19 October

Umberto Boccioni - painter

Artist who died tragically young was key figure in Futurism

The painter Umberto Boccioni, who became arguably the leading artist of Italian Futurism before the First World War, was born on this day in 1882 in Reggio Calabria.  Futurism was an avant-garde artistic, social and political movement that was launched by the poet Filippo Tommaso Marinetti in 1909.  Its ethos was to embrace modernity and free Italy from what was perceived as a stifling obsession with the past. The Futurists admired the speed and technological advancement of cars and aeroplanes and the new industrial cities, all of which they saw as demonstrating the triumph of humanity over nature through invention. Their work attempted to capture the dynamism of life in a modern city, creating images that convey a sense of the power and energy of industrial machinery and the passion and violence of social change.  Boccioni became part of the movement after meeting Marinetti in Milan early in 1910, after which he joined Giacomo Balla, Gino Severini, Carlo Carrà and Luigi Russolo in signing Il manifesto dei pittori futuristi - the Manifesto of Futurist Painters.  In the same year, Boccioni completed one of his finest works, entitled La città che sale, which is translated as The City Rises and which many consider to be the first truly Futurist painting.  Read more…

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Carlo Urbani – microbiologist

Infectious disease expert who identified SARS

The doctor and microbiologist Carlo Urbani, whose decisive action after discovering the deadly SARS virus saved millions of lives, was born on this day in 1956 in Castelplanio, near Ancona.  Dr Urbani himself died after contracting the condition, which had been given the name severe acute respiratory syndrome.  He identified it in an American businessman who had been taken ill in Hanoi, the capital of Vietnam, with suspected influenza.  Recognising quickly that what he was dealing with was not a straightforward case of ‘flu, Urbani, who was working in Vietnam as an infectious diseases specialist for the World Health Organisation, immediately alerted WHO headquarters in Geneva.  He convinced them that what he had discovered posed a grave threat to life and thus sparked the most effective response to a major epidemic in the history of medicine.  At a local level, be persuaded the Vietnamese health authorities to introduce a raft of preventative measures, including large-scale screening and prompt, secure isolation of suspected victims, that slowed the spread of the disease.  It was as a result of Urbani’s actions that the epidemic was largely contained.  Read more…

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Fiorenzo Magni - cycling champion

Rider from Tuscany won Giro d'Italia three times

Italy lost one of its finest professional riders and its last link with the so-called golden age of Italian cycle racing when Fiorenzo Magni died on this day in 2012.  Tuscan-born Magni was a multiple champion, winning the Giro d'Italia three times, as well as three Italian Road Race Championships.  He had seven stage wins in the Tour de France, in which he wore the yellow jersey as race leader for a total of nine days.  His other major victories were in the demanding Tour of Flanders, in which he became only the second non-Belgian winner in 1949 and went on to win three times in a row, a feat yet to be matched.  Magni might have been even more successful had his career not coincided with those of two greats of Italian cycling, the five-times Giro champion Fausto Coppi, who was twice winner of the Tour de France, and Gino Bartali, who won three Giros and one Tour de France.  His reputation for toughness, however, was unrivalled.  He relished racing in harsh, wintry weather, as often prevailed in the Tour de Flanders, and refused to give in to injuries if he happened to have a fall.  The classic example of this came in the 1956 Giro d'Italia, his final ride in Italy's foremost event, when an accident left him with a broken left collarbone only halfway through the race. Read more…

