Pierluigi Collina - football referee

Italian arbiter seen as the best in game's history

Pierluigi Collina 

Pierluigi Collina, arguably the best and certainly the most recognisable football referee in the history of the game, was born on this day in 1960 in Bologna.

Collina, who was in charge of the 1999 Champions League final and the 2002 World Cup final, was named FIFA's referee of the year for six consecutive seasons.

He was renowned for his athleticism, his knowledge of the laws of the game and for applying them with even-handedness and respect for the players, while using his distinctive appearance to reinforce his authority on the field.

Standing 1.88m (6ft 2ins) tall and with piercing blue eyes, Collina is also completely hairless as a result of suffering a severe form of alopecia in his early 20s, giving him an intimidating presence on the field.

Growing up in Bologna, the son of a civil servant and a schoolteacher, Collina shared the dream of many Italian boys in that he wanted to become a professional footballer.  In reality, he was not quite good enough, although he was a decent central defender who played amateur football to a good standard.

Pierluigi Collina is now UEFA's
 chief  refereeing officer

When he was 17 and at college, he was persuaded to take a referee's course and displayed a natural aptitude. Soon, he was taking charge of matches in regional football and, after graduating with a degree in economics at the University of Bologna and completing his compulsory military service, began to contemplate that instead of playing he might one day referee at the highest level.

In the meantime, though, he had to work.  His first job was in the marketing department of a newspaper group based in Milan, from which he then moved to Viareggio in Tuscany to work for a bank, where he would later establish himself as a financial consultant.

He began to officiate in Serie D and Serie C matches in 1988 and within just three years had been promoted to Serie B and Serie A.

Bu 1995, with only 43 Serie A matches to his name, he was co-opted to the FIFA list for international matches, winning his first major appointment in 1996, when he was allocated five matches at the Olympics in Atlanta, Georgia, including the final between Argentina and Nigeria.

Named Serie A's referee of the year in 1997 and 1998 and FIFA's best in 1998, he was put in charge of the Champions League final in Barcelona in 1999, which turned out to be one of most dramatic of all finals when Manchester United scored twice during the three minutes of stoppage time added on by Collina to beat Bayern Munich 2-1.

He described the match, in which Teddy Sheringham and Ole Gunnar Solksjaer scored for United to overturn Mario Basler's goal for Bayern, as the most memorable of his career, likening the noise generated by United fans at the end to the "roar of a lion."

Pierluigi Collina was never easily intimidated on the
field and earned the respect of players

The players and supporters of the German side remembered the occasion less fondly and came to regard Collina as bringing them bad luck.  He was also in charge when the German national team lost 5-1 at home to England in a World Cup qualification match in 2001 and officiated in the World Cup final in Yokohama, Japan the following summer, when Germany were beaten 2-0 by Brazil.

Collina published his autobiography, My Rules of the Game (published in English as The Rules of the Game) in 2003, and took charge of another showpiece occasion in 2004 when Valencia met Marseille in the UEFA Cup final before his career ended in regrettable circumstances the following year in a row with the Italian Football Federation (FIGC) over sponsorship.

He had agreed to a substantial contract to advertise for Opel cars (Vauxhall Motors in the United Kingdom) but as Opel were already sponsors of AC Milan the deal was seen as presenting a conflict of interest.  The FIGC felt they had no option but to bar Collina from top-level matches in Italy, to which he responded by tendering his resignation.

Despite attempts by the Italian Referees Association to find a compromise that would enable Collina to continue, he decided he would stick by his decision to resign and never officiated at a competitive professional match again, although he has refereed a number of charity matches since and serves the administration of the game as UEFA's chief refereeing officer.

Away from football, Collina has been married since 1991 to Gianna, with whom he established the coastal resort of Viareggio as his home. He has two daughters and is a lifelong supporter of Fortitudo Bologna basketball club.

Tagliatelle bolognese, one of Bologna's most famous dishes

Travel tip:

Famed for its culinary tradition, Bologna is known as La Grassa - the Fat One - and with good reason. The home of the world's most famous pasta dish - although bolognese sauce is always served with tagliatelle rather than spaghetti in the city of its birth - Bologna is also famed for its mortadella sausage, which is also a key ingredient of the city's second most well-known pasta, tortellini, the little twists of pasta that are also stuffed with pork loin and proscuitto crudo (raw ham), parmesan cheese, egg and nutmeg. The best traditional food shops in Bologna can be found in the area known as the Quadrilatero, bordered by Piazza Maggiore, Via Rizzoli, Via Castiglione and Via Farini.

