Delia Scala - ballerina, actress and TV presenter

Much-loved star was pioneer of Italy’s musical comedy genre 

Delia Scala's versatility as an entertainer
gained her big roles in musical comedy

Delia Scala, a ballerina who became a stage and screen actress, helped popularise musical comedy in Italy in the 1950s and ‘60s and presented light entertainment shows on television, died on this day in 2004 in Livorno, in Tuscany.

Born Odette Bedogni in Bracciano, Lazio in 1929, she had suffered a recurrence of the breast cancer for which she had been successfully treated in the 1970s, passing away at the age of 74.

Her personal life was marred by tragedy. Her father and one of her three husbands died in road accidents, while the racing driver to whom she was engaged after her first marriage was annulled was killed on the track. Her third husband died from cancer.

Yet in her career she enjoyed considerable success and became hugely popular with Italian audiences.  After her death, the President of Italy at the time, Carlo Azeglio Ciampi, described her as a "model of enthusiasm and rigorous professionalism" and said he rated her among "the most beloved and popular artists in the history of Italian entertainment".

As a child, Scala inherited a love of music and dance from her mother, Iolanda, who chose Odette as her name after the title of one her favourite songs. When her father, Aldo, a test pilot with the Italian air force, was transferred from Bracciano to Malpensa, near Milan, the family settled in Gallarate, near Varese and Lake Maggiore. 

Already showing talent, the eight-year-old Odette was given a place at the Ballet School of Teatro alla Scala, Milan’s prestigious opera house, where she would remain for seven years.  Her family moved again, when her father left the air force, relocating to Campagnola Emilia, some 168km (100 miles) away from Milan, but Odette was able to continue her nascent dance career by staying in Milan, at first with an aunt and later in lodgings.

She performed on stage at La Scala many times, her ballet credits including Ottorino Respighi's La bottega fantastica and Tchaikovsky's The Sleeping Beauty. Another highlight was appearing as a dancer in Ruggero Leoncavallo’s opera Zazà, starring the celebrated tenor, Beniamino Gigli.  

Her move into films came after she was chosen to play a leading role in a documentary about La Scala’s ballet school. Other opportunities to appear on screen soon followed, in which she first performed under her own name before adopting Lia Della Scala as a professional name. The change to Delia Scala was at the suggestion of Italo Calvino - later to become famous as a novelist - who was at the time head of the press office at Lux Films.

Scala had embarked on a career as a ballet
dancer before the big screen beckoned

From the late 1940s, having been spotted initially by the director Luigi Zampa, who gave her a part in his 1948 film, Anni difficili (Difficult Years), Scala was seldom not working. 

Important roles followed in Eduardo De Filippo’s Napoli milionaria (1950); Roma ore 11 (1952), a neorealist film by Giuseppe De Santis; Jacques Becker’s Grisbì (1954); and Beauties on a bicycle (1951) by Carlo Campogalliani, where she appeared alongside Silvana Pampanini.

The breadth of her acting skills was shown off further in Gran Varietà (1953), alongside Vittorio de Sica and Lea Padovani, where she impressively danced a Charleston, and in Signori si nasce (1960) by Mario Mattoli, alongside the comedy great, Totò.

It was in part as a consequence of those performances that she was chosen to make her theatre debut with Giove in doppiopetto (Double-breasted Jupiter) at the Teatro Lirico in Milan in 1954. The production is considered to be the first example of commedia musicale, an italian musical genre created by playwrights Pietro Garinei and Sandro Giovannini, with the collaboration of the musician and songwriter Gorni Kramer. 

As Scala’s stature in the genre grew, she found herself in demand and had roles alongside renowned performers such as Walter Chiari, Nino Manfredi, Paolo Panelli, Domenico Modugno, Gianrico Tedeschi, Mario Carotenuto and Renato Rascel.

Her popularity led also to Scala becoming one of the earliest of Italy’s television stars as the small screen began to play a part in the lives of Italians in the 1950s, co-hosting the TV show Lui e Lei with Nino Taranto, and Canzonissima with Manfredi and Paolo Panelli.

Scala shone in the world of television,
becoming a popular presenter

Away from her successful career, Scala’s quest for contentment in her personal life was repeatedly upended by tragedy. Her father was killed in 1947 at the age of 41, struck by a car near their home. A year later her first marriage, with a Greek soldier attached to a local partisan unit who was given shelter by her family, ended with separation. She was only 19.

The marriage was annulled, after which she became engaged to racing driver, Eugenio Castellotti. He died in 1957, losing control of his Ferrari while attempting a speed record at the Modena race track.

In 1967 she married Piero Giannotti, who died in 1982 when hit by a car while riding his motor scooter. Her third husband, the industrialist Arturo Fremura, died in 2001, from liver cancer.

Scala’s own health problems began in 1974 when she was diagnosed with breast cancer at the age of 44. Happily, under the care of the distinguished oncologist Pietro Bucalossi and his assistant Umberto Veronesi, she underwent experimental radio and chemotherapy and recovered to live another 30 years.

Societal attitudes to cancer were much different then compared with today. When news of the diagnosis was leaked to the media - she had tried to keep it private - she lost some advertising contracts on the basis that being affected by cancer was perceived as “bad for her image.” 

Once she had recovered enough, she joined the tennis player Lea Pericoli, who had suffered a similar experience after being diagnosed with cancer while still competing, in campaigning to change attitudes. 

Scala herself presented a series of annual live shows entitled A Rose for Life at Lido di Camaiore on the Tuscan coast north of Pisa, together with Raimondo Vianello and Sandra Mondaini, a showbiz couple who had also faced cancer, in order to raise funds for cancer research and prevention.

