Showing posts with label Tito Gobbi. Show all posts
Showing posts with label Tito Gobbi. Show all posts

8 September 2018

Magda Olivero - soprano

Singer who performed into her 80s and lived to 104


Magda Olivero made her debut in an opera broadcast for radio in 1932
Magda Olivero made her debut in an opera
broadcast for radio in 1932
The opera singer Magda Olivero, who became known as the last verismo soprano, died on this day in 2014. She was almost halfway through her 105th year, having been born in 1910.

Olivero became associated with the works among others of Francesco Cilea, Pietro Mascagni, Umberto Giordano and Franco Alfano, all of whom she actually worked with in person, her longevity providing a 21st century link with the world of 19th century Italian opera. She missed the chance to know and work with Giacomo Puccini only narrowly, the composer passing away at the age of 66 when Olivero was 14.

Born in Saluzzo in Piedmont, Olivero made her operatic debut eight years after Puccini’s death in a radio production in Turin in 1932. She gave her last stage performance 49 years later in 1981, although even that was not the end of her career. Her last recording of her signature role - Cilea’s Adriana Lecouvreur - did not come until 1994, when she was still able to control her pitch and tone at the age of 83.

Born as Maria Maddalena Olivero to a well-to-do family who gave her a good education, she built on her radio debut - singing Nino Cattozzo's oratorio, I misteri dolorosi - to establish a successful career, performing alongside pre-War stars such as Ebe Stignani, Beniamino Gigli and Francesco Merli.

Olivero with Mario del Monaco appearing in Giordano's Fedora in Naples in 1965
Olivero with Mario del Monaco appearing in
Giordano's Fedora in Naples in 1965
In addition to Adriana, her most famous roles included Minnie in Puccini’s La Fanciulla del West, Mascagni's Iris, Riccardo Zandonai's Francesca da Rimini, and Giordano's Fedora. She sang Jules Massenet's Manon at Verona with Giuseppe di Stefano as Des Grieux, and Margherita in Arrigo Boito's Mefistofele to the Faust of Ferruccio Tagliavini.

The conductor Tullio Serafin helped her with her technique, although he was less helpful, she later claimed, after she refused his amorous advances. She said that her relationship with the tenor, Tito Schipa, also became strained after he became similarly enamoured with her.

In fact, in 1940 she decided to retire from the stage at the age of only 30 after she married Aldo Busch, an industrialist, hoping they would raise a large family. One of her last performances was of Cilea’s Adriana Lecouvreur in Ravenna and it was Cilea, almost a decade later, who would persuade her to make a comeback, telling her that she was the only singer who could do justice to the character.  She performed the role again in Brescia in 1951, shortly before the composer died.

That work was to become her calling card, and she sang it many times, as well as featuring often in leading roles in Puccini’s La Bohème, Madame Butterfly and Manon Lescaut, and in Giuseppe Verdi’s La Traviata.

Magda Olivero at the age of 95 in 2005
Magda Olivero at the age of 95 in 2005
She made her London debut at the Stoll Theatre, in 1952 and in 1963 she substituted for Renata Tebaldi at the Edinburgh Festival in Adriana Lecouvreur, its first performance in Britain for 60 years.

Her first appearance in the United States came in Dallas in 1967, followed by Kansas and San Francisco. By now her fame as an interpreter of the verismo genre, in which the characters are ordinary people and the singers are adept at bringing dramatic expression to the roles, was established and her New York debut as Tosca at the Metropolitan Opera in 1975 was a much-hyped sensation, even though by then she was 65.

According to the New York Times report, when she made her first entrance, the audience began screaming and cheering, forcing the conductor Jan Behr to stop the music; arias were interrupted by bursts of spontaneous applause and at the end she was given a 20-minute ovation, one of the longest in the theatre's history. She reprised her Tosca for the Met in 1979, opposite Luciano Pavarotti. 

For all her success, though, she never really escaped the shadow of Maria Callas or Renata Tebaldi, who were always seen as more marketable and therefore enjoyed more recording contracts than Olivero, whose only complete opera recordings are Turandot and Fedora (1969), in which she was partnered by Mario del Monaco and Tito Gobbi.

After her second retirement, she settled in Milan, telling visitors to her home that the secret of her long life was yoga and a vegetarian diet. She lived for 31 years following the death of her husband in 1983, her wish for a family having never come to pass.

The early 15th century Cathedral of the Assumption in Piazza Risorgimento in Saluzzo
The early 15th century Cathedral of the Assumption in
Piazza Risorgimento in Saluzzo
Travel tip:

Saluzzo, where Olivero was born, is a hill town about 33km (20 miles) north of Cuneo and 61km (38 miles) south of Turin, in Piedmont. Most of its 15th century old town is intact, with numerous cobbled streets, steep staircases, churches and elegant palaces to explore. In the Piazza Risorgimento is Cathedral of the Assumption, built between 1491 and 1511 in the Lombard-Gothic style. Another attraction is the Castiglia, a castle built at the summit of the town in the 13th century by the Marquis Tommaso I and renovated in 1492 by Ludovico II of Saluzzo, at the time when the town was a powerful city-state.

The Teatro degli Arcimboldi, which was built in a converted Pirelli tyre factory in Milan
The Teatro degli Arcimboldi, which was built in a
converted Pirelli tyre factory in Milan
Travel tip:

Milan’s best-known theatre is the opera house and ballet theatre Teatro alla Scala, inaugurated in 1778, but it is not the only theatre. Other respected venues are Teatro Sala Fontana, set within the beautiful cloisters of the church of Santa Maria alla Fontana in the northern part of the city, the Teatro Manzoni in Via Alessandro Manzoni, not far from Porta Nuova, and the ultra-modern Teatro degli Arcimboldi, which was built in 2001 in anticipation of the closure and renovation of La Scala opera house, in a converted Pirelli tyre factory about 7km (4.5 miles) from the city centre, in an area known as Bicocca.