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18 October

NEW - Theft of Caravaggio masterpiece

Fate of Nativity taken from Palermo church remains a mystery

One of the most notorious art crimes in history was discovered on this day in 1969 when a housekeeper at the Oratory of Saint Lawrence in Palermo arrived for work to find that the Nativity with St. Francis and St. Lawrence, painted by the Renaissance master Caravaggio in 1609, had been stolen. The painting sat above the altar in the Oratory, which is situated in Via Immacolata in the centre of the Sicilian capital, adjacent to the Basilica of Saint Francis of Assisi, but when the housekeeper, Maria Gelfo, opened up with her sister on the morning of 18 October, they were confronted with an empty frame.  Worth an estimated £20 million (€23.73 million; $27.52 million), the painting has never been found, leaving half a century’s worth of theories about its fate to remain unproven.  Most of the theories link the theft to the Sicilian Mafia.  It is assumed that the painting was taken during the night of the 17-18 October, although the weather was reportedly awful, with a lightning storm raging for much of the night and Palermo suffering a deluge of rain, hardly ideal conditions for carrying a valuable work of art from a church to a waiting vehicle.  Read more...

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Cristoforo Benigno Crespi - entrepreneur

Textile boss created industrial village of Crespi d’Adda

The entrepreneur Cristoforo Benigno Crespi, who became famous for creating a company-owned village around his textile factory in Lombardy, was born on this day in 1833 in Busto Arsizio, about 34km (21 miles) northwest of Milan.  A textile manufacturer, in 1869 Crespi bought an area of land close to where the Brembo and Adda rivers converge, about 40km (25 miles) northeast of Milan, with the intention of building a cotton mill on the banks of the Adda.  The factory he built was substantial, with room for 10,000 spindles, but as well the capacity to produce textiles on a large scale, Crespi recognised that it was essential to his plans to have a contented workforce. Consequently, following the lead of other manufacturers in the textile industry outside Italy, he set about providing on site everything to meet the daily needs of his employees.  In addition to the factory premises, he built homes for his workers, a school, a wash-house, a hospital, a church and a grocery store.  Houses were built in English-style parallel rows, with gardens and vegetable plots, and the streets were the first in Italy to have modern electric lighting.  Read more…

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Ludovico Scarfiotti - racing driver

Last Italian to win ‘home’ Grand Prix

The racing driver Ludovico Scarfiotti, whose victory in the 1966 Italian Grand Prix at Monza is the last by an Italian, was born on this day in 1933 in Turin.  His success at Monza, where he came home first in a Ferrari one-two with the British driver Mike Parkes, was the first by a home driver for 14 years since Alberto Ascari won the last of his three Italian Grand Prix in 1952.  It was Scarfiotti’s sole victory - indeed, his only top-three finish - in 10 Formula One starts. His competitive career spanned 15 years, ending in tragic circumstances with a fatal crash in 1968, little more than a month after he had come home fourth in the Monaco Grand Prix in a Cooper-BRM.  Scarfiotti in some respects was born to race. His father, Luigi, a deputy in the Italian parliament who made his fortune from cement, had raced for Ferrari as an amateur.  His uncle was Gianni Agnelli, the powerful president of Fiat.  He first raced in 1953 and he won his class in the 1956 Mille Miglia. He joined Ferrari in 1960 and finished fourth on the Targa Florio. Although he subsequently drove for OSCA and Scuderia Serenissima, he returned to Ferrari in 1962.  Read more…

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Luca Giordano – artist

Talented Neapolitan was renowned for being a fast worker

Luca Giordano, the most celebrated and prolific Neapolitan painter of the late 17th century, was born on this day in 1634 in Naples.  His nicknames were Luca Fa Presto - "Luca work faster" - said to derive from the way his father, the copyist Antonio Giordano, used to admonish him, Fulmine (the Thunderbolt) because of his speed, and Proteus, because he was reputed to be able to imitate the style of almost any other artist.  Giordano’s output both in oils and in frescoes was enormous and he is said to have once painted a large altarpiece in just one day.  He was influenced at the start of his career by Jose de Ribera, who he was apprenticed to, and he also assimilated Caravaggio’s style of dramatic intensity.  But after Giordano had travelled to Rome, Florence and Venice, his style underwent a profound change. The influence of Pietro da Cortona’s frescoes in the Pitti Palace in Florence can be detected in Giordano’s huge ceiling fresco in the ballroom of the Palazzo Medici-Riccardi, which he completed in 1683, and he became noted for his showy use of colour.  He went to Spain in 1692 as court painter to Charles II and stayed there till 1702.  Read more…

