Francesco Scipione – playwright

Erudite marquis revitalised Italian drama

An 18th century portrait of Scipione by
an unknown artist

Dramatist Francesco Scipione, marchese di Maffei, was born on this day in 1675 in Verona.

His most famous work was his verse tragedy, Merope, which attempted to introduce Greek and French classical simplicity into Italian drama. This prepared the way for the dramatic tragedies of Vittorio Alfieri and the librettos of Pietro Metastasio later in the 18th century.

After studying at Jesuit colleges in Parma and Rome, Scipione went to fight on the side of Bavaria in the War of the Spanish Succession. He saw action in 1704 at the Battle of Schellenberg, near Donauworth, when his brother, Alessandro, was second in command at the battle.

In 1710, Scipione was one of the founders of an influential literary journal, Giornale dei letterati, a vehicle for his ideas about reforming Italian drama. He founded a later periodical, Osservazioni letterarie, to promote the same cause.

Scipione spent time studying the manuscripts in the Royal Library at Turin and arranged the collection of objects of art which Charles Emmanuel, Duke of Savoy had brought from Rome. He also travelled extensively in France, England, the Netherlands and Germany and received an honorary doctorate from Oxford University.

The Scipione statue in Piazza dei
Signori in Verona

When Scipione’s verse tragedy, Merope, was first performed in 1713, it met with astonishing success. It was based on Greek mythology and the French neoclassical period, signalling the way for the later reform of Italian tragedy. It was popular with the audience because of its rapid action and the elimination of the prologue and the chorus.

In addition to Merope, Scipione wrote other plays, scholarly works and poetry, and he also translated the epic poems, the Iliad and Aeneid.

Another of his major works is a valuable account of the history and antiquities of his native city - Verona illustrata: A Compleat History of the Ancient Amphitheatres and in particular that of Verona.

Scipione built a museum in Verona to house his art and archaeological collection, which he bequeathed to his native city. He died there at the age of 79 in 1755.  A statue to him was later erected in Piazza dei Signori in Verona.

Travel tip:

The secondary school, Liceo Maffei, is named in Scipione’s honour in the town of his birth, Verona. The city in the Veneto is famous as the setting for Shakespeare’s Romeo and Juliet as well as for its Roman amphitheatre, L’Arena di Verona in Piazza Bra, where opera and music concerts are now regularly performed.

The Biblioteca Reale is housed inside the Royal Palace
in Turin's Piazzetta Reale

Travel tip:

The Royal Library, Biblioteca Reale, in Turin, where Scipione studied the manuscripts, is on the ground floor of the Royal Palace in Piazzetta Reale. It was originally established to hold the rare manuscripts collected by members of the House of Savoy.

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Angelo Moriondo - espresso machine pioneer

Bar and hotel owner invented way to make coffee faster

Angelo Moriondo owned a hotel and a prestigious
bar in the centre of Turin

Angelo Moriondo, the man credited with inventing the world’s first espresso coffee machine, died on this day in 1914 in Marentino, a town in Piedmont, about 20km (12 miles) east of Turin.

Moriondo, who was 62 when he passed away, was the owner of the Grand-Hotel Ligure in Turin’s Piazza Carlo Felice and the American Bar in the former Galleria Nazionale on Via Roma.

He came up with the idea of a coffee machine essentially in the hope of gaining an edge over his competition at a time when coffee was a hugely popular beverage across Europe and in Italy in particular, but which still depended on brewing methods that required the customer to wait five minutes or more to be able to raise a cup to his mouth.

Moriondo figured that if he could find a way to make multiple cups of coffee simultaneously he would be able to serve more customers more quickly. He hoped that word would then get round in Turin’s commercial district that his bars were the ones to go if the pressures of business did not allow time for leisurely breaks.

The design for his machine for which Moriondo
was granted a patent in 1884

He never contemplated industrial-scale production of his invention, his ambitions never extending beyond the needs of his own businesses and, unlike later espresso machines, his device was not designed for making individual cups.

But experts say that his invention was undoubtedly the first to use water and pressurised steam to accelerate the coffee-making process and it was therefore reasonable to declare it to be the world’s first espresso machine.

Moriondo was delighted with it but missed a fantastic opportunity to become the person whose name is synonymous with coffee machines.

He presented his invention at the General Expo of Turin in 1884, where it was awarded the bronze medal.  It was awarded a patent for a period of six years on May 16, 1884 under the title of "New steam machinery for the economic and instantaneous confection of coffee beverage, method ‘A. Moriondo’."

The machine consisted of a large boiler that pushed heated water through a large bed of coffee grounds, with a second boiler producing steam that would flash the bed of coffee and complete the brew.

One of Desiderio Pavoni's early espresso machines

Conceiving and creating this matchine was an unprecedented achievement. Yet Moriondo did nothing to commercialise the idea and it was left to two others, the Milanese duo Luigi Bezzerra and Desiderio Pavoni, to tweak his method and repackage it for the market place.

