Carla Fracci – ballerina

Brilliant Romantic dancer brought ballet to the people

Fracci performed at most of the
world's top ballet theatres 

Destined to become one of the greatest ballerinas of the 20th century, Carolina ‘Carla’ Fracci was born on this day in 1936 in Milan.

Carla became a leading dancer of the La Scala Theatre Ballet in her home town and then worked with the Royal Ballet in London, Stuttgart Ballet, Royal Swedish Ballet and American Ballet Theatre, becoming known for her interpretations of leading characters in Romantic ballets such as Giselle, Swan Lake and Romeo and Juliet.

As a small child during World War Two, she had been sent to live with relatives in the countryside, but after the war ended, she returned to Milan and her mother took her and her sister to sit the La Scala Theatre ballet school entrance exam.

She has said of her early days at the school that she found it boring and a terrible chore, but after performing alongside Margot Fonteyn in The Sleeping Beauty when she was 12, Carla changed her mind about ballet training and started working hard to make up for lost time.

After joining La Scala Theatre Ballet on graduating, Carla was promoted to a soloist within a year. In 1958 she was asked to fill in for the French ballerina, Violette Verdy, in Cinderella, which led to her being promoted to the role of principal dancer with the company.

A picture of Fracci early in her
career at La Scala Theatre Ballet

Carla left La Scala Theatre Ballet to pursue a career a freelance ballet dancer and  she performed with star partners such as Mikhail Baryshnikov and Rudolf Nureyev.

In 1964, Carla married theatre director Beppe Menegatti and they later had a son, Francesco.

In the late 1980s, Carla began directing ballet companies in Italy. She also helped bring ballet to the people with an open-air performance in Paestum and ballet displays in public squares and schools.

Carla played a vital role in securing a stronger appreciation of ballet in Italy than it had had in the first of the century. The Italian Government acknowledged her achievements with honours in 1983, 2000 and 2003.

After Carla retired from ballet, the family made their home in Florence. Carla died on 27 May this year (2021) in Milan from cancer. She was 84 years of age.

The classically designed Teatro alla Scala in
Milan, better known simply as La Scala

Travel tip:

Milan’s famous Teatro alla Scala, the ballet and opera house of world renown, was founded after a fire in 1776 destroyed the Teatro Regio Ducale, which until then had been the home of opera in Milan. The cost of the new theatre, built on the former location of the church of Santa Maria alla Scala to a design by the great neoclassical architect Giuseppe Piermarini, was borne by the owners of the boxes at the Ducale, in exchange for possession of the land and for renewed ownership of their boxes. The theatre, inaugurated on August 3, 1778 with a production of Antonio Salieri's opera L'Europa riconosciuta, was originally known as the Nuovo Regio Ducale Teatro alla Scala, which was in time shortened to Teatro alla Scala and ultimately to La Scala, by which it is usually known today.  

The second Temple of Hera at Paestum,
built around 2,500 years ago

Travel tip:

Paestum, where Fracci gave an open-air performance, is situated on the coast of Campania about 40km (25 miles) south of Salerno and 10km (six miles) north of Agropoli. It is best known for the extraordinary archaeological site a mile inland that contains three of the best preserved Greek temples in the world, which were once part of the town of Poseidonia - built by Greek colonists from Sybaris, an earlier Greek city in southern Italy, in around 600BC.  The relics cover a large area and takes as much as two hours to explore, but there are several bars close by and a hotel and restaurant just outside the site.

Also on this day:

1561: The birth of court musician Jacopo Peri

1799: The death by hanging of republican noblewoman Eleonora Fonseca Pimentel 

1937: The birth of Stelvio Cipriani, award-winning composer of film scores

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Filippo Taglioni - dancer and choreographer

Father of star ballerina was pioneer of Romantic ballet

Filippo Taglioni's portrait, the original of
which is at Teatro alla Scala in Milan

The dancer and choreographer Filippo Taglioni, who choreographed the original version of the ballet classic La Sylphide for his ballerina daughter Marie Taglioni, was born on this day in 1777 in Milan.

