The night Maria Callas made an audience weep

La Scala witnesses a stunning performance

Maria Callas's interpretation of Violetta was
seen as the finest performance of her stage career

Maria Callas gave a stunning performance that has gone down in history as her greatest ever portrayal of Violetta in La traviata on this day in 1955 at Teatro alla Scala opera house in Milan.

After the opening night of the production on May 28, it was reported in the press that Callas had driven the audience into a frenzy with her wonderful singing and powerful acting as she played the part of Giuseppe Verdi’s doomed heroine, who was a beautiful courtesan.

The character of Violetta is considered by opera experts to be one of the three finest roles ever portrayed by Callas and it is ranked alongside her performances in Vincenzo Bellini’s Norma and Gaetano Donizetti’s Lucia di Lammermoor.  

The staging by director Luchino Visconti for the 1955 production of La traviata provided the perfect setting for Callas with its ornate décor and costumes.

The conductor, Carlo Maria Giulini, later confessed that he had wept in the orchestra pit as she had sung.

At the end members of the audience cried out Callas’s name, sobbed uncontrollably and showered the stage with red roses, which the tearful singer picked up as she took a solo bow.

Callas shone in Visconti's lavish
Belle Époque stage settings

This gesture proved too much for tenor Giuseppe Di Stefano, who felt she was monopolising the attention of the audience. He stormed off the stage at the end of the performance and left the show for good that night.

Callas had moved the audience to tears in the scene where Violetta agrees to renounce Alfredo, the man she loves, to avoid spoiling the wedding prospects of his sister.

Sadly, Callas had only a few years of her career left ahead of her. After she left her husband for shipping magnate Aristotle Onassis in 1959, she hardly ever performed on stage again. Onassis subsequently left her to marry Jackie Kennedy and Callas died in 1977, aged just 53. 

Thankfully, her performance on that memorable night was recorded and the complete May 28 production can still be listened to on CD, MP3 and streaming platforms.

Verdi’s opera La traviata had premiered at La Fenice opera house in Venice about 100 years earlier. It was based on the 1852 novel by Alexander Dumas, La dame aux camelias.

La traviata means ‘fallen woman’ and refers to the main character, Violetta, who is a courtesan. The opera featured some of the most challenging and revered music in the entire soprano repertoire.

Milan's Teatro alla Scala, opened in 1778, is the
most famous opera house in the world

Travel tip:

Teatro alla Scala in Milan is Italy’s most famous opera house and Maria Callas made her debut there in 1950 as Aida.  The theatre, known to Italians simply as La Scala, is the leading opera house in the world. It opened in 1778 after fire had destroyed the Teatro Regio Ducale, which had previously been the home of opera in Milan. A new theatre for the city was built on the site of the former Church of Santa Maria alla Scala, which is how the theatre got its name. It was designed by neoclassical architect Giuseppe Piermarini. The world’s finest singers have appeared at La Scala during the last 240 years and the theatre has hosted the premieres of operas by Rossini, Donizetti, Verdi, and Puccini. La Scala’s original 18th century structure was renovated in 1907 and, after bomb damage during World War II, it was rebuilt and reopened in 1946.

The mediaeval Rocca Scaligera castle is the
dominant feature of the Sirmione skyline

Travel tip:

Maria Callas spent some happy years living in Sirmione, a resort on Lake Garda in Italy, after she married her first husband, Giovanni Battista Meneghini, an Italian businessman.  Villa Callas, which is still privately owned today, looks the same as it did when it was first purchased by Meneghini in the 1950s as a holiday home for the couple. There is a plaque outside the villa recording the dates when Maria Callas lived there. Sirmione, the historic centre of which is on a peninsula that divides the southern part of Lake Garda, is known for its thermal baths and Rocca Scaligera, a mediaeval castle overlooking the lake. Visitors can look round a museum dedicated to the life and performances of Maria Callas. At the the tip of the peninsula is the archaeological site of Grotte di Catullo, which encompasses a Roman villa, a museum and olive trees. 

Also on this day:

1369: The bith of condottiero Muzio Attendolo Sforza

1606: Caravaggio attacks and kills a man in Rome

1692: The birth of opera composer Geminiano Giacomelli

1839: The birth of author and journalist Luigi Capuana

1987: The birth of cricketer Leandro Jayarajah

1999: Da Vinci’s Last Supper goes back on display in Milan after 20 years of restoration

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Giuseppe Di Stefano – tenor

Singer from Sicily who made sweet music with Callas

Giuseppe Di Stefano was one of
Italy's greatest tenors

The opera singer Giuseppe Di Stefano, whose beautiful voice led people to refer to him as ‘the true successor to Beniamino Gigli’, was born on this day in 1921 in Motta Sant’Anastasia, a town near Catania in Sicily.

