23 March 2018

Lorenzino de’ Medici - assassin

Mystery over motive for killing cousin


Alphonse Mucha's  1896 lithograph of Lorenzino
Alphonse Mucha's
1896 lithograph
of Lorenzino
Lorenzino de’ Medici, who became famous for the assassination of his cousin, the Florentine ruler Alessandro de’ Medici, was born on this day in 1514 in Florence.

The killing took place on the evening of January 6, 1537.  The two young men - Alessandro was just four years older - were ostensibly friends and Lorenzino was easily able to lure Alessandro to his apartments in Florence on the promise of a night of passion with a woman who had agreed to meet him there.

Lorenzino, sometimes known as Lorenzaccio, left him alone, promising to return with the woman in question, at which point Alessandro dismissed his entourage and waited in the apartments.  When Lorenzino did return, however, it was not with a female companion but with his servant, Piero, and the two attacked Alessandro with swords and daggers. Although a struggle ensued, they killed him.

The motive has been debated for centuries. One theory was that it was an act of revenge following a legal controversy the previous year, when Alessandro sided against Lorenzino in a dispute over the inheritance of his great, great grandfather, Pierfrancesco the Elder. Civilities were maintained at the time, yet Lorenzino was disadvantaged financially.

Another is that Lorenzino, as a junior member of the family compared with his cousin, wanted to make his mark in history by any means possible. Murdering Alessandro, who had been installed as Duke of Florence by the Medici pope Clement VII, and thus extinguishing the main branch of the Medici family (descended from Cosimo the Elder, the founder of the dynasty), would give him immortality, albeit of a dark kind, in the family history.

His own explanation, which he set out in a remarkable defence of his crime, entitled Apology, which he wrote within days of Alessandro’s death, was that he committed the crime out of a love of liberty, ridding Florence of a leader generally acknowledged as a tyrant.

The murder of Alessandro by Lorenzino,
as imagined in an 1863 engraving
There were suggestions that Lorenzino wanted to see a revival of the Republic of Florence, which had been disestablished with Alessandro’s appointment, following an 11-month siege.  This theory seemed to be supported by Lorenzino fleeing Florence first to Bologna, where he met Silvestro Aldobrandini, a republican exile, and then on to Venice, where he was welcomed by another exile, the wealthy banker Filippo Strozzi.

His supporters hailed him as a latterday Brutus, who had slain Julius Caesar in the name of liberating Rome, but whatever the truth of the story, Lorenzino was to spend the rest of his life effectively on the run, constantly looking over his shoulder at who might be plotting to avenge his cousin’s death.

In the event, there was no re-establishment of the Florentine Republic. Alessandro’s father-in-law, the Holy Roman Emperor Charles V, appointed 17-year-old Cosimo I de’ Medici, from the so-called cadet line of the family, as Duke of Florence, which effectively meant Lorenzino could never return.

For the next few years he moved between Venice, Mirandola in the Duchy of Modena, Constantinople and France.  While he was in Constantinople, Strozzi was taken prisoner after his forces were beaten by the army of Cosimo I and he died in 1538.

While in France, where he enjoyed the hospitality of many Florentine exiles, Lorenzino acted as a go-between for the French king, Francis I, in trying to organise Florentine exiles to mount a new military attack on Cosimo I.

Titian's portrait of Holy Roman Emperor Charles V
Titian's portrait of Holy Roman
Emperor Charles V
He returned to Venice in 1544, by which time the city was crawling with spies working on behalf of the Emperor and of the Medici family. Lorenzino was sheltered by the papal legate Giovanni Della Casa, but as more and more exiled Florentines left for France, fearful for their lives if they stayed in Venice, he became increasingly isolated.

The inevitable happened on February 26, 1548, when Lorenzino was murdered. Two mercenary assassins were responsible, but the identity of who hired them has been disputed by historians over the centuries.  A early theory that the disgraced former Medici secretary Giovanni Francesco Lottini was responsible was eventually discounted, to be replaced by an acceptance that Cosimo I ordered the murder directly to avenge the death of his predecessor.

