Jacopo Bassano – painter

Artist loved brilliant colours and drew his inspiration from real life

The statue of Jacopo Bassano in the
town from which he took his name 

The artist who became known as Jacopo Bassano died on this day in 1592 in Bassano del Grappa in the Veneto in northern Italy.

He was born in about 1510 in Bassano del Grappa.  According to some accounts, he was christened Jacopo dal Ponte, although the inscription on his statue in the town names him Giacomo da Ponte. His father, Francesco il Vecchio, was already a successful painter in Bassano and had established a workshop that produced mostly religious works.

Jacopo became an apprentice in his father’s workshop while still a young boy. He made his way to Venice when he was about 20, where he studied under Bonifazio de Pitati, who was also known as Bonifazio Veronese.

While in Venice, he met famous artists, such as Titian and il Pordenone, and his work from this period shows Titian’s influence and demonstrates his lifelong appreciation of the great artist’s work.  Jacopo Bassano’s earliest paintings also show his love of the brilliant colours used by Titian.

Bassano’s Supper at Emmaus (1538), originally commissioned for a church, uses rich luminous colours that distinguish the figures from their background. Unusually, he places Christ towards the back of the scene, allowing the figures around him to play a more significant part. He dresses them in 16th century clothes rather than in robes in the classical Roman tradition. He includes food on the table and there is a dog and a cat in the picture, showing he has drawn on contemporary life for his inspiration rather than just sticking to the stylistic conventions of his age.

Bassano's The Last Supper shows the influence
of such artists as Durer and Raphael on his work

After his father’s death in 1539, Jacopo Bassano returned to Bassano del Grappa and took over the running of the family workshop. He married a local woman, Elisabetta Merzari, in 1546.

His painting of The Last Supper in 1542 shows the influence on his work of Mannerism and indicates that he had seen the paintings of Durer and Raphael because his figures seem alive, with muscles and sinews, in the style of those two great artists.

After about 1550 he started experimenting with light and he was one of the first painters to paint a ‘nocturne’, a scene taking place at night time, which was to make his paintings even more highly valued.  He also tended to place his subjects in a natural landscape with carefully painted trees and flowers.

A portrait of Bassano painted
by his son, Girolamo

His four sons, Leandro Bassano, Francesco Bassano the Younger, Giovanni Battista da Ponte and Girolamo da Ponte, all worked in his workshop and followed him closely in style and subject matter.

After Jacopo’s death in 1592, his sons produced numerous works in his style, making it difficult for art historians to establish which pictures were created by Jacopo Bassano himself and which were the work of his sons.

His work is considered unique because it incorporated diverse artistic influences. He is believed to have learnt from Durer, Parmigianino, Tintoretto and Raphael, even though he lived permanently in Bassano del Grappa, mainly by seeing their prints, of which he became an avid collector.

The Ponte degli Alpini was designed by the
great architect Andrea Palladio

Travel tip:

Bassano del Grappa, where Jacopo Bassano was born and died, and from which he got his professional name, is an historic town at the foot of Monte Grappa in the Vicenza province of the Veneto, about 35km (22 miles) northeast of the city of Vicenza. The town is famous for inventing grappa, a spirit made from the grape skins and stalks left over from wine production, which is popular with Italians as an after dinner drink to aid digestion. A famous sight in the town is the Ponte degli Alpini, a bridge designed by Andrea Palladio.

The Basilica di Santa Giustina can be found off
Padua's large square, Prato della Valle

Travel tip:

Jacopo Bassano painted altarpieces for churches in Padua, Treviso, and Belluno as well as for churches in his home town and Venice. In the Basilica di Santa Giustina in Padua, his work, Santa Giustina enthroned with the saints Sebastian, Antonio Abate and Rocco, was painted by him in around 1560 with the help of his son, Francesco. It is considered one of his best works and also one of the most original examples of the Venetian Mannerist culture. The Basilica Church of Santa Giustina, which is the ninth largest Christian church in the world, is at the corner of Prato della Valle where it is joined by Via Avazzano and Via Ferrari. The church contains the remains of Santa Giustina, a devout young woman who was martyred in 304, and is also home to the tomb containing the body of St Luke the Evangelist, who was credited with writing the Gospel according to St Luke. Next door to the basilica there is a Benedictine monastery with frescoed cloisters and a famous library that can be visited by arrangement.