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Luke the Evangelist

Scientists believe Saint is buried in Padua

The feast day of St Luke the Evangelist - la festa di San Luca - is celebrated in Padua and throughout Italy on this day every year.  Luke the Evangelist is believed to be one of the four authors of the Gospels in the New Testament. Both the Gospel according to St Luke and the book of Acts of the Apostles have been ascribed to him.  Luke is believed to have been a doctor who was also a disciple of St Paul. It has been claimed he was martyred by being hung from an olive tree, although other sources say he worked as a doctor until his death at the age of 84.  He is regarded as the patron saint of artists, physicians, surgeons, students and butchers and it is strongly believed that his body lies in the Basilica of Santa Giustina in Prato della Valle in Padua.  It is thought that Luke was a Greek physician who lived and worked in the city of Antioch in ancient Syria.  He is mentioned in some of St Paul’s Epistles and he is believed to have been with Paul in Rome near the end of his life.  After Luke’s death it is believed he was buried in Thebes but his remains were later transferred to Constantinople.  They are thought to have been bought by a Serb who later sold them on to the Venetian Republic.  Read more…

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Theft of Caravaggio masterpiece

Fate of Nativity taken from Palermo church remains a mystery

Caravaggio's painting Nativity with
St Lawrence and St Francis

One of the most notorious art crimes in history was discovered on this day in 1969 when a housekeeper at the Oratory of Saint Lawrence in Palermo arrived for work to find that the Nativity with St. Francis and St. Lawrence, painted by the Renaissance master Caravaggio in 1609, had been stolen.

The painting sat above the altar in the Oratory, which is situated in Via Immacolata in the centre of the Sicilian capital, adjacent to the Basilica of Saint Francis of Assisi, but when the housekeeper, Maria Gelfo, opened up with her sister on the morning of 18 October, they were confronted with an empty frame.

Worth an estimated £20 million (€23.73 million; $27.52 million), the painting has never been found, leaving half a century’s worth of theories about its fate to remain unproven.  Most of the theories link the theft to the Sicilian Mafia.

It is assumed that the painting was taken during the night of the 17-18 October, although the weather was reportedly awful, with a lightning storm raging for much of the night and Palermo suffering a deluge of rain, hardly ideal conditions for carrying a valuable work of art from a church to a waiting vehicle.

The thieves broke into the Oratory and seemingly headed straight for the Caravaggio. The painting appeared to have been cut from its frame using a sharp blade. Maria Gelfo also told police that a rug was also missing, which led to speculation that the canvas was removed from the church rolled up inside the rug.

The empty frame above the altar, 
pictured soon after the theft

Yet what happened to the painting is shrouded in mystery, not least because files containing statements made to police by key witnesses mysteriously disappeared, along with a report on the state of the premises ordered after Benedetto Rocco, the parish priest at the time of the theft, had raised concerns about security with the local state official for works of art, Vincenzo Scuderi.

Rocco had also raised concerns about Scuderi allowing RAI, the state broadcaster, to film a programme on hidden treasures inside the oratory - including Caravaggio’s painting - which was broadcast in August 1969. 

Gelfo, meanwhile, had expressed her worries about the security of a street-level window that could have been forced by an intruder, as well as reporting an unusually large number of strangers wanting to see the Caravaggio in the weeks leading up to its disappearance.

When the investigation into the crime was reopened in 2017 by the government’s anti-Mafia commission, following supposedly credible information supplied by Mafia pentiti Marino Mannoia and Gaetano Grado, the statements from Rocco and Gelfo had vanished.