More recent research has established that the trail actually went back to Charles V himself, who was grief-stricken by the death of Alessandro, his daughter Margaret’s husband, and without the knowledge of Cosimo I instructed Juan Hurtado de Mendoza, his ambassador in Venice, to see that Lorenzino paid the ultimate price.

The Villa del Trebbio, the Medici villa in the Mugello area
The Villa del Trebbio, the Medici villa in the Mugello area
Travel tip:

In the early part of his life, Lorenzino lived in the Villa del Trebbio, near San Piero a Sieve in the Mugello area, about 30km (19 miles) north of Florence, the area from which the Medici family originated. The villa had belonged to Giovanni di Bicci de' Medici, the founder of the Medici bank, and was remodelled by his son, Cosimo de' Medici (Cosimo the Elder), whose architect, Michelozzo, restyled it as a fortified castle.


Palazzo Strozzi in Via de' Tornabuoni, the  high fashion centre of Florence
Palazzo Strozzi in Via de' Tornabuoni, the
high fashion centre of Florence
Travel tip:

The Strozzi family, who were great rivals of the Medici family in Florence in the late 15th century, left their mark on the city in the shape of the Palazzo Strozzi, which can be found right in the heart of the city in Via de’ Tornabuoni, where all the high fashion stores are now clustered (the Gucci shop is directly opposite). Many buildings were demolished to create a big enough space for the palace, a towering three-storey structure with a facade of rusticated stone, which was started in 1489 on the instructions of Filippo Strozzi the Elder, who died two years later long before it was finished. On completion, it was confiscated by the Medicis, who did not return it to the Strozzi family for 30 years.

More reading:

Cosimo de' Medici - the banker who founded the Medici dynasty

The despotic reign of Alessandro's successor, Cosimo I

How the forces of Charles V sacked Rome

Also on this day:

1919: Benito Mussolini and the founding of the Italian Fascists

1922: The birth of Commedia all'Italiana star Ugo Tognazzi


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22 March 2018

Nino Manfredi - actor and director

Totò fan became maestro of commedia all’italiana


Nino Manfredi made more than 100 films in the course of his career
Nino Manfredi made more than 100 films
in the course of his career
The actor and director Saturnino ‘Nino’ Manfredi, who would become known as the last great actor of the commedia all’italiana genre, was born on this day in 1921 in Castro dei Volsci, near Frosinone in Lazio.

Manfredi made more than 100 movies, often playing marginalised working-class figures in the bittersweet comedies that characterised the genre, which frequently tackled important social issues and poked irreverent fun at some of the more absurd aspects of Italian life, in particular the suffocating influence of the church.

He was a favourite of directors such as Dino Risi, Luigi Comencini, Ettore Scola and Franco Brusati, who directed him in the award-winning Pane and cioccolata (Bread and Chocolate), which evoked the tragicomic existence of immigrant workers and was considered one of his finest performances.

It helped him fulfil his dream of following in the footsteps of his boyhood idol Totò, the Neapolitan comic actor whose eccentric characters took enormous liberties in mocking Italian institutions, and to be spoken off in the company of Ugo Tognazzi, Vittorio Gassman and Alberto Sordi as a true maestro of commedia all’italiana.

Manfredi had a tough time in his childhood. Born into a farming family in the Ciociaria region south of Rome, he was uprooted to live in the capital at a young age after his father, a public safety officer, won a promotion.

Manfredi in a comedy called, in English, Fiasco in Milan,  which also starred Vittorio Gassman and Claudia Cardinale
Manfredi in a comedy called, in English, Fiasco in Milan,
 which also starred Vittorio Gassman and Claudia Cardinale
Brought up in the San Giovanni neighbourhood south of the Colosseum, he had a happy time with his brother, Dante, until he developed a strain of pleurisy in 1937 that was so serious he was admitted to hospital and given only a few weeks to live.  He survived but spent several years in the care of a sanatorium and would suffer health problems throughout his life.

It was while in the sanatorium that he began performing with a musical group and set his heart on a career on the stage, much to the dismay of his father, who wanted him to be a lawyer.  He became fascinated with the cinema and when he left hospital he enrolled himself at the National Academy of Dramatic Arts in Rome, although he acceded to his father’s wishes and studied law at the same time.

