10 December 2018

Giuseppe 'Peppino' Prisco - lawyer and football administrator

Vice-president who became Inter Milan icon


Giuseppe Prisco, a legend at Inter, proudly wears the feathered hat from his Alpini uniform
Giuseppe Prisco, a legend at Inter, proudly
wears the feathered hat from his Alpini uniform
The lawyer and football administrator Giuseppe Prisco, who served as a senior figure in the running of the Internazionale football club in Milan for more than half a century, was born on this day in 1921.

Universally known as Peppino, he managed to combine a career in legal practice with a passion for Inter that he would share so publicly he became a symbol of the club whose name was chanted on the terraces.

Born in Milan into a family with its roots in Torre Annunziata, near Naples, he was said to have fallen in love with the nerazzurri at seven years old in 1929, when he witnessed his first derby against AC Milan at Inter’s old stadium, the Campo Virgilio Fossati, between Via Goldoni and Piazza Novelli to the east of the city centre.

His career as a lawyer did not begin until after he had served with the Alpini - the mountain troops of the Italian Army - on the Russian front in the Second World War. He was only 18 when he joined up but reached the rank of lieutenant in the “L’Aquila” battalion of the 9th Alpine Regiment, and as one of only three officers from 53 to return alive from the Russian front was awarded a Silver Medal for Military Valour by the Italian government.

On returning to civilian life, he graduated in law at the University of Milan and became a registered practising lawyer in 1946, opening his own office in the city, the start of a business that would bring him success and kudos for decades.

Prisco was for many years the president of the Milanese Bar Association
Prisco was for many years the president of the
Milanese Bar Association
He was president of the Milanese Bar Association for many years and participated in numerous high profile trials, including that of the controversial Milan banker Roberto Calvi on embezzlement charges in 1981.  Calvi was released on bail pending an appeal and a year later was found in dead in London.

Prisco joined his beloved Inter in 1949 as club secretary and thereafter served as a legal advisor to the board of directors before being elected vice-president in 1963, a position he held until his death in 2001, two days after his 80th birthday.

During his time as a director of the club, Inter won six Serie A titles, two European Cups, two Intercontinental Cups, three UEFA Cups, two Coppa Italia titles and one Italian Super Cup.

Fans took him to their hearts after he used his legal expertise to force UEFA to overturn a defeat against Borussia Moenchengladbach in the UEFA Cup in 1971 after the Inter forward Roberto Boninsegna had to be taken off after being struck by a can thrown from the crowd.  Inter won the rematch.

He also endeared himself to the nerazzurri faithful with the sharp one-liners he would frequently deliver during television interviews when he was given the opportunity to talk about the club’s great rivals.

Prisco was presented with a special Inter shirt to mark his 50 years with the club
Prisco was presented with a special Inter
shirt to mark his 50 years with the club
Famously, he once said: "If I shake hands with a Milanese, I wash my hands, if I shake hands with a Juventus (fan), I count my fingers.”

On another occasion, he declared: “I’m against every form of racism but I’d never allow my daughter to marry a Milan player.”

At the end of the 1990s, he became a regular guest on TV sports shows such as Controcampo, in which he would often have humourous spats with presenters Diego Abatantuono and Giampiero Mughini.

Married to Maria Irene, he had two children: Luigi Maria, who followed him into the legal profession, and Anna Maria.  After his death from a heart attack, he was buried at Arcisate, a town in the province of Varese, about 70km (43 miles) north of Milan.

One of the neoclassical arches that form the entrances to Napoleon's Arena Civica in Milan
One of the neoclassical arches that form the entrances
to Napoleon's Arena Civica in Milan
Travel tip:

Inter have shared the Stadio Giuseppe Meazza in San Siro with rivals AC Milan since 1947, but before that played at a number of stadiums around the city, including the Campo di Ripa Ticinese in the Ticinese district souith of the centre, the Campo Virgilio Fossati and the Arena Civica, the grandiose neoclassical stadium commissioned by Napoleon Bonaparte after he had proclaimed himself King of Italy in 1905. Inter played their home games at the Arena, a kind of mini-Colosseum in the Parco Sempione, behind the Sforza Castle, from 1930 until 1958.