Such was her commitment that, in 1982, she insisted on presenting the show on its planned date even though she had lost Piero, her second husband, only a few days earlier. 

Scala effectively retired from acting in the 1980s, her only subsequent part in a sitcom aired between 1996 and 1998. After marrying Fremura - a widower with four children - she spent the last two decades of her life in Livorno.

The monumental Orsini-Odescalchi Castle seems
to loom around every corner in Bracciano

Travel tip:

The town of Bracciano is situated about 40km (24 miles) northwest of Rome, rising above Lake Bracciano, a nearly circular volcanic lake. Bracciano’s centre retains a medieval feel, with narrow lanes, stone houses, and a skyline dominated by the great Orsini–Odescalchi Castle. The surrounding area is protected as the Bracciano-Martignano Natural Park, which keeps the lake pristine by limiting motorised boats and preserving the quiet, rural atmosphere. The earliest known structure was a 10th‑century watchtower, built to defend against Saracen raids, which became the heart of a fortified settlement of which the powerful Orsini family took control in 1234. They transformed Bracciano into a strategic stronghold, culminating in the late 15th century with the construction of the huge fortress today known as the Castello Orsini-Odescalchi, one of the best-preserved Renaissance fortresses in Italy. The Odescalchi family, who bought the castle from the Orsinis in 1696, still own it. With its towers, courtyards, frescoed halls, armouries, and sweeping views over the lake, it is easily Bracciano’s star attraction and a popular location for films and television dramas, as well as the backdrop for several high-profile celebrity weddings, including that of the Hollywood stars Tom Cruise and Katie Holmes. The Vigna di Valle airbase, where Delia Scala’s father was based at the time of her birth, now houses one of Italy’s most important aviation museums, housed in historic seaplane hangars.

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The canals of Livorno's popular Venezia Nuova
district come alive after dark

Travel tip:

Livorno, where Delia Scala spent the later years of her life, is the second largest city in Tuscany after Florence, with a population of almost 160,000, and the region’s great sea port. Ferries, cargo ships, cruise liners, fishing boats, and naval vessels all move through the harbour. Yet just beyond the cranes and docks you find a city shaped by centuries of immigration, free‑trade policies, and Medici ambition. Livorno, which began as a small coastal settlement, was for centuries overshadowed by nearby Pisa, whose republic controlled the area throughout the Middle Ages.  As it grew, the port was sold to Milan in 1399 and to Genoa in 1407 before it was purchased by Florence in 1421, bringing it under Medici rule for the next three centuries.  The Medici recognised Livorno’s strategic potential and rebuilt the harbour, fortified the town, and declared it a free port, attracting merchants from across Europe and the Mediterranean. As well as becoming a major commercial hub it became one of Italy’s most cosmopolitan cities, with significant Jewish, Greek, Armenian and Dutch Protestant minorities. The Medici legacy is visible in the 16th century red brick Fortezza Vecchia, that stands guard over the harbour. Other attractions include the Fortezza Nuova, also built by the Medici, which anchors Livorno’s popular Venezia Nuova district, with its network of canals, and the elegant Terrazza Mascagni, the seafront promenade, paved in a sweeping black‑and‑white checkerboard pattern, which carries the name of one of Livorno’s most famous sons, the opera composer Pietro Mascagni.

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More reading:

Raimondo Vianello, a big-screen star who conquered television

Why comic actor Totò is still seen as one of Italy’s funniest performers

How Umberto Veronesi pioneered new treatments for breast cancer

Also on this day:

1623: The death of Venetian writer and statesman Paolo Sarpi

1926: The death of songwriter Giambattista De Curtis

1935: The birth of football coach Gigi Radice

1971: The birth of rugby star Paolo Vaccari

1977: The birth of Giorgia Meloni, Italy’s first female PM

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Lucia Valentini Terrani - opera singer

Colaratura mezzo-soprano noted for velvety softness of agile voice

Lucia Valentini Terrani in 1982: The singer had a
powerful stage presence as well as a brilliant voice 

The opera singer Lucia Valentini Terrani, who became one of Italy’s most captivating mezzo-sopranos, blessed with an agile, velvety voice and magnetic stage presence, was born on this day in 1946 in Padua, in the Veneto region.

Equally at home in contralto roles, she was among the most notable interpreters of the 18th and 19th century bel canto repertoire and was a major influence on the way the Gaetano Rossini repertoire evolved over the last three decades of the 20th century.

After her debut in 1969 and breakthrough in 1973, Valentini Terrani sang at most of the world’s major opera houses, in South America and Russia as well as Europe and the United States.

Little is known about her early life in Padua before she attended the city’s Cesare Pollini Music Conservatory. From there she moved to the Benedetto Marcello Conservatory in Venice, where she was a student under the former soprano Iris Adami Corradetti.

There, she laid the foundations for her career. At that point, she performed as Lucia Valentini, making her debut in 1969 in Brescia as Angelina in Rossini’s La Cenerentola, a role that would become her signature. 

With its demanding coloratura and nuanced comedy elements, La Cenerentola showcased Valentini’s vocal brilliance but also her theatrical finesse. 

Following her triumph in the International Competition for New Rossini Voices organised by the broadcaster Rai in 1972, her big breakthrough came in 1973, again in La Cenerentola, this time at Teatro alla Scala in Milan. Stepping in for Teresa Berganza, one of the most popular and admired mezzo-sopranos of the modern era, Valentini reprised the Angelina role to great acclaim. The performance effectively launched her international career.