In the event, he passed his exams in both, despite the difficulties imposed by Italy being at war. In fact, he and Dante spent many months hiding in the mountains in Ciociaria to avoid conscription.

Making his way in theatre, Manfredi appeared in serious dramas and musicals, including a spell in a company in Milan in which he appeared in plays by Pirandello, Chekhov, Ibsen and Shakespeare until he tired of the lack of laughter, bursting as he was to perform comedy.

Manfredi played the puppet-maker Geppetto in Luigi Comencini's acclaimed TV version of Pinocchio
Manfredi played the puppet-maker Geppetto in Luigi
Comencini's acclaimed TV version of Pinocchio
He made his screen debut in 1949 and landed his first major part in 1955, starring with Alberto Sordi in Lo scapolo (The Batchelor), directed by Antonio Pietrangeli.  His big break came after a revue company he formed were invited to host a RAI television show, Canzonissima.

The exposure this brought accelerated his movie career and from the second half of the 1960s he became an established star of commedia all’italiana. He directed for the first time in 1971 with the acclaimed Between Miracles (Per grazia ricevuta in Italian) which controversially explored a young man’s torment when sexual desires and the sacrifices of faith collide.

Manfredi continued to make films even after a minor stroke in 1993 left him with cognitive difficulties, his last role coming in 2002 in La luz prodigiosa, also known as The End of a Mystery, a film set in Spain that imagined that Federico Lorca, a poet murdered by Franco’s thugs, had survived.

The following year, Manfredi suffered two major strokes and died in 2004, aged 83.  Married in 1955 to Erminia Ferrari, a model, he left a son, Luca and two daughters, Roberta and Giovanna, two of whom followed him into the entertainment business.

Castro dei Volsci sits on a hillside in Ciociaria
Castro dei Volsci sits on a hillside in Ciociaria
Travel tip:

Castro dei Volsci, which is situated some 25km (16 miles) southeast of Frosinone and about 105km (65 miles) from Rome, is a small town of less than 5,000 inhabitants that has been described as capturing the charm of Ciociaria. It has a hillside setting, with a network of steep, cobbled medieval streets and breathtaking views over the surrounding countryside of rolling hills and richly verdant valleys.




The San Giovanni neighbourhood is the area around Porta San Giovanni, south of the centre of Rome
The San Giovanni neighbourhood is the area around
Porta San Giovanni, south of the centre of Rome
Travel tip:

San Giovanni is a neighbourhood of Rome southeast of the city centre, straddling the Via Appia Nuova, en route to the town of Frascati and the Castelli Romani. A combination of modern thoroughfares and the architectural features of the Renaissance, it is considered an authentically Roman neighbourhood and one that is becoming popular with visitors looking for an affordable part if the city in which to stay, without being too far from the main sights.

21 March 2018

Angela Merici – Saint

Nun dedicated her life to educating girls


Angela Merici, pictured in a 17th  century painting by an unknown artist
Angela Merici, pictured in a 17th
century painting by an unknown artist
Angela Merici, who founded the monastic Ursuline Order, was born on this day in 1474 in Desenzano del Garda, then part of the republic of Venice.

The Ursulines are the oldest order of women in the Roman Catholic Church dedicated to teaching and were the first to work outside a convent in the community.

Merici was orphaned at the age of 15 and sent to Salò to live in the home of an uncle, where she became deeply religious and joined the Third Order of Saint Francis.

She returned to Desenzano after the death of her uncle when she was 20 and found that many of the young girls in her home town received no education and had no hope of a better future.

Merici gathered together a group of girls to teach the catechism to the young children.

Then, in 1506, while praying in the fields, she had a vision that she would found a society of virgins in the town of Brescia.

It is claimed Merici became suddenly blind when she was on the island of Crete on her way to the Holy Land but continued on her journey. She is believed to have been cured of her blindness on her return, while praying at exactly the same place where she had been afflicted.