Di Stefano also became known for his many performances and recordings with the soprano, Maria Callas, with whom he had a brief romance.

The only son of a carabinieri officer, who later became a cobbler, and his dressmaker wife, Di Stefano was educated at a Jesuit seminary and for a short while contemplated becoming a priest.

But after serving in the Italian army he took singing lessons from the Swiss tenor, Hugues Cuenod. Di Stefano made his operatic debut in Reggio Emilia in 1946 when he was in his mid-20s, singing the role of Des Grieux in Massenet’s Manon. The following year he made his debut at La Scala in Milan in the same role.

Di Stefano made his debut at the Metropolitan Opera in New York in 1948 as the Duke of Mantua in Verdi’s Rigoletto. After his performance in Manon a month later, a journalist wrote in Musical America that Di Stefano had ‘the rich velvety sound we have seldom heard since the days of Gigli.’

Maria Callas and Giuseppe Di Stefano on stage in Tokyo,
at around the time they had a brief affair

He made his Royal Opera House debut in 1961 as Cavaradossi in Tosca.

He was admired for his excellent diction, passionate delivery and the sweetness of his soft singing.

In his Metropolitan Opera radio broadcast of Faust he attacked the high C forte and then softened the sound to a pianissimo. Sir Rudolf Bing, the Met's general manager wrote in his memoirs: ‘I shall never as long as I live forget the beauty of that sound.’

Di Stefano was chosen by EMI to record all the popular Italian operas with Maria Callas. Their 1953 studio recording of Tosca is considered one of the greatest performances in the history of the gramophone.

The two also performed well together on stage from 1951 onwards. He sang with Callas in the famous Visconti production of La Traviata in 1955 at La Scala and the last time they sang together in an opera was in Un ballo in maschera at La Scala in 1957.

In 1973 Di Stefano accompanied Callas on her final recital tour. Critics said they were both losing their voices but they were enthusiastically received everywhere. It was during this tour that the two had a brief romance.

Di Stefano also made recordings with a wealth of other opera stars.

Di Stefano's albums sold millions of copies

His final operatic role was as the aged emperor in Turandot in July 1992.

In 2004 Di Stefano suffered a brutal beating by unknown assailants near his home in Diani Beach in Kenya after he was ambushed in his car with his wife, Monika Curth.

The singer was still unconscious a week after the attack and had several operations.

He was flown to Milan and admitted to the San Raffaele clinic where he slipped into a coma.

Eventually he came out of his coma but his health never fully improved and he died at his home in Santa Maria Hoè, between Bergamo and Como, in 2008 at the age of 86.

Luciano Pavarotti said he modelled himself on Di Stefano, who was his idol. He said Di Stefano had ‘the most incredible, open voice you could hear.’ Di Stefano is also said to be the tenor who most inspired José Carreras.

Travel tip:

Motta Sant'Anastasia, with a snow-covered Mount
Etna in the background

Motta Sant’Anastasia, where Di Stefano was born, is a municipality nine kilometres (5.5 miles) west of Catania, built on a rocky outcrop not far from Mount Etna. It was inhabited by Greeks in the fifth century BC. Roman coins and a Roman mosaic have also been discovered there. The Tower of Motta was built in the 11th century as a defensive structure to protect the area from Saracen invasions.

Travel tip:

Di Stefano performed regularly on the stage of Teatro alla Scala in Milan from 1949 onwards. The theatre was officially inaugurated in 1778 after being built on the site of the former Church of Santa Maria alla Scala to the design of Giuseppe Piermarini. It is across the road from the Galleria Vittorio Emanuele II, an elegant arcade lined with shops, cafes and restaurants which links Piazza alla Scala with Piazza del Duomo, Milan’s cathedral square. La Scala’s museum displays costumes and memorabilia from the history of opera. The entrance is in Largo Ghiringhelli, just off Piazza alla Scala and it is open every day except Bank Holidays.

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Tito Gobbi – baritone

Singer found fame on both stage and screen

Tito Gobbi, pictured in 1955

Opera singer Tito Gobbi was born on this day in 1913 in Bassano del Grappa in the Veneto region.

He had a career that lasted 44 years and sang more than 100 different operatic roles on stages all over the world.

Gobbi also sang in 25 films and towards the end of his career directed opera productions throughout Europe and America.