Mannoia and Grado said that the painting was in Switzerland, albeit having been cut up, after Mafia boss Gaetano Badalamenti, who had made his money from trafficking heroin to the United States and had supposedly commissioned its theft, decided he no longer wanted it on his hands. The involvement of Badalamenti tallied with an interview given by Rocco in 2001 in which he claimed that Badalamenti was the perpetrator and had attempted to open a negotiation with the Catholic Church for its return, cutting off a small section of the canvas and sending it to Rocco to prove he had it.

Gaetano Badalamenti, a Mafia
boss accused of ordering the theft

However, the police were unable to find the files relating to the crime, including Rocco’s statements. Rocco, Gelfo and Badalamenti are all now dead.

Mannoia had previously told the anti-Mafia magistrate Giovanni Falcone that the Mafia had commissioned the theft after agreeing a price with a buyer, but that when the buyer saw the painting, it was so badly damaged he called the deal off.  Experts have since said that, had the painting been rolled up to be smuggled out inside a rug, it is likely that large amounts of paint would have cracked and fallen off.

Other explanations of its fate are that the painting was eaten by pigs after being kept in a barn, that it was buried by another mafioso, Gerlando Alberti, after he had failed to sell it, and that it was transported to Campania to be sold to the Naples Camorra only to be buried under rubble during the 1980 earthquake.

Another theory, put forward by a Mafia expert in Palermo, is that the theft was actually carried out by highly-skilled professional art thieves working independently of the local Mafia and that the multiple claims of Cosa Nostra responsibility were false, issued somewhat in panic by local gang bosses embarrassed that a crime of such magnitude had taken place under their noses without their knowledge. 

Detail from Giacomo Serpotta's
stucco work in the Oratory

Travel tip:

The Oratory of Saint Lawrence was founded in around 1570 by the Company of Saint Francis of Assisi, a baroque church built over the remnants of an ancient church dedicated to Saint Lawrence (San Lorenzo). It is located in the La Kalsa or Tribunali district of Palermo near Corso Vittorio Emanuele, next door to the basilica of Saint Francis (San Francesco d'Assisi).  In addition to Caravaggio’s masterpiece, the setting of which, above the altar, is now occupied by a reproduction of the original, the Oratory is also notable for the brilliant stucco decorations by Giacomo Serpotta, born in the neighbourhood but considered by many to be one of Sicily’s greatest artists.

Palermo's beautiful cathedral, viewed across the
its square in the Monte di Pietà district of the city

Travel tip:

Although the Mafia have long cast an unwanted shadow over Palermo, thankfully most visitors know it as an attractive tourist destination, a vibrant city with a wealth of history, culture, art, music and food. It has many outstanding restaurants as well as fine examples of Romanesque, Gothic and Baroque churches, palaces and buildings.  Attractions include the extraordinary Cappella Palatina, featuring Byzantine mosaics decorated with gold leaf and precious stones, the Teatro Massimo, the largest opera house in Italy and the third biggest in Europe, and a beautiful cathedral that blends Norman, Moorish, Gothic, Baroque and Neoclassical styles.  Although the Sicilian Baroque style is strongly represented in the city’s architecture, the streets around Via Libertà and the seaside resort of Mondello, just outside the city, feature many examples of Stile Liberty, the Italian variant on Art Nouveau, in villas built for the well-to-do of Palermo in the late 19th and early 20th centuries.

Also on this day: 

