Giovanni Aldini - physicist

Professor thought to have given Mary Shelley the idea for Frankenstein

Giovanni Aldini picked up the mantle of his uncle, Luigi
Galvani, in his experiments with bioelectricity

The physicist and professor Giovanni Aldini, whose experiment in trying to bring life to a human corpse is thought to have inspired Mary Shelley’s novel Frankenstein, was born on this day in 1762 in Bologna.

The nephew of Luigi Galvani, who discovered the phenomenon that became known as galvanism, one of Aldini’s goals in life was to build on his uncle’s work in the field of bioelectricity.

Galvani’s discovery that the limbs of a dead frog could be made to move by the stimulation of electricity sparked an intellectual argument with his rival physicist Alessandro Volta that he found uncomfortable. When he was then removed from his academic and public positions after Bologna became part of the French Cisalpine Republic in the late 18th century, Galvani was unable to progress his experiments as he would have liked.

Aldini essentially picked up his uncle’s mantle and was determined to discover whether the effect of an electrical impulse on the body of a frog could be reproduced in a human being.

Aldini conducing experiments in galvanism, as
depicted in a 19th century book

His most famous experiment came in 1803, when he was given permission to test his electrical equipment on the corpse of George Forster shortly after he had been hanged at Newgate Prison in London, following his conviction for the murder of his wife and daughter, whose bodies were found in the Paddington Canal not long after the last sighting of them alive at the nearby Mitre Tavern.

Aldini had chosen to conduct this experiment in England because most other European countries carried out executions by beheading, and he felt needed a corpse that was fully intact.

Forster’s body was taken directly from the gallows to a nearby house, where Aldini conducted experiments using conducting rods and a battery, the existence of which, ironically, he owed to his uncle’s rival, Volta.

In front of an audience of surgeons, Aldini successful made the corpse’s facial muscles contort, causing his jaw to twitch and one eye to open. He was then able to cause the dead body to raise his right arm with a clenched fist, and to produce movement in the thighs and lower legs.

The future Mary Shelley would have been only five at the time yet as she grew up she learned all about Galvani, Volta and Aldini through two friends of her father, Humphry Davy (famously the inventor of the Davy safety lamp) and William Nicholson, who were leading electrical researchers.

Mary Shelley, as portrayed in a miniature
painting by Reginald Easton in 1857

During the summer of 1816, it is known that Mary Shelley was in Geneva with her future husband, the poet Percy Shelley, and Lord Byron, and that among the topics of their conversation was the potential for re-animating a corpse with electricity.

At around the same time, the three friends, along with another writer, John Polidori, decided they would have a competition to see who could write the best horror story.  Mary came up with a tale of a young scientist, Victor Frankenstein, who creates a grotesque, monstrous but humanoid creature, which he brings to life with electrical charges.

The brother of Count Antonio Aldini, a statesman, Aldini followed Galvani in becoming professor of physics at the University of Bologna.

He devoted himself to his scientific work, which was mainly focussed on galvanism, anatomy and its medical applications, along with the construction and illumination of lighthouses, and with experiments for preserving human life and material objects from destruction by fire.

He died in Milan in 1834, bequeathing a considerable sum to found a school of natural science for artisans at Bologna.

A courtyard at the historic Palazzo Poggi in Bologna

Travel tip:

The University of Bologna, the oldest university in continuous use in the world, has sites dotted around the centre of Bologna.  Its headquarters are in the Palazzo Poggi, in Via Zamboni, about 1km (0.62 miles) northeast of the Fountain of Neptune just around the corner from Piazza Maggiore. The palace is adorned with many frescoes painted by Mannerist and early Baroque artists, including Prospero Fontana, Pellegrino Tebaldi and Niccolò dell'Abbate.

The Basilica of San Petronio, with its half-finished facade

Travel tip:

Bologna is a progressive, left-leaning city with a lively student population and considerable history and culture. Italians regard it as one of the country’s most beautiful cities and has the advantage of being not nearly as busy as Rome, Florence and Venice, which tend to the the magnets for overseas visitors.  The Piazza Maggiore, the medieval Asinelli and Garisenda towers and the Basilica of San Petronio, with its half-finished facade - pink marble at the bottom with bare bricks above - are among the main sights.  Another advantage, apart from the lack of crowds, in the summer months are the 45km of porticoed walkways.

