Luigi Beccali - Olympic athlete

Milanese runner brought home Italy's first track gold

Luigi Beccali, Olympic
champion in 1932

Luigi Beccali, the first Italian to win an Olympic gold medal in track and field events, was born on this day in 1907 in Milan.

Although Italy had won gold medals in fencing and gymnastics in previous Games, Beccali's victory in the 1,500 metres at the 1932 Olympics in Los Angeles was the first time an Italian had won gold in a running event.

His victory came out of the blue since the field included several runners with top credentials, including New Zealand’s Jack Lovelock and America's Glenn Cunningham.  Beccali had a reputation as a determined competitor but his results were relatively modest next to those of the favourites.

However, in May of 1932 he had posted a mile time of four minutes 11.5 seconds in Milan which was only four tenths of a second slower than Cunningham's time in winning the 1932 National Collegiate Athletics Association championships.

The three heats at Los Angeles were won by Lovelock, Beccali, and Cunningham, who posted the best time of 3:55.8 in winning the first heat.

In the final, Lovelock led the field through the first 400m but Cunningham took the lead on the second lap only to be overtaken by Canada's Phil Edwards, who led at 800m.

Cunningham tried to forge ahead on the third lap, but Edwards stayed with him and started to pull away over the last lap.

Beccali storms home to win the gold
medal at Los Angeles in 1932

At that stage, Cunningham looked beaten but Beccali, Lovelock, and Britain’s John “Jerry” Cornes went after Edwards. Beccali passed Lovelock and then Cunningham to be second at the final curve before rushing past Edwards with 100m remaining. Cornes went through to take silver with Edwards holding off Cunningham for bronze.

On the victory podium, Beccali gave a fascist salute, although the incident passed with only brief mentions in newspaper reports and acquired notoriety for him only later, after Adolf Hitler had hijacked the 1936 Berlin Olympics as a political platform.

As a youth, Beccali enjoyed cycling as well as athletics but choose the latter when he met Dino Nai, a university lecturer in veterinary science, who would become his coach.

He made his debut at the Amsterdam Games in 1928 but was eliminated after finishing only fourth in his 1500m heat.  It was not until four years later that he would make the world take notice of him.

Beccali attributed his success to having a job that allowed him the opportunity to train twice a day. He worked as a council surveyor responsible for road maintenance in Milan but was unsupervised and no one would question his movements during the day so long as he completed the work required.

Therefore he was able to sneak in a training session in the morning as well as after work.

His victory at the Los Angeles Games turned him into a national hero overnight and he enjoyed a period of further success.

Jack Lovelock gained his revenge at
the Berlin Games in 1936

In 1933, Beccali equalled the 1,500m world record of 3 mins 49.2 seconds then lowered it to 3:49.0. He also set the 1,000 yd (910 m) world record at 2:10.0.

He won the 1,500m at the first European Championships in 1934, but was overwhelmed by Lovelock in the defence of his 1,500m crown at the 1936 Olympics in Berlin, settling to the third place.

After finishing third at 1,500m at the European Championships in 1938 and winning his fifth Italian championships, he moved to the United States, where he continued to compete until 1941.

Beccali, who had a son, Gene, by his wife, Aida, settled in Long Island and ran a wine merchants' business for many years, doing well enough to buy a holiday home in Daytona Beach in Florida.

Some accounts of his life say that he was in Florida when he died in 1990 at the age of 92 but a report in the New York Times insisted he was in Italy at the time of his death, staying at the Ligurian coastal resort of Rapallo.

Travel tip:

Beccali's name is commemorated in Milan in the Via Luigi Beccali, an approach road to the Milanosport complex near Parco Nord, about 10km to the north-east of the centre of Milan. Milanosport has 24 facilities across the city dedicated to providing opportunities for participation in sport. Parco Nord is a large public park built on the site of a former industrial complex.

Rapallo: villas nestle among the trees above the waterfront
at the attractive resort on the Ligurian Riviera

Travel tip:

Rapallo is an attractive resort on Liguria's Riviera di Levante and offers a cheaper alternative to the smaller and more fashionable Portofino, situated less than 10km away along the same stretch of coastline.  It has a pretty harbour notable for a castle that sits right at its edge and a grid of streets just behind the waterfront that reflects the town's past as a Roman settlement.