1634: The birth of painter Luca Giordano

1833: The birth of entrepreneur Cristoforo Benigno Crespi

1933: The birth of racing driver Ludovico Scarfiotti

The Feast Day of St Luke the Evangelist

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17 October

The end of the Venetian Republic

Peace treaty saw Venice given away to Austria

A peace settlement signed in a small town in north-east Italy on this day in 1797 heralded a dark day for Venice as the Most Serene Republic officially lost its independence after 1,100 years.  The Treaty of Campo Formio, drawn up after the Austrians had sought an armistice when faced with Napoleon Bonaparte's advance on Vienna, included an exchange of territory that saw Napoleon hand Venice to Austria.  It marked the end of the First Coalition of countries allied against the French, although it was a short-lived peace.  A Second Coalition was formed the following year.  The Venetian Republic, still a playground for the rich but in decline for several centuries in terms of real power, had proclaimed itself neutral during the Napoleonic Wars, wary that it could not afford to sustain any kind of conflict.  But Napoleon wanted to acquire the city nonetheless, seeing it as a potential bargaining chip in his empire-building plans and had his eye on its vast art treasures.  In May 1797 he provoked the Venetians into attacking a French ship and used this as an excuse to declare war.  The reaction of the Venetian Grand Council and the last of its Doges, Ludovico Manin, was to vote the Republic out of existence.  Read more…

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Bartolommeo Bandinelli - Renaissance sculptor

Career scarred by petty jealousies

The sculptor Bartolommeo Bandinelli, a contemporary and rival of Michelangelo and Benvenuto Cellini in Renaissance Italy, was born on this day in 1473 in Florence.  He left his mark on Florence in the shape of the monumental statue of Hercules and Cacus in the Piazza della Signoria and his statues of Adam and Eve, originally created for the Duomo but today housed in the Museo Nazionale del Bargello.  Also known as Baccio Bandinelli and Bartolommeo Brandini, he was skilled in small sculptures but became known and disliked for his antagonistic manner with other artists and his particular hatred of Michelangelo, of whom he was bitterly jealous.  Giorgio Vasari, the artist and sculptor who was the first to compile a written history of art and artists, and who was a student in Bandinelli’s workshop, recalled an occasion when Bandinelli was so enraged by the excitement that ensued when a Michelangelo drawing was uncovered in the Palazzo Vecchio that, as soon as an opportunity arose, he tore it up.  Where Michelangelo was revered for everything he did, Bandinelli’s critics said he lacked the skills required to tackle large sculptures.  Read more…

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Giovanni Matteo Mario - operatic tenor

Disgraced nobleman became the toast of London and Paris

The operatic tenor Giovanni Matteo Mario, a Sardinian nobleman who deserted from the army and began singing only to earn a living after fleeing to Paris, was born on this day in 1810 in Cagliari.  He was baptised Giovanni Matteo de Candia, born into an aristocratic family belonging to Savoyard-Sardinian nobility. Some of his relatives were members of the Royal Court of Turin. His father, Don Stefano de Candia of Alghero, held the rank of general in the Royal Sardinian Army and was aide-de-camp to the Savoy king Charles Felix of Sardinia.  He became Giovanni Mario or Mario de Candia only after he had begun his stage career at the age of 28. He was entitled to call himself Cavaliere (Knight), Nobile (Nobleman) and Don (Sir) in accordance with his inherited titles, yet on his first professional contract, he signed himself simply ‘Mario’ out of respect for his father, who considered singing a lowly career.  Although he was one of the most celebrated tenors of the 18th century, Italy never heard Mario sing. Instead, the Royal Opera House, Covent Garden in London and the Théâtre Italien in Paris witnessed most of his triumphs.  Read more…

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16 October

Dorando Pietri - marathon runner

Athlete who made his fortune from famous disqualification

The athlete Dorando Pietri, who found fame and fortune after being disqualified in the 1908 Olympic marathon, was born on this day in 1885 in Mandrio, a hamlet near Carpi, in Emilia-Romagna.  In an extraordinary finish to the 1908 race in London, staged on an exceptionally warm July day, Pietri entered the White City Stadium in first place, urged on by a crowd of more than 75,000 who were there to witness the finish, only for his legs to buckle beneath him.  He was helped to his feet by two officials only to fall down four more times before he crossed the finish line.  Each time, officials hauled him to his feet and walked alongside him, urging him on and ready to catch him if he fell.  The final 350 yards (320m) of the event accounted for 10 minutes of the two hours, 54 minutes and 46 seconds recorded as his official time.  Eventually, a second athlete entered the stadium, the American Johnny Hayes, but Pietri had staggered over the line before he could complete the final lap.  The American team was already unpopular with the British crowd, partly because of a row about a flag at the opening ceremony. They lost even more support after they lodged an objection to the result.   Read more…