Alberto Terrani said he was "spellbound
by the beauty of her face" when they met

It was around this time that she met Alberto Terrani, an actor, at a party in Padua. He described being “spellbound by the beauty of her face” and “enraptured by her voice when she started to sing.”

They fell in love and were married in 1973, at which point he gave up his own career to become her manager and she added his name to hers

Valentini Terrani’s artistry was deeply entwined with Rossini’s music. She mastered both his comic heroines and his more florid, serious roles, such as Arsace in Semiramide, Tancredi, and Malcolm in La donna del lago. 

The last three were so-called “trouser roles”, in which a male character is sung by a female singer. Valentini Terrani’s versatile, expressive and richly coloured voice allowed her to perform such roles with convincing masculinity and emotional depth. 

Yet her repertoire was not limited to Rossini and his genre. She also ventured into baroque opera, portraying Medea in Cavalli’s Giasone, Dido in Purcell’s Dido and Aeneas, and Bradamante in Handel’s Alcina, as well as dramatic and lyrical roles such as Eboli in Don Carlos, Carmen, Charlotte in Werther, and Quickly in Falstaff. 

Her international engagements took her to the Metropolitan Opera (debuting in 1975 as Isabella in L’italiana in Algeri), Covent Garden, Paris, Moscow, Buenos Aires, and beyond. 

Valentini Terrani's career was cut short
after she was diagnosed with leukemia

On her visits to Moscow, she embraced Russian opera, performing with distinction in Stravinsky’s Oedipus Rex and Mussorgsky’s Boris Godunov. 

Valentini Terrani’s career was cut short when she was diagnosed with leukemia in 1996. Encouraged by her friend and fellow opera singer José Carreras, who had recovered from the disease, she travelled to the Fred Hutchinson Cancer Research Center in Seattle, where he had been treated successfully. Sadly, though, she died there in 1998 aged just 51, following complications from a bone marrow transplant.

Her legacy endures not only in recordings and memories but also in Padua, where a square near the Teatro Verdi bears her name.  There is also a small hotel in Padua, supported by charity, to accommodate hospital visitors and patients in need of repeated treatment, named the Casa di Accoglienza Lucia Valentini Terrani.

It was inspired by an act of generosity by the singer shortly before she died in Seattle, when she was so dismayed to find that the relatives of fellow patients were sleeping in their cars because accommodation was so expensive that she asked her husband to pay for their hotel rooms.

The Basilica di Sant'Antonio,
with its Byzantine domes

Travel tip:

Lucia Valentini Terrani’s home city of Padua, in Veneto, has a population of around 217,000. It is rich in history, art and architectural treasures. The biggest attractions for visitors include the Scrovegni Chapel, a medieval gem that houses a fresco cycle by Giotto often cited as the dawn of Renaissance painting; the Basilica of Saint’Antonio, notable for its Byzantine-style domes, that houses the relics of St. Anthony and features masterpieces by Donatello; the Palazzo della Ragione, once the seat of Padua’s medieval government and today a civic building with a bustling food market on the ground floor, the elegant Piazza dei Signori, with its beautiful Renaissance clock tower; and Prato della Valle, a vast oval space, built on the site of a former Roman amphitheatre and one of Europe’s largest public squares, which features statues of historic figures around a central island. 

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Brescia's Roman heritage is visible in the ruins
of the Tempio Capitolino in Piazza del Foro

Travel tip:

Brescia, where Valentini Terrani made her public debut, is a city in Lombardy midway between Bergamo and Verona often described as an underrated cultural gem, a mix of Roman and medieval heritage. The Santa Giulia Museum, housed in a former monastery and a UNESCO World Heritage, showcases Roman villas, medieval frescoes, and treasures such as the Desiderius Cross, while Brescia’s ancient heart includes the Capitolium Temple and Forum and other Roman remains that date back to 73AD. Perched on the Colle Cidneo, with panoramic views over the city, is the well-preserved Castello di Brescia.  In the centre of the city, the Piazza della Loggia is a Renaissance square with an astronomical clock and elegant arcades, while the Piazza Paolo VI is home to two cathedrals - the Duomo Vecchio and the Duomo Nuovo, bringing together Romanesque and Baroque styles side by side.  

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Also on this day:

1875: The birth of flautist Leonardo De Lorenzo

1941: The birth of artist and designer Ugo Nespolo

1967: The birth of Tiziana ‘Tosca’ Donati

1991: The Mafia murder of Palermo businessman Libero Grassi

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Arturo Toscanini - conductor

Cellist who became orchestra leader by chance

Arturo Toscanini is remembered as one of the 
most influential figures in 20th century music

The brilliant conductor Arturo Toscanini was born on this day in 1867 in Oltretorrente, a working-class neighbourhood of Parma, now part of Emilia-Romagna.

Toscanini came to be recognised as one of the most influential musicians of the late 19th and early 20th century. An intense individual who was a perfectionist in everything he did, as well as having a brilliant ear for detail in orchestral performances, he also had the gift of being able to remember complete musical scores after only one reading. 

At various times, he was the music director at Teatro alla Scala in Milan and at the New York Philharmonic. He became particularly well known in the United States after he was appointed the first music director of the NBC Symphony Orchestra. 

Toscanini had the privilege of conducting the world premieres of many of the greatest operas of his lifetime, including Pagliacci, La bohème, La fanciulla del West and Turandot, as well as Siegfried, Götterdämmerung, Salome, Pelléas et Mélisande and Euryanthe. 