More reading:

Luigi Galvani, the father of bioelectricity

Alessandro Volta and the world's first battery

The death of the poet Percy Bysshe Shelley


Also on this day:

1926: Airship leaves Rome on mission to North Pole

1991: The Moby Prince ferry disaster


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Treaty of Lodi

When the battles stopped (briefly) in northern Italy

The Peace of Lodi required the map of
15th century Italy to be redrawn

The Treaty of Lodi, which brought peace between rival states in the north of Italy for 40 years, was signed on this day in 1454 at Lodi in Lombardy.

Also known as the Peace of Lodi, it established a balance of power among Venice, Milan, Naples, Florence and the Papal States.

Venice had been faced with a threat to its commercial empire from the Ottoman Turks and was eager for peace and Francesco Sforza, who had been proclaimed Duke by the people of Milan, was also keen for an end to the costly battles.

By the terms of the peace, Sforza was recognised as ruler of Milan and Venice regained its territory in northern Italy, including Bergamo and Brescia in Lombardy.

The treaty was signed at the Convent of San Domenico in Via Tito Fanfulla in Lodi, where a plaque today marks the building, no longer a convent.

Milan’s allies, Florence, Mantua and Genoa, and Venice’s allies, Naples, Savoy and Montferrat, had no choice but to agree.

A plaque marks the building in Lodi where the treaty was signed

A 25-year mutual defensive pact was agreed to maintain existing boundaries and an Italian league, Lega Italica, was set up.

The states promised to defend one another in the event of an attack and to support a contingent of soldiers to provide military aid. The league was soon accepted by almost all the Italian states.

It was not entirely effective and individual states continued to pursue their own interests against others, but the peace lasted until the French invaded the Italian peninsula in 1494, initiating the Italian Wars.

Lodi's main square, Piazza della Vittoria

Travel tip:

Lodi, where the treaty was signed, is a city in Lombardy, to the south of Milan and on the right bank of the River Adda. The main square, Piazza della Vittoria, has been listed by the Touring Club of Italy as among the most beautiful squares in Italy with its porticoes on all four sides. Nearby Piazza Broletto has a 14th century marble baptismal font from Verona.

The imposing walls of Bergamo's Citta Alta are a
legacy of  the city's time under Venetian rule 

Travel tip:

Bergamo in Lombardy, which was handed over to Venice under the terms of the Treaty of Lodi, is a fascinating, historic city with two distinct centres. The Città Alta (upper town) is a beautiful walled city with buildings that date back to medieval times. The elegant Città Bassa (lower town) still has some buildings that date back to the 15th century, but more imposing and elaborate architecture was added in the 19th and early 20th centuries. The Città Alta’s magnificent walls were built by the Venetians between 1561 and 1588 to make it a fortified city and to protect their trade routes. Bergamo continued to be ruled by the Venetians until the 18th century when the French took over after the Napoleonic Wars.


More reading:

The devastating 1527 Sack of Rome in the Italian Wars

The end of the Venetian republic

How Lorenzo the Magnificent helped preserve the Peace of Lodi

Also on this day:

1933: The birth of Gian Maria Volonté

1948: The birth of '60s pop star Patty Pravo


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Lorenzo the Magnificent - Renaissance ruler

Patron of the arts who sponsored Michelangelo and Botticelli

A portrait of Lorenzo the Magnificent by the
Florentine artist Agnolo Bronzino

Lorenzo de’ Medici, the ruler of Florence usually known as Lorenzo the Magnificent, died on this day in 1492 in the Medici villa at Careggi, just to the north of the city.

He was only 43 and is thought to have developed gangrene as a result of an inherited genetic condition.  He had survived an assassination attempt 14 years earlier in what became known as the Pazzi Conspiracy, in which his brother, Giuliano, was killed.

The grandson of Cosimo de’ Medici, Lorenzo was a strict ruler but history has judged him as a benevolent despot, whose reign coincided with a period of stability and peace in relations between the Italian states.

He helped maintain the Peace of Lodi, a treaty agreed in 1454 between Milan, Naples and Florence which was signed by his grandfather.

However, he is most remembered as an enthusiastic patron of Renaissance culture, providing support for poets, scholars and artists, notably Michelangelo and Botticelli.

He contributed more than anyone to the flowering of Florentine genius during the second half of the 15th century. Respected himself for his poetry, he held lavish parties for his artistic friends at the Careggi villa and was the protector of artists such as Giuliano da Sangallo, Botticelli, Andrea del Verrocchio, and Verrocchio’s pupil Leonardo da Vinci.

A young Lorenzo as he appeared in
Botticelli's Adoration of the Magi

Lorenzo opened a school of sculpture, at which he noticed the great talent of a 15-year-old pupil called Michelangelo Buonarroti, whom he took under his wing and brought up like a son.