More reading:

The beautiful work of Francesco Cilea

Giacomo Puccini - the musical genius who took the baton from Verdi

Pietro Mascagni and a career built on one great opera

Also on this day:

1474: The birth of poet Ludovico Ariosto

1504: The unveiling of Michelangelo's David in Florence


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24 October 2016

Tito Gobbi – baritone

Singer found fame on both stage and screen


Tito Gobbi, pictured in 1955
Tito Gobbi, pictured in 1955
Opera singer Tito Gobbi was born on this day in 1913 in Bassano del Grappa in the Veneto region.

He had a career that lasted 44 years and sang more than 100 different operatic roles on stages all over the world.

Gobbi also sang in 25 films and towards the end of his career directed opera productions throughout Europe and America.

His singing talent was discovered by a family friend while he was studying law at the University of Padua, who suggested that he studied singing instead. As a result, Gobbi moved to Rome in 1932 to study under the tenor, Giulio Crimi.

At his first audition he was accompanied at the piano by Tilde De Rensis, the daughter of musicologist Raphael De Rensis. She was later to become Gobbi’s wife.

Gobbi made his debut in 1935 in Gubbio, singing the role of Count Rodolfo in Vincenzo Bellini’s La sonnambula, and then went to work for a season at La Scala in Milan as an understudy, which gained him valuable experience.

He made his first appearance on stage there as the Herald in Ildebrando Pizzetti’s Orseolo.


Listen to Tito Gobbi singing Di provenza il mar il suol from Verdi's La Traviata





In 1942 he sang the role of Belcore in Donizetti’s L’elisir d’amore at La Scala, conducted by Tullio Serafin.

Gobbi was guided by Serafin in preparing roles, which was to be invaluable later in his career when he was cast as Scarpia, Rigoletto and Simon Boccanegra.

The movie poster for the Italian version of the British film The Glass Mountain
The movie poster for the Italian version
of the British film The Glass Mountain
He began working in films as early as 1938 when he appeared in Cilea’s L’arlesiana with Licia Albanese.

After the Second World War, Gobbi’s international career took off and he sang at the Royal Opera House in Covent Garden, the Lyric Opera in Chicago and the San Francisco Opera house.

He made his debut at The Metropolitan Opera in New York as Scarpia in Tosca.

His screen appearances continued and he starred with Anna Magnani in a contemporary drama released in 1946, Avanti a lui tremava tutta Roma (Before Him All Rome Trembled), a story which sees a group of opera singers appearing in a production of Tosca in Rome in 1944 simultaneously taking part in Italian resistance actions against the Germans.

Gobbi's performance in 1949 in the British film, The Glass Mountain, which was set in wartime Italy, made him known to a much wider audience. The theme music, Legend of the Glass Mountain, which became a contemporary hit, was by the Italian composer Nino Rota.

Tito Gobbi pictured in London in 1970
Tito Gobbi pictured in London in 1973
In the 1960s, Gobbi began directing, staging Verdi’s Simon Boccanegra at both Covent Garden and in Chicago.

He directed Otello in California, Chicago and Thessalonika in Greece and Gianni Schicchi by Puccini in Florence, at the Edinburgh Festival, and in Chicago, Zurich and Monaco.

Gobbi estimated that he had sung the part of Scarpia in Puccini’s Tosca nearly a thousand times.

He sang it in Franco Zeffirelli’s production of the opera at Covent Garden in 1964, when Maria Callas sang the title role and Act Two was broadcast live on British television.

Gobbi and Callas had previously sung Tosca together in a 1953 recording of the Opera in Milan, when Giuseppe di Stefano sang Cavaradossi. That recording, which has been reissued on CD, is considered the finest recording of a complete opera ever made.

In retirement the singer wrote two books, Tito Gobbi: My Life  and Tito Gobbi on his World of Italian Opera. After retiring in 1979, Gobbi died in Rome in 1984 at the age of 70.

Palladio's Ponte degli Alpini in Bassano del Grappa
Palladio's Ponte degli Alpini in Bassano del Grappa
Travel Tip:

Bassano del Grappa, where Tito Gobbi was born, is an historic town at the foot of Monte Grappa in the Vicenza province of the Veneto, famous for inventing grappa, a spirit made from the grape skins and stalks left over from wine production, which is popular with Italians as an after dinner drink to aid digestion. A famous sight is the Ponte degli Alpini, a bridge designed by Andrea Palladio. The painter Jacopo Bassano was born in Bassano del Grappa and took his name from the town.

Travel tip:

Gubbio, where Tito Gobbi made his opera debut, is a town in the province of Perugia in Umbria, with some fine medieval architecture in the narrow streets in the centre. Gubbio is well-known for its annual foot race, Corsa dei Ceri, held on 15 May. Three teams, devoted to Sant’Ubaldo, San Giorgio and Sant’Antonio, run through the town and up the mountain carrying a statue of their saint mounted on a tall wooden stand. A similar event is held each year in Jessup, Pensylvania, when residents race statues of the three saints through the streets.

More reading:


Luciano Pavarotti - king of the high 'Cs'

How Tullio Serafin helped Maria Callas achieve her potential

Nino Rota - film music composer who wrote The Godfather soundtrack

(Photo of  Tito Gobbi in London by Allan Warren CC-BY SA 3.0)
(Photo of Bassano del Grappa by Zyance CC BY-SA 3.0)


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