The son of a tailor, Toscanini developed an interest in music at an early age and won a scholarship to Parma Conservatory, where he studied the cello. 

Toscanini (right) and the composer Giacomo Puccini
enjoyed a close professional relationship

He joined the orchestra of an opera company, with whom he toured Brazil. It was there, in Rio de Janeiro, that the young Arturo picked up the conductor’s baton for the first time, although entirely through circumstance.

Prior to a presentation of Verdi’s Aida, the singers refused to work with the locally hired conductor, Leopoldo Miguez, who abruptly resigned. His replacement was subjected to booing from the audience, who were unhappy with his performance, and also resigned, leaving the orchestra without a conductor and the next performance only hours away.

Aware of his ability to remember whole scores, a member of the orchestra suggested giving the baton to Toscanini. Only 19 years old and with no conducting experience, Toscanini was reluctant at first but was eventually persuaded to accept the invitation, aware that the whole tour was at risk of being cancelled if he did not.

In the event, he led the two-and-a-half hour performance flawlessly, and entirely from memory. He found he had a natural talent for the job. The audience warmed to his charisma and intensity and applauded his musicianship. He kept the baton for another 18 operas as the tour unfolded with great success.

Toscanini became one of the
most sought-after conductors

Word spread of his ability and he soon found himself in demand. He continued to play the cello, but his talent as a conductor brought so much work that opportunities to take his seat in the orchestra became fewer and fewer.

He made his conducting debut in Italy at the Teatro Carignano in Turin in November, 1886, leading the premiere of a revised version of Alfredo Catalani’s Edmea. He soon broadened his repertoire to symphonic concerts, his reputation growing so fast that in 1898 he was named principal conductor at La Scala, at the age of just 31.

He remained at the Milan theatre, Italy’s principal opera house, for 10 years before he was lured away to America for the first time by Giulio Gatti-Casazza, the former general manager at La Scala, who had taken the same role at the Metropolitan Opera in New York and persuaded Toscanini to join him there. 

Toscanini spent seven seasons at the Met, returning to Europe in 1915. He was due to leave New York on the British liner RMS Lusitania on May 7 but decided at the last moment to depart a week earlier on the Italian liner Duca degli Abruzzi. It proved a mightily fortuitous decision: the Lusitania never made it to its intended destination, sinking off the coast of Ireland after being torpedoed by a German u-boat. A total of 1,197 passengers and crew perished.

He maintained his transatlantic lifestyle, conducting around Europe and in the United States, leading the New York Philharmonic-Symphony Orchestra between 1928 and 1936. He ceased working in his native Italy, however, after falling foul of the Fascist leader, Benito Mussolini.

Mussolini was keen to attach himself to Toscanini, whom he described as ‘the greatest conductor in the world’ and wished to promote as a symbol of Italian excellence. But Toscanini had little truck with Fascism, defying Mussolini by refusing to conduct the party’s official hymn, Giovinezza.

Toscanini's tomb at the Cimitero Monumentale
in Milan, where he was buried after his death at 89

Eventually, though, his defiance rebounded on him when he refused to lead a rendition of Giovinezza at a concert in Bologna in 1931, in spite of the presence in the audience of a leading Fascist official. Afterwards, Toscanini was set upon by Blackshirts and badly beaten. His passport was confiscated and he was put under surveillance. The passport was eventually returned following a public outcry and as Italy entered World War Two he left the country.

Prior to that, he had considered retirement. Instead, he embarked on a new chapter of his career, leading the newly-formed NBC Symphony Orchestra. When Toscanini did finally retire, in 1954, he was 87 years old.

Although he reportedly had numerous affairs, notably with the American soprano, Geraldine Farrar, Toscanini was married only once, to Carla De Martini, who was a teenager when they met. They remained together from their wedding in 1897 to her death in 1951. They had three children, a son, Walter, and daughters Wally and Wanda.

Toscanini died on January 16, 1957, having suffered a stroke on New Year's Day at his home in the Riverdale section of the Bronx in New York City. He was 89. His body was returned to Italy and buried at the Cimitero Monumentale in Milan. His tomb carries an epitaph based on a remark he is said to have made at the end of the 1926 premiere of Puccini's unfinished Turandot.

"Qui finisce l'opera, perché a questo punto il maestro è morto - Here the opera ends, because at this point the maestro died".

The house where Toscanini was
born is now a museum of his life

Travel tip:

The house in Borgo Rodolfo Tanzi, in the Oltretorrente district of Parma, where Arturo Toscanini was born, is now a museum of his life, open to the public between 10am and 6pm from Wednesday to Sunday, closing on Monday and Tuesday. A 15-minute walk from the city centre and close to the sprawling green space of the Parco Ducale, the house was one shared by the Toscaninis and three other families. His father, a tailor who fought in Garibaldi’s army in the campaign to unite Italy, used the downstairs room as a workshop. Among the exhibits on display are photographs, theatre programmes and posters, letters to and from composers with whom he worked, such as Giacomo Puccini and Richard Strauss, and some of the clothes he wore to conduct. There is a letter from Albert Einstein, the German physicist and noted campaigner against racism, praising Toscanini for standing up to the Fascists.

