13 June 2016

Saint Anthony of Padua

Pilgrims honour the saint famous for his miracles


Photo of the Basilica di Sant'Antonio
The Basilica di Sant'Antonio in Padua
The feast of Saint Anthony of Padua (Sant’Antonio da Padova) will be celebrated  by thousands of pilgrims visiting the northern Italian city today.

Special services will be held in the Basilica di Sant’Antonio and a statue of the saint will be carried through the streets of Padua.

Over the next few days pilgrims from all over the world will visit the Basilica, to see the saint’s tomb and relics.

Anthony was born in Portugal where he became a Catholic priest and a friar of the Franciscan order. He died on 13 June, 1231 in Padova and was declared a saint by the Vatican a year after his death, which is considered a remarkably short space of time.

Anthony is one of the most loved of all the saints and his name is regularly invoked by Italians to help them recover lost items.

It is estimated that about five million pilgrims visit the Basilica every year in order to file past and touch the tomb of the Franciscan monk, who became famous for his miracles, particularly relating to lost people or things.

The magnificent basilica in Piazza del Santo is an architectural masterpiece created between the 13th and 14th centuries, but it was later enriched with works of art by masters such as Titian, Tiepolo and the sculptor Donatello.

Saint Anthony’s Basilica is an imposing sight in Padova’s skyline even from a distance as it has seven domes around a cupola, two campanili (towers) and tapering spires like the minarets of a mosque.

Inside, the church is in the plan of a Latin cross with a nave and aisles in the gothic tradition. The Saint’s body lies in a marble tomb in the area known as the Chapel of the Tomb in the left transept.

The walls around the tomb are decorated with large 16th century marble reliefs that depict scenes from Saint Anthony’s life. These are overshadowed by the impressive amount of offerings and photographs on display from people wishing to give thanks after surviving car crashes or serious illnesses thanks to what they believe was the intervention of Sant’Antonio.

In a separate chapel, visitors can see relics of Saint Anthony and other important objects, such as a tunic believed to have been worn by the saint.

Photo of the Scrovegni Chapel
The Scrovegni Chapel is home to magnificent
frescoes by Giotto
Travel tip:

Padova in the Veneto is also one of the most important centres for art in Italy and home to the country’s second oldest university. Padova has become acknowledged as the birthplace of modern art because it is home to the Scrovegni Chapel, the inside of which is covered with frescoes by Giotto, a genius who was the first to paint people with realistic facial expressions showing emotion. His scenes depicting the lives of Mary and Joseph, painted between 1303 and 1305, are acknowledged as his greatest achievement and are one of the world’s most important works of art. At Palazzo Bò, Padova’s university founded in 1222, you can still see the original lectern used by Galileo and the world’s first anatomy theatre, where dissections were secretly carried out from 1594.

Travel tip:

The enormous Basilica di Sant’Antonio da Padova, or Basilica del Santo as it is known to local people, is one of the most important places of Christian worship in the world. To reach it from the railway station in Piazzale Stazione, take the tram and get off at the stop called simply, Santo. Buses also run between the station and the Basilica. If you are on foot, walk down Corso del Popolo, Corso Garibaldi, Via Eremitani, Via Zabarella and Via del Santo. The Basilica is open from 06.20 to 19.00 in the winter and 06.20 to 19.45 in the summer. Admission is free.

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12 June 2016

Margherita Hack – astrophysicist

TV personality made science more popular


Photo of Margherita Hack in Rome in 2007
Margherita Hack, pictured in Rome in 2007
Writer and astrophysicist Margherita Hack was born on this day in 1922 in Florence.

She studied stars by analysing the different kinds of radiation they emitted and frequently appeared on television to explain new findings in astronomy and physics.

Hack, whose father, Roberto Hack, was of Swiss origin, graduated in physics from the University of Florence in 1945. She worked at the Brera Astronomical Observatory just outside Milan and then became a professor at the University of Trieste.

She spent more than 20 years as director of the observatory in Trieste, the first woman in Italy to hold such a position. Under her leadership, the observatory became one of the foremost research centres in Italy.

Hack wrote many scientific papers and books, winning awards for her research. Her television appearances helped make science more popular with ordinary people.

Hack was also known for her strong political views and for her criticisms of the Roman Catholic Church, which she believed had an unscientific outlook.

Hack was awarded the honour of Dame Grand Cross of the Order of Merit of the Italian Republic in 2012 and the asteroid 8558 Hack, discovered in 1995, was named after her.

Margherita Hack died in Trieste in 2013 at the age of 91.

Travel tip:

The University of Florence can trace its origins back to the 14th century, but the modern University, where Margherita Hack studied Physics, dates back to 1859, when a number of higher studies institutions were grouped together. The resulting Institute was officially recognised as a University by the Italian parliament in 1923.

Photo of the Grand Canal in Trieste
Trieste's own Grand Canal has echoes of Venice
Travel tip:

Trieste, where Margherita Hack worked for many years, is the main city of the region of Friuli Venezia Giulia and lies close to the Slovenian border. It was once the main seaport of the Austro-Hungarian Empire and is a fascinating mix of styles, with the seafront, canals and imposing squares reminiscent of Venice and the coffee houses and architecture showing Austrian influence from the era of Habsburg domination.

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11 June 2016

Antonio Cifrondi – painter

Artist who has preserved images of everyday life for us



Cifrondi's painting of An Old Woman with
a Stick can be seen at the Civic Museum
 of Art and History in Brescia
Baroque artist Antonio Cifrondi was born on this day in 1655 in Clusone, just north of Bergamo, in Lombardy.