Merici and 28 of her followers consecrated themselves to God by a vow of virginity in 1535 in Brescia. They placed themselves under the protection of St Ursula, a fourth century martyr, and the Company of St Ursula was born. Their idea was to provide for the Christian education of girls in order to restore the family and, through the family, the whole of Christian society.

The 19th century artist Pietro Calzavacca depicted Angela Merici as a teacher
The 19th century artist Pietro Calzavacca
depicted Angela Merici as a teacher
Merici was unanimously elected as Superior of the Company in 1537. Before she died, she dictated her Testament and Souvenirs, which contained her counsels to her nuns.

After her death in 1540 in Brescia, her body was clothed in the habit of a Franciscan tertiary and interred in the church of St Afra, where she had often gone to pray at the tombs of martyrs. She was beatified in 1768 and canonised in 1807.

She is the patron saint of sickness, disability and those grieving the loss of parents.

The church of St Afra had to be rebuilt after Allied bombing in 1945 and after it reopened, a new dedication was made to Saint Angela Merici there.

Nuns from the Order of Ursulines established places of prayer and learning throughout Europe and north America. Many parishes and schools in America still bear the name Angela Merici.

The pretty harbour at Desenzano del Garda
The pretty harbour at Desenzano del Garda.
Travel tip:

Desenzano del Garda, Angela Merici’s birthplace, is the largest resort on Lake Garda, on the south western shore of the lake. It is a lively town with plenty of fashion shops, restaurants, bars and hotels. A Servizio di Navigazione (boat service) operates from Desenzano to other resorts on Lake Garda such as Sirmione, Bardolino, Peschiera and Moniga del Garda. In 1921 the remains of a fourth century Roman villa were unearthed close to the lake. The ruins are now open to the public and can be accessed from Via Antonio Gramsci. There is also a medieval castle within walking distance of the lake in Via Castello. The Duomo, dedicated to Santa Maria Maddalena, has an 18th century version of The Last Supper by Giambattista Tiepolo.


Piazza della Loggia is an elegant square in Brescia
Piazza della Loggia is an elegant square in Brescia
Travel tip:

Brescia in Lombardy, where Angela Merici worked and died, is of artistic and architectural importance. Brescia became a Roman colony before the birth of Christ and you can see remains from the forum, theatre and a temple. The town came under the protection of Venice in the 15th century and there is a Venetian influence in the architecture of the Piazza della Loggia, an elegant square, which has a clock tower similar to the one in Saint Mark’s square. Next to the 17th century Duomo is an older cathedral, the unusually shaped Duomo Vecchio, also known as la Rotonda.

20 March 2018

Giampiero Moretti - entrepreneur racing driver

Gentleman racer behind ubiquitous Momo accessories brand


Gianpiero Moretti won the 24 Hours of Daytona at the 15th attempt
Gianpiero Moretti won the 24 Hours of
Daytona at the 15th attempt
Giampiero Moretti, a motor racing enthusiast who made his fortune almost literally by reinventing the wheel, was born on this day in 1940 in Milan.

Known as 'the last of the gentleman racers' because of his unfailing courtesy, refined manners and an unquenchable determination to succeed on the track, Moretti made a profound mark on the sport through his ergonomic rethink of the racecar steering wheel.

Steering wheels were traditionally large and made of steel or polished wood but Moretti saw that reducing the diameter of the wheel would cut the effort needed by the driver to steer the car, helping him conserve energy and creating a more comfortable driving position.  He also covered the wheel with leather to improve the driver's grip, and gave it a contoured surface.

He made the first one for a car he planned to race himself and there was soon interest among other drivers and he began to make more wheels.  His big break came when Ferrari invited him to design a leather wheel for their Formula One car.

Enzo Ferrari himself was a traditionalist who took some persuading that the tried-and-tested old steering wheel was not the best but when his drivers took to it with such enthusiasm he sanctioned its installation in the new Ferrari 158 that John Surtees was to drive in the 1964 F1 season.