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Viareggio's seafront promenade is lined with
Art Nouveau buildings from the 1920s and 1930s

Travel tip:

Viareggio is a seaside resort in Tuscany that has an air of faded grandeur, its seafront notable for the Art Nouveau architecture that reminds visitors of the town's heyday in the 1920s and '30s. Nonetheless, with wide sandy beaches it remains hugely popular, especially with Italians, and the flamboyant Carnevale, featuring a wonderful parade of elaborate and often outrageous floats, is second only to the Venice carnival among Mardi Gras celebrations.

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More reading:

The record-breaking career of AC Milan's Paolo Maldini

How one goal turned Fabio Grosso into a national hero

Marcello Lippi - the coach from Viareggio who steered Italy to World Cup glory

Also on this day:

1539: The death of influential marchioness Isabella d’Este

1571: The death of Renaissance sculptor Benvenuto Cellini

1816: Fire rips through Teatro San Carlo in Naples

1912: The birth of poet Antonia Pozzi

1960: The birth of football referee Pierluigi Collina

Books:

The Rules of the Game, by Pierluigi Collina

(Picture credits: Viareggio promenade by Sailko via Wikimedia Commons)

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Lazzaro Spallanzani – priest and scientist

18th century biologist who pioneered artificial insemination 

Lazzaro Spallanzani

Lazzaro Spallanzani, the first scientist to interpret the process of digestion and the first to carry out a successful artificial insemination, died on this day in 1799 in Pavia.

Spallanzani made important contributions to the experimental study of bodily functions and animal reproduction. His investigations into the development of microscopic life in nutrient culture solutions paved the way for the later research of Louis Pasteur.

Born in Scandiano in the province of Reggio Emilia, the son of a wealthy lawyer, Spallanzani attended a Jesuit college and was ordained as a priest but then went to Bologna to study law.

Influenced by the eminent Laura Bassi, a professor of physics at the University, Spallanzani became interested in science.

Laura Bassi, whose work at the University
of Bologna influenced Spallanzani

In 1754 Spallanzani was appointed professor of logic, metaphysics and Greek at a college in Reggio and he later became a professor of physics at the University of Modena.

Spallanzani experimented in transplantation, successfully transplanting the head of one snail on to the body of another.

After a series of experiments on digestion, he obtained evidence that digestive juices contain special chemicals that are suited to particular foods.

He also performed in vitro fertilisation on frogs and, in 1780, artificial insemination on a dog, the first successful experiment of its kind on any animal recorded anywhere in the world.

As Spallanzani’s fame grew he received many offers from scientific societies throughout Europe but he accepted a chair at the University of Pavia in 1769, where he remained for the rest of his life.

He took every opportunity to travel in order to study new phenomena and to meet other scientists.

A coin struck in 1932 to commemorate
Spallanzani's achievements

In 1788 he visited Vesuvius in Campania and the volcanoes of the Lipari islands and Sicily and recorded the results of his research in a large work, Viaggi alle due Sicilie ed in alcune parti dell’Appennino.

Spallanzani died from bladder cancer on 12 February 1799 in Pavia. After his death his bladder was removed for study by his colleagues and it was then placed on public display in a museum in Pavia, where it remains to this day.

A number of medals and coins have been struck to commemorate Spallanzani's achievements, including one produced for the 14th International Congress of Physiology, in Rome, in 1932, designed by Renato Brozzi.

The monument to Lazzaro Spallanzani
in his home town of Scandiano

Travel tip:

There is a statue of Lazzaro Spallanzani showing him examining a frog through a magnifying glass, in his home town of Scandiano, which is near Reggio Emilia in Emilia-Romagna. The town was founded in 1262 when a defensive castle was built and some houses later developed around it. The town is now an important centre for the production of tiles.

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Travel tip:

Pavia, where Lazzaro Spallanzani died, is a city in Lombardy, south of Milan. It is famous for its university, where Spallanzani taught, which was founded in 1361, and for its Certosa, a magnificent monastery complex north of the city that dates back to 1396. A pretty covered bridge over the River Ticino in the centre of Pavia leads to Borgo Ticino, an area where the inhabitants claim to be the true people of Pavia and are of Sabaudian origin, which means they are connected with the House of Savoy, from where the rulers of Italy came.

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More reading:

How ground-breaking academic Laura Bassi paved way for women

Scientist Luigi Galvani appeared to give new life to dead frog

Giuseppe Forlenza's cataract surgery impressed Napoleon

Also on this day:

1602: The birth of painter Michelangelo Cerquozzi

1923: Birth of film director Franco Zeffirelli 

1937: The birth of Vittorio Emanuele, heir to the last King of Italy

1944: The birth of actress and singer Claudia Mori

(Picture credits: Scandiano monument by Maxo via Wikimedia Commons)

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Carlo Carrà - Futurist artist

Painter hailed for capturing violence at anarchist's funeral

Carlo Carrà, pictured in the late 1930s

The painter Carlo Carrà, a leading figure in the Futurist movement that gained popularity in Italy in the early part of the 20th century, was born on this day in 1881 in Quargnento, a village about 11km (7 miles) from Alessandria in Piedmont.