He is known for his religious works and his genre paintings of old men and women and of people at work, in which he depicts their clothing in great detail. 

Some of his work is on display in the Accademia Carrara in Bergamo. A self-portrait can be seen in the church of Sant' Alessandro della Croce in Via Pignolo in Bergamo.

Cifrondi was born into a poor family in Clusone, the main town in Val Seriana to the north east of Bergamo.

After training as a painter locally he moved to Bologna, and then to Turin and to Rome, where he stayed for about five years. He also worked briefly at the Palace of Versailles near Paris.

He came back to live in the Bergamo area in the 1680s, after which he painted many of his major works. He lived for the last years of his life in a convent near Brescia, the city where he died in 1730.

Travel tip:

Bergamo in Lombardy is a beautiful city with an upper and lower town that are separated by impressive fortifications. The magical upper town has gems of medieval and Renaissance architecture surrounded by the impressive 16th century walls, which were built by the Venetians who ruled at the time. Outside the walls, the lower town has art galleries, churches and theatres and a wealth of good restaurants and smart shops to enjoy. For more information visit www.bestofbergamo.com

The Accademia Carrara in Bergamo has a number of
paintings by the artist Antonio Cifrondi
Travel tip:

One of the biggest jewels in Bergamo’s crown, the prestigious art gallery Accademia Carrara, was reopened to the public in 2015 after having had extensive renovation work. It is the only museum in Italy to be entirely stocked with donations and bequests from private collectors and has many works by Venetian and Lombardian Renaissance artists. The gallery is located in Piazza Giacomo Carrara just outside the walls of the upper town, a short walk from Porta Sant’Agostino. For more information visit www.lacarrara.it

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10 June 2016

Italy enters the Second World War

Mussolini sides with Germany against Britain and France



Photo of Mussolini making war declaration
A newspaper photograph of Mussolini announcing his
declaration of war from the Palazzo Venezia
One of the darkest periods of Italian history began on this day in 1940 when the country's Fascist dictator, Benito Mussolini, declared war on Great Britain and France, ending the possibility that Italy would avoid being drawn into the Second World War.

Mussolini made the declaration from the balcony of the Palazzo Venezia in Rome, where he had his office. The balcony enabled him to address a large crowd in the Piazza Venezia and he ordered his Blackshirts to ensure that the square was full of enthusiastic supporters.

Italy had already signed a Pact of Steel with Germany but had been reluctant to enter the conflict. Mussolini had a strong navy but a relatively weak army and a lack of resources across the board.

By June 1940, however, Germany was on the point of conquering France and it was thought that Britain would soon follow. Historians believe Mussolini's decision to enter the conflict was an opportunistic attempt to win a share of French territory.

He told the Italian people that going to war was a matter of honour after his efforts to preserve peace had been rebuffed by 'treacherous' Western democracies, but many believe his motives were simply to pursue his expansionist ambitions at minimal cost.

The Italian Army's chief of staff, Marshall Badoglio, was said to be against Italy becoming involved before it was ready and for a week after the declaration there was no movement from Italian forces.

Photo of Mussolini and Hitler
Mussolini and Hitler met in in Munich the
day before Italian troops attacked France
But German leader Adolf Hitler told Mussolini that France had agreed to enter negotiations for an armistice and that unless Italy made some contribution towards the campaign it would not be able to participate in negotiations and would have no claim in any settlement.

On June 20 Italian troops launched an offensive in south-eastern France.  It was quickly repelled but by June 24 France had formally surrendered and Mussolini's goal of winning territory was achieved, albeit at the cost of more than 1,200 dead or missing and more than 2,600 wounded.

United States President Franklin D Roosevelt condemned the invasion as "a dagger in the back of a neighbour" and there was a substantial backlash against Italians living in Britain, with Italian businesses attacked during riots in British cities. South Wales and Scotland, where there were large Italian communities, were particularly affected.  Italians in Liverpool also came under attack.

London's 10,000 Italians suffered relatively little trouble, although communities were swiftly torn apart when Britain's wartime leader, Winston Churchill, announced the day after the declaration of war that all Italians between 17 and 70 who had not been resident in Britain more than 20 years would be arrested and interned.  Some were even deported to Australia and Canada.

Travel tip:

The Palazzo Venezia, which housed Mussolini's office, is a palace in central Rome, just north of the Capitoline Hill. Originally a modest medieval house intended as the residence of the cardinals appointed to the church of San Marco, it became a residential papal palace. The palazzo faces Piazza Venezia and Via del Plebiscito and currently houses the National Museum of the Palazzo Venezia.

Photo of monument to Victor Emanuel II
Piazza Venezia in Rome is dominated by the huge
monument to Victor Emmanuel II
Travel tip:

The Piazza Venezia is dominated by the vast Altare della Patria, otherwise known as the Monumento Nazionale a Vittorio Emanuele II, and sometimes 'the wedding cake' or Il Vittoriano, a monument built in honour of Victor Emmanuel, the first king of a unified Italy. It features Corinthian columns, fountains, an equestrian sculpture of Victor Emmanuel and two statues of the goddess Victoria riding on quadrigas. Including the winged victories, it touches 81 metres (266 feet) tall. The base of the structure houses a small museum of Italian Unification.

(Photo of Il Vittoriano by Fczarnowski CC BY-SA 3.0)

More reading:


The death of Benito Mussolini

Italy rebuilds after the War

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