More reading:

How cyclist Attilio Pavesi won Italy's first Olympic gold on the road

Why the 1960 Olympics in Rome was an historic moment for African athletics

Also on this day:

1877: The birth of Giuseppe Volpi, founder of the Venice Film Festival

(Photo of Rapallo by Davide Paplini via Wikemedia Commons)



Home

Eleonora Gonzaga – Holy Roman Empress

Pious princess who promoted the arts and education

Eleonora Gonzaga: a portrait by
 Frans Luycx, the Flemish artist

Eleonora Gonzaga, Princess of Mantua, Nevers and Rethel, was born on this day in 1630 in Mantua.

She grew up to marry the Holy Roman Emperor, Ferdinand III, and established a reputation as one of the most educated and virtuous women of her time.

Eleonora became fascinated by religious poetry, founded a literary academy and was a patron of musical theatre.

As Holy Roman Empress she developed the cultural and spiritual life at the Imperial Court in Vienna, continuing the work of her great aunt, also called Eleonora, who had introduced opera to Vienna in the early part of the 17th century.

Vienna subsequently became recognised as the music capital of Europe.

Eleonora was the second child of Charles Gonzaga, Duke of Nevers, who was heir to the Duchy of Mantua, and Maria Gonzaga, who was heiress to the Duchy of Montferrat.

She was given a good education, became fluent in French, Spanish and Italian and learnt about literature, music and art.

Having become interested in poetry, she composed religious and philosophical poems herself.

Ferdinand III, as depicted by Jan van den Hoecke

A marriage was arranged for her with the Holy Roman Emperor, who imposed the condition that the Duchy of Mantua had to remain loyal to the Empire. It was agreed that Mantua would stay loyal to the empire provided it didn’t have negative consequences for the Duchy.

It was the third marriage for Ferdinand, who had children from both his previous marriages.

But after the wedding in April 1651 at Wiener Neustadt, he became happy with Eleonora and she established good relationships with all her stepchildren.

She learned German and Ferdinand learned Italian. They were both interested in literature and music and enjoyed going to the theatre and hunting together.

They founded a literary academy and encouraged the development of science.

Italians became more influential at the Imperial Court and Italian became the most used language among the German aristocracy.

They had four children between 1652 and 1657, but Ferdinand died two months after the birth of his first son by Eleonora, Ferdinand Joseph Alois, who himself died just over a year later.

But under Ferdinand’s will, Eleonora assumed guardianship of all his children and she supported her stepson, Leopold I, when he became the new Emperor.

She tried to improve the standard of education for girls by inviting the Ursuline nuns to Vienna, where they established a monastery, church and school. She also established the Order of Virtuosity and the Order of the Starry Cross for women.

After Eleonora’s death in Vienna in 1686 she was buried in the Imperial Crypt.

The Basilica of Sant'Andrea in Mantua

Travel tip:

Mantua, where Eleonora Gonzaga was born, is an atmospheric old city in Lombardy, to the south east of Milan. In the Renaissance heart of Mantua is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, an ampoule containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.

Hotels in Mantua by Hotels.com

Travel tip:

Mantua is famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. The Camera degli Sposi is decorated with frescoes by Andrea Mantegna, depicting the life of Eleonora’s ancestor, Ludovico Gonzaga and his family in the 15th century. The beautiful backgrounds of imaginary cities and ruins reflect Mantegna’s love of classical architecture.

More reading:

Monteverdi's l'Orfeo, the oldest opera still regularly performed, makes its debut in Mantua

Claudio Monteverdi - the viola player at the court of Vincenzo Gonzaga who became the first great opera composer

How Andrea Mantegna from Mantua used perspective to break new ground in painting

Also on this day:

1626: The consecration of St Peter's Basilica in Rome

(Picture of Basilica di Sant'Andrea in Mantua by Vitold Muratov via Wikimedia Commons)

Home

Giovanni Pico della Mirandola – philosopher

Writer of the 'Manifesto of the Renaissance' met an early death

Giovanni Pico della Mirandola: this portrait by
Cristofano dell'Altissimo hangs in the Uffizi

Renaissance nobleman and philosopher, Giovanni Pico della Mirandola died on this day in 1494 in Florence, sparking a murder mystery still not solved more than 500 years later and that led to the exhumation of his body in 2007.

Pico became famous for writing the Oration on the Dignity of Man, which was later dubbed the Manifesto of the Renaissance.