Moriondo limited himself to the construction of a few hand-built, machines which he jealously kept under lock and key at one house or another, convinced that advertising them was a bad idea.

Within a couple of years, Bezzerra and Pavoni had developed a machine that could produce up to 1,000 cups an hour, brewing an individual shot of espresso.

Moriondo made a comfortable living from his business ventures, following in the family’s footsteps as an entrepreneur, but could have been both wealthier and more famous had he seen the potential in what he had created.

The Via Roma in modern Turin

Travel tip:

Turin was once the capital of Italy and its shopping streets reflect its former prestige, with 18km (11 miles) of arcades. A key shopping area is around Via Roma.  As well as the high street names, shops feature specialists in chocolate, fashion, and antiquarian books and records.

Travel tip:

The small town of Marentino really consists of three ancient villages – Marentino, Avuglione and Vernone. It is well known for its locally produced honey.  Marentino is built on a hill with the church of Maria Vergine, which has a baroque façade and a substantial bell tower, at its pinnacle. An interesting feature of the town is the number of houses whose walls are decorated with colourful murals, the result of a project in 2005 involving 20 artists from all over Italy.

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Giovanni Gentile – philosopher

The principal intellectual spokesman for fascism

Giovanni Gentile wrote part of The Doctrine
of Fascism for Benito Mussolini

Giovanni Gentile, a major figure in Italian idealist philosophy, was born on this day in 1875 in Castelvetrano in Sicily.

Known as ‘the philosopher of Fascism’, Gentile was the ghostwriter of part of Benito Mussolini’s The Doctrine of Fascism in 1932. His own ‘actual idealism’ was strongly influenced by the German philosopher, Georg Hegel.

Gentile's rejection of individualism and acceptance of collectivism helped him justify the totalitarian element of Fascism.

After a series of university appointments, Gentile became professor of the history of philosophy at the University of Rome in 1917.

While writing The Philosophy of Marx – La filosofia di Marx – a Hegelian examination of Karl Marx’s ideas, he met writer and philosopher Benedetto Croce. The two men became friends and co-editors of the periodical La Critica until 1924, when a lasting disagreement occurred over Gentile’s embrace of Fascism.

Gentile was Minister of Education in the Fascist government of Italy from October 1922 to July 1924 carrying out wide reforms, which had a lasting impact on Italian education.

In 1925 he served as president of two commissions on constitutional reform, helping to lay the foundations of the Fascist corporate state.

Gentile is buried in the Basilica of Santa Croce in Florence

After acting as president of the Supreme Council of Public Education and as a member of the Fascist Grand Council between 1925 and 1929, he saw his political influence steadily decline.

His most important achievement was the Enciclopedia Italiana, which he began to plan in 1925 and edited until 1943 and he also wrote prolifically on the subjects of philosophy and education.

After the fall of Benito Mussolini in 1943, Gentile supported the Fascist Social Republic established by the Germans at Salò. He served as president of the Academy of Italy, Italy’s foremost intellectual institution, until his death.

In 1944 a group of anti-Fascist partisans shot Gentile dead as he returned from the prefecture in Florence. Ironically he had been there arguing for the release from prison of anti-Fascist intellectuals.

The church of Santa Maria Assunta, also known as the
Chiesa Madre - mother church - in Castelvetrano

Travel tip:

Castelvetrano, the birthplace of Giovanni Gentile, is in the province of Trapani in Sicily. It is first mentioned in historical records dating from the 12th century. The Church of St John, which is just outside the city walls, was founded in 1412. The mother church, Chiesa Madre, which dates back to the 16th century, is in the town’s main square, Piazza Tagliavia. The remains of Selinunte, an ancient Greek city, are just outside the city, on a site overlooking the sea.

The Basilica of Santa Croce in Florence

Travel tip:

Gentile was living and working in Florence when he was shot dead by anti-Fascists on 15 April, 1944. He is buried in the church of Santa Croce beside the remains of Galileo and Machiavelli. The Basilica of Santa Croce is the principal Franciscan Church in Florence and is the burial place of some of the most illustrious Italians. It is also known to Italians as the Temple of the Italian Glories.

More reading:

Why Luigi Einaudi signed the Manifesto of the Anti-Fascist Intellectuals 

Benito Mussolini and the Founding of the Italian Fascists

How the Republic of Salò was Mussolini's last stand

Also on this day:

1924: The anti-Fascist speech that cost a socialist politician his life

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Franca Rame – actress, writer and politician

Artistic collaborator and wife of Dario Fo

Franca Rame in a publicity shot from a
brief but unsuccessful movie career

The actress and writer Franca Rame, much of whose work was done in collaboration with her husband, the Nobel Prize-winning actor, playwright and satirist Dario Fo, died in Milan on this day in 2013 at the age of 83.