Parma's 12th century baptistery
is among the city's main sights

Travel tip:

Parma is an historic city, famous for its Prosciutto di Parma ham and Parmigiano Reggiano cheese, the true ‘parmesan’. In 1545 the city was given as a duchy to the illegitimate son of Pope Paul III, Alessandro Farnese, whose descendants ruled Parma till 1731. As well as Toscanini, the city’s musical heritage includes the composer, Giuseppe Verdi, who was born near Parma at Bussetto. The city has a prestigious opera house, the Teatro Regio, and a Conservatory named in honour of Arrigo Boito, who wrote the libretti for many of Verdi’s operas.  An elegant city with an air of prosperity common to much of Emilia-Romagna, Parma’s outstanding architecture includes an 11th century Romanesque cathedral and the octagonal 12th century baptistery that adjoins it, the church of San Giovanni Evangelista, which has a beautiful late Mannerist facade and bell tower, and the Palazzo della Pilotta, which houses the Academy of Fine Arts, the Palatine Library, the National Gallery and an archaeological museum.

Also on this day:

1347: The birth of Saint Catherine of Siena

1541: The birth of Francesco I, Grand Duke of Tuscany

1546: The birth of poet and courtesan Veronica Franco

1625: The death of poet Giambattista Marino

1927: The birth of politician Tina Anselmi

1940: The birth of record-breaking pop star Mina 

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The night Maria Callas made an audience weep

La Scala witnesses a stunning performance

Maria Callas's interpretation of Violetta was
seen as the finest performance of her stage career

Maria Callas gave a stunning performance that has gone down in history as her greatest ever portrayal of Violetta in La traviata on this day in 1955 at Teatro alla Scala opera house in Milan.

After the opening night of the production on May 28, it was reported in the press that Callas had driven the audience into a frenzy with her wonderful singing and powerful acting as she played the part of Giuseppe Verdi’s doomed heroine, who was a beautiful courtesan.

The character of Violetta is considered by opera experts to be one of the three finest roles ever portrayed by Callas and it is ranked alongside her performances in Vincenzo Bellini’s Norma and Gaetano Donizetti’s Lucia di Lammermoor.  

The staging by director Luchino Visconti for the 1955 production of La traviata provided the perfect setting for Callas with its ornate décor and costumes.

The conductor, Carlo Maria Giulini, later confessed that he had wept in the orchestra pit as she had sung.

At the end members of the audience cried out Callas’s name, sobbed uncontrollably and showered the stage with red roses, which the tearful singer picked up as she took a solo bow.

Callas shone in Visconti's lavish
Belle Époque stage settings

This gesture proved too much for tenor Giuseppe Di Stefano, who felt she was monopolising the attention of the audience. He stormed off the stage at the end of the performance and left the show for good that night.

Callas had moved the audience to tears in the scene where Violetta agrees to renounce Alfredo, the man she loves, to avoid spoiling the wedding prospects of his sister.

Sadly, Callas had only a few years of her career left ahead of her. After she left her husband for shipping magnate Aristotle Onassis in 1959, she hardly ever performed on stage again. Onassis subsequently left her to marry Jackie Kennedy and Callas died in 1977, aged just 53. 

Thankfully, her performance on that memorable night was recorded and the complete May 28 production can still be listened to on CD, MP3 and streaming platforms.

Verdi’s opera La traviata had premiered at La Fenice opera house in Venice about 100 years earlier. It was based on the 1852 novel by Alexander Dumas, La dame aux camelias.

La traviata means ‘fallen woman’ and refers to the main character, Violetta, who is a courtesan. The opera featured some of the most challenging and revered music in the entire soprano repertoire.

Milan's Teatro alla Scala, opened in 1778, is the
most famous opera house in the world

Travel tip:

Teatro alla Scala in Milan is Italy’s most famous opera house and Maria Callas made her debut there in 1950 as Aida.  The theatre, known to Italians simply as La Scala, is the leading opera house in the world. It opened in 1778 after fire had destroyed the Teatro Regio Ducale, which had previously been the home of opera in Milan. A new theatre for the city was built on the site of the former Church of Santa Maria alla Scala, which is how the theatre got its name. It was designed by neoclassical architect Giuseppe Piermarini. The world’s finest singers have appeared at La Scala during the last 240 years and the theatre has hosted the premieres of operas by Rossini, Donizetti, Verdi, and Puccini. La Scala’s original 18th century structure was renovated in 1907 and, after bomb damage during World War II, it was rebuilt and reopened in 1946.

The mediaeval Rocca Scaligera castle is the
dominant feature of the Sirmione skyline

Travel tip:

Maria Callas spent some happy years living in Sirmione, a resort on Lake Garda in Italy, after she married her first husband, Giovanni Battista Meneghini, an Italian businessman.  Villa Callas, which is still privately owned today, looks the same as it did when it was first purchased by Meneghini in the 1950s as a holiday home for the couple. There is a plaque outside the villa recording the dates when Maria Callas lived there. Sirmione, the historic centre of which is on a peninsula that divides the southern part of Lake Garda, is known for its thermal baths and Rocca Scaligera, a mediaeval castle overlooking the lake. Visitors can look round a museum dedicated to the life and performances of Maria Callas. At the the tip of the peninsula is the archaeological site of Grotte di Catullo, which encompasses a Roman villa, a museum and olive trees. 

Also on this day:

1369: The bith of condottiero Muzio Attendolo Sforza

1606: Caravaggio attacks and kills a man in Rome

1692: The birth of opera composer Geminiano Giacomelli

1839: The birth of author and journalist Luigi Capuana

1987: The birth of cricketer Leandro Jayarajah

1999: Da Vinci’s Last Supper goes back on display in Milan after 20 years of restoration

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Claudio Abbado – conductor

The distinguished career of a multi award-winning musician

Claudio Abbado had a long and
successful career in music

The internationally acclaimed orchestra conductor Claudio Abbado was born on this day in 1933 in Milan.