La Sylphide was one of the earliest works to represent a new ballet genre, which became known as Romantic ballet, that gained popularity in the 19th century as an alternative to traditional classical ballet.  Romantic ballet was different in that the characters were recognisable as real people rather than the gods and goddesses and strange creatures from Roman and Greek mythology that populated classical ballet.

The work, which premiered at the Salle Le Peletier of the Paris Opéra in 1832, cemented Marie Taglioni’s status as a star, the prima ballerina of the Romantic movement, although the version performed today - the only version to have survived - was choreographed by the Danish ballet master August Bournonville in 1836.

Filippo was part of an Italian dancing dynasty of the 18th and 19th centuries. His father and mother, Carlo Taglioni and Maria Petracchi, were both dancers. Carlo, who was born in Turin, worked in Venice, Rome, Siena and Udine.

Taglioni's daughter, Marie, pictured in a
performance of La Sylphide

As well as Marie, Filippo had a son, Paul Taglioni, who was a successful choreographer and the father of another dancer, Marie Taglioni the younger. Filippo’s brother, Salvatore Taglioni, was father of Luisa Taglioni, who was a ballerina of the Paris Opéra, and Fernando Taglioni, who became a respected composer.

Trained for the most part by the Neapolitan dancer Carlo Blasis and Jean-François Coulon, Filippo made his debut at 17 in Pisa, playing female roles, and after appearing in other Italian cities joined the Paris Opéra at the age of 22, before moving to Stockholm to be principal dancer and ballet master for the Royal Swedish Ballet.

It was while he was living in Stockholm that he married the dancer Sophie Karsten, daughter of a famous Swedish opera singer Christoffer Christian Karsten and a Polish actress, Sophie Stebnowska.

Their two children were born early in the marriage and after living for a number of years in Vienna and Germany they moved to Paris to escape the the Napoleonic wars.  Filippo danced and choreographed in different parts of Europe before accepting a permanent position in Vienna.

Filippo Taglioni made his daughter, Marie,
practise six hours a day for six months

Filippo had left his daughter, Marie, to study ballet in Paris but in time summoned her to join him in Vienna, where he began training her himself, making her practice six hours a day for six months until she mastered her jumps and pointe work. When he judged her to be ready he took her back to Paris.

Marie soon became popular and Filippo was able to negotiate a six-year contract for the two of them. He unveiled La Sylphide to huge acclaim and its success established Marie as the pre-eminent prima ballerina of the Romantic period, as well as making him its most renowned choreographer.

The two toured Europe and Russia and were well rewarded, although Filippo lost a good deal of his daughter’s fortune in through unwise and speculative investments.

His legacy, though, was to have changed the nature of ballet. Although the Romantic movement began to decline at the start of the 20th century, it produced works of lasting popularity such as Delibes’s Coppélia (1870) and Tchaikovsky's Swan Lake (1876) and The Nutcracker (1892).

Filippo Taglioni died in Como in 1871, at the age of 93.

The Teatro Verdi in Pisa was opened in November 1867

Travel tip:

The principal venue for ballet and opera in Pisa is the Teatro Verdi in Via Palestro, built in the mid-19th century in the style of classic theatre architecture to designs by the Venetian architect Andrea Scala, who won a competition organised by the architect and politician Ranieri Simonelli, a prominent Pisan citizen of the day. Completed in 1867, it was inaugurated on November 12 of that year with a performance of Gioachino Rossini’s opera William Tell. It began to stage ballet as well as opera in the latter part of the 19th century.  Taglioni is likely to have performed at the Regia Teatro Nuovo, which the Teatro Verdi replaced.

The beautiful Villa Olmo on Lake Como

Travel tip:

Como, where Taglioni died, is a city at the southern end of Lake Como. It has become a popular tourist destination because it is close to the lake and has many attractive churches, gardens, museums, theatres, parks and palaces to visit. The Villa Olmo, built in neoclassical style there in 1797 by an aristocratic family, has hosted Napoleon, Ugo Foscolo, Prince Metternich, Archduke Franz Ferdinand I and Giuseppe Garibaldi, to name but a few of the eminent people who have stayed there.

