Antonio Scotti - baritone

Neapolitan singer who played 35 seasons at the Met

Antonio Scotti in his most famous role as
Baron Scarpia in Puccini's Tosca

The operatic baritone Antonio Scotti, who performed at the Metropolitan Opera House in New York for a remarkable 35 consecutive seasons, was born on this day in 1866 in Naples.

Scotti's career coincided with those of many fine baritones and experts did not consider his voice to be among the richest. Yet what he lacked in timbre, he compensated for in musicality, acting ability and an instinctive grasp of dramatic timing.

Later in his career, he excelled in roles that emerged from the verismo movement in opera in the late 19th century, of which the composer Giacomo Puccini was a leading proponent, drawing on themes from real life and creating characters more identifiable with real people.

For a while, Scotti's portrayal of the chief of police Baron Scarpia in Puccini's Tosca, for example, was the yardstick against which all performances were measured, at least until Tito Gobbi's emergence in the 1930s.  Indeed, in 1924 the Met chose a gala presentation of Tosca as a fitting way for Scotti to mark the 25th anniversary of his debut there.

Scotti's parents in Naples were keen for him to enter the priesthood but he chose to pursue his ambitions in music. He received his first serious training at the Naples Conservatory under Esther Trifari-Paganini and Vincenzo Lombardi, who was the vocal coach employed by Enrico Caruso.

Most accounts of Scotti's career say he made his debut in Malta in 1889 in Giuseppe Verdi's Aida but some suggest he had already performed in public at the Circolo Filarmonico in Naples in Gaspare Spontini's La vestale.  What is agreed is that audiences and critics were impressed by the young baritone and he was soon being booked to appear elsewhere, not only in Italy but in Spain and Portugal, Russia and South America.

Teatro alla Scala in Milan, where Scotti made his debut
in 1898 in Richard Wagner's Der Meistersinger

His status as a singer destined for an illustrious career was confirmed when he made his debut at La Scala in Milan in 1898 in the role of Hans Sachs in Richard Wagner's Der Meistersinger, under the baton of Arturo Toscanini.

He performed at Covent Garden in London for the first time in 1899 as Don Giovanni in Mozart's opera of the same name, in which he also made his New York debut in the same year.  He would return to Covent Garden almost every year until the outbreak of war in 1914.

Scotti's association with Baron Scarpia in Tosca began in 1901, when he became the first artist to sing the role in America.  He would go on to perform the role a further 216 times, playing opposite 15 different Toscas, including the beautiful American soprano Geraldine Farrar, with whom he was said to be infatuated.

Farrar had an affair with Toscanini and was rumoured to be involved romantically also with Caruso, who became Scotti's close friend, their careers at the Met running parallel.  Scotti was Rigoletto to Caruso's Duke of Mantua when the latter made his debut at the house in Verdi's opera in 1903 and they would share the stage on many occasions.

A dapper Antonio Scotti pictured in New
York in 1915 at the height of his fame

By the time he retired, Scotti had clocked up more than 1,200 performances with the Metropolitan Opera House Company, either in New York or on tour.  Among his other notable roles, he was Puccini's Marcello in La bohème and Sharpless in Madame Butterfly, each on more than 100 occasions.

From 1919 he also toured with his own troupe of singers, under the name of the Scotti Opera Company, although the venture was not a financial success.

His final Met appearance came in January 1933, shortly before his 67th birthday, when he sang Chim-Fen in Franco Leoni's one-act opera L'Oracolo, a role he had premiered at Covent Garden in 1905 and which he played in New York several times.  Despite a voice that was by then beginning to fail, a dynamic performance was still hailed as a fitting send-off.

Scotti made a number of recordings, including several duets with Caruso, Farrar and with the Polish coloratura soprano, Marcella Sembrich, although he did not enjoy the commercial success that came the way of Caruso.

