Adriano Celentano – singer and actor

Italy’s biggest-selling recording artist of all time

Adriano Celentano on stage in 2012

The pop singer and movie actor Adriano Celentano, who is estimated to have sold in the region of 200 million records in a career spanning 60 years, was born on this day in 1938 in Milan.

One of the most important and influential figures in Italian pop culture, Celentano enjoys such enduring popularity that when he gave his first live performance for 18 years at the Arena di Verona in 2012, screened on the Canale 5 television channel, it attracted an audience of more than nine million viewers.

He has recorded more than 40 albums, the latest of which, Tutti le migliori (All The Best) reviving his collaboration with another veteran Italian star, Mina, was released only last year and included new material.

Celentano’s biggest individual hits include Stai lontana di me (Stay away from me, 1962), Si è spento il sole (The sun has gone out, 1962), Pregherò (I will pray, 1962), Il ragazzo della via Gluck (The boy from Gluck Street, 1966), La coppia più bello del mondo (The most beautiful couple in the world, 1967), Azzurro (Blue, 1968), Sotto le lenzuola (Under the sheets, 1971), Ti avrò (I will have you, 1978) and Susanna (1984).

He also had an unexpected worldwide hit in 1972 with Prisencolinensinainciusol – a made-up word that Celentano sung in such a way as to demonstrate what American English – the language of most pop songs – sounds like to a non-English speaking Italian.

Celentano, centre, with his 1950s band The Rock Boys

Celentano also appeared in more than 30 films and countless TV shows, mainly comedies, in which he developed a character with comic facial expressions and a distinctive way of walking. It was no surprise that he was a great fan of the zany American comic actor Jerry Lewis.

One of his earliest parts was in Federico Fellini’s classic La Dolce Vita, in which he played a rock musician, while his most acclaimed role was in Pietro Germi’s Serafino, in which he played a simple shepherd who inherits a fortune from a wealthy art and squanders it all before returning to his old life in the mountains.

Born in Milan in Via Cristoforo Gluck, in a modest neighbourhood near Milano Centrale station, Celentano grew up obsessed with the American rock and roll scene.  His early music was pure rock and roll, heavily influenced by Elvis Presley, Little Richard and Bill Haley, whose iconic track Rock Around the Clock was part of the soundtrack of Blackboard Jungle, the film that captured the imagination of Celentano and his fellow teenagers when it was released in 1955.

He and a group of friends formed a group The Rock Boys, who recorded covers of Rip It Up, Jailhouse Rock, Blueberry Hill and Tutti Frutti.  They are credited now with having introduced Italy to the rock and roll genre.

Celentano with his wife, actress Claudia Mori, on the
set of a TV show in 1972

As his career developed, he won the Sanremo Music Festival in 1970 with Chi non lavora non fa l’amore (Who does not work does not make love), in which he partnered his wife, Claudia Mori.

He had met Claudia, a beautiful actress and singer from Rome, on the set of a film in 1963 and they married secretly in Grosseto the following year.  

Mori, who appeared with her husband in several films as well as accompanying him in several duets, is the manager of his record company, Clan Celentano. They have three children – Rosita, Giacomo and Rosalinda, all born in the 1960s.

In the 1970s, Celentano was so popular and the demand for tickets for his concerts so great he began to stage events at football stadiums, playing to 65,000 at the San Paolo stadium in Naples and 50,000 at the football stadium in Rimini.

He has several times taken long breaks from performing live, in order to focus on other projects. After 14 years without going on stage, he made a comeback of sorts in 2008 at the Giuseppe Meazza Stadium in Milan – home of his beloved Internazionale – as part of the celebrations for the club’s centenary.

Scene at the Arena di Verona for Celentano's 2012 concert

It set the seed for him to plan his 2012 show in Verona, where he demonstrated that his voice had lost none of its power and sophistication, reeling off a string of his greatest hits from six decades of music.

Increasingly a political figure – many of his songs carry strong messages – he is a supporter of the centre-right Five Star Movement, led by his long-time friend Beppe Grillo.

