Maria de’ Medici - Queen of France

Medici daughter who married Henri IV

Maria de' Medici became Queen of France
with the death of her husband

Maria de’ Medici, who became Queen of France after her marriage to King Henri IV, was born on this day in 1575 at the Palazzo Pitti in Florence.

After her husband was assassinated the day after his coronation, she ruled France as regent for her son, Louis, until he came of age.

Maria was the daughter of the grand duke of Tuscany, Francesco de’ Medici, and his wife, Joanna of Austria.

Henri had divorced his wife, Margaret, and married Maria in 1600 to obtain a large dowry that would help him pay his debts.

In 1601 Maria gave birth to a son, the future King Louis XIII, and then went on to bear a further five children for her husband.

However she resented her husband’s infidelities and he despised her friends from Florence, Concino Concini and his wife, Leonora.

After Henri was assassinated in 1610, the French parliament proclaimed Maria regent for her young son.

Guided by her favourite, Concini, who had become Marquis of Ancre, Maria reversed Henri’s anti-Spanish policy. She is also alleged to have squandered the country’s revenue and made humiliating concessions to its rebellious nobles.

Maria de' Medici was advised by the
Florentine Concino Concini

Even after Louis XIII came of age, Maria and Ancre were said to have ignored him and continued to rule in his name.

In 1617 Ancre was assassinated by someone working on behalf of Louis and Maria was sent to live in Blois.

After two years she managed to escape and her principal adviser, who was to become Cardinal de Richelieu, negotiated for her to set up a court at Angers.

After she was readmitted to the King’s council, Maria obtained a Cardinal’s hat for Richelieu and persuaded Louis to make him chief minister.

But Richelieu then enraged her by allying France with Protestant countries.

She demanded Richelieu’s dismissal but Louis stood by him and banished his mother to live in Compiegne. She fled to Brussels in 1631 and died destitute 11 years later.

Maria’s legacy was the Luxembourg Palace, which she had built in Paris. It was decorated with paintings by the Flemish artist Peter Paul Rubens portraying the events of Maria’s life, which are considered among his finest work.

The Palazzo Pitti was originally the home of the banker
Luca Pitti in an effort to outshine the Medici

Travel tip:

Palazzo Pitti in Florence, where Maria was born, was originally built for the banker Luca Pitti in 1457 in the centre of Florence, to try to outshine the Medici family. They later bought it from his bankrupt heirs and made it their main residence in 1550. Today visitors can look round the richly decorated rooms and see treasures from the Medici collections.

The Ponte Vecchio linked the Uffizi with the Palazzo Pitti

Travel tip:

The Ponte Vecchio, which connects Palazzo Pitti with the city on the other side of the River Arno, was built in 1345 and is the oldest bridge remaining in Florence. The medieval workshops inhabited by butchers and blacksmiths were eventually given to goldsmiths and are still inhabited by jewellers today. The private corridor over the shops was designed by the architect, Vasari, to link the Palazzo Vecchio to the Palazzo Pitti, via the Uffizi, allowing the Medici to move about between their residences without having to walk through the streets.



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Leon Battista Alberti - Renaissance polymath

Architect with multiple artistic talents

Leon Battista Alberti contributed to many aspects
of Renaissance cultural development

The polymath Leon Battista Alberti, who was one of the 15th century’s most significant architects but possessed an intellect that was much more wide ranging, died on this day in 1472 in Rome.

In his 68 years, Alberti became well known for his work on palaces and churches in Florence, Rimini and Mantua in particular, but he also made major contributions to the study of mathematics, astronomy, language and cryptography, wrote poetry in Latin and works of philosophy and was ordained as a priest.

He was one of those multi-talented figures of his era, along with Leonardo da Vinci, Michelangelo and, a little later, Galileo Galilei, for whom the description Renaissance Man was coined.

Alberti was born in Genoa in 1404, although his family were wealthy Florentine bankers. It just happened that at the time of his birth his father, Lorenzo, was in exile, having been expelled by the powerful Albizzi family.  Leon and his brother, Carlo, were born out of wedlock, the product of their father’s relationship with a Bolognese widow, but as Lorenzo’s only offspring they were given a privileged upbringing.

Lorenzo would be allowed to return to Florence in 1428, by which time Leon - at the time known simply as Battista - had been educated in Padua, Venice and Bologna before taking holy orders in Rome.

The facade of the church of Santa Maria Novella in
Florence was designed by Alberti

His great intellect soon became apparent. As a young man at school, he had written a comedy in Latin that for a while was taken to be the lost work of a Roman playwright. In 1435 he began his famous work Della pittura (On pictures), a groundbreaking study in which he analysed the nature of painting and explored the elements of perspective, composition and colour.

His first major architectural commission was for the facade of the Rucellai Palace in Florence in 1446, followed in 1450 by a commission to transform the Gothic church of San Francesco in Rimini into a memorial chapel, which became known as the Tempio Malatestiano.

In Florence, he famously designed the upper parts of the white marble facade for the Dominican church of Santa Maria Novella.

He is also credited with the Piazza Pio II, and its surrounding buildings, in the Tuscan village of Pienza, and both the church of San Sebastiano and the Basilica of Sant’Andrea in Mantua.

A page from Alberti's Della pittura shows his grasp
of perspective and his ideas for how to use it in paintings

In 1452, Alberti completed De re aedificatoria, a treatise on architecture, using as its basis the work of Vitruvius and influenced by the archaeological remains of Rome that had fascinated him while he was studying for the priesthood.

In the field of philosophy, Alberti’s treatise Della famiglia established his reputation as an ethical thinker. He wrote the text in accessible language, rather than Latin. Based largely on the classical works of Cicero and Seneca, and addressed the day-to-day concerns of a bourgeois society, tackling such topics as the fickleness of fortune, meeting adversity and prosperity, husbandry, friendship and family, education and obligation to the common good.

Alberti’s important contribution to cryptography came with his invention of the first polyalphabetic cipher, which became known as the Alberti cipher, and his Cipher Disk, which consisted of two concentric disks, the outer one carrying capital letters and numbers, the inner one lower case letters, attached by a common pin.

Although clearly he made a scholarly contribution to the understanding of art, he produced very few paintings or sculptures in his own right. Giorgio Vasari, the artist whose Lives of the Most Excellent Painters, Sculptors, and Architects is considered the first history of art, described Alberti as an artist who “concentrated on writing rather than applied work”.

The Basilica of Sant'Andrea in Mantua

Travel tip:

The Basilica of Sant'Andrea, which looms over the Piazza Mantegna in Mantua, is considered one of the major works of 15th-century Renaissance architecture in Northern Italy. Commissioned by Ludovico III Gonzaga, the church was begun in 1472 according to designs by Alberti on the site of a Benedictine monastery. Although it was 328 years before it was finished, with changes that altered Alberti's design, the church is still considered to be one of Alberti's most complete works.

The hill town of Pienza is a UNESCO World Heritage Site

Travel tip:

Pienza, a town in the province of Siena between Montepulciano and Montalcino, is described as the "touchstone of Renaissance urbanism." The whole of the centre was declared a UNESCO World Heritage Site in 1996. The trapezoidal Piazza Pio II is defined by four buildings, the Palazzo Piccolomini, the Duomo, the Palazzo Vescovile and the Palazzo Comunale.

More reading:

The unparalleled genius of Leonardo da Vinci

La Pietà - Michelangelo's masterpiece

Brunelleschi and the incredible dome of Florence's Duomo

Also on this day:

The Festa della Liberazione

1973: The death of World War One flying ace Ferruccio Ranza

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Giuseppe Panza - art collector

Businessman amassed more than 2,500 pieces

Giuseppe Panza collected more than 2,500 works of art
between the 1950s and 1980s

The art collector Giuseppe Panza di Biumo, whose fascination with postwar art, particularly American, led him to build up one of the world’s most important collections, died on this day in 2010 in Milan.