More reading:

Fanny Cerrito - the Neapolitan ballerina who wowed Europe

Pierina Legnani - the Italian who conquered St Petersburg

How Strictly Come Dancing judge Bruno Tonioli dealt with playground bullies

Also on this day:

1702: The birth of Venetian painter Pietro Longhi

1754: The birth of explorer Alessandro Malaspina

1898: The birth of Francesco Chiarello, soldier who survived two World Wars


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Alessandra Ferri – ballerina

Dancing star who believes age is a matter of attitude

Alessandra Ferri made a comeback in ballet
six years after her 'retirement'

Prima ballerina assoluta Alessandra Ferri, who retired in 2007 but then made a triumphant return to ballet in 2013, celebrates her 55th birthday today.

She is scheduled to dance at the Metropolitan Opera House in New York later this month, at the Bolshoi Theatre in Moscow at the beginning of June, at Hamburg Staatsoper at the end of June, at the Ravello Festival in Italy in July and in Tokyo in August.

In a recent newspaper interview, Ferri said she was happy to be breaking barriers as an older woman in a youth-dominated world. She said she still has full confidence in her abilities and believes ageing is largely an attitude and her advice to other women of her age is ‘to keep moving’.

Ferri was born on May 6, 1963 in Milan and began studying ballet at La Scala Theatre Ballet School. She moved to the upper school of the Royal Ballet School in London, where she won a scholarship that enabled her to continue studying there.

She joined the Royal Ballet in 1980 and won the Laurence Olivier Award for her first major role in 1982. She was promoted to the rank of principal dancer in 1983.

Ferri became principal dancer with the American Ballet Theatre under the direction of Mikhail Baryshnikow in 1985.

Ferri in a production of Remeo and Juliet in 2016

She began a close association with La Scala Theatre Ballet in 1992, becoming recognised as prima ballerina assoluta of the company, but she remained a guest star of the American Ballet Theatre. 'Prima ballerina assoluta' is a title awarded to the most notable of female ballet dancers of their generation and is a rare honour.

Ferri has appeared at the top venues for ballet all over the world and has performed with the leading male dancers, including Rudolf Nureyev in Los Angeles on the occasion of his 50th birthday in 1988.

She married the photographer, Fabrizio Ferri, with whom she had two daughters.

Since her return from retirement, Ferri has danced roles in Italy and at the Royal Ballet and Royal Opera House in London. After her birthday celebrations today she has a packed schedule of appearances for the rest of the year.

The entrance to Villa Rufolo is off
the main scare in Ravello

Travel tip:

Alessandra Ferri will dance on July 7 at the Belvedere di Villa Rufolo in Ravello for the town’s 2018 music and arts festival. The Villa Rufolo, dating from the 13th century, overlooks the cathedral square of Ravello, a town perched high above the dramatic Amalfi Coast.

Travel tip:

La Scala Theatre Ballet School, where Alessandra Ferri studied, was founded in 1813 in association with the international ballet company based at Teatro alla Scala in Milan. The theatre is in Piazza della Scala in the centre of the city across the road from the Galleria Vittorio Emanuele II, an elegant arcade lined with cafes, shops and restaurants, built to link Piazza della Scala with Piazza del Duomo, Milan’s cathedral square.

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Bruno Tonioli - dance show judge

Dancer and choreographer is star of Strictly Come Dancing

Strictly Come Dancing judge Bruno Tonioli

Dancer, choreographer and television dance show judge Bruno Tonioli was born on this day in 1955 in Ferrara in north-east Italy.

Tonioli is one of the judging panel of Strictly Come Dancing on British TV and on its US equivalent Dancing With the Stars, which requires him to divide his time between London and New York when seasons overlap.