The Palazzo del Ghiaccio now stages events such as banquets
in a uniquely striking setting 

Travel tip:

Adriano Celentano made his performing debut in 1957 at the Palazzo del Ghiaccio (The Ice Palace), a beautiful Art Nouveau building in Via Piranesi, in the Porta Vittoria area of the city. Opened in 1923, covering 1,800 square metres, it was once the major covered ice rink in Europe and one of the largest in the world. The building was seriously damaged during the Second World War but was restored and reopened and remained an active venue for skating events until 2002. It has also hosted boxing, fencing and basketball among other sports, as well as entertainment events such as the Italian Festival of Rock and Roll at which Celentano took his first bows. His contemporary Mina played there for the first time in 1959. The Palazzo is still an important venue today for fashion shows, exhibitions, business conventions, concerts and other events.

The Piazza Cinque Giornate in Milan

Travel tip:

Porta Vittoria was formerly known as Porta Tosa, the eastern gate of the Spanish walls of the city in the 16^th century. It was renamed Porta Vittoria with Italian unification in 1861 in respect of its historical significance, having been the seen of a battle between Milanese rebels and the occupying Austrian forces during the so-called Five Days of Milan in 1848.  The actual gate was demolished in 1881 and its location in what is now Piazza Cinque Giornate is marked with an obelisk designed by Giuseppe Grandi.

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Dr Michele Navarra – physician and Mafia boss

Hospital doctor who headed Corleone clan

Michele Navarra was an eminent
physician in Corleone

Michele Navarra, an extraordinary figure who became the leading physician in his home town of Corleone while simultaneously heading up one of the most notorious clans in the history of the Sicilian Mafia, was born on this day in 1905.

Dr Navarra was a graduate of the University of Palermo, where he studied engineering before turning to medicine, and became a captain in the Royal Italian Army. He could have had a comfortable and worthy career as a doctor.

Yet he developed a fascination with stories about his uncle, Angelo Gagliano, who had until he was murdered when Navarra was a boy of about 10 years old been a member of the Fratuzzi – the Brothers – a criminal organisation who leased agricultural land from absentee landlords and then sublet it to peasant farmers at exorbitant rates, enforcing their authority by extorting protection money, as well as by controlling the hiring of workers.

As the son of a land surveyor, Navarra already enjoyed privileges inaccessible to most of the population and his medical qualifications only further lifted his standing in the community. Somehow, though, it was not enough.

After the Allied invasion of Sicily in 1943, having co-operated with the Anglo-American forces, Navarra took advantage of his relationship with Angelo di Carlo, a Sicilian cousin in the American marines who had used his Mafia connections to become a vital go-between for the Office of Strategic Services (precursor of the CIA) in obtaining intelligence ahead of the invasion.

Navarra, along with a fellow doctor, was killed in his
 car in an ambush on a country road

The occupying army were determined to remove Fascist party members from power on the island, so Navarra presented himself as an anti-Fascist and, with Di Carlo’s help, secured the right to round up and take possession of all military vehicles abandoned by the Italian army.

He used some of these to set up a regional bus service but others became vital to his cattle rustling operations, which enabled him to establish himself as an important figure in the criminal underworld, to the extent that, when Corleonese clan boss Cologero Lo Bue died in 1944 – from natural causes – Navarra was able to fight off a challenge from Vincenzo Collura, a Sicilian-born American gangster, to take over as Lo Bue’s succssor.

At the same time, remarkably, Dr Navarra was advancing his medical career.  In 1946, he was appointed the lead physician at Corleone’s local hospital (after his predecessor was mysteriously murdered) and enjoyed enormous respect in the community for his skill and diligence, and his generosity in waiving fees for those in financial hardship. Often, he would be invited to be godfather to the children of grateful patients.

When Corleone people spoke of him, they called him 'u patri nostru - Sicilian dialect for 'our father'.

Luciano Leggio, Navarra's former lieutenant,
ultimately betrayed his boss

Yet it was his criminal activity that was the real source of his wealth and power. The Corleonese clan controlled not only cattle rustling but all manner of other activities, legitimate or otherwise, thanks to Dr Navarra’s influence in the award of local government contracts.

As a member of the Christian Democrat party, he did what he could to keep the party in power locally and was duly rewarded, even if his methods were somewhat unusual.  Voters were often escorted into the polling booths by gang members to ensure they voted the right way, Dr Navarra having issued certificates to say they were blind had to be assisted at the ballot box.

More sinisterly, he despatched his young lieutenant, Luciano Leggio, to murder Placido Rizzotto, a trade union leader who was gaining popularity for the Socialist party.

Navarra exploited his standing to develop powerful political allies, who in turn handed him prestigious positions.  For a while, for example, he was the official medical adviser to Ferrovie dello Stato, the state rail network.

He was always well dressed, genteel even, yet almost every week he would issue the order for someone to be killed, either an opponent or an individual who in some way was an impediment to his progress.

Navarra was careful to keep his own hands clean, always commissioning murders through a third party. Seldom could a killing be traced back to him, although he was sent into exile in Reggio Calabria after being accused of personally silencing, though a lethal injection, the only witness to the Rizzotto murder.

It was during his exile that his former underling, Leggio, developed his own rackets and tried to seize power. Navarra tried to have him killed in the summer of 1958 but the plot failed and it was only a few months later that Navarra's car was ambushed on an isolated country road and he died, along with an innocent colleague from the hospital, in a hail of machine gun fire.

Among the suspected killers were two notorious future bosses of the Corleonese clan, Salvatore ‘Toto’ Riina and Bernardo Provenzano.

The Palazzo Chiaramonte-Steri

Travel tip:

The University of Palermo, founded in 1806 but with roots in learning traceable to the 15^th century, when medicine and law were first taught on the site, is home to about 50,000 students.  It is notable among other things for the Palazzo Chiaramonte-Steri, the 14^th century palace that was once the home of the powerful Sicilian ruler Manfredi III Chiaramonte, which now houses the rector’s office and a museum, and the 30-acre Orto Botanico (Botanical Gardens).

The Palazzo Comunale overlooks the Piazza Garibaldi
at the heart of Corleone

Travel tip:

Although the town of Corleone was immortalised in fiction by Mario Puzo’s novel The Godfather and the film of the same name, its Mafia past is only too real and citizens lived an oppressed life for many years, fearful of even admitting that the secret society existed.  Nowadays, there are organisations that are proudly anti-Mafia and the confiscated home of one-time leader Bernardo Provenzano has been turned into an anti-Mafia museum and art gallery in memory of Paolo Borsellino, the anti-Mafia magistrate who was murdered in 1992.

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Gaetano Merola – conductor and impresario

Neapolitan who founded the San Francisco Opera

Gaetano Merola ran the San Francisco Opera
Company for 30 years

Gaetano Merola, a musician from Naples who emigrated to the United States and ultimately founded the San Francisco Opera, was born on this day in 1881.

Merola directed the company and conducted many performances for 30 years from its opening night in September 1923 until his death in August 1953.

He literally died doing what he loved, collapsing in the orchestra pit while conducting the San Francisco Symphony Orchestra during a concert at an outdoor amphitheatre in the city.

The son of a violinist at the Royal Court in Naples, Merola studied piano and conducting at the Conservatorio di San Pietro a Majella in Naples, graduating with honours at the age of 16.

Three years later he was invited to New York to work as assistant to Luigi Mancinelli, another Italian emigrant, born in Orvieto, who was a noted composer and cellist who was lead conductor of the New York Metropolitan Opera.

Demand for his services grew and he made regular guest appearances with companies across America and beyond, including a stint at Oscar Hammerstein’s London Opera House on the site of what is now the Peacock Theatre in Holborn.

Merola in action with the baton

He became a regular visitor to San Francisco with Fortune Gallo’s San Carlo Opera Company – named after the Naples opera house – and it was after becoming acquainted with many opera enthusiasts there that he identified the city as potentially one to rival New York as a centre that could attract the world’s top stars.

Merola noted how much the city was prepared to pay to have such illustrious companies as the Chicago Opera and the Scotti Company as well as the San Carlo to perform there and determined that he would be the man to give San Francisco its own company and make it as prestigious as any across the country.

Invited to make his home there by a philanthropic patron of the arts who set Merola and his wife up in an apartment, he immersed himself in the city’s large Italian community, where there was much enthusiasm about his ambition to bring the world's finest opera stars to the city.