A businessman who succeeded his father in making money from wine and property, Panza acquired more than 2,500 pieces in his lifetime, many of which he sold or donated to museums and art galleries.

Some he parted with for millions of dollars, although he always insisted that his motivation was never financial gain but the love of art.

Approximately 10 per cent of his collection remains in the 18th-century Villa Menafoglio Litta, his family home at Varese, north of Milan, where he created 50,000 square feet (4,600 sq m) of exhibition space.

He had an astute eye for talent, often identifying unknown artists who would go on to become collectible long before their works commanded premium prices.

For example, he anticipated the popularity of Minimalism in the 1960s, snapping up works by Donald Judd and Dan Flavin well before their careers had really taken off.

Panza's collection was one of the
largest assembled

Born in 1923 in Milan, Panza had a comfortable background. His father, Ernesto, was a wine distributor who invested in real estate and who in 1940 was given the title of count, which Giuseppe inherited, by King Vittorio Emanuele III.

He began reading books about art as an adolescent recovering from illness but it would be some years before he had the chance to develop his knowledge.  In the meantime, he fled wartime Italy for Switzerland in 1943, fearing that his misfortune to be living in the north of the country would lead to him being conscripted to fight on behalf of the Fascists and the Germans against the partisans in what already appeared to him to be a losing cause.

On his return to Italy after lying low in Lucerne, he enrolled at the University of Milan to study law, but never practised. Instead, he joined his father in the family business, although with no great enthusiasm. However, it was on a business trip to the United States in 1954 that he bought his first paintings and set forth on what would become a lifetime’s obsession.

With his wife, Rosa Giovanna Magnifico, he began a collection that included some work by European artists but which focussed primarily on the American artists who had captured his imagination. He bought his first work by the abstract expressionist Frank Kline, entitled Buttress, for $500. Years later, it was part of a collection of 80 works he sold for $11 million to the Museum of Contemporary Art in Los Angeles.

Panza paid $500 for Frank Kline's Buttress, which he later
sold as part of a $11 million collection

He and Rosa were among the first patrons of Pop art, Minimalist and Conceptual Art, collecting works by Robert Rauschenberg, Roy Lichtenstein, Brice Marden and Robert Morris among others.

They brought their paintings back to their home in Corso Porta Romana in Milan, originally intending to stop at 100 but finding themselves unable to resist the lure of finding new works by new artists.

By the 1980s, Panza began to dismantle the collection.  His intention at first was to sell to Italian museums and galleries so that the pleasures he had derived from from assembling it over 25 years and more could be shared with his fellow Italians, but Italian institutions were not wealthy and there were few takers.

Instead, many works went back to America.  In addition to the Museum of Contemporary Art in Los Angeles, he struck a deal with the Solomon R. Guggenheim Museum in New York, which acquired, as part of a $30 million package, more than 300 Minimalist sculptures and paintings in the 1990s.

The Hirshhorn Museum in Washington, the Albright-Knox Art Gallery in Buffalo and the San Francisco Museum of Modern Art also have substantial Giuseppe Panza collections.

Nearer home, he donated more than 200 works to the Lugano Cantonal Art Museum in Italian-speaking southern Switzerland and gave the Villa Menafoglio Litta to the Fondo Ambiente Italiano, the Italian equivalent of the National Trust.

He was survived by Rosa Giovanna and their children, Alessandro, Maria Giussepina, Federico, Giovanni, Giulio and Maria Luisa.

The Porta Romana in Milan stands on the site of one
of the original Roman gates into the city

Travel tip:

The Corso Porta Romana in Milan runs from the remains of the Porta Romana, one of the city’s traditional gateways, to Piazza Giuseppe Missori, in the city centre, a short distance from Piazza del Duomo. The visible remains of the gateway dates back to the 16th century Spanish walls, although there was a corresponding gate in the Roman walls. Indeed, Porta Romana was the first and the main imperial entrance to the city and the starting point of the road leading to Rome.