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Dino Buzzati - author

Novelist likened to Camus whose short stories remain popular

The multi-talented author Dino Buzzati, whose output included five novels, several theatre and radio plays, a children’s novel, five opera libretti, some poetry, a comic book in which he also drew the illustrations, and several books of short stories, was born on this day in 1906 in Belluno.  Buzzati’s most famous novel, Il deserto dei Tartari (1940), titled The Tartar Steppe in the English translation, saw Buzzati compared to Albert Camus and Franz Kafka as a work of existentialist style, but it is for his short stories that he still wins acclaim.  A new collection entitled Catastrophe and Other Stories, which showcases Buzzati’s talent for weaving nightmarish fantasy into ordinary situations, was published earlier this year.  Buzzati, who worked as a journalist for the whole of his adult life and also painted prolifically, was the second of four children born to Giulio Cesare Buzzati, a distinguished professor of international law, and Alba Mantovani, a veterinarian born in Venice.  The family’s main home was in Milan but they had a summer villa in San Pellegrino, a village just outside Belluno in the foothills of the Dolomites, which was where Dino was born.  Read more…

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Election of Pope John Paul II

How Karol Wojtyla became first non-Italian pope for 455 years

Pope John Paul II, who was to have a political and social influence unmatched by any pontiff since the Middle Ages, was elected to be the new leader of the Catholic Church on this day in 1978.  The result of the second Papal conclave in what became known as the Year of the Three Popes was announced after eight ballots. The new pontiff succeeded Pope John Paul I, who had died on September 28 after only 33 days in office, who had himself followed Pope Paul VI, who had passed away in August after reigning for 15 years.  The new man chosen was 58-year-old Cardinal Karol Wojtyla, then Archbishop of Kraków, the first non-Italian to hold office for 455 years since the Dutch Pope Adam VI, who served from 1522-23.  Wojtyla's stand against Poland's Communist regime had brought him respect but he was not seen as a Vatican favourite and his elevation to the highest office stunned the Catholic world.  Yet he would go on to become one of the most familiar faces in the world, remaining in post for almost 27 years, which made him the second longest-serving pope in modern history after Pope Pius IX. Read more…

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15 October

Gibbon's moment of inspiration

Walk around the Forum sparked idea for epic work 

The English writer and historian Edward Gibbon claimed that the inspiration to write the book that - unbeknown to him - would grant him literary immortality came to him while exploring the ruins of the Forum in Rome on this day in 1764.  Gibbon, who had enjoyed modest success with his first book, entitled Essay on the Study of Literature, was in Rome after deciding to embark on the Grand Tour, taking in the Italian cities of Florence, Naples and Venice as well as the capital.  Later, in his memoirs, Gibbon wrote that:  "It was at Rome, on the fifteenth of October 1764, as I sat musing amidst the ruins of the Capitol, while the barefooted friars were singing Vespers in the temple of Jupiter, that the idea of writing the decline and fall of the City first started to my mind."  In the event, the book expanded to cover rather more than the city of Rome.  The History of the Decline and Fall of the Roman Empire ran to six volumes and as many as 5,000 pages in the original version and saw Gibbon, whose second work - Mémoires Littéraires de la Grande Bretagne - had been dismissed as having little merit by fellow writers and historians, eventually recognised as in the forefront of historians in Europe.  Read more…

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Angelo Schiavio - footballer