The Ferrari 158 in which John Surtees won the 1964 Formula One drivers' championship
The Ferrari 158 in which John Surtees won the 1964
Formula One drivers' championship
Surtees loved it and, as it happened, won his only F1 world title that year, his victories in the German and Italian Grand Prix enabling him to pip his fellow British driver Graham Hill by one point.

Ferrari was sold on Moretti's innovative skills and decided he wanted his steering wheel on all Ferrari cars.

On the back of this encouragement, Moretti acquired a small factory premises near Verona and set up the company, Momo (an amalgam of the first two letters of Moretti and of Monza, the Italian race track), of which Ferrari was the principal client.

Eventually, the company expanded its lines to include helmets, shift knobs, road wheels, fireproof driving suits, gloves and shoes, and branched out into sponsorship and team ownership. Although Moretti sold the company in 1996, its red and yellow logo is still familiar today.

Born into a wealthy Milanese family who owned a large pharmaceuticals business, Moretti caught the racing bug when he was studying for his political science degree at the University of Pavia and soon began taking part in sports car events.

Moretti established the Momo motor racing accessories business in the 1960s
Moretti established the Momo motor racing
accessories business in the 1960s
Although he won from time to time, it was an expensive hobby and it was part to finance his racing without relying on his family's support that he launched his business.

It enabled him to continue to pursue his ultimate dream, which was to win the 24 Hours of Daytona, the prestigous endurance sports car race that takes place in Florida each year.

Having been a fixture at Daytona for many years, racing Porsches and Ferraris and developing close friendships with movie actors such as Gene Hackman and Paul Newman, for whom he would often could pasta dishes in his motorhome, Moretti finally could call himself a winner in 1998, at the 15th attempt.

In their Ferrari 333sp - a car Moretti had persuaded Ferrari to develop specifically to race in the United States - Moretti and his co-drivers, Arie Luyendyk, Didier Theys and Mauro Baldi, recovered from 18 laps behind to take the lead in the final three hours, with Moretti at the wheel to take the chequered flag.

Amazingly, the team also won the 12 Hours of Sebring only a couple of months later, while Moretti partnered another Italian driver, Massimiliano "Mad Max" Papis to win the Six Hours of Watkins Glen, making Moretti the only driver to win all three events in the same year.

Moretti, who never married but had two sons, Matteo and Marco, died in Milan in 2012, at the age of 71.

The chimneys of the cement factory are still a  feature of the Tregnano skyline
The chimneys of the cement factory are still a
feature of the Tregnano skyline
Travel tip:

Moretti established his first factory at Tregnano, a small town outside Verona that for many years enjoyed a thriving economy due to the establishment of a cement factory that at its peak supplied the cement that went into the Ponte della Libertà, the road bridge linking Venice with the mainland that was opened in 1933.  Although the factory closed in 1973, the factory's tall chimneys still exist.  Notable buildings include the 15th century parish church of Santa Maria Assunta and the remains of a castle built between the 11th and 12th centuries.

Visit Booking.com to find a hotel in Verona

The Duomo at Monza is often overlooked by visitors who flock to the motor racing circuit
The Duomo at Monza is often overlooked by
visitors who flock to the motor racing circuit
Travel tip:

Monza, which is situated about 18km (11 miles) north of Milan, is best known as the home of the Italian Grand Prix, and while the racing circuit within the Parco di Monza to the north of the town attracts thousands of visitors, the town itself is often passed by, despite many historic buildings. These include a beautiful Duomo completed in 1681 with a Baroque facade decorated in Gothic style, the 14th century Arengario civic palace, a magnificent 18th century Royal Villa, designed by Giuseppe Piermarini (of Teatro alla Scala fame) and the Ponte dei Leoni, a bridge of Roman origin.

19 March 2018

Francesco Gasparini – musician and writer

Opera composer who gave Vivaldi a job


Francesco Gasparini, captured in a caricature by Pier Leone Ghezzi
Francesco Gasparini, captured in a
caricature by Pier Leone Ghezzi
Francesco Gasparini, one of the great Baroque composers, whose works were performed all over Europe, was born on this day in 1661 in Camaiore near Lucca in Tuscany.