When, in 1922, he hit upon the idea of a two-week season of open air concerts at Stanford Stadium, where he had noted during a football game how much the half-time marching band benefitted from the venue’s acoustics, they were all for it and there was no shortage of businessmen and wealthy professionals from the community willing to offer financial support, investing between $500 and $1,000 each in the venture.

Beniamino Gigli was one of the big names Merola
was able to attract to perform in San Francisco

Merola signed up many stars of the day, including the Italian tenor Giovanni Martinelli, the American soprano Bianca Soraya and the Spanish baritone Vincente Ballester. The audiences were large and enthusiastic, rising from around 6,000 for the opening performance of I Pagliacci to 10,000 for Faust on the closing night.

Yet it made no money.  Indeed, once the costs were reckoned up, Merola had to tell his backers they were liable to a $19,000 shortfall.  He feared his dream was over until Giulio Stradi, a produce retailer who was one of the bigger investors, spoke up for the rest of the group by putting an arm round Merola’s shoulder and telling him the experience had been worth every penny.

They paid his dues in full and encouraged him to pursue another funding scheme, this time not relying on the largesse of a small number of wealthy patrons but by finding 750 individuals willing to pay $100 each, which included a $50 season ticket.

In the event, Merola attracted more than 2,400 investors and comfortably hit his funding target. His San Francisco Opera Company was born and made its debut at the city’s Civic Auditorium with Martinelli and soprano Queena Mario starring in Puccini’s La bohème.

The War Memorial Opera House opened in 1932

More productions followed, with headline stars including Beniamino Gigli and Giuseppe de Luca, and by the end of the 1923-24 season he was able to pay his investors a dividend.

The San Francisco Opera was now established and its continued success in spite of the financial Depression led in 1931 to the construction of a permanent home, the grand Palladian-style War Memorial Opera House, designed by the architect Arthur Brown Jr.  It opened in October 1932 with a performance of Puccini’s Tosca, with the Italian soprano Claudia Muzio in the title role.

Merola began to wind down in the 1940s, bringing in Arturo Toscanini’s assistant Kurt Herbert Adler to serve as conductor, choral director and his deputy.  Merola, meanwhile, continued to use his contacts to attract the biggest names to San Francisco, including Tito Gobbi, Renata Tebaldi and Mario del Monaco.

After Merola’s death, which came as he conducted an excerpt from Puccini’s Madama Butterfly at the Sigmund Stern Grove amphitheatre, Adler established in his honour the Merola Opera Program to provide training for young singers.

The San Francisco Opera still thrives to this day.  In 2002, when it celebrated its 80^th anniversary, the guests included 98-year-old Louise Dana – the former Louise Stradi, daughter of Giulio, who had helped Merola with the organisation of his first season.

The Conservatorio di San Pietro a Majella

Travel tip:

The Conservatorio di San Pietro a Majella – often known as the Naples Conservatory – can be found a short distance from Piazza Dante in the centre of Naples. Along with the adjacent church, it is part of the former San Pietro a Majella monastic complex, built at the end of the 13th century. The conservatory houses an impressive library of manuscripts giving an insight into the life and work of many great composers who spent time there, including Scarlatti, Pergolesi, Cimarosa, Rossini, Bellini, and Donizetti. The museum has a display of rare antique musical instruments.

The Teatro di San Carlo in Naples is the oldest continuously
 active opera venue in the world 

Travel tip:

The Teatro di San Carlo, the opera house of Naples, was opened in 1737 after the Bourbon king Charles III of Naples commissioned its construction as a replacement for the small and somewhat dilapidated Teatro San Bartolomeo, which was no longer big enough to satisfy demand in the city after the popular composer Alessandro Scarlatti had decided to base himself there and was establishing Naples as a major centre for opera.  Although it was partly destroyed by a fire in 1816, the theatre was rebuilt on the orders of Charles III’s son, King Ferdinand IV, and is regarded as the oldest continuously active public venue for opera in the world, predating Milan’s Teatro alla Scala and Venice’s Fenice by several decades.

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Pietro Metastasio – poet and librettist

From street entertainer to leading libretto writer

Pietro Metastasio became Europe's
most celebrated librettist 

Pietro Metastasio, who became Europe’s most celebrated opera librettist in the 18th century, was born on this day in 1698 in Rome.

He was christened Pietro Antonio Domenico Trapassi, one of four children born to Felice Trapassi, from Assisi and Francesca Galasti from Bologna. His father served in the papal forces before becoming a grocer in Via dei Cappellari.

While still a child, Pietro could attract crowds by reciting impromptu verses. On one occasion, in 1709, Giovanni Vincenzo Gravina, director of the Arcadian Academy, stopped to listen. He was so impressed that he made the young boy his protégé and later adopted him, changing his surname to Metastasio.

He provided the young Metastasio with a good education and encouraged him to develop his talent.

When Gravina was on his way to Calabria on a business trip, he exhibited Metastasio in the literary circles of Naples, but after the young boy became ill, he placed him in the care of a relative to help him recuperate.

Gravina decided Metastasio should never improvise again but should concentrate on his education and reserve his talent for nobler efforts.

The title page of Metastasio's libretto
Glo orti esperidi

At the age of 12, Metastasio translated the Iliad into octave stanzas and two years later he composed a tragedy based on Gravina’s favourite epic poem.

After Gravina died, Metastasio inherited his fortune. He recited an elegy to his patron at a meeting of the Arcadian Society in Rome.

But within two years he had spent all his money and he decided to become a lawyer in Naples.

While working in a lawyer’s office he composed a poem for Donna Anna Francesca Ravaschieri Pinelli di Sangro on the occasion of her marriage to the Marchese Don Antonio Pignatelli.

In 1722, while Naples was under Austrian rule, he was asked to compose a serenata to mark the birthday of Empress Elisabeth Christine. He wrote Gli orti esperidi, which was set to music by Nicola Porpora and featured Porpora’s pupil, the castrato Farinelli.

Marianna Bulgarelli, who played Venus in the opera, persuaded Metastasio to give up law and promised him fame and financial independence.

In her house he met the great composers of the day, such as Scarlatti and Pergolesi, who later set his plays to music. Bulgarelli adopted him, along with the whole Trapassi family, who came to live with them.

The monument in Metastasio in
Rome's Piazza della Chiesa Nuova

Metastasio wrote a string of dramas, earning a reasonable sum of money for each work, but he always longed for a fixed income.

When he was offered the post of court poet in Vienna he accepted willingly and set off at once, leaving his family in Bulgarelli’s devoted care.

Between the years 1730 and 1740 he wrote some of his finest dramas for the imperial theatre.

The libretto for Adriano in Siria was used by more than 60 composers during the 18th and early 19th centuries.

From about 1745 his output began to decline, although some of the cantatas he wrote at that time were later to become very popular.

His works were translated into French, English, German, Spanish and modern Greek and set to music over and over again by the top composers.

Metastasio died in 1782, while still in Vienna , at the age of 84.

The Palazzo Farnese is now used for the French Embassy

Travel tip:

The Arcadian Society in Rome used to meet at Palazzo Farnese, the home of the former Queen of Sweden. Queen Christina had abdicated from her throne, converted to Roman Catholicism and moved to Rome, where she became a cultural leader and the protector of artists, musicians and writers. She was allowed to lodge in Palazzo Farnese, an important renaissance building, by Pope Alexander VII.  The palace, in Piazza Farnese in the Campo dè Fiori area of Rome is now used as the French Embassy.

The Teatro San Bartolomeo 

Travel tip:

Metastasio’s libretto for the opera Didone abbandonato, with music by the composer Domenico Sarro, was first heard at the Teatro San Bartolomeo in Naples in 1724. Teatro San Bartolomeo closed in 1737 when the newly-built Teatro San Carlo replaced it as the royal opera house in Naples . It was demolished to make way for the Chiesa di Santa Maria delle Grazie, but remnants of the old theatre’s boxes can still be seen in the church, which is in vico Graziella al Porto, behind the Church of the Pietà dei Turchini, accessible through narrow alleys from Via Medina in the San Giuseppe Carità district. 

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