Also on this day:

Feste di San Valentino e di Sant’Antonino

La festa degli innamorati (The Feast of the Lovers)

1963: Fellini’s masterpiece Otto e mezzo (8½) is released in Italy

1974: The birth of triple Olympic champion fencer Valentina Vezzali

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Teofilo Folengo – poet

Style of writer’s verses took its name from the dumpling

A portrait of Teofilo Folengo by Girolamo Romanino,
owned by the Uffizi museum in Florence

Teofilo Folengo, who is remembered as one of the principal Italian ‘macaronic’ poets, died on this day in 1544 in the monastery of Santa Croce in Campese, a district of Bassano del Grappa in the Veneto.

Folengo published, under the pseudonym Merlin Cocaio, a macaronic narrative poem entitled Baldo, which was a humorous send up of ancient epic and Renaissance chivalric romance.

Writing in verse that mixed vernacular language with Latin became known as macaronic verse, the word deriving from the Latin macaronicus and the Italian maccarone, which meant dumpling, fare mixed crudely from different ingredients that at the time was regarded as a coarse, peasant food. It is presumed to be the origin of the modern Italian word maccheroni.

Folengo was a runaway Benedictine monk who satirised the monastic life using an invented, comic language that blended Latin with various Italian dialects.

Born Girolamo Folengo in 1491 in Cipada, a village near Mantua, he entered the Benedictine order as a young man taking the name Teofilo. He lived in monasteries in Brescia, Mantua and Padua, where he produced Latin verse written in the Virgilian style.

The cover of a book of macaronic verse
by Folengo under his pseudonym 

But he left the order to travel around the country with a young woman, Girolama Dieda. They often experienced great poverty as Folengo had no money apart from what he earned through writing.

For a few years he lived as a hermit near Sorrento, but he was readmitted to the Benedictine order in 1534 and remained in it, continuing to write, until his death.

Out of all his poetry, Baldo is considered to be his masterpiece and it has been republished five times. Full of satire and humour it describes the adventures of Baldo, who is supposed to be a descendant of the cousin of the medieval epic hero Roland. Baldo suffers imprisonment, battles with authority, pirates, witches and demons, and goes on a journey to the underworld.

The poem blended Latin with various Italian dialects in hexameter verse. The first English version, translated by Ann Mullaney, was published in 2007.

The term macaronic is still used to describe literature where the mixing of languages has a humorous or satirical effect. It is believed to have originated in Padua in the late 15th century, after the comic poem, Macaronea, by Tifi Odasi was published in about 1488, satirising the broken Latin used by doctors and officials to communicate with ordinary people.

Folengo once described his own verses as ‘a gross, rude and rustic mixture of flour, cheese and butter.’

Many modern Italian authors, including Umberto Eco and Dario Fo, have continued to use macaronic text.

The Palazzo Ducale in Mantua was the seat of the Gonzagas

Travel tip:

Cipada near Mantua, where Teofilo Folengo was born, was a village on the banks of a lake, but it no longer exists, having become part of the industrial area of Mantua. A main street, Strada Cipata, is the only reference to it that remains. On the other side of the lake is the historic area of Mantua, where the Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707, can be found.

The former monastery of Santa Croce
in Campese, where Folengo died

Travel tip:

The monastery of Santa Croce, where Teofilo Folengo died, is in Via IV Novembre in Campese, a district of Bassano del Grappa on the banks of the Brenta Canal. The monastery dates back to 1124 and for centuries was the most important religious centre in the area around the Brenta. There is a monument to Teofilo Folengo in the monastery, which is now used as a church. Close by is a square named after the poet, Piazza Teofilo Folengo.


More reading:

Giosuè Carducci - the poet who became the first Italian to win a Nobel Prize in literature

Why Torquato Tasso is known as Italy's greatest Renaissance poet

How Dario Fo's work denounced crime, corruption and racism

Also on this day:

1920: The birth of politician Carlo Azeglio Ciampi

1920: The birth of Bruno Ruffo, Italy's first motorcycling world champion

1946: The birth - near Vicenza - of Indian politician Sonia Gandhi


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Tito Gobbi – baritone

Singer found fame on both stage and screen

Tito Gobbi, pictured in 1955

Opera singer Tito Gobbi was born on this day in 1913 in Bassano del Grappa in the Veneto region.

He had a career that lasted 44 years and sang more than 100 different operatic roles on stages all over the world.

Gobbi also sang in 25 films and towards the end of his career directed opera productions throughout Europe and America.