Gasparini also worked as a music teacher and was musical director of the Ospedale della Pietà in Venice for about 15 years, where he made the inspired decision to employ a 25-year-old Antonio Vivaldi as a violin master.

By the age of 17, Gasparini was a member of the Philharmonic Academy of Bologna. He moved to Rome, where he studied under the musicians Arcangelo Corelli and Bernardo Pasquini. His first important opera, Roderico, was produced there in 1694.

After arriving in Venice in 1702, he became one of the leading composers in the city. He wrote the first opera to use the story of Hamlet - Ambleto - in 1705, although he did not base the work on Shakespeare’s play.

Gasparini was appointed musical director of the Ospedale della Pietà, an orphanage in Venice where young girls received a musical education. The most talented pupils stayed on to become members of the Ospedale’s orchestra and choir.

Listen: Excerpt from Gasparini's "Amore e Ombre"



He engaged the services of Antonio Vivaldi in 1703 to teach the violin. Vivaldi, who had been taught to play the violin to a high level by his father, composed most of his major works while working there over the next 30 years.

Gasparini hired Antonio Vivaldi to teach violin at the Ospedale della Pietà, in Venice
Gasparini hired Antonio Vivaldi to teach violin
at the Ospedale della Pietà, in Venice
Gasparini’s Missa canonica, written in Venice in 1705 for four voices, became known to Johann Sebastian Bach, who copied it out in 1740 and, after adding parts for strings and wind instruments, performed it in churches in Leipzig.

While in Venice, Gasparini also taught the Venetian composer Benedetto Marcello and wrote a treatise on the harpsichord, published in 1708, which continued to be reprinted for more than 100 years and was used in Italy well into the 19th century.

Gasparini was the leading composer for the theatre in Venice, having written 23 operas and 15 oratorios by the time he left the city.

After his return to Rome in about 1720, he was maestro di cappello in two churches and taught the Neapolitan composer Domenico Scarlatti. He also taught counterpoint to the German flautist and composer Johann Joachim Quantz.

In his day, Gasparini was the principal composer of the Italian operas presented in London. His last important work, Tigrane, was produced in Rome in 1724.

The composer died in Rome in 1727, aged 66.

Piazza Principale, the main square in Camaiore
Piazza Principale, the main square in Camaiore
Travel tip:

Camaiore, the birthplace of Francesco Gasparini, is a city within the province of Lucca in Tuscany. It derives its name from the time it was a large Roman encampment, Campus Major, and an important station along the Via Cassia. It has two Romanesque churches, the Collegiata di Santa Maria Assunta and the Church of Santi Giovanni e Stefano as well as a Benedictine Abbey, Badia di San Pietro, that dates back to the eighth century.




The church of La Pietà, also known as Santa
Maria della Visitazione, in Venice
Travel tip:

The Church of La Pietà, or Santa Maria della Visitazione, on Riva degli Schiavoni facing the lagoon in Venice, dates back to the 15th century. It started its life as a foundling home for orphans. After Gasparini was appointed musical director there, he employed Vivaldi to teach the violin and they both composed music for the orchestra and choir. The church is now a regular venue for music concerts.

18 March 2018

Bobby Solo - pop singer

Sixties star found fame after Sanremo disqualification


Bobby Solo was heavily influenced by his idol Elvis Presley
Bobby Solo was heavily influenced
by his idol Elvis Presley
Bobby Solo, who was twice winner of Italy's prestigious Sanremo Festival yet had his biggest hit with a song that was disqualified, was born Roberto Satti on this day in 1945 in Rome.

The singer and songwriter won the contest in 1965 and again in 1969 but it was the controversy over his 1964 entry that thrust him into the spotlight and sent him to the top of the Italian singles charts with the first record to sell more than one million copies in Italy.

To emphasise that the competition was to select the best song, rather than the best artist, each entry was sung by two artists, one a native Italian, the other an international guest star. In 1964, Solo was paired with the American singer Frankie Laine to showcase Una lacrima sul viso (A Tear on Your Face).

Laine performed the song in English but Solo was stricken with a throat problem. Rather than withdraw, he sang the song with the help of a backing track, only to be told afterwards that this was against the rules.