Travel tip:

A view over the rooftops at Torre Annunziata, looking towards the waters of Bay of Naples
A view over the rooftops at Torre Annunziata, looking
towards the waters of Bay of Naples
Torre Annunziata, where Prisco had family roots, is a city in the metropolitan area of Naples. Close to Mount Vesuvius, the original city was destroyed in the eruption of 79 AD and a new one built over the ruins. Its name derives from a watch tower - torre - built to warn people of imminent Saracen raids and a chapel consecrated to the Annunziata (Virgin Mary). It became a centre for pasta production in the early 19th century. The Villa Poppaea, also known as Villa Oplontis, believed to be owned by Nero, was discovered about 10 metres below ground level just outside the town and is now a UNESCO World Heritage Site.


More reading:

Massimo Moratti, the business tycoon who presided over Inter's golden age

How Giuseppe Meazza became Italian football's first superstar

Why mystery still surrounds the death of 'God's banker' Roberto Calvi

Also on this day:

1813: The birth of forgotten composer Errico Petrella

1907: The birth of postwar movie star Amedeo Nazzari

1936: The death of playwright Luigi Pirandello


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9 December 2018

Teofilo Folengo – poet

Style of writer’s verses took its name from the dumpling


A portrait of Teofilo Folengo by Girolamo Romanino, owned by the Uffizi museum in Florence
A portrait of Teofilo Folengo by Girolamo Romanino,
owned by the Uffizi museum in Florence
Teofilo Folengo, who is remembered as one of the principal Italian ‘macaronic’ poets, died on this day in 1544 in the monastery of Santa Croce in Campese, a district of Bassano del Grappa in the Veneto.

Folengo published, under the pseudonym Merlin Cocaio, a macaronic narrative poem entitled Baldo, which was a humorous send up of ancient epic and Renaissance chivalric romance.

Writing in verse that mixed vernacular language with Latin became known as macaronic verse, the word deriving from the Latin macaronicus and the Italian maccarone, which meant dumpling, fare mixed crudely from different ingredients that at the time was regarded as a coarse, peasant food. It is presumed to be the origin of the modern Italian word maccheroni.

Folengo was a runaway Benedictine monk who satirised the monastic life using an invented, comic language that blended Latin with various Italian dialects.

Born Girolamo Folengo in 1491 in Cipada, a village near Mantua, he entered the Benedictine order as a young man taking the name Teofilo. He lived in monasteries in Brescia, Mantua and Padua, where he produced Latin verse written in the Virgilian style.

The cover of a book of macaronic verse by Folengo under his pseudonym
The cover of a book of macaronic verse
by Folengo under his pseudonym 
But he left the order to travel around the country with a young woman, Girolama Dieda. They often experienced great poverty as Folengo had no money apart from what he earned through writing.

For a few years he lived as a hermit near Sorrento, but he was readmitted to the Benedictine order in 1534 and remained in it, continuing to write, until his death.

Out of all his poetry, Baldo is considered to be his masterpiece and it has been republished five times. Full of satire and humour it describes the adventures of Baldo, who is supposed to be a descendant of the cousin of the medieval epic hero Roland. Baldo suffers imprisonment, battles with authority, pirates, witches and demons, and goes on a journey to the underworld.

The poem blended Latin with various Italian dialects in hexameter verse. The first English version, translated by Ann Mullaney, was published in 2007.

The term macaronic is still used to describe literature where the mixing of languages has a humorous or satirical effect. It is believed to have originated in Padua in the late 15th century, after the comic poem, Macaronea, by Tifi Odasi was published in about 1488, satirising the broken Latin used by doctors and officials to communicate with ordinary people.

Folengo once described his own verses as ‘a gross, rude and rustic mixture of flour, cheese and butter.’

Many modern Italian authors, including Umberto Eco and Dario Fo, have continued to use macaronic text.

The Palazzo Ducale in Mantua was the seat of the Gonzagas
The Palazzo Ducale in Mantua was the seat of the Gonzagas
Travel tip:

Cipada near Mantua, where Teofilo Folengo was born, was a village on the banks of a lake, but it no longer exists, having become part of the industrial area of Mantua. A main street, Strada Cipata, is the only reference to it that remains. On the other side of the lake is the historic area of Mantua, where the Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707, can be found.