One of Italy's most admired and respected stage performers, her contribution to Dario Fo’s work was such that his 1997 Nobel prize for literature probably should have been a joint award. In the event, on receipt of the award, Fo announced he was sharing it with his wife.

Rame was also a left-wing militant. A member of the Italian Communist Party from 1967, she was elected to the Italian senate in 2006 under the banner of the Italy of Values party, a centre-left anti-corruption grouping led by Antonio di Pietro, the former prosecutor who had led the Mani Pulite (“Clean Hands”) corruption investigation in the 1990s.

Later she was an independent member of the Communist Refoundation Party.  Her political views often heavily influenced her writing, in which her targets tended to be the Italian government and the Roman Catholic Church.  She was also an outspoken champion of women’s rights.

Her politics made her some enemies, however.  In 1973, she was kidnapped at gunpoint on a Milan street by a group of neo-Fascist men who raped and tortured her. When she was released, the group said it was revenge against her and Fo for their political activism.

Franca Rame in 1952, when she began her relationship
with Dario Fo after they met through work

Born in Parabiago, a town of almost 30,000 people in the north-western quarter of the Milan metropolitan area, Rame was the daughter of an actor and a militant socialist father and a strict Catholic mother. She was almost born on the stage, appearing in a performance with her mother when she was only eight days old.

At the age of 18, and with the photogenic looks of a 1950s blonde bombshell, she began a theatre career in Milan. She met Dario Fo when they were members of the same company. Fo was smitten from an early stage and to his surprise and delight the attraction was mutual. They married in 1954 and their son Jacopo, now himself a writer, was born in 1955.

Rame had a brief but only modestly successful movie career before switching her focus to the theatre. As a professional partnership, she and Fo's first hit, Gli Arcangeli non Giacano a Flipper – Archangels Don’t Play Pinball – played at the Odeon theatre in Milan in 1959, where they were subsequently invited to write and perform a new play every year. 

Subsequent successes included Isabella, Tre Caravelle e un Cacciaballe – Isabella, Three Sailing Ships and a Con Man – set in Spain in the early years of the inquisition, in which Rame played Queen Isabella.

Dario Fo with Franca Rame and their son Jacopo

In time, however, they gave up commercial theatre in favour of forming co-operative groups and in 1970 founded their own militant theatre group, La Comune, based at the Palazzina Liberty, an abandoned pavilion. It was there that Rame starred in Fo’s acclaimed Non Si Paga! Non Si Paga! (Can’t Pay? Won’t Pay!) and that she wrote and performed in a one-woman show Tutta Casa, Letto e Chiesa (It’s All Bed, Board and Church).

Their relationship was turbulent at times and at one stage she announced their separation. Yet they patched up their differences and even sent themselves up in a play, Coppia Aperta (The Open Couple).

Rame and Fo were particularly despairing of Italy’s support for Silvio Berlusconi when the country shifted to the right in the 1990s, even more when he was granted a return to power in 2001. Their play L’Anomalo Bicefalo (The Two Headed Anomaly), a satire about a political rally in Sicily which features an assassination attempt on Berlusconi and the Russian leader Vladimir Putin, infuriated Berlusconi when Rame’s performance in a comic scene as his wife, Veronica, was praised by Veronica herself.

Her opposition to Berlusconi was part of her motivation for joining forces with Di Pietro, for whom Berlusconi’s scorn had been undisguised during the Mani Pulite trials, prior to her election to the senate.

Rame is buried at the Monumental Cemetery in Milan.

The Prepositurale church in Parabiago

Travel tip:

Parabiago grew as an industrial centre in the 1960s, when its footwear industry, established in the late 19^th century, enjoyed a boom. It became known as The City of the Shoe. Notable churches include the Prepositurale church dedicated to saints Gervasio and Protasio, built in 1610 on the orders of the Bishop of Milan, San Carlo Borromeo. The neoclassical façade, added between 1780 and 1781, was designed by Giuseppe Piermarini. Parabiago is also home to Villa Maggi-Corvini , or simply Villa Corvini, located at the beginning of the historic Via Santa Maria. The villa is part of the Parco Corvini municipal park, which is open to the public.

The Palazzina Liberty used to be the cafeteria-restaurant
at the Verziere market in Milan

Travel tip:

The Palazzina Liberty in Milan’s Parco Vittorio Formentano, on the eastern side of the city centre, was built in 1908 to house the cafeteria-restaurant in the Verziere fruit and vegetable market but fell into disuse when the market moved to a different location. Dario Fo took it over in the 1970s and in 1980 it became home to Milan’s civic orchestra before being renovated in 1992 and opened as a cultural and recreational facility for the city, hosting orchestral concerts, film festivals and poetry events among other things.

More reading:

Enrico Berlinguer - the politician who put Italian Communism on the map

How Dario Fo put the spotlight on corruption in Italian government

Books of Leonardo Sciascia put spotlight on corruption in Sicily

Also on this day:

1926: The birth in Italy of English TV personality Katie Boyle

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