Piazza Monte Grappa in Varese

Travel tip:

Varese is a city in Lombardy, 55km north of Milan and close to Lake Maggiore. It is rich in castles, villas and gardens, many connected with the Borromeo family, who were from the area. Lake Varese is 8.5km long, set in low rolling hills just below Varese. Many visitors to the city are drawn to the Sacro Monte di Varese (the Sacred Hill of Varese), which features a picturesque walk passing 14 monuments and chapels, eventually reaching the monastery of Santa Maria del Monte.

More reading:

Giorgio de Chirico's scuola metafisica

The Futurist art of Carlo Carrà

Flaminio Bertoni - sculptor from Varese who turned his talents to car design

Also on this day:

1859: The birth of coffee maker Luigi Lavazza

1966: The birth of footballer Alessandro Costacurta

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Gianandrea Noseda - conductor

Milanese musician has achieved worldwide acclaim

Gianandrea Noseda is one of the most
able conductors of his generation

Gianandrea Noseda, who is recognised as one of the leading orchestra conductors of his generation, was born on this day in 1964 in Milan.

He holds the title of Cavaliere Ufficiale al Merito della Repubblica Italiana for his contribution to the artistic life of Italy.

Noseda studied piano and composition in Milan and began studying conducting at the age of 27.

He made his debut as a conductor in 1994 with the Orchestra Sinfonica di Milano Giuseppe Verdi. He won the Cadaques International Conducting Competition for young conductors in Spain the same year.

In 1997 he became principal guest conductor at the Mariinsky Theatre in St Petersburg and during his time there became fluent in Russian.

In 2002 he became principal conductor of the BBC Philharmonic and in this role led live performances in Manchester of Beethoven’s nine symphonies. In 2006 his title was changed to chief conductor.

Noseda has been music director at the
Teatro Regio in Turin since 2007

The London Symphony Orchestra announced the appointment of Noseda as its new principal guest conductor in 2016.

Noseda has been Music Director of the Teatro Regio Torino since 2007, taking their orchestra to the Edinburgh Festival in 2017. He has also conducted the orchestra of the Teatro Regio Torino for the recording of a number of opera albums, featuring celebrated singers such as Rolando Villazon.

The conductor celebrates his 54th birthday today and at the end of May he will lead the Met Orchestra at Carnegie Hall for the first time. He will conduct the orchestra in Mozart’s Violin Concerto No 5 and Mahler’s Symphony No 5.

He met his Sicilian-born wife, Lucia, at the Milan Conservatory when they were both students. They have a home on the western shore of Lake Maggiore.

The Naviglio Grande is a colourful and lively stretch of
Milan's canal system

Travel tip:

The Orchestra Sinfonica di Milano Giuseppe Verdi, where Noseda made his debut as a conductor, was founded in 1993 and is now based at the Auditorium di Milano Fondazione Cariplo in Largo Gustav Mahler close to the city’s Navigli district.  The auditorium was inaugurated in 1999 and quickly became one of the most important cultural venues in the city.  Navigli is the name of the triangle bounded by the Naviglio Grande and the Naviglio Pavese canals in the southwestern quadrant of the city, an area that is popular with young Milanese and boasts many attractive bars and restaurants.

The modern auditorium at the Teatro Regio of today

Travel tip:

The Teatro Regio Torino, where Noseda has been musical director, is in Piazza Castello close to the Palazzo Reale in the centre of Turin. The Teatro Regio has had something of a chequered history. Inaugurated in 1740, it was closed by royal decree in 1792 then reopened with the French occupation of Turin during the early 19th century, first as the Teatro Nazionale and then the Teatro Imperiale before its original name was reinstated with the fall of Napoleon in 1814. It endured several financial crises in the late 1800s but limped into the 20th century only to be burnt down in a catastrophic fire in 1936. It remained dark for 37 years until reopening in 1973.

More reading:

How American TV made Arturo Toscanini a star

Riccardo Muti still going strong at almost 77

The conductor who helped make Maria Callas a star

Also on this day:

1857: The birth of opera composer Ruggero Leoncavallo

1939: The birth of Mafia boss Stefano Bontade


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