At its heart, the Oration proposed that man is the only species of being to which God assigned no specific place in the chain of being and that man could ascend the chain through the exercise of his intellectual capacity, and for that reason it stresses the importance of the human quest for knowledge.

Renowned for his memory as well as his intellect, he could recite Dante’s Divine Comedy line-by-line backwards and by the time he was 20 he has mastered six languages.

But he made enemies and it his thought that his death at the age of just 31 was the result of poisoning because of concerns that he had become too close to hellfire preacher Girolamo Savonarola, an enemy of Florence's ruling Medici family.

It was Savonarola himself who delivered the funeral oration when Pico was buried at the Convent of San Marco in Florence where he was the Prior.

The philosopher was born into a noble family at Mirandola, near Modena, in 1463. He was the youngest son of Gianfrancesco della Mirandola, Count of Concordia, who lived in the Castle of Mirandola and was closely related to the Sforza, Gonzaga and Este dynasties.

Pico studied at the University of Padua, where he wrote sonnets in Latin and Italian, which because of the influence of Savonarola, who encouraged his followers to burn possessions that might tempt them into sin, he destroyed towards the end of his life.

Portrait of Lorenzo de' Medici by the Flemish
Baroque painter Peter Paul Rubens

He travelled to Paris, the most important centre in Europe for Philosophy and Theology and it is thought while he was there he began writing his celebrated 900 Theses on religion, philosophy and magic, and came up with the idea of defending them in a public debate.

When he returned to Florence in 1484 he met for the first time Lorenzo de' Medici, also known as Lorenzo the Magnificent, who seems to have been charmed by him and wished to help him.

On his way to Rome, where he intended to publish his 900 Theses and debate them with other scholars, Pico stopped off in Arezzo, where he had a love affair with the wife of one of Lorenzo de' Medici’s cousins. He attempted to run away with her but was caught, wounded and imprisoned. He was released only after the intervention of Lorenzo himself.

While recovering from his wounds he became interested in Hebrew writings, which he believed educated people should study. He travelled to Rome to publish his 900 Theses and offered to pay the expenses of any scholars who came to Rome to debate them publicly.

But Pope Innocent VIII halted the proposed debate and condemned part of his 900 Theses as heretical.

Pico fled to France where he was arrested and imprisoned but at the instigation of Lorenzo de Medici he was released and allowed to move back to Florence. He settled in a villa near Fiesole provided by Lorenzo and carried on writing.

After the death of Lorenzo, Savonarola became increasingly influential. This led to a wholesale destruction of books and paintings in Florence.

Pico was determined to become a monk and destroyed his own poetry and gave away his fortune.

When he fell ill in 1494, the King of France, Charles VIII, whose armies would take control of Florence on the day of Pico's death, driving the Medici into exile, sent his own physicians to tend to him but after two weeks of suffering he passed away.

The Castello dei Pico in an image from a 1940s postcard

It was rumoured that Pico was poisoned by his own secretary, who is said to have made a confession to that effect two years later after being arrested by Savonarola, who by then had taken control of Florence from the French.  Some historians believe it was Piero de' Medici, the son of Lorenzo, who ordered his killing.

Another theory was that Pico had died of syphilis but when his body was exhumed in 2007, as part of a project led by Giorgio Gruppioni, a professor of anthropology from Bologna, tests showed toxic levels of arsenic in his remains.

Travel tip:

The small city of Mirandola, which is about 30km north-east of Modena in Emilia-Romagna, developed as a fortress city in Renaissance times and was once an independent principality.  The Palazzo Communale and the Castello dei Pico can both be found in Piazza della Costituente.  The castle was forced to close its door to the public because of damage sustained in an earthquake in 2012.

Hotels in Mirandola from Hotels.com

Fra Angelico's stunning fresco The Last Judgment

Travel tip:

The Convent of San Marco in Florence, which holds the major collection of the works of Giovanni of Fiesole, known as Fra Angelico, stands on the site of a 12th century monastery. It was rebuilt in 1437 by Cosimo il Vecchio de’ Medici, who entrusted the work to Michelozzo, with the decoration of the walls carried out by Fra Angelico and his assistants, who included Benozzo Gozzoli.   His masterworks are considered to be the The Last Judgment and the The Crucifixion.