He began his showbusiness career in the 1980s as a member of the Paris-based dance company La Grande Eugène before moving into the music industry as a choreographer.

Among the artists he has worked with are Tina Turner, Sting, Elton John, the Rolling Stones, Freddie Mercury, Sinitta, Boy George, Dead or Alive, and Duran Duran.

Tonioli has also worked on numerous films and television shows including Little Voice, The Gathering Storm, Dancin' thru the Dark and Enigma.

He also has a number of acting credits, including the role of Peppino, manservant to Michael Gambon's Oscar Wilde in the BBC production Oscar.  Tonioli appeared as himself in the movie version of the BBC comedy Absolutely Fabulous.

Renowned for his flamboyantly wild gestures and amusingly extravagant comments, Tonioli has been a member of the Strictly Come Dancing team since the show's launch in 2004 and is now into his 14th series alongside fellow ever-presents Len Goodman and Craig Revel-Horwood.  He was hired to judge on Dancing With the Stars when that show launched in 2005.

Bruno Tonioli is renowned for his wild gestures

The son of a bus driver, Werther Tonioli, and a seamstress mother, Fulvia, Tonioli was 12 before the family could afford their own apartment in Ferrara. Until then they had lived with his father's parents.

He knew from an early age that he was gay, although he said in a newspaper interview in 2005 that the subject of his sexuality was never discussed at home.  He believes his parents, who were strict Catholics, would not have wanted to contemplate the possibility at the time, although not out of shame but for fear of how others might judge him.

He said he was bullied and threatened at school but fought back by growing his hair long, smoking expensive cigarettes, wearing the latest in cool clothes and becoming friends with the best-looking girls among his peer group, after which he became popular and acceptable.

Tonioli's love of the theatre began when he the film version of the musical Cabaret, starring Liza Minnelli, came to Ferrara in 1972.  He saw it eight times and realised he wanted dance to be his career. Others boys of his age wanted to play football but he was much more interested in theatre and the arts.

His parents were keen for him to find a steady job, perhaps in a bank.  Instead, he left for Rome to enrol at ballet school, leaving Italy for Paris at the age of 18.  Both his parents are now dead but he says he was reconciled with them long before they passed away.

From Paris he moved to London, joining another dance company and finding work in television and the West End as a choreographer.  The English capital has been his home almost ever since.

The Palazzo dei Diamanti in Ferrara

Travel tip:

Apart from the impressively well preserved Castello Estense right at the heart of the city, Ferrara - situated midway between Bologna and Venice in Emilia-Romagna - has many notable architectural gems, including many palaces from the 14th and 15th centuries.  Among them is the striking Palazzo dei Diamanti, so-called because the stone blocks of its facade are cut into the shape of diamonds. The palace holds the National Picture Gallery, which houses many works from the  masters of the 16th-century School of Ferrara, including Lorenzo Costa, Dosso Dossi, Girolamo da Carpi and Benvenuto Tisi.

Travel tip:

Rome's prestigious ballet school of the Teatro dell'Opera di Roma was established in 1928 and is one of the oldest and most respected vocational schools in Italy. It can be found in Via Ozieri in a charming cottage set in a secluded and quiet street in the San Giovanni neighbourhood to the south-east of the city, near the ruins of the Felice Aqueduct. Director Luchino Visconti in 1951 chose it as the location for shooting some scenes of his film Beautiful, starring the Roman actress Anna Magnani.


Books: Bruno: My Story, by Bruno Tonioli (Headline)

More reading:

Antonio Carluccio - chef and restaurateur who settled in London

How Luca Zingaretti found fame as TV detective Montalbano

Pierina Legnani - Italian dancer who conquered St Petersburg

Also on this day:

1881: The Birth of Angelo Roncalli, the Bergamo farmer's son who became Pope John XXIII

(Picture credits: Bruno Tonioli pictures from YouTube; Palazzo dei Diamante by Sansa55 via Wikimedia Commons)

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Pierina Legnani - ballerina

Italian dancer who conquered St Petersburg

Pierina Legnani photographed in St
 Petersburg in around 1895

The ballerina Pierina Legnani, considered by many ballet historians to be one of the greatest dancers in history, was born on this day in 1863 in Milan.