Scored goal that won Italy's first World Cup

Angelo Schiavio, the hero of the Italian football team’s first World Cup victory in 1934, was born on this day in 1905 in Bologna.  The centre forward, a prolific goalscorer for his home-town club in Serie A, scored the winning goal in the final against Czechoslovakia to hand victory to the Azzurri in the 16-team tournament, of which the Italians were hosts.  In the final at the Stadio Flaminio in Rome, the Azzurri had gone behind to a goal by the Czech winger Antonin Puc with 19 minutes remaining, but equalised 10 minutes later through Raimundo Orsi, the Argentina-born forward from Juventus, taking the match into extra time.  Schiavio struck the decisive goal, driven home with his right foot from a pass by Enrique Guaita, another Argentine – one of 12 to represent Italy and Argentina in the days before playing for more than one nation was outlawed.  It was his fourth goal of the tournament, sparking massive celebrations in Rome and across Italy, albeit in a mood of triumph hijacked by Benito Mussolini and his Fascist regime.  Rumours circulated, almost inevitably, that match officials had been bribed to make decisions favouring the Italians.  Read more…

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Virgil – Roman poet

Writer’s epic poem commemorates achievements and ideals of Rome

Regarded as the greatest of the Roman poets, Virgil, or Publius Vergilius Maro as he was originally named, was born on this day in 70 BC in the village of Andes near Mantua, in what is now Lombardy.  Virgil is famous for his work, the Aeneid, which told the story of Rome’s founder and the Roman mission to civilise the world under divine guidance. It is widely considered one of the most important poems in the history of Western literature.  Experts have high regard for Virgil’s poetry, not only for the music and diction of his verse and for his skill in constructing an intricate work on a grand scale, but also because of what it reveals about Roman life and behaviour.  Virgil was born of peasant stock and his love of the Italian countryside and the people who worked in it is well reflected in his poetry.  He was educated in Cremona, Milan and Rome and acquired a thorough knowledge of Greek and Roman authors and was trained in rhetoric and philosophy.  When Virgil was 20, Julius Caesar crossed the Rubicon and began the series of civil wars that did not end until Augustus’s victory at Actium in 31 BC.  Hatred and fear of civil war is powerfully expressed by Virgil in his poetry.  Read more…

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Roberto Vittori – astronaut

High-flying Colonel contributed to space research

Roberto Vittori, the last non-American to fly on board the US Space Shuttle, was born on this day in 1964 in Viterbo.  An Italian air force officer, Vittori was selected by the European Space Agency to be part of their Astronaut Corps and has participated in three space flights.  In 2011 Vittori was on board the Space Shuttle that travelled to the International Space Station to install the AMS-02 cosmic ray detector to examine dark matter and the origin of the Universe.  Vittori had to grapple the six-tonne AMS-02 with the Space Shuttle’s robotic arm and move it to the station for installation. This was to be the final flight of Space Shuttle Endeavour.  He is one of five Italians to have visited the International Space Station. The others are Umberto Guidoni, who was the first European to set foot on board when he flew on Space Shuttle Endeavour in 2001, Paolo Nespoli, who visited as recently as 2017 and at 61 is the European Space Agency’s oldest active astronaut, Luca Parmitano and Samantha Cristoforetti, the first Italian woman in space.  Nespoli, who has participated in three International Space Station missions, was coming to the end of a 159-day stay when Vittori visited.  Read more…

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Giovanni Migliara – painter

19th century artist captured many beautiful views for posterity

Giovanni Migliara, who rose from working as a theatre set designer to becoming court painter to King Charles Albert of Sardinia, was born on this day in 1785 in Alessandria in Piedmont.  He was first apprenticed to the sculptor Giuseppe Maria Bonzanigo, but then went on to study at the Brera Academy.in Milan with Giocondo Albertolli.  He began working as a set designer with Teatro Carcano in Milan in 1804 and then moved to La Scala in 1805, where he served under the direction of Alessandro Sanquirico until 1809. His theatre work enabled him to acquire skills as a landscape artist and a creator of perspective.  Migliara had to stop working while he was suffering from a serious lung problem but from about 1810 he started painting miniatures and then moved on to watercolours and then oils on canvas, silk and ivory, drawing inspiration from Venetian painters.  In 1812 he exhibited four views of Milan at the Brera Academy, officially signalling his return to the world of art.  Migliara specialised in painting views and romantic, historical subjects. Because of the high quality of his work he became a favourite of the aristocracy living in Milan at the time.  Read more…