Solo celebrates his victory at Sanremo in 1965
Solo celebrates his victory at Sanremo in 1965
The song was disqualified but attracted such attention that it became a huge hit, topping the Italian singles chart for eight weeks. Sales in Italy and other countries eventually topped two million and set Solo on the way to a highly successful career.

On the back of the song's success, Solo - a rock and roll singer in the mould of his idol, Elvis Presley - starred in a movie, also entitled Una lacrima sul viso, in which he sang not only the title track but several other of his songs.

In 1965 he returned to Sanremo, where he was chosen to sing Se piangi, se ridi (If you cry, if you laugh), of which the American folk ensemble the New Christy Minstrels performed an English version, and this time won.  The song gave Solo his second No 1 in the Italian charts and gave him fifth place in the Eurovision Song Contest the same year.

Four years later, partnered with the Italian female star Iva Zanicchi, Solo achieved his third Sanremo triumph with Zingara.

Other 60s hits included Quello sbagliato,Cristina and La Casa del Signore, the Italian version of Elvis Presley’s Crying In The Chapel, his 1966 Sanremo entry Questa volta, which he sung with English group The Yardbirds,  Per far piangere un uomo, an Italian cover of the Tom Jones song, To Make A Big Man Cry, and an Italian cover of Scott McKenzie’s San Francisco.

In all, Solo participated in 12 Sanremo Festivals between 1964 and 2003 and in a recording career spanning six decades has made more than 40 singles and in excess of 30 albums.  His total record sales have been conservatively estimated at more than five million and he still performs today, well into his 70s.

Bobby Solo on stage in 2018
The son of an airline executive from Friuli and an Istrian mother, Solo acquired his love for music, especially American country and rock and roll, from his brother-in-law, an American serviceman who had married his sister and lived in Verona.

Blessed with a good voice, he taught himself to play the guitar and after watching Elvis Presley in the film Jailhouse Rock he was inspired to begin writing songs in his teens. After his father had been relocated to Linate airport in Milan, he earned an audition with the Milan company Dischi Recordi, who signed him up and would produce all his records until the early 1970s.

Solo acquired his stage name at around the same time, and there is a story - perhaps apocryphal - that he became Bobby Solo by accident, the intention having been that he would perform simply as Bobby. According to the story,  the secretary who took down the record label details for his first single mistook the instruction that he would be known as "solo Bobby" (only Bobby) and wrote down his name as Bobby Solo.

The Galleria Vittorio Emanuele II in Milan
The Galleria Vittorio Emanuele II in Milan
Travel tip:

Dischi Recordi, which operated from 1958 until the company was sold in 1994, had its headquarters right in the heart of Milan in Via Giovanni Berchet, a stone's throw from the Duomo and across Via Ugo Foscolo from the Galleria Vittorio Emanuele II, the magnificent 1861 shopping arcade, with its central dome and arching glass and cast iron roof, which is the oldest shopping mall  in the world still in use and has become a Milan landmark.  The Palazzo Dischi is now the home of upmarket sports car manufacturer Ferrari's flagship merchandise store.

Milan hotels by Booking.com

The harbour at Sanremo in Liguria
The harbour at Sanremo in Liguria
Travel tip:

Sanremo in Liguria, the Italian Riviera resort that has been home to the Sanremo Festival since 1951, expanded rapidly in the mid-18th century, when the phenomenon of tourism began to take hold, albeit primarily among the wealthy. Several grand hotels were established and the Emperor Nicholas II of Russia was among the European royals who took holidays there. The Swedish chemist Alfred Nobel made it his permanent home.

17 March 2018

Innocenzo Manzetti - inventor

Made prototype telephone 33 years ahead of Bell


Innocenzo Manzetti was an inventor of such energy he could get by on minimal sleep
Innocenzo Manzetti was an inventor of such
energy he could get by on minimal sleep
The inventor Innocenzo Manzetti, credited by some scientific historians as having been the creator of a forerunner of the telephone many years ahead of his compatriot Antonio Meucci and the Scottish-American Alexander Graham Bell, was born on this day in 1826 in Aosta, in northwest Italy.