Legnani's legacy was the 32-turn fouetté en tournant in which the dancer essentially spins on the point of one foot for 32 revolutions while maintaining perfect balance.

No ballerina had completed 32 turns before Legnani, who is said to have tried it out at the Alhambra Theatre in London before introducing the move to the wider world in 1893 on her debut at the Imperial Ballet in St Petersburg in Russia, where she was performing in the title role of Cinderella.

It came in the final act on the night of the premiere and her perfection of technique and execution caused a sensation, with many critics hailing her as the supreme ballerina of her generation.

Her feat set a new standard for future ballerinas as a yardstick of strength and technique. A sequence of 32 fouetté turns was later choreographed into the Black Swan solo in Act Three of Swan Lake, of which it continues to be a feature.

Jealous rivals criticised Legnani for what they saw as showing off, taking an audacious gamble that could have backfired horribly, both to her embarrassment and that of the Imperial Ballet. The truth was that many feared that were they challenged to match her they would fall short.

Yet it paid off and Marius Petipa, the French dancer and choreographer who was Premier Maître de Ballet at the Mariinsky Theatre, was so impressed with Legnani's technical brilliance, not to mention her bravery, the he gave her the title of prima ballerina assoluta, the first ballerina to be bestowed with such recognition.

Legnani in the Cinderella role that
would make her famous

The title was created by Petipa to signify that in his opinion Legnani, who had been prima ballerina at Teatro alla Scala in Milan, was the best of the best.  The suffix assoluta has been given to only 11 other female dancers since.

It was the making of Legnani's career.  She proved to be Petipa's greatest muse and almost every new ballet he mounted throughout his remaining years with the Imperial Ballet featured Legnani in the principal rôle.

Legnani began dancing at the age of seven and after passing auditions was accepted as a pupil at La Scala under the instruction of Caterina Beretta.  When she was old enough and proficient enough to perform on stage as part of the corps de ballet she was paid just one lira per night.

This rose to 40, 60 and then 80 lira per month.  Her professional career took off when she was named prima ballerina in a production of Salandra, by Giovanni Casati, at the Alhambra in London.

Having understudied for Maria Giuri, Legnani became prima ballerina at La Scala in 1892, the same year in which she was invited to St Petersburg.  She would enjoy eight highly successful years working with Petipa, deciding to leave only because she tired of the rivalries that developed between dancers.

A picture of ballet being performed at La Scala in about 1893

She spent the remainder of her career performing largely in Europe, principally in London, Paris and Milan, before retiring to her villa on the shores of Lake Como, maintaining a connection with ballet as a member of the examining board at La Scala.  She died in 1930, aged 67, and is buried at the cemetery in the village of Pognana Lario.

Travel tip:

The La Scala Theatre Ballet  - Corpo di ballo del Teatro alla Scala - is the resident classical ballet company at La Scala in Milan.  One of the oldest and most renowned ballet companies in the world, it predates the theatre, but was officially founded at the inauguration of La Scala in 1778.  Its history can be traced back to Renaissance courts of Italy, notably in the Sforza family’s palace in Milan.

The Villa Carlotta with its wonderful views towards
the Bellagio peninsula

Travel tip: 

Lake Como is one of the deepest lakes in Europe, with an average depth of 154m (500ft) but plunging to 425m (1,400ft) at its deepest point, more than 200m (650ft) below sea level.  Surrounded by mountains, some of which are topped with snow almost all year round, the lake offers outstanding views in all directions.  It has been a haunt of the wealthy since Roman times, when villas began to be built on the shores.

Celebrities who have or have had homes on Lake Como include Madonna, George Clooney, Gianni Versace, Ronaldinho, Sylvester Stallone and Richard Branson.