Futurism was an avant-garde artistic, social and political movement that was launched by the poet Filippo Tommaso Marinetti in 1909 and attracted many painters and sculptors, designers and architects, writers, film makers and composers who wished to embrace modernity and free Italy from what they perceived as a stifling obsession with the past.

The Futurists admired the speed and technological advancement of cars and aeroplanes and the new industrial cities, all of which they saw as demonstrating the triumph of humanity over nature through invention. They were also fervent nationalists and encouraged the youth of Italy to rise up in violent revolution against the establishment.

The movement was associated with anarchism. Indeed, Carrà counted himself as an anarchist in his youth and his best known work emerged from that period, when he attended the funeral of a fellow anarchist, Angelo Galli, who was killed by police during a general strike in Milan in 1906.

Carrà's most famous work, The Funeral of the Anarchist Galli,
which is housed in the Museum of Modern Art in New York.

As Galli's body was carried to the cemetery, violence erupted between anarchist mourners and the police. Carrà witnessed the clashes and hastened home to make sketches of what he had seen while the images were still fresh. They became the basis for his 1911 painting, The Funeral of the Anarchist Galli.

The abstract painting, which demonstrated strong Cubist influences and is seen as Carrà's masterpiece, shows Galli’s red coffin at the centre of the canvas, held precariously aloft amid a chaotic melee of figures clad in anarchist black, illuminated by light emanating both from the coffin and the sun.

In his memoirs, Carrà described the riot at the funeral, noting that the coffin, covered in red carnations, "swayed  dangerously on the shoulders of the pallbearers."

"I saw horses go mad, sticks and lances clash," he wrote. "It seemed to me that the corpse could have fallen to the ground at any moment and the horses would have trampled it."

Carrà had left home when he was only 12 in order to work as a mural decorator, the work taking him to Paris, where he became interested in contemporary French art, and to London, where he made the acquaintance of a number of exiled Italian anarchists.

Carrà (second left) in Paris in 1912 with Luigi Russolo, Filippo
  Tommaso Marinetti, Umberto Boccioni and Gino Severini

This shaped his life when he returned to Italy in 1901 and settled in Milan, where he enrolled at the Accademia di Brera and began to associate with anarchist groups. Along with Umberto Boccioni, Luigi Russolo and Giacomo Balla, in 1910 he signed the Manifesto of Futurist Painters, which emphasised a commitment to the dynamic portrayal of movement in their paintings, with particular reference to scenes of violent riot.

In the event, in the view of art experts, Carrà's Futurist phase ended around the time the First World War began, at which point his work began to move away from the influence of an angry political ideology towards stillness and calm and from motion towards clearer form, influenced among other factors by his fascination with the work of the French post-impressionist Henri Rousseau.

In 1917 he moved into another phase after meeting the surrealist Giorgio de Chirico in Ferrara. Carrà began to include mannequin-like figures in his paintings and the two between them invented the Scuola Metafisica - the metaphysical school, the idea of which was to stress a dislocation between the present and the past, illustrated perhaps by classical figures shown against contemporary backgrounds.

Within a couple of years, Carrà had begun to depart from that phase, his work The Daughters of Lot, painted in 1919, showing the influence of the genius of the early Renaissance, Giotto, who is acknowledged as the first painter to capture true human emotions.

Carrà's political views also changed. He became more opposed to the social reform he supported as a younger man, becoming ultra-nationalist. He found the ideals of Fascism coincided increasingly with his own.

The Basilica of San Dalmazio in Carrà's
home village of Quargnento

In the 1930s, Carrà signed a manifesto in which called for support of state ideology through art, joining a group founded by Giorgio Morandi, another artist with Fascist sympathies and a background in Futurism and the Scuola Metafisica, which responded to the neo-classical guidelines set by the regime in the late 1930s.

After military service in the Second World War, Carrà taught at the University of Milan. He died in 1966, aged 85.

Travel tip:

Quargnento, where Carlo Carrà was born, was originally a Roman settlement, as evidenced by the discovery by archaeologists of the ruins of a Roman garrison. It became a large farming town during the Western Roman Empire, supplying neighbouring cities. Later, the town came under the control of the Bishop of Asti, who made the significant decision in 907 to order the remains of the Christian martyr Dalmazio to be hidden there from raiding Saracens.  The remains today are housed in the Basilica of San Dalmazio.

Carrà's 1914 work Interventionist Demonstration
is part of the Peggy Guggenheim Collection

Travel tip:

The Peggy Guggenheim Collection in Venice is home to the works of many prominent Futurist painters, including Giacomo Balla, Umberto Boccioni, Gino Severini and Luigi Russolo. It houses Carrà's 1914 work, Interventionist Demonstration, a Cubist-influenced collage of fragments of paper bearing words, radiating from the centre in concentric circles, said to have been inspired by the sight of leaflets dropped from aeroplanes fluttering down over Piazza del Duomo.

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More reading:

How architect Marcello Piacentini's buildings symbolised Fascist ideals

The cycle of frescoes that confirmed the genius of Giotto

The anarchist whose 'accidental death' inspired Dario Fo's classic play

Also on this day:

1929: The Lateran Treaty turns the Vatican into an independent state

(Picture credits: Basilica by Tony Frisina via Wikimedia Commons)

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Raffaele Lauro – author and politician

Sorrentine's talents include writing, film directing and song

Raffaele Lauro

Italian Senator and journalist Raffaele Lauro was born on this day in 1944 in the resort of Sorrento in Campania.

A prolific writer, Lauro has also been an important political figure for more than 30 years.

He was born in Sorrento and as a young man worked as a receptionist at a number of hotels along the Sorrento peninsula.

After finishing school he went to the University of Naples where he was awarded degrees in Political Science, Law and Economics.

Lauro then won a scholarship from Italy’s Ministry of Foreign Affairs and studied first at their diplomatic institute and later in Paris.

He later studied for a degree in journalism in Rome and became director of a scientific magazine, moving from there to become a commentator on new technology for Il Tempo in Rome and Il Mattino in Naples. He also studied film directing while living in Rome and taught Law of Mass Communications at Rome University.

Lucio Dalla, the songwriter about whom
Lauro has written three books

His political career began when he was elected as a Councillor for Sorrento in 1980. He went on to become Deputy Mayor and Councillor for finance, personnel and culture, in which role he opened the Public Library of Sorrento and established a theatre school. He moved to Rome in 1984 and held a number of Government posts.

In the general election of 2008, Lauro was appointed a Senator for Silvio Berlusconi's People of Freedom Party, representing Campania.

He was made a member of the Parliamentary Committee of Inquiry into the Mafia and other criminal organisations and later became political advisor to the Minister of Economic Development, Claudio Scajola. In 2015 Lauro joined the Democratic Party of Lazio.

For more than 40 years, Lauro has worked as a freelance journalist, essayist, screenwriter, author and director. He has written about foreign affairs and politics, brought out works of fiction under the pseudonym Ralph Lorbeer and composed music.

In January 2017, Lauro published a song, Uno straccione, un clown, dedicated to the songwriter Lucio Dalla, to commemorate the fifth anniversary of his death. Lauro had previously written three books about Dalla, who was a popular singer-songwriter from Bologna.

Piazza Sant'Antonino is an elegant square in Sorrento

Travel tip:

Sorrento in Campania, where Raffaele Lauro was born, is a beautiful town in the south of Italy, perched on a cliff high above the bay of Naples. It has good views of the volcano Vesuvius and the islands of Procida, Ischia and Capri across the water. A popular holiday resort, Sorrento is famous for producing colourful ceramics, objects made from inlaid wood and the lemon-flavoured liqueur, Limoncello.

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Marina di Puolo is one of several charming fishing villages
on the Sorrentine Peninsula

Travel tip:

The Sorrentine Peninsula, where Raffaele Lauro worked in hotels as a student, is a finger of land with the bay of Naples to the north and the bay of Salerno to the south. On the northern side, the main towns are Castellammare di Stabia, Vico Equense, Sorrento and Massa Lubrense, with Punta della Campanella at the tip of the peninsula. On the southern side are Marina del Cantone, Positano, Amalfi and Salerno. The Lattari mountains form the geographical backbone of the peninsula and there are many picturesque small towns inland. Orange and lemon trees, olive trees and vines grow on the fertile land sloping down towards the sea.



More reading:

Witty observations that set writer Beppe Severgnini apart

What made journalist Enzo Biagi a giant of his trade

The American novelist inspired by Sorrento

Also on this day:

1482: The death of sculptor Luca della Robbia

1791: The birth of painter Francesco Hayez

1821: The birth of painter Roberto Bompiani

1918: The death of 'militant pacifist' Ernesto Teodoro Moneta

1953: The founding of energy giant ENI

1966: The birth of footballer Andrea Silenzi

Books:

Sorrento: The Romance, an historical novel by Raffaele Lauro

(Picture credit: Lucio Dalla by Lucarelli via Wikimedia Commons)

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