Abbado was musical director at Teatro alla Scala, the opera house in his native city, from 1972 to 1980 and remained affiliated to the theatre until 1986. He was the principal conductor of the Vienna Philharmonic and the London Symphony Orchestra and was appointed director of the Vienna State Opera and the Berlin Philharmonic.

Born into a musical family, Abbado studied the piano with his father, Michelangelo Abbado from being eight years old. His father was a professional violinist and a professor at the Giuseppe Verdi Conservatory in Milan. His mother, Maria Carmela Savagnone, was a pianist and his brother, Marcello, became a concert pianist, a composer, and a teacher.

The Nazis occupied Milan during his childhood and his mother spent time in prison for harbouring a Jewish child. Abbado grew up to have anti-fascist political beliefs.

Abbado studied piano, composition and conducting at the Milan Conservatory. After deciding to be a conductor, he went to study in Vienna, winning the Koussevitsky prize in 1958 and the Metropolitan Prize in 1963. He made his conducting debut in Trieste in 1958 and his conducting debut at La Scala in 1960.

After being engaged by the New York Philharmonic, he began a successful international career. He was principal guest conductor of the Chicago Symphony Orchestra, founder and director of Lucerne Festival Orchestra, founder and director of Mahler Chamber Orchestra, founding Artistic Director of Orchestra Mozart, and music director of European Youth Orchestra

Claudio Abbado made his conducting debut in
Trieste in 1958 at the age of 25

While serving as musical director of La Scala, Abbado was credited with broadening the repertoire of the theatre and lifting standards. He also introduced inexpensive performances for students and working people. Experts praised him for his attention to detail and his robust rhythmic grasp. He was particularly strong on German and Italian 20th century operatic traditions.  

Abbado had a son and daughter from his first marriage, a son from his second marriage, and a son as a result of his four-year relationship with the Russian-born British violinist Viktoria Mullova.

In 2013, Italian President Giorgio Napolitano appointed Abbado to the Italian Senate as a Senator for life.

One of the leading conductors of his generation, Abbado died in Bologna in 2014 at the age of 80. As a tribute to him, La Scala’s orchestra, conducted by Daniel Barenboim, performed the slow movement of Beethoven’s Symphony No 3 to an empty theatre, with the performance relayed to a crowd in the square in front of the opera house and live streamed via La Scala’s website.

The Teatro alla Scala in Milan was originally
built almost 250 years ago

Travel tip:

Milan’s Teatro alla Scala, known to Italians simply as La Scala, has become the leading opera house in the world. It opened in 1778 after fire had destroyed the Teatro Regio Ducale, which had previously been the home of opera in Milan. A new theatre for the city was built on the site of the former Church of Santa Maria alla Scala, which is how the theatre got its name. It was designed by neoclassical architect Giuseppe Piermarini. The world’s finest singers have appeared at La Scala during the last 240 years and the theatre has hosted the premieres of operas by Rossini, Donizetti, Verdi, and Puccini. La Scala’s original 18th century structure was renovated in 1907 and, after bomb damage during World War II, it was rebuilt and reopened in 1946.

The Teatro Massimo in Palermo had been dark
for 23 years when it was reopened in 1997

Travel tip:

Palermo’s Teatro Massimo became a symbol of Italy’s fight back against the Mafia when Claudio Abbado conducted the Berlin Philharmonic in a concert there in 1997. The largest opera house in Italy, the Teatro Massimo had been closed for supposedly minor refurbishments in 1974, but with the Mafia controlling local government, no money was made available for the work. However, after the murder of Giovanni Falcone, the city turned against the Mafia and maestro Abbado was invited to conduct there at its grand reopening after the theatre had been dark for 23 years.

Also on this day:

1906: The birth of singer and actor Alberto Rabagliati

1944: British bombers attack San Marino

1968: The birth of footballer Paolo Maldini

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Carla Fracci – ballerina

Brilliant Romantic dancer brought ballet to the people

Fracci performed at most of the
world's top ballet theatres 

Destined to become one of the greatest ballerinas of the 20th century, Carolina ‘Carla’ Fracci was born on this day in 1936 in Milan.

Carla became a leading dancer of the La Scala Theatre Ballet in her home town and then worked with the Royal Ballet in London, Stuttgart Ballet, Royal Swedish Ballet and American Ballet Theatre, becoming known for her interpretations of leading characters in Romantic ballets such as Giselle, Swan Lake and Romeo and Juliet.

As a small child during World War Two, she had been sent to live with relatives in the countryside, but after the war ended, she returned to Milan and her mother took her and her sister to sit the La Scala Theatre ballet school entrance exam.

She has said of her early days at the school that she found it boring and a terrible chore, but after performing alongside Margot Fonteyn in The Sleeping Beauty when she was 12, Carla changed her mind about ballet training and started working hard to make up for lost time.

After joining La Scala Theatre Ballet on graduating, Carla was promoted to a soloist within a year. In 1958 she was asked to fill in for the French ballerina, Violette Verdy, in Cinderella, which led to her being promoted to the role of principal dancer with the company.

A picture of Fracci early in her
career at La Scala Theatre Ballet

Carla left La Scala Theatre Ballet to pursue a career a freelance ballet dancer and  she performed with star partners such as Mikhail Baryshnikov and Rudolf Nureyev.

In 1964, Carla married theatre director Beppe Menegatti and they later had a son, Francesco.