His singing talent was discovered by a family friend while he was studying law at the University of Padua, who suggested that he studied singing instead. As a result, Gobbi moved to Rome in 1932 to study under the tenor, Giulio Crimi.

At his first audition he was accompanied at the piano by Tilde De Rensis, the daughter of musicologist Raphael De Rensis. She was later to become Gobbi’s wife.

Gobbi made his debut in 1935 in Gubbio, singing the role of Count Rodolfo in Vincenzo Bellini’s La sonnambula, and then went to work for a season at La Scala in Milan as an understudy, which gained him valuable experience.

He made his first appearance on stage there as the Herald in Ildebrando Pizzetti’s Orseolo.

Listen to Tito Gobbi singing Di provenza il mar il suol from Verdi's La Traviata

In 1942 he sang the role of Belcore in Donizetti’s L’elisir d’amore at La Scala, conducted by Tullio Serafin.

Gobbi was guided by Serafin in preparing roles, which was to be invaluable later in his career when he was cast as Scarpia, Rigoletto and Simon Boccanegra.

The movie poster for the Italian version
of the British film The Glass Mountain

He began working in films as early as 1938 when he appeared in Cilea’s L’arlesiana with Licia Albanese.

After the Second World War, Gobbi’s international career took off and he sang at the Royal Opera House in Covent Garden, the Lyric Opera in Chicago and the San Francisco Opera house.

He made his debut at The Metropolitan Opera in New York as Scarpia in Tosca.

His screen appearances continued and he starred with Anna Magnani in a contemporary drama released in 1946, Avanti a lui tremava tutta Roma (Before Him All Rome Trembled), a story which sees a group of opera singers appearing in a production of Tosca in Rome in 1944 simultaneously taking part in Italian resistance actions against the Germans.

Gobbi's performance in 1949 in the British film, The Glass Mountain, which was set in wartime Italy, made him known to a much wider audience. The theme music, Legend of the Glass Mountain, which became a contemporary hit, was by the Italian composer Nino Rota.

Tito Gobbi pictured in London in 1973

In the 1960s, Gobbi began directing, staging Verdi’s Simon Boccanegra at both Covent Garden and in Chicago.

He directed Otello in California, Chicago and Thessalonika in Greece and Gianni Schicchi by Puccini in Florence, at the Edinburgh Festival, and in Chicago, Zurich and Monaco.

Gobbi estimated that he had sung the part of Scarpia in Puccini’s Tosca nearly a thousand times.

He sang it in Franco Zeffirelli’s production of the opera at Covent Garden in 1964, when Maria Callas sang the title role and Act Two was broadcast live on British television.

Gobbi and Callas had previously sung Tosca together in a 1953 recording of the Opera in Milan, when Giuseppe di Stefano sang Cavaradossi. That recording, which has been reissued on CD, is considered the finest recording of a complete opera ever made.

In retirement the singer wrote two books, Tito Gobbi: My Life  and Tito Gobbi on his World of Italian Opera. After retiring in 1979, Gobbi died in Rome in 1984 at the age of 70.

Palladio's Ponte degli Alpini in Bassano del Grappa

Travel Tip:

Bassano del Grappa, where Tito Gobbi was born, is an historic town at the foot of Monte Grappa in the Vicenza province of the Veneto, famous for inventing grappa, a spirit made from the grape skins and stalks left over from wine production, which is popular with Italians as an after dinner drink to aid digestion. A famous sight is the Ponte degli Alpini, a bridge designed by Andrea Palladio. The painter Jacopo Bassano was born in Bassano del Grappa and took his name from the town.

Travel tip:

Gubbio, where Tito Gobbi made his opera debut, is a town in the province of Perugia in Umbria, with some fine medieval architecture in the narrow streets in the centre. Gubbio is well-known for its annual foot race, Corsa dei Ceri, held on 15 May. Three teams, devoted to Sant’Ubaldo, San Giorgio and Sant’Antonio, run through the town and up the mountain carrying a statue of their saint mounted on a tall wooden stand. A similar event is held each year in Jessup, Pensylvania, when residents race statues of the three saints through the streets.

More reading:

Luciano Pavarotti - king of the high 'Cs'

How Tullio Serafin helped Maria Callas achieve her potential

Nino Rota - film music composer who wrote The Godfather soundtrack

(Photo of  Tito Gobbi in London by Allan Warren CC-BY SA 3.0)
(Photo of Bassano del Grappa by Zyance CC BY-SA 3.0)


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