He returned to Naples, intending to enjoy retirement in the city of his birth, but had not been able to turn his years of celebrity in New York into financial security and after three years in reduced circumstances, relying on money he was sent occasionally by sympathetic friends and fans in the United States, he died in hospital in 1936 from arterial disease.

Travel tip:

Milan's famous opera house, Teatro alla Scala - popularly known as La Scala - came into being in 1778.  It was at first called the Nuovo Regio Ducale Teatro alla Scala, having been commissioned by the Empress Maria Theresa of the House of Habsburg, of which the Duchy of Milan was at the time a part, as replacement for the Teatro Regio Ducale following a fire in 1776.  It was built on the site of the former church of Santa Maria alla Scala.  As with many theatres of the time, La Scala was also a casino, and opera-goers in the early days had to contend with the distraction of gambling activities taking place at the same time as the cast were performing on the stage.

The Naples Music Conservatory is next to the
Church of San Pietro a Majella 

Travel tip:

The Naples Music Conservatory occupies the former monastery adjoining the church of San Pietro a Majella at the western end of Via dei Tribunali, one of the three parallel streets running from east to west that mark the grid of the historic centre of the city, one of which - Via San Biagio dei Librai - is more commonly known as Spaccanapoli.  Formerly housed in the monastery of San Sebastiano, on the eastern side of Piazza Dante, the Conservatory moved to its present location in 1826.

More reading:

The brilliant career of the great tenor Enrico Caruso

Giacomo Puccini - the musical genius who took the baton from Verdi

How Tito Gobbi found fame on both stage and screen

Also on this day:

1348: Devastating earthquake hits Friuli Venezia Giulia

(Picture credit: Church of San Pietro a Majella by Armando Mancini; via Wikimedia Commons)

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Giorgio Chinaglia - footballer

Centre-forward from Carrara became a star on two continents

Giorgio Chinaglia, wearing the blue shirt
of Lazio. embroidered with the Scudetto

The footballer Giorgio Chinaglia, who would start his career in Wales before enjoying stardom in his native Italy and then the United States, was born on this day in 1947 in Carrara in Tuscany.

A powerful centre forward and a prolific goalscorer, Chinaglia scored more than 100 goals for Lazio. His 193 for New York Cosmos made him the all-time leading goalscorer in the North American Soccer League.

Chinaglia left Italy at the age of nine after his father, Mario, decided that his family would enjoy a more prosperous future abroad given the state of Italy's economy in the immediate wake of the Second World War.  Jobs at a Cardiff steelworks were advertised in the employment office in Carrara and Mario successfully applied.  He would eventually leave the steelworks to train as a chef, building on his experience as a cook in the army, and ultimately opened his own restaurant.

The catholic schools Chinaglia attended tended to favour rugby as their principal winter game and his teachers saw in him a potential second-row forward.  But rugby was an alien game to him and he much preferred football.  Ultimately he was picked for Cardiff Schools, for whom he scored a hat-trick in an English Schools Shield match, in doing so earning a trial at Swansea Town.

The Second Division club - now playing in the Premier League as Swansea City - signed him as an apprentice in 1962 but he was criticised for poor timekeeping, for having a casual attitude to training and being more interested in drinking, gambling and women.  He had to wait until 1965 to make his league debut and after just six appearances - and one goal - in a 15-month period, he was released.

Giorgio Chinaglia celebrates a goal for New York Cosmos

National service then compelled Chinaglia to return to Italy.  The experience was perfect for him, enabling him to train hard and develop discipline.

On returning to civilian life, he was barred from playing for a Serie A club for three years because he had been a professional in another country.  But he was able to play for Massese, a Serie C club in the neighbouring town to Carrara, before moving to Naples to play for another Serie C team, Internapoli, for whom he scored 26 goals in 66 games.

Lazio gave him his chance in Serie A and although he was not an elegant player - more a big, bustling centre forward in the classic English style - he was a deadly finisher, scoring 122 goals in 246 appearances for the Rome club.

Nicknamed 'Long John' for his resemblance to John Charles, the Wales striker who had starred for Juventus a generation before, he helped Lazio win the first Scudetto in their history in 1974, when his 24 goals included the title-winning penalty against Foggia.

Giorgio Chinaglia made 14 appearances for
the Azzurri - Italy's national team

He made 14 appearances in the Italy national team but his international career ended abruptly in 1974 when was substituted in a game against Haiti in the World Cup finals in West Germany and reacted by arguing with head coach Ferruccio Valcareggi and kicking down a dressing-room door.

Subjected to abuse back home, he took the bold decision to quit Italy for America. Married to an American girl he had met in Italy, he had already bought a house in Englewood, New Jersey and in 1976 joined New York Cosmos.

The wealthy NASL franchise had signed up the Brazilian great Pelé the year before and Chinaglia would soon be joined in by former West Germany captain Franz Beckenbauer and other big-name stars such as Carlos Alberto of Brazil and Johan Neeskens of The Netherlands.

But whereas these players were nearing the end of their careers, Chinaglia was a player in his prime.  Coaches and team officials found him difficult, but the Cosmos were NASL champions four times during his seven seasons and he was the league's top scorer on four occasions, including three of the title-winning years. In all competitions, including the indoor league, he scored 262 goals.

Aware of his star quality, Chinaglia would hold court for the media after games in the locker room wearing a brocaded dressing gown.

He became an American citizen in 1979, but was tempted back to Italy in 1983 to become president of Lazio. His temperament was not suited to being a club official, however. and he was banned from football for eight months for threatening a referee.

He died in 2012 in Naples, Florida, having suffered a heart attack.

The mountains above Carrara are famous for the blue-grey
marble used for many buildings in Italy and worldwide

Travel tip:

Carrara, a small city in Tuscany just inland from the Ligurian Sea coastline, is famous for its blue-grey marble, which is quarried in the mountains nearby and has been used since the time of ancient Rome.  The Pantheon and Trajan's Column were both constructed using Carrara marble, which was also the material used for many Renaissance sculptures.  Carrara is home to many academies of sculpture and fine arts and a museum of statuary and antiquities.  The exterior of the city's own 12th century duomo is almost entirely marble.

Travel tip:

Società Podistica Lazio - Lazio Athletics Club - was founded in January 1900 in the Prati district of Rome, making it the oldest Roman football team currently active. Keen to attract players and supporters from outside the city of Rome, the club took the name of the region, Lazio.  It might have gone out of existence in 1927, when the Fascist government proposed merging all the city's teams into one under the umbrella of AS Roma. However, Giorgio Vaccaro, a general in the Fascist regime and a Lazio fan, defended the club's right to keep its own identity, thereby creating one of Italian football's fiercest rivalries as the two battle each year to be the city's number one club.

More reading:

How Luigi Riva became the darling of Cagliari and Italy's greatest goalscorer

Salvatore 'Toto' Schillaci - the golden boy of Italia '90

Gigi Radice - the coach who brought joy back to Torino

Also on this day:

1916: Birth of actor Arnaldo Foà

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Muzio Clementi – composer and pianist

Musician is remembered as ‘father of the piano’

Muzio Clementi, the Italian composer who helped
found England's Royal Philharmonic Society

Composer Muzio Clementi, whose studies and sonatas helped develop the technique of the early pianoforte, was born on this day in 1752 in Rome.

He moved to live in England when he was young, where he became a successful composer and pianist and started a music publishing and piano manufacturing business. He also helped to found the Royal Philharmonic Society in London.

Clementi was baptised Mutius Philippus Vincentius Franciscus Xaverius the day after his birth at the Church of San Lorenzo in Damaso in Rome.

His father was a silversmith, who soon recognised Clementi’s musical talent and arranged for him to have lessons from a relative, who was maestro di cappella at St Peter’s Basilica.

By the time he was 13, Clementi had already composed an oratorio and a mass and he became the organist at his parish church, San Lorenzo in Damaso, at the age of 14.

Sir Peter Beckford, a wealthy Englishman, was so impressed with Clementi’s musical talent and his skill with the harpsichord when he visited Rome in 1766 that he offered to take him to England and sponsor his musical education until he was 21.

The interior of the church of San Lorenzo in Damaso in
Rome, where Clementi was baptized and was later organist

In return, Clementi was to provide musical entertainment for Beckford and his guests. The musician lived for seven years at Beckford’s country estate practicing on the harpsichord, composing sonatas and performing.

Mozart used the opening of one of Clementi’s sonatas in the overture for The Magic Flute. Although this was meant as a compliment, Clementi made sure he put it on record that his sonata had been written ten years before Mozart’s opera.

Clementi moved to live in London when he became an adult, playing the piano, composing, conducting and teaching music.

He began publishing music in 1798, taking over a firm in Cheapside, which was then the most prestigious shopping street in London. Ludwig van Beethoven gave him full publishing rights to all his music in England and in later life Beethoven started to compose chamber music specifically for the British market because of his connection with Clementi.

The house in Kensington Church Street where
Clementi lived in London

In 1813 Clementi was part of a group of prominent musicians who founded the Philharmonic Society of London, which became the Royal Philharmonic Society in 1912.

Bartolomeo Cristofori from Padua has been widely credited with creating the first piano as a development of the harpsichord in 1700.

The oldest surviving Cristofori piano is a 1720 model, now in the Metropolitan Museum of Art in New York. The piano had been slow to catch on, but after composers, such as Clementi, started writing for it, the piano became more popular and by the late 18th century it had become a leading musical instrument.

The piano was probably more of a success in England than anywhere else and Clementi carefully studied its features in order to make the best use of the instrument’s capabilities.

Many of his compositions have been lost or are incomplete, but his chief claims to fame are thought to be his piano sonatas and his studies, such as Gradus ad Parnassum - Steps Towards Parnassus - which he composed in 1817.

Clementi started a business manufacturing pianos in London and, as it flourished, he made important improvements to the construction of the instrument, some of which have become standard in the pianos manufactured today.

At a banquet held in his honour in London in 1827, one of the organisers noted in his diary afterwards that Clementi ‘improvised at the piano on a theme by Handel’.

The tomb of Muzio Clementi can be
found in Westminster Abbey

The musician made his last public appearance at a Philharmonic Society concert in 1828 and then retired and moved to live in Staffordshire.

Clementi died in Evesham in 1832 at the age of 80. He was buried in Westminster Abbey and on his tombstone inscription he is remembered as ‘father of the piano’.

Clementi had been married three times and had five children.

Among his descendants are the British Colonial administrators, Sir Cecil Clementi Smith and his nephew, Sir Cecil Clementi, Air Vice Marshall Cresswell Clementi of the RAF and a deputy governor of the Bank of England, Sir David Clementi.

Travel tip:

The Basilica of San Lorenzo in Damaso, the church where Clementi was baptised and also played the organ, is in the southern part of the historic centre of Rome between the Corso Vittorio Emanuele II and the Tiber. It may once have been the site of a pagan temple, but a church was built there in about 380 by Pope Damasus I. This building was demolished in the time of Pope Sixtus IV, who commissioned the construction of the Palazzo della Cancelleria in 1489. The new church of San Lorenzo in Damaso, where Clementi would have played the organ, was incorporated into the side of the palace.

The Palazzo della Cancelleria in Rome

Travel tip:

The Palazzo della Cancelleria, the Papal Chancellery, is believed to be the earliest Renaissance palace in Rome. It is a property of the Holy See and has been designated a World Heritage Site. Just to the south of the square named after the palace, Piazza della Cancelleria, is the Campo dè Fiori, the site of a market in Rome for centuries, which has plenty of bars and restaurants and is a popular nightspot when the markets stalls have all been packed away.

More reading:

Bartolomeo Cristofori - the inventor of the piano

Why Lorenzo Perosi chose sacred music over opera

How Nicolò Amati created the world's finest violins

Also on this day:

1980: The death of car designer Giovanni Michelotti, the man behind the Triumph Spitfire

(Picture credits: San Lorenzo interior by antmoose; London house by Simon Harriyott; tombstone by oosoom; Palazzo della Cancelleria by Lalupa)




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Carlo Orelli – soldier

The last trench infantryman

Carlo Orelli with President Ciampi, at the
 awards ceremony on his 109th birthday

Carlo Orelli, the last surviving Italian soldier to have served at the start of Italy's involvement in the First World War, died on this day in 2005 at the age of 110.

Orelli had signed up for active duty at the age of 21 and joined the Austro-Hungarian front after Italy joined in the war on the side of Britain, France and Russia in May 1915.

He took part in combat operations near Trieste, experiencing the brutality of trench warfare and seeing many of his friends die violent deaths, but after receiving injuries to his leg and ear he spent the rest of the war in hospital.

Orelli was born in Perugia in 1894, but his family moved to Rome, where he was to spend most of the rest of his life living in the Garbatella district.

He came from a military background and had a grandfather who had helped to defend Perugia against Austrian mercenaries in 1849. His father had served in the Italian Abyssinian campaign in the 1880s and his elder brother had fought in Libya during the war between Italy and Turkey in 1911.

Orelli pictured in his Italian military
uniform in the First World War

The wounds Orelli suffered during a confrontation with Austrian soldiers ended his military career and he spent the rest of the war recovering from an infection in hospital.

When the war was over he resumed his occupation as a mechanic and got married and had six children.

Despite his opposition to Fascism, he was sent to Gaeta to direct artillery during World War II, but he returned to his job as a mechanic afterwards and continued to live in Garbatella.

In later life he often talked about his experiences in the First World War and implored people not to forget the sacrifice his fellow soldiers had made.

In 2003, on the occasion of his 109th birthday, he was made a Grand Officer in the Order of Merit of the Italian Republic by the President, Carlo Azeglio Ciampi.

Carlo Orelli in a TV documentary about his
life and wartime experiences

He became known as ‘The Last Infantrymen’, which was chosen as the title for his wartime memoirs when they were published.

After his death in 2005, he was talked about as ‘the last Italian World War I veteran,’ which was incorrect.

He was, in fact, Italy’s oldest survivor of the First World War, the last trench infantryman and the last survivor from the time Italy entered the war in 1915.

Travel tip:

Perugia, where Orelli was born, and which was defended by his grandfather against the Austrians, is the capital city of the region of Umbria. It has a history that goes back to Etruscan times, when it was one of the most powerful cities in the area. A stunning sight on a hilltop, Perugia is also home to two universities, the 14th century University of Perugia and another University for foreign students learning Italian.

The Centrale Montemartini museum is in the Garbatella
district of Rome, where Orelli spent most of his life

Travel tip:

The Garbatella district, where Orelli lived for most of his life, is to the south of the centre of Rome. It is now a lively area with an unusual museum, the Centrale Montemartini in Via Ostiense, a former electricity power plant that now houses hundreds of pieces of Roman sculpture. Nearby, in Piazzale San Paolo, is the Papal Basilica of St Paul Outside the Walls, one of Rome’s four ancient churches, which was founded by the Roman Emperor Constantine I over the burial place of St Paul. The site had been marked with a memorial by some of the apostle’s followers after his execution.

More reading:

Francesco Chiarello - combatant in both world wars who lived until 2008

How General Armando Diaz masterminded Italy's victory at the Battle of Vittorio Veneto

The Villa Giusti armistice and the end of the First World War in Italy

Also on this day:

1506: The founding of the Papal Swiss Guard


(Picture credit: Centrale Montemartini by Lalupa via Wikimedia Commons)

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