His singing talent was discovered by a family friend while he was studying law at the University of Padua, who suggested that he studied singing instead. As a result, Gobbi moved to Rome in 1932 to study under the tenor, Giulio Crimi.

At his first audition he was accompanied at the piano by Tilde De Rensis, the daughter of musicologist Raphael De Rensis. She was later to become Gobbi’s wife.

Gobbi made his debut in 1935 in Gubbio, singing the role of Count Rodolfo in Vincenzo Bellini’s La sonnambula, and then went to work for a season at La Scala in Milan as an understudy, which gained him valuable experience.

He made his first appearance on stage there as the Herald in Ildebrando Pizzetti’s Orseolo.

Listen to Tito Gobbi singing Di provenza il mar il suol from Verdi's La Traviata

In 1942 he sang the role of Belcore in Donizetti’s L’elisir d’amore at La Scala, conducted by Tullio Serafin.

Gobbi was guided by Serafin in preparing roles, which was to be invaluable later in his career when he was cast as Scarpia, Rigoletto and Simon Boccanegra.

The movie poster for the Italian version
of the British film The Glass Mountain

He began working in films as early as 1938 when he appeared in Cilea’s L’arlesiana with Licia Albanese.

After the Second World War, Gobbi’s international career took off and he sang at the Royal Opera House in Covent Garden, the Lyric Opera in Chicago and the San Francisco Opera house.

He made his debut at The Metropolitan Opera in New York as Scarpia in Tosca.

His screen appearances continued and he starred with Anna Magnani in a contemporary drama released in 1946, Avanti a lui tremava tutta Roma (Before Him All Rome Trembled), a story which sees a group of opera singers appearing in a production of Tosca in Rome in 1944 simultaneously taking part in Italian resistance actions against the Germans.

Gobbi's performance in 1949 in the British film, The Glass Mountain, which was set in wartime Italy, made him known to a much wider audience. The theme music, Legend of the Glass Mountain, which became a contemporary hit, was by the Italian composer Nino Rota.

Tito Gobbi pictured in London in 1973

In the 1960s, Gobbi began directing, staging Verdi’s Simon Boccanegra at both Covent Garden and in Chicago.

He directed Otello in California, Chicago and Thessalonika in Greece and Gianni Schicchi by Puccini in Florence, at the Edinburgh Festival, and in Chicago, Zurich and Monaco.

Gobbi estimated that he had sung the part of Scarpia in Puccini’s Tosca nearly a thousand times.

He sang it in Franco Zeffirelli’s production of the opera at Covent Garden in 1964, when Maria Callas sang the title role and Act Two was broadcast live on British television.

Gobbi and Callas had previously sung Tosca together in a 1953 recording of the Opera in Milan, when Giuseppe di Stefano sang Cavaradossi. That recording, which has been reissued on CD, is considered the finest recording of a complete opera ever made.

In retirement the singer wrote two books, Tito Gobbi: My Life  and Tito Gobbi on his World of Italian Opera. After retiring in 1979, Gobbi died in Rome in 1984 at the age of 70.

Palladio's Ponte degli Alpini in Bassano del Grappa

Travel Tip:

Bassano del Grappa, where Tito Gobbi was born, is an historic town at the foot of Monte Grappa in the Vicenza province of the Veneto, famous for inventing grappa, a spirit made from the grape skins and stalks left over from wine production, which is popular with Italians as an after dinner drink to aid digestion. A famous sight is the Ponte degli Alpini, a bridge designed by Andrea Palladio. The painter Jacopo Bassano was born in Bassano del Grappa and took his name from the town.

Travel tip:

Gubbio, where Tito Gobbi made his opera debut, is a town in the province of Perugia in Umbria, with some fine medieval architecture in the narrow streets in the centre. Gubbio is well-known for its annual foot race, Corsa dei Ceri, held on 15 May. Three teams, devoted to Sant’Ubaldo, San Giorgio and Sant’Antonio, run through the town and up the mountain carrying a statue of their saint mounted on a tall wooden stand. A similar event is held each year in Jessup, Pensylvania, when residents race statues of the three saints through the streets.

More reading:

Luciano Pavarotti - king of the high 'Cs'

How Tullio Serafin helped Maria Callas achieve her potential

Nino Rota - film music composer who wrote The Godfather soundtrack

(Photo of  Tito Gobbi in London by Allan Warren CC-BY SA 3.0)
(Photo of Bassano del Grappa by Zyance CC BY-SA 3.0)


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