In the late 1980s, Carla began directing ballet companies in Italy. She also helped bring ballet to the people with an open-air performance in Paestum and ballet displays in public squares and schools.

Carla played a vital role in securing a stronger appreciation of ballet in Italy than it had had in the first of the century. The Italian Government acknowledged her achievements with honours in 1983, 2000 and 2003.

After Carla retired from ballet, the family made their home in Florence. Carla died on 27 May this year (2021) in Milan from cancer. She was 84 years of age.

The classically designed Teatro alla Scala in
Milan, better known simply as La Scala

Travel tip:

Milan’s famous Teatro alla Scala, the ballet and opera house of world renown, was founded after a fire in 1776 destroyed the Teatro Regio Ducale, which until then had been the home of opera in Milan. The cost of the new theatre, built on the former location of the church of Santa Maria alla Scala to a design by the great neoclassical architect Giuseppe Piermarini, was borne by the owners of the boxes at the Ducale, in exchange for possession of the land and for renewed ownership of their boxes. The theatre, inaugurated on August 3, 1778 with a production of Antonio Salieri's opera L'Europa riconosciuta, was originally known as the Nuovo Regio Ducale Teatro alla Scala, which was in time shortened to Teatro alla Scala and ultimately to La Scala, by which it is usually known today.  

The second Temple of Hera at Paestum,
built around 2,500 years ago

Travel tip:

Paestum, where Fracci gave an open-air performance, is situated on the coast of Campania about 40km (25 miles) south of Salerno and 10km (six miles) north of Agropoli. It is best known for the extraordinary archaeological site a mile inland that contains three of the best preserved Greek temples in the world, which were once part of the town of Poseidonia - built by Greek colonists from Sybaris, an earlier Greek city in southern Italy, in around 600BC.  The relics cover a large area and takes as much as two hours to explore, but there are several bars close by and a hotel and restaurant just outside the site.

Also on this day:

1561: The birth of court musician Jacopo Peri

1799: The death by hanging of republican noblewoman Eleonora Fonseca Pimentel 

1937: The birth of Stelvio Cipriani, award-winning composer of film scores

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Nabucco premieres in Milan

Verdi opera that became a symbol of the Risorgimento

The bill advertising the first staging
of Nabucco at La Scala in Milan

The opera Nabucco, with music by Giuseppe Verdi and a libretto by Temistocle Solera, was first performed on this day in 1842 at Teatro alla Scala in Milan.

The opera contains the famous chorus Va, pensiero, a lament for a lost homeland that many Italians now regard as their unofficial national anthem.

The opera and Verdi himself have become synonymous with the Risorgimento, the period in the 19th century when people worked to free the Italian states of foreign domination and unite them under the leadership of Victor Emmanuel, the King of Sardinia and Duke of Savoy.

It is said that during the last years of the Austrian occupation of Lombardia and the Veneto, for example, that Italian patriots adopted Viva Verdi as a slogan and rallying call, using the composer’s name as an acronym for 'Vittorio Emanuele Re d’Italia' - 'Victor Emmanuel, King of Italy'.

On the day of the composer’s funeral in Milan in 1901, a crowd of 300,000 people filled the streets and sang Va, pensiero, conducted by Arturo Toscanini, a moving event that showed how Verdi’s music had helped unite the Italian nation.

But Verdi nearly didn’t take up the offer to compose the music for Nabucco.

Verdi took up the offer to write the
music for Nabucco with reluctance

After a terrible two-year period, during which his young wife and two children had all died as a result of illnesses, Verdi had vowed never to compose music again.

During a chance meeting with Bartolomeo Merelli, La Scala’s impresario, Verdi was given a copy of Solera’s libretto, which had been rejected by another composer.

Verdi later recalled in his memoirs how he took the libretto home, threw it on the table with a violent gesture and it opened up in front of him. Verdi’‘s eye fell on the phrase, ‘Va, pensiero, sull’ali dorate’  - 'Fly, thought, on golden wings'.

He tried to ignore the libretto but eventually found himself sitting at the piano and setting the words to music.

It is claimed he was still reluctant about working on the score and tried to take the manuscript back to Merelli, but the impresario stuffed the libretto back in Verdi’s pocket, threw him out of his office and locked the door.

Verdi went home and continued to work on the music and by the autumn of 1841 the opera was complete.

The opening performance at La Scala on 9 March 1842 was an immediate success, establishing Verdi as a major composer. The opera is still regularly performed all over the world today.

Verdi's future wife, Giuseppina Strepponi,
was a member of the original cast

The original cast included the soprano Giuseppina Strepponi, who would later become Verdi's second wife.

Nabucco is named after King Nebuchadnezzar, who featured in the books of Jeremiah and Daniel in the Bible, and the opera follows the plight of the Jews he conquered and exiled. The chorus Va, pensiero - also known as the 'Chorus of the Hebrew Slaves' - captured the feeling of national pride among Italians at the time who were still living under Austrian domination.

In 1981 a journalist proposed replacing Italy’s official national anthem with Va, persiero. This never happened, but the political party Lega Nord - now La Lega - adopted it as its official hymn and the chorus is now sung at all party meetings.

In 2011, after conducting Va, pensiero at the Teatro dell’Opera in Rome, the conductor Riccardo Muti made a speech protesting about cuts in Italy’s arts budget and then invited the audience to sing along in support of culture and patriotism.