Sandro Botticelli repaid his patronage by using Medici family members as models in some of his most famous religious paintings. In his Madonna of the Magnificat, for example, one of the figures is Lorenzo, while the Madonna is his mother, Lucrezia Tornabuoni. Lorenzo also appears in Botticelli’s Adoration of the Magi, while Mars in his Mars and Venus is Lorenzo’s brother, Giuliano.

In addition to his patronage of artists, Lorenzo also expanded the collection of books begun by Cosimo, which became the Medici Library. He retrieved large numbers of classical works from the East, which he had copied and shared with other countries across Europe. He also supported philosophers such as Marsilio Ficino, Poliziano and Giovanni Pico della Mirandola.

Although the assets of the Medici bank were diminished during Lorenzo’s rule, partly through the family focussing more on power than the actual source of their power, i.e. money, they were still not short of jealous rivals and the Pazzi family fell into this category.

With the support of Pope Sixtus IV, Francesco Pazzi conspired with Girolamo Riario, the Lord of Imola, and Francesco Salviati, the archbishop of Pisa, to attack Lorenzo and Giuliano, who were joint rulers of Florence at the time, during High Mass at the Duomo.

The goal was to kill both and seize power, but while Giuliano was being stabbed to death Lorenzo escaped into the sacristy, where he hid from the assassins. The coup d’état therefore failed and it is estimated that around 80 people, either conspirators or their associates, were captured and executed in the months that followed.

Controversially, it was Lorenzo de’ Medici, taking advice from his friend, Giovanni Pico della Mirandola, who was responsible for the return to Florence of the firebrand priest Girolamo Savonarola, who had left his position at the Convent of San Marco some years earlier after proposing sweeping reforms to the Catholic Church.  Savonarola’s preaching, in which he railed against despotic rulers and the exploitation of the poor, and persuaded people that works of art and literature were sinful and should be destroyed, would eventually provoke the overthrowing of the Medici family.

The Palazzo Pitti was acquired by the Medici family
from the Florentine banker Luca Pitti

Travel tip:

Florence has a wealth of preserved antiquity, but one of the finest examples of true Renaissance architecture is the Palazzo Pitti - the Pitti Palace - which was originally commissioned in 1458 as a house for the Florentine banker Luca Pitti, a friend and supporter of Cosimo de’ Medici. Designed by Luca Fancelli, a pupil of Filippo Brunelleschi, it is characterised by a strong, symmetrical structure, wide arches and rusticated stone pillars and walls. It was later sold to Eleonora di Toledo, wife of Cosimo I de Medici (not to be confused with Cosimo de’ Medici, who came from a different branch of the family) , and remained in the Medici family for centuries. Today it houses the biggest museum in Florence and a number of art galleries, and looks out across the Boboli Gardens, created on land Eleonora bought from the wealthy Boboli family.

The Villa Careggi, where Lorenzo died in 1492

Travel tip:

In common with his grandfather, Cosimo, Lorenzo died at the Villa Careggi, originally a working farm acquired in 1417 by Cosimo’s father to make his family self-sufficient. Cosimo employed the architect Michelozzo to remodel it around a central courtyard overlooked by loggias. Lorenzo extended the terraced garden and the shaded woodland area. Careggi, which is not far from Florence’s airport, is nowadays a suburb of the city, about 8km (5 miles) northwest of the centre.

More reading:

Cosimo de' Medici - founder of the Medici banking dynasty

Girolamo Riario - the papal military leader murdered after failed Pazzi plot

The rival in the court of Lorenzo who broke Michelangelo's nose

Also on this day:

1848: The death of the composer Gaetano Donizetti

1868: The birth of equestrian pioneer Federico Caprilli, who revolutionised jumping technique


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Marco Delvecchio - footballer

Striker who became TV dance show star

Marco Delvecchio scored four goals in 22
appearances for the Italy national team

The former Roma and Italy striker Marco Delvecchio, who launched a new career in television after finishing runner-up in the Italian equivalent of Strictly Come Dancing, was born on this day in 1973 in Milan.

Delvecchio scored 83 goals in exactly 300 appearances for Roma, where he was part of the side that won the Scudetto in 2000-01 and where he became a huge favourite with fans of the giallorossi because of his penchant for scoring against city rivals Lazio.

His record of nine goals in the Rome derby between 2002 and 2009 was the best by any player in the club’s history until that mark was overtaken by the Roma great Francesco Totti, whose career tally against Lazio was 11.