Hotels in Florence from venere.com

More reading:

Girolamo Savonarola and the 'Bonfire of the Vanities'

Cosimo de' Medici - banker who founded the dynasty

Why Cosimo II de' Medici was the patron of Galileo

Also on this day: 

1878: Umberto I survives assassination attempt



Home

Sofonisba Anguissola – Renaissance artist

Portrait painter paved the way for other women artists

Anguissola's painting of herself being painted by her teacher,
Bernardino Campi, during her early days in Cremona

Painter Sofonisba Anguissola died on this day in 1625 in Palermo at the age of 93.

As a young woman Anguissola had been introduced to Michelangelo in Rome, who had immediately recognised her talent.

She served an apprenticeship with established painters, which set a precedent for women to be accepted as students of art in the 16th century. Her success later in life paved the way for other women to pursue serious careers as artists. Many of her paintings can still be seen in prestigious galleries all over the world.

Anguissola was born in Cremona in Lombardy in 1532 to noble parents who believed they had a connection to the ancient Carthaginians and named their first daughter after the tragic Carthaginian figure, Sophonisba.

All their children were encouraged to cultivate their talents and five of the daughters became painters, but Sofonisba was the most accomplished and became the most famous.

Sofonisba was 14 when she was sent with her younger sister, Elena, to study with Bernardino Campi, a respected portrait and religious painter. When he moved to another city she continued her education with Bernardino Gatti.

Anguissola's most famous painting was of her three sisters,
Lucia, Minerva and Europa, playing chess

Her most important early work was Bernardino Campi painting Sofonisba Anguissola, a double portrait showing her art teacher painting a picture of her.

At the age of 22 she was introduced to Michelangelo in Rome by another painter familiar with her work. Michelangelo asked her to draw a weeping boy and she drew Boy Bitten by a Crayfish and sent it to Michelangelo who could tell she had talent.

He sent her sketches from his notebooks for her to draw in her own style and offered her advice on the results. This informal tuition went on for about two years.

As a woman, Anguissola was not allowed to draw from life, which ruled out having models pose for her, so she could not undertake large-scale, historical or religious paintings.

Instead, she experimented with new styles of portrait painting. Her most famous painting of Three Sisters Playing Chess shows a family scene where the formally-dressed subjects have informal facial expressions, which was unusual for Italian art at this time.

Anguissola's portrait of Queen Elizabeth of Spain

King Phillip II of Spain invited her to be a lady-in-waiting and art teacher to his new Queen, Elizabeth of Valois, who was herself a keen portrait painter and Anguissola went to join the Spanish court at the age of 26.

She painted many vibrant portraits of members of the Spanish royal family. A painting of Phillip II, which had long been attributed to another artist, has only recently been acknowledged as by Anguissola.

The King chose a Sicilian nobleman for an arranged marriage with Anguissola and paid her a royal pension after her marriage so she could continue painting.

After her husband’s death, Anguissola was travelling by boat to Genoa when she fell in love with the ship’s captain and married him.

They lived in Genoa until 1620 and she then moved to Palermo for the last years of her life, where she was visited by the young Flemish painter, Anthony van Dyck. She gave him advice about painting that he claimed taught him more about the true principles of art than anything else in his life and he painted a portrait of her at the age of 92.

On November 16, 1625 she died in Palermo at the age of 93 and was buried at the Church of San Giorgio dei Genovesi.

Cremona's enormous bell tower, Il Torrazzo,
is the tallest in Italy

Travel tip:

Cremona, where Anguissola was born, is famous for having the tallest bell tower in Italy, Il Torrazzo, which measures more than 112 metres in height. As well as making violins, Cremona is also famous for producing confectionery. Negozio Sperlari in Via Solferino specialises in the city’s famous torrone (nougat). A school in Cremona is named Liceo Statale Sofonisba Anguissola in her honour.


Travel tip:

Palermo, the capital of Sicily, where Anguissola died and was buried, is a vibrant city with a wealth of beautiful architecture bearing testament to European and Arabic influences. The city, on the northern coast of the island, has plenty of shops and markets to browse in, and a large opera house, the Teatro Massimo.

More reading:

Why Michelangelo is recognised as one of the greatest artists in history

Lisa del Giocondo - the merchant's wife immortalised as Da Vinci's Mona Lisa

How mystery surrounded the death of Caravaggio

Also on this day

1975: Doctor and scientist Giuseppe Moscati beatified by Pope Paul VI 

Home