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14 October

Alesso Baldovinetti - painter

One of first to paint realistic landscapes

The early Renaissance painter Alesso Baldovinetti, whose great fresco of the Annunciation in the cloister of the Basilica of the Santissima Annunziata in Florence is still intact, was born on this day in 1425 in Florence.  Baldovinetti was among a group described as scientific realists and naturalists in art which included Andrea del Castagno, Paolo Uccello and Domenico Veneziano. Influenced by Uccello’s use of visual perspective, he had a particular eye for detail and his views of the Arno river in his Nativity and Madonna are regarded as among Europe’s earliest paintings of accurately reproduced landscapes.  Veneziano’s influence is reflected in the pervasive light of his earliest surviving works, and he was also greatly influenced by Fra' Angelico. Historians believe that in the 1460s Baldovinetti was the finest painter in Florence, although some argue that he did not fulfil all his initial promise.  Born into the family of a wealthy Florentine merchant, Baldovinetti rejected the chance to follow his father’s trade in favour of art.  In 1448, he became a member of the Accademia di San Luca in Rome. It is thought that he assisted with decorations in the church of Sant’ Egidio in Trastevere.  Read more…

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Alessandro Safina – singer

Tenor who has blended opera and rock

Alessandro Safina, a singer trained in opera who has expanded the so-called ‘crossover’ pop-opera genre to include rock influences, was born on this day in 1963 in Siena.  A household name in Italy, the tenor is less well known outside his own country but has recorded duets with international stars such as Sarah Brightman, South Korean soprano Sumi Jo, Rod Stewart, former Pretenders singer Chrissie Hynde, Scottish actor and singer Ewan McGregor and the superstar Italian tenor Andrea Bocelli.  Safina’s biggest album to date is Insieme a Te, which has sold more than 700,000 copies.  It was written in collaboration with the Italian pianist and composer Romano Musumarra, who helped realise Safina’s ambition of creating soulful rock-inspired music for the tenor voice.  He first performed songs from the album at the Olympia theatre in Paris in 1999.  Safina was born into an opera-loving family and earned money to pay for singing lessons by working in his father’s stationery business.  Set on becoming a professional singer from the age of nine, he began attending a music academy at 12 and was accepted for a place at the Luigi Cherubini Conservatory in Florence at 17.  Read more…

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Palma Giovane - painter

Mannerist took the mantle of Tintoretto 

The Venetian artist Jacopo Negretti, best known as Jacopo Palma il Giovane - Palma the Younger - or simply Palma Giovane, died in Venice on this day in 1628.  Essentially a painter of the Italian Mannerist school, Palma Giovane's style evolved over time and after the death of Tintoretto in 1594 he became the most revered artist in Venice.  He became in demand beyond Venice, too, particularly in Bergamo, the city in Lombardy that was a dominion of Venice, and in central Europe.  He received many commissions in Bergamo and was often employed in Prague by the Habsburg Emperor, Rudolph II, who was a noted art connoisseur.  Palma had been born into a family of painters. His great uncle, also called Jacopo, was the painter Palma Vecchio - Palma the Elder - while his father, Antonio Negretti, was a pupil of the elder Palma’s workshop manager, Bonifacio Veronese, whose shop and clientele he inherited after the latter’s death.  The younger Palma is said to have developed his skills making copies in the style of Titian, although the claim in some biographies that he worked in Titian's workshop in Venice is now thought to be incorrect.  Read more…

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