in 2011 with a performance of Beethoven's Ninth Symphony conducted by Zubin Mehta. The square in front of the theatre is named Piazza Vittorio Gui in honour of the festival’s founder.

Also on this day:

1465: The birth of statesman and political adviser Mercurino Arborio di Gattinara

1918: The death of opera composer and librettist Arrigo Boito

1940: Italy enters World War Two

1959: The birth of football manager Carlo Ancelotti

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Anita Cerquetti – soprano

Performer with a powerful voice had brief moment in the spotlight

Anita Cerquetti commuted between Naples and Rome
to perform on alternate nights

Anita Cerquetti, the singer whose remarkable voice received widespread praise when she stood in for a temperamental Maria Callas in Rome, died on this day in 2014 in Perugia.

Cerquetti had been singing the title role in Vincenzo Bellini’s Norma at Teatro San Carlo in Naples in 1958 when Callas, who had been singing the same part in Rome, walked out after the first act on the opening night.

Despite Callas claiming that her voice was troubling her, the incident, in front of Italian President Giovanni Gronchi, created a major scandal.

Fortunately the performances in Rome and Naples were on alternate days and so for several weeks Cerquetti travelled back and forth between the two opera houses, which were 225km (140 miles) apart. The achievement left her exhausted and three years later she retired from singing and her magnificent voice was heard no more.

Cerquetti was born in Montecosaro near Macerata in the Marche. She studied the violin, but after a music professor heard her singing at a wedding she was persuaded to switch to vocal studies. After just one year she made her debut singing Aida in Spoleto in 1951.

A publicity shot of Anita Cerquetti
taken in the 1950s

She sang all over Italy and made her debut at La Scala in 1958 as Abigaille in Nabucco. She also sang on RAI in a variety of roles.  She had sung in the United States at the Lyric Opera of Chicago in 1955, as Amelia in Un ballo in maschera opposite Jussi Björling, under Tullio Serafin, but returned infrequently.

When she replaced Callas at the Rome Opera House, it meant she had to commute between the two cities for several weeks. It was thought the effort affected her health because shortly afterwards she started withdrawing from stage appearances until she retired completely in 1961 at just 30 years of age.

Cerquetti was due to have made her debut at the Royal Opera House in London in the title role of Aida in July 1958, but withdrew following an appendectomy the month before and was replaced by Leontyne Price, so she was never heard at Covent Garden.

Her final appearance was in a concert in Amsterdam in 1961.

She made two recordings for Decca, including a complete version of Amilcare Ponchielli’s La Gioconda with Mario Del Monaco, and many of her live performances were recorded and have now been issued on CD.

Cerquetti was married to the baritone Edo Feretti with whom she had one daughter. After her retirement she went to live in Rome. Her husband predeceased her and the soprano died in Perugia from cardiovascular disease at the age of 83.

The hilltop town of Montecosaro in Marche

Travel tip:

Montecosaro, where Anita Cerquetti was born in 1931, is a hilltop town in Marche, about 35km (22 miles) southeast of Ancona and about 15km (9 miles)east of Macerata. Just outside the town is the Abbazia di Santa Maria a Pie’ di Chienti, also known as the Santissima Annunziata. Documents refer to an abbey being there in 936 but the Romanesque stone building that can be seen on the site today was built in 1125.

The Teatro San Carlo is close to the centre of
Naples, near Piazza Plebiscito

Travel tip:

Teatro di San Carlo in Naples, where Cerquetti was singing when she got the call asking her to replace Callas, is in Via San Carlo close to Piazza Plebiscito, the main square in Naples. The theatre was designed by Giovanni Antonio Medrano for the Bourbon King of Naples, Charles I, and opened in 1737, some 41 years before La Scala and 55 years before La Fenice. San Carlo is now believed to be one of the oldest, if not the oldest, remaining opera houses in the world. Both Gaetano Donizetti and Gioachino Rossini served as artistic directors at San Carlo and the world premieres of Donizetti’s Lucia di Lammermoor and Rossini’s Mosè were performed there.

More reading:

The mezzo-soprano at the centre of an on-stage spat with Maria Callas

The short but eventful career of Norma composer Vincenzo Bellini

When fire engulfed the Teatro San Carlo

Also on this day:

1815: The birth of controversial Prince Pierre-Napoleon Bonaparte

1896: The birth of Neapolitan songwriter Cesare Andrea Bixio


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Tullio Serafin – opera conductor

Toscanini’s successor furthered the career of Callas

Tullio Serafin

The man who helped Maria Callas develop her singing talent, musician and conductor Tullio Serafin, was born on this day in 1878 in Rottanova near Cavarzere in the Veneto, on the Adige river just south of the Venetian Lagoon.

Serafin studied music in Milan and went on to play the viola in the orchestra at Teatro alla Scala under the baton of Arturo Toscanini.

He was later appointed assistant conductor and then took over as musical director at the theatre when Toscanini left to go to New York.

Serafin conducted at La Scala between 1909 and 1914, from 1917 to 1918 and then returned briefly at the end of the Second World War.

He became a conductor at the Metropolitan Opera in New York in 1924 and stayed with them for ten years before returning to Italy to become artistic director at the Teatro Reale in Rome.

During his career he helped the development of many singers, including Rosa Ponselle, Magda Olivero and Joan Sutherland.

Serafin’s most notable success was with Maria Callas, with whom he collaborated on many recordings. He is credited with helping the American-born singer achieve a major breakthrough in 1949 when he persuaded her to take over from the leading belcanto soprano Margeritha Carosio at the opening night of Bellini's I Puritani at La Fenice in Venice after Carosio was forced to withdraw through illness.

Callas protested that she was inadequately prepared but her performance received rave reviews, giving her the confidence to expand her repertoire.  Thereafter, success followed success.

The conductor was also responsible for reviving 19th century operas by Bellini, Rossini and Donizetti and establishing them in the 20th century repertoire.

Serafin died in 1968 in Rome at the age of 89.

The bell tower of the Duomo and the
Palazzo Barbiani in Cavarzere

Travel tip:

Rottanova, where Serafin was born, is a small hamlet on the outskirts of Cavarzere, a comune situated about 35km south of Venice in the Veneto. Cavarzere dates back to before Roman times when it was a military outpost. It later became a refuge for people escaping from the barbarians after the fall of the Roman Empire.

Travel tip:

Teatro alla Scala, where Serafin conducted for so many years, is in Piazza della Scala in the centre of Milan across the road from the Galleria Vittorio Emanuele II. La Scala has a fascinating museum that displays costumes and memorabilia from the history of opera. The entrance is in Largo Ghiringhelli, just off Piazza della Scala. It is open every day except the Italian Bank Holidays and a few days when it is closed in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30pm.

HomeHome.30 to 5.30 pm.