Manzetti's extraordinary catalogue of inventions included a steam-powered car, a hydraulic water pump, a pendulum watch that would keep going for a whole year and a robot that could play the flute.

But he was a man whose creative talents were not allied to business sense.  Like Meucci, a Florentine emigrant to New York who demonstrated a telephone-like device in 1860 - 16 years before Bell was granted the patent - Manzetti did not patent his device and therefore missed out on the fortune that came the way of Bell.

Research has found that Manzetti may have had the idea for a "vocal telegraph" as early as 1843, as a result of his success with his flute-playing automaton, which he constructed as a life-size model of a man sitting on a chair, inside which were concealed a system of levers, rods and compressed air tubes that enabled his lips and fingers to move on the flute.

This was linked to a program recorded on a cylinder much like those that would become the key component in the self-playing pianos, or pianolas, that were popular in the early part of the 20th century.

Manzetti's automaton
Manzetti's automaton
When Manzetti showed off his automaton in public, he went to great lengths to make it appear lifelike, programming it to stand and take a bow at the end of a performance.  He successfully devised a system of wires whereby he could transmit the sound of a piano being played out of view of the audience so that it would appear to come from his automaton.

The natural extension of this was to attempt to transmit his own remote voice, so that the automaton would seem to speak, and there are descriptions in newspapers of the time that spoke of a cornet-like device, containing a magnetized steel needle and a coil of silk-coated copper wire, into which Manzetti spoke.

However, he put the idea aside for two decades and concentrated on other projects.  It is thought that this was because there were imperfections in his system, which could transmit vowel sounds accurately but was not clear enough to make one consonant sound different from another, that he was unable to solve.

He revisited the idea in the 1860s and there were newspaper articles at the time proclaiming his invention of the télégraph parlant. But neither he nor Meucci could meet the high cost of patenting their devices and it was left to Bell to take the glory in 1876.

Nonetheless, there is no detracting from Manzetti's achievements as an inventor, the product of such enormous creative energy that he was said to exist during his most productive phases on only a couple of hours' sleep a night,

Manzetti's house in Aosta on Rue Xavier de Maistre
Manzetti's house in Aosta on Rue Xavier de Maistre
The hydraulic pump-like mechanism he devised in 1855 to remove water from the previously unworkable Ollomont copper mines of the Aosta Valley meant the mines were put back to use and remained in service until 1945.

The steam-powered car he built in 1864 came 27 years before Léon Serpollet built and demonstrated one in Paris.

Manzetti also built a wooden flying parrot for his daughter that could hover for two or three minutes before settling down again, created several instruments he used in his work as a land surveyor and invented a telescope based on three converging lenses that produced such magnification of images that the user could observe the movement of a small lizard, for example, at a distance of more than 7km (4 miles).

Nonetheless, he was not a wealthy man. Married to Rosa Sofia Anzola, he had two daughters, neither of whom survived beyond childhood, and himself died in impoverished circumstances in 1877, aged only 51.

The beautiful entrance facade to  the cathedral in Aosta
The beautiful entrance facade to
the cathedral in Aosta
Travel tip:

Aosta is the principal municipality in the Aosta Valley, an autonomous bilingual French-Italian region close to the Italian entrance to the Mont-Blanc Tunnel, about 110km (68 miles) northwest of Turin. Its position in relation to the Great and Little St Bernard passes made it a place of strategic importance and there are the remains of a Roman military camp and an amphitheatre as well as the Arch of Augustus.  The cathedral of Santa Maria Assunta and San Giovanni Battista boasts a beautiful Renaissance facade decorated with frescoes and high reliefs dedicated to the Life of the Virgin.

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The Centro Saint-Bénin in Via Jean-Boniface Festaz
Travel tip:

Since April 2012, there has been a permanent exhibition dedicated to Manzetti and his inventions in a hall of the Centro Saint-Bénin in Aosta, where his the automaton, which is still visited today by engineering scientists from all over the world, can be seen at close quarters.  The main square outside the town's railway station is named after Manzetti.