More reading:

Fanny Cerrito - Neapolitan favourite who was darling of ballet's Romantic era

La Scala is born - first night at the world's most famous opera house

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Fanny Cerrito - ballerina

Neapolitan star thrilled audiences across Europe

Francesca 'Fanny' Cerrito

One of the most famous ballerinas of the Romantic era, Francesca 'Fanny' Cerrito was born on this day in 1817, in Naples.

Her talent for dancing emerged early and after training in the ballet school of the famed Naples opera house Teatro di San Carlo she made her debut there in 1832, aged only 15.

She quickly became the darling of the San Carlo and wowed dance audiences in many Italian cities. By the age of 21 she had obtained the position of prima ballerina at La Scala in Milan, working under the direction of Carlo Blasis, another Neapolitan, who was renowned for his rigorous and exacting classes.

When Cerrito and the Swedish-born ballerina, Marie Taglioni, who had Italian heritage, danced in the same programme in Milan, the event caused considerable excitement in the city, with audiences divided in their support for one or the other.

Cerrito's fame spread around Europe and for nine seasons between 1840 and 1848 she became a major attraction at Her Majesty’s Theatre, London, where she worked with the French choreographer Jules Perrot and enjoyed what many critics regarded as her finest performance in Cesare Pugni's Ondine.

Such was her fame that Alexis Soyer, a Frenchman who at the time was London's most celebrated chef, created a dessert in her honour, topped with a miniature figure of the dancer herself, balancing on a spiral of spun sugar.

It was during this time that her talent as a choreographer became recognised after she presented her own ballet, Rosida, in 1845.

London was a magnet for ballet stars and Cerrito and the Austrian dancer, Fanny Elssler, were asked to perform a pas de deux at the personal request of Queen Victoria.

Teatro di San Carlo in Naples, where Cerrito
made her debut in 1832, aged just 15

A voluptuous, physically expressive dancer, she attracted considerable interest on and off the stage and much male attention. It was something that concerned her parents so much that they travelled with her to London essentially to chaperone her.

It was against her parents' wishes that she married Arthur Saint Leon, a Parisian dancer and choreographer four years her junior, with whom she had studied in Vienna.

They toured Europe together for six years but it was a volatile marriage that did not last. In 1851 they separated. In 1853, as a result of an affair with a Spanish nobleman, the Marquis of Bedmar, Cerrito had a daughter, Mathilde.

Cerrito's career took her next to Paris, where among other productions she performed the lead role in her own ballet, Gemma. In 1855 she returned to London to appear at Covent Garden and the Lyceum Theatre.

In 1856 she was invited to take part in celebrations in Moscow for the coronation of Alexander II. While performing there she was injured when struck by a piece of falling scenery and it is thought that this influenced her decision to retire the following year, although by this time she was regarded as past her peak and a new generation of Russian dancers were increasingly in vogue.

Her farewell performance was in London in 1857, at the Lyceum.

She sought peace and quiet in which to raise her daughter and lived a life in Paris that was ultimately so inconspicuous that when she died there in 1909 at the age of 92 it was in relative obscurity.  She is buried in Montmartre Cemetery.

Travel tip:

The Teatro di San Carlo in Naples opened in November 1737, 41 years before La Scala in Milan.   Built in Via San Carlo, close to Piazza Plebiscito, the main square in Naples, Teatro di San Carlo quickly became one of the most important opera houses in Europe. It is believed to be the oldest opera house in the world in which productions are still staged.

Teatro alla Scala in Milan, where Cerrito became
prima ballerina in 1838, working with Carlo Blasis

Travel tip:

Commonly known simply as La Scala, Milan's Teatro alla Scala opera house is situated in the heart of the city, just a short walk from the magnificent Milan duomo (cathedral) by way of the Galleria Vittorio Emanuele II.  The opera house includes a fascinating museum that displays costumes and memorabilia from the history of opera. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30pm.

More reading:

The official opening of Teatro di San Carlo in Naples



(Photo of Teatro di San Carlo by Armando Mancini CC BY-SA 2.0)

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