Delvecchio’s talents were somewhat underappreciated at international level. He made 22 appearances for the azzurri and the first of his four goals was in the final of Euro 2000 against France, although he finished on the losing side. Yet after being favoured by Dino Zoff, he was not so popular with Zoff’s successor as head coach, Giovanni Trapattoni, who took him to the 2002 World Cup but did not give him a game, and omitted him from his squad for the 2004 Euros.

Delvecchio enjoyed his best
days in a Roma shirt

Unusually, after 17 seasons, 395 appearances and 94 goals in professional football, Delvecchio ended his career with an amateur club in the Rome area, Pescatori Ostia, for whom he scored 34 goals in one season.

Three years after quitting football, Delvecchio accepted an invitation to appear in the 2012 edition of Ballando con le Stelle (Dancing with the Stars) and finished second with professional partner Sara Di Vaira. 

Popular with viewers, Delvecchio then teamed up with former Internazionale and Italy striker Christian Vieri in their own show, called Bobo e Marco - i re del ballo (Bobo and Marco - the kings of dance) - on satellite channel Sky Uno, in which the two ex-players went on their travels to examine dance culture around the world.

Delvecchio’s TV career has continued to develop. A regular football pundit on Sky Sports, Teleradiostereo, Retesport and Radio 105, he has recently taken part in a third dance show, Dance Dance Dance, on FoxLife, paired with his 18-year-old daughter Federica.

Almost 6ft 2ins (1.86m) in height, Delvecchio was characteristically strong in the air as a player but with quick feet too.  Brought up through the youth system at Inter, he made his senior debut shortly before he turned 19 in a Coppa Italia match against Juventus and his first appearance in Serie A came against Fiorentina a few days later.

He established himself in the Inter team after gaining experience on loan at Venezia and Udinese but was then sold to Roma, where he became a key player in a team bursting with attacking talent, playing initially alongside Daniel Fonseca and Abel Balbo and later with Gabriel Batistuta and Vincenzo Montella, as well as the emerging Francesco Totti.

Delvecchio with professional partner Sara Di Vaira
in the 2012 edition of Ballando con le stelle

Trophy success came his way under the coaching of Fabio Capello, who led Roma to the Serie A title in 2000-01 and the Supercoppa Italiana later in 2001.

In international football, Delvecchio was a member of the Italian team that won the UEFA European Under-21 championships in 1994 and 1996 and played for the Italy team at the 1996 Olympics in Atlanta, before making his senior azzurri debut under Zoff in December 1998.

Established in the Zoff team that qualified for Euro 2000, hosted by Belgium and the Netherlands, Delvecchio was close to scoring a winner under the now defunct Golden Goal rule in the semi-final against the Netherlands, which the azzurri ultimately won on penalties, before scoring his first senior international goal to put Italy ahead in the final against France in Rotterdam, which ended in heartache for the Italians after Sylvain Wiltord equalised in the last minute of stoppage time, forcing a period of extra time in which David Trezeguet hit a Golden Goal winner for France.

In domestic football, Delvecchio left Roma in 2005 and had spells with Brescia, Parma and Ascoli, where injury forced the termination of his contract and obliged him to have a year out of the game. He came out of retirement to help a former Roma teammate, Massimiliano Cappioli, launch his coaching career with Pescatori Ostia in Eccellenza Lazio, an amateur regional league.

Ostia has a wide sandy beach, which makes it a popular
destination for holiday-makers and day-trippers from Rome

Travel tip:

The seaside resort of Ostia, where Delvecchio finished his career, lies 30km (19 miles) to the southwest of Rome, situated just across the Tiber river from Fiumicino, home of Rome’s largest international airport, it adjoins the remains of the ancient Roman city of Ostia Antica. Many Romans spend their summer holidays in the modern town, swelling a population of about 85,000.

The Stadio Olimpico in Rome has hosted numerous
major football matches

Travel tip:

FC Roma’s home ground is the Stadio Olimpico, the largest sports facility in the city, located within the Foro Italico sports complex, north of the city. The athletics stadium for the 1960 Olympics, the structure belongs to the Italian National Olympic Committee but is primarily a football stadium. Roma are joint tenants with city rivals Lazio and the ground also hosts the Coppa Italia final. It was rebuilt for the 1990 FIFA World Cup and it hosted the tournament final. Originally called Stadio dei Cipressi as part of the Foro Mussolini complex, the 70,000-capacity stadium has been the venue for four European Cup/Champions League finals, two European championship and one World Cup final, in 1990, as well as numerous high-profile athletics events.

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