Milan's Teatro alla Scala, one of the world's most prestigious
opera houses, is right in the centre of the city

Travel tip:

Teatro alla Scala is in Piazza della Scala in the centre of Milan across the road from the Galleria Vittorio Emanuele II, an elegant arcade lined with cafes, shops and restaurants which was built to link Piazza della Scala with Piazza del Duomo, Milan’s cathedral square. La Scala has a fascinating museum that displays costumes and memorabilia from the history of opera. The entrance is in Largo Ghiringhelli. It is open every day except the Italian Bank Holidays and a few days when it is closed in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30 pm.

Rome's Teatro dell'Opera, rebuilt in the 1920s by the
architect Marcello Piacentini, seats 1600 spectators

Travel tip:

The Teatro dell’Opera in Rome, where conductor Riccardo Muti invited the audience to join in the chorus Va, pensiero in 2011, is a 1600-seat opera house in Piazza Beniamino Gigli. It was originally opened in 1880 as the Costanzi Theatre and has undergone several changes of name and many improvements over the years.

Rome hotels by Booking.com

Also on this day:

1454: The birth of explorer Amerigo Vespucci

1809: The birth of statesman and winemaker Bettino Ricasoli

1908: The founding of the Milan football club Internazionale

1948: The birth of politician Emma Bonino


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Premiere of Verdi’s first opera

Oberto, Conte di San Bonifacio performed at La Scala

The title page of the libretto for the
opera's debut staging in Milan

Giuseppe Verdi’s first opera to be performed made its debut at Teatro alla Scala in Milan on this day in 1839.

Oberto, Conte di San Bonifacio, which Verdi had written over a period of four years, is an opera in two acts. It is thought to have been based on an existing libretto by Antonio Piazza, reworked as a new libretto by Temistocle Solera, an Italian novelist.

Piazza’s libretto had been given to Verdi by Pietro Massini, director of the Società Filarmonica, a choral group to whom he had been introduced by Vincenzo Lavigna, the maestro concertatore at La Scala, of whom Verdi was a private pupil.

It was given the title of Rocester and Verdi was keen to see it produced in Parma, at the opera theatre nearest to his home town of Busseto, where he held the post of maestro di musica of the municipal orchestra

However, Parma said they had no interest in staging new works and instead an approach was made to Milan. Whether Rocester actually became the basis for Oberto is subject to some disagreement among academics.

Verdi is said to have been invited to meet the La Scala impresario, Bartolomeo Merelli, who had been given good reports of Oberto’s musical quality and offered to put it on during the 1839 season. It was received well enough on its premiere to be given another 13 additional performances.  Merelli was impressed enough to commission Verdi to write three more operas.

Ignazio Marini was the first
to perform the role of Oberto

The first of those, Un giorno di regno, a comedy, was a flop, being pulled after only one night. While he was writing it, Verdi’s wife, Margherita, had died of encephalitis, aged only 26, leaving him heartbroken. At one point, it is claimed he vowed never to compose another work, but was persuaded to continue.  In the event, his third opera, originally titled Nabucodonosor and later renamed as Nabucco, was a triumph, setting him on the road to musical immortality.

The action in Oberto, Conte di San Bonifacio, is set in Bassano del Grappa, in the Veneto region of northern Italy, at and around Ezzelino da Romano's castle.

Following a battle fought between Oberto, Count of San Boniface, and the Salinguerra, led by Ezzelino da Romano, the vanquished Oberto retreats to Mantua.

Meanwhile, his daughter Leonora has been seduced and abandoned by Riccardo, Count of Salinguerra, and Riccardo is about to marry Cuniza, Ezzelino's sister. Leonora makes her way to Bassano on Riccardo's wedding day, intent on confronting him.

The opening night cast, under the direction of conductor Eugenio Cavallini, featured the bass Ignazio Marini in the role of Oberto, with soprano Antonietta Marini-Rainieri as Leonora, the English mezzo-soprano Mary Shaw as Cuniza, mezzo-soprano Marietta Sacchi as Cuniza’s confidante, Imelda, and tenor Lorenzo Salvi in the role of Riccardo.

The opera is only occasionally performed today, although in celebration of the Verdi bicentennial, it was staged by La Scala in April/May 2013.

Bassano del Grappa is famous for Andrea Palladio's timber
bridge over the Brenta river, built between 1124 and 1209

Travel tip:

Bassano del Grappa, where Oberto is set, is an historic town at the foot of Monte Grappa in the Vicenza province of the Veneto, famous for inventing grappa, a spirit made from the grape skins and stalks left over from wine production, which is popular with Italians as an after dinner drink to aid digestion. A famous sight is the Ponte degli Alpini, a bridge designed by Andrea Palladio. The painter Jacopo Bassano was born in Bassano del Grappa and took his name from the town.

The church of San Michele Arcangelo in Busseto, where
Giuseppe Verdi played the organ as a young man

Travel tip:

Busseto is a town in the province of Parma, about 40km (25 miles) from the city of Parma. Verdi was born in the nearby village of Le Roncole but moved to Busseto in 1824. The area has plenty to offer Verdi fans, who can visit the house where he was born, in 1813, in Le Roncole, the churches of Santa Maria degli Angeli and San Michele Arcangelo, where he played the organ, the Palazzo Orlandi and the Villa Verdi, two of his homes, the Teatro Giuseppe Verdi, which was named in his honour, and the Casa Barezzi, the home of his patron, Antonio Barezzi, which now houses a permanent exhibition of objects and documents related to Verdi and the Barezzi family.

Also on this day:

1494: The death of philosopher Giovanni Pico della Mirandola

1503: The birth of the Mannerist painter Bronzino

1878: Umberto I survives assassination attempt

1938: The birth of disgraced businessman Calisto Tanzi


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