The former monastery of Santa Croce in Campese, where Folengo died
The former monastery of Santa Croce
in Campese, where Folengo died
Travel tip:

The monastery of Santa Croce, where Teofilo Folengo died, is in Via IV Novembre in Campese, a district of Bassano del Grappa on the banks of the Brenta Canal. The monastery dates back to 1124 and for centuries was the most important religious centre in the area around the Brenta. There is a monument to Teofilo Folengo in the monastery, which is now used as a church. Close by is a square named after the poet, Piazza Teofilo Folengo.


More reading:

Giosuè Carducci - the poet who became the first Italian to win a Nobel Prize in literature

Why Torquato Tasso is known as Italy's greatest Renaissance poet

How Dario Fo's work denounced crime, corruption and racism

Also on this day:

1920: The birth of politician Carlo Azeglio Ciampi

1920: The birth of Bruno Ruffo, Italy's first motorcycling world champion

1946: The birth - near Vicenza - of Indian politician Sonia Gandhi


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8 December 2018

Arnaldo Forlani - politician

Oldest surviving former prime minister


Arnaldo Forlani was prime minister of Italy for just eight months
Arnaldo Forlani was prime minister
of Italy for just eight months
Italy’s oldest surviving prime minister, Arnaldo Forlani, was born on this day in 1925 in Pesaro.

A Christian Democrat for the whole of his active political career, Forlani was President of the Council of Ministers - the official title of the Italian prime minister - for just over eight months, between October 1980 and June 1981.

He later served as deputy prime minister (1983-87) in a coalition led by the Italian Socialist Party leader Bettino Craxi, having previously been defence minister under Aldo Moro (1974-76) and foreign affairs minister under Giulio Andreotti (1976-79).

Forlani represented Ancona in the Chamber of Deputies from his election in 1958 until the party collapsed in 1994 in the wake of the mani pulite corruption investigations.

He was premier during a difficult period for Italy, which was still reeling from the terrorist attack on Bologna railway station and the decade or so of social and political turmoil known as the Years of Lead.

Barely a month into his term, Forlani was confronted with the devastation of the Irpinia earthquake in Campania, which left almost 2,500 people dead, a further 7,700 injured and 250,000 homeless.

Forlani had been in office only a month when he had to deal with the aftermath of the devastating Irpinia earthquake
Forlani had been in office only a month when he had to deal
with the aftermath of the devastating Irpinia earthquake
Forlani committed 59 trillion lire to reconstruction, with many millions contributed by other countries, notably West Germany and the United States, although in the event, as was uncovered more than a decade later, much of the money was siphoned off by corrupt officials, paid out in bribes, or ended up in the hands of the Camorra, the Neapolitan mafia.

His short-lived period in office ended when the publication of the names of the alleged members of the secret masonic lodge Propaganda Due prompted members of his coalition government to resign en masse. His minister of justice, Adolfo Sarti, was among those named, which included two other ministers among 44 members of parliament, as well as scores of bankers, industrialists, journalists, police, military officers and the heads of all three of Italy’s secret services.

It was alleged that P2, as it was usually known, was operating as “a state within a state” in trying to clandestinely control the running of the country. Forlani himself was not involved, although he was criticised for allegedly delaying the publication of the names.

Arnaldo Forlani pictured with his political ally, the  four-times prime minister Giulio Andreotti
Arnaldo Forlani pictured with his political ally, the
four-times prime minister Giulio Andreotti
Forlani, who graduated in law from the University of Urbino, became provincial secretary of Christian Democracy for Pesaro in 1948, joining the central committee of the party in 1954.

He twice served as the party’s national secretary, from 1969-73 and 1989-92 and continued to be an important politician after his period as prime minister, helping to forge closer ties between the Christian Democrats and the parties of the left and centre-left in the hope of ensuring that the Communists were never again as close to power as they had been during the turmoil of the 1970s.

Forlani was put forward as a candidate for President of the Republic in 1992, only six months before he was forced to resign as party secretary in the wake of the mani pulite scandal, in which he was charged with having received illegal funds.  He effectively retired from politics at that moment.

The Piazza del Popolo is a popular meeting place where friends gather in Pesaro
The Piazza del Popolo is a popular meeting place where
friends gather in Pesaro
Travel tip:

Pesaro, where Arnaldo Forlani was born, is a coastal city in Le Marche that has become known as ‘the city of music’ because the opera composer Gioachino Rossini was born there in 1792. The Rossini Opera Festival has taken place in Pesaro every summer since 1980 and the town is home to the Conservatorio Statale di Musica Gioachino Rossini, which was founded from a legacy left by the composer. Pesaro also has a 15th century Ducal Palace, commissioned by Alessandro Sforza.  It is popular with Italian holidaymakers for its sandy beaches, as well as its many cycle paths, because of which Pesaro is also known as the ‘city of bicycles.’


The coastal city of Ancona is home to about 120,000 people and has some interesting historical monuments
The coastal city of Ancona is home to about 120,000
people and has some interesting historical monuments
Travel tip:

The coastal city of Ancona, which Forlani represented in the Chamber of Deputies, is a bustling port of almost 102,000 inhabitants. Although the area around the port has an industrial feel, there are some notable beaches nearby and a good deal of history in the older part of the city, bearing witness to its Greek and Roman past. The 18m-high Arch of Trajan, built in honour of the emperor who built the city’s harbour, is regarded as one of the finest Roman monuments in the Marche region. In Ancona’s harbour, the Lazzaretto, the pentagonal building constructed on an artificial island in the 18th century, used to be a quarantine station designed to protect Ancona from diseases carried by infected travellers.


More reading:

The tragedy of Aldo Moro

What made Giulio Andreotti the great political survivor

Propaganda Due suspects revealed

Also on this day:

The Feast of the Immaculate Conception

1685: The birth of perfumier Johann Maria Farina

1881: The birth of 'Fascist' architect Marcello Piacentini


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7 December 2018

Giovanni Battista Falda - engraver

Printmaker who found market among Grand Tourists


An engraving by Giovanni Battista Falda of Gian Lorenzo Bernini's tour de force, the Piazza San Pietro in Rome
An engraving by Giovanni Battista Falda of Gian Lorenzo
Bernini's tour de force, the Piazza San Pietro in Rome 
The engraver and printmaker Giovanni Battista Falda, who turned his artistic talent into commercial success as 17th century Rome welcomed the first waves of Europe’s Grand Tourists, was born on this day in 1643 in Valduggia in Piedmont.

Falda created engravings depicting the great buildings, gardens and fountains of Rome, as well as maps and representations of ceremonial events, which soon became popular with visitors keen to take back pictorial souvenirs of their stay, to remind them of what they had seen and to show their friends.

He took commissions to make illustrations of favourite views and of specific buildings and squares, and because the early Grand Tourists were mainly young men from wealthy families in Britain and other parts of Europe he was able to charge premium prices.

Giovanni Battista Falda's depiction of the church of Santa Maria della Rotonda, popularly known as the Pantheon
Giovanni Battista Falda's depiction of the church of Santa
Maria della Rotonda, popularly known as the Pantheon
Falda showed artistic talent at an early age and was apprenticed to the painter Francesco Ferrari as a child, before moving to Rome when he was 14 to be mentored by Gian Lorenzo Bernini, the sculptor and architect who had such a huge influence on the look of Rome.

His early draughtsmanship caught the eye of the printmaker and publisher Giovan Giacomo De Rossi, who took Falda on as an apprentice at his print shop.

The De Rossi family were the principal publishers of prints in Rome during the 17th century, and almost all of Falda’s work was published by them.

Falda was taught all the technical skills of engraving and etching, while also perfecting his own style of drawing, which was focused on realistic representation of his subjects.

A section of Falda's incredibly detailed map of Rome
A section of Falda's incredibly detailed map of Rome
He made the acquaintance of emerging figures of the Roman art world, such as Francesco Borromini and Pietro da Cortona, and when he finished his training at the age of 20 began a career as a printmaker.

His specialisation was the urban landscape of Rome, and he is best known for his vedute - views - of architecture throughout the city, especially the renovation projects backed by Pope Alexander VII. In 1665, the De Rossi printshop published a book of prints by Falda depicting views of the construction and restoration projects sponsored by the Pope.

Gardens and fountains interested Falda in particular. Two of his most famous series collected in book form are Giardini di Roma (1670) and Fontane di Roma (1675).

An illustration from the collection of garden views created by Giovanni Battista Falda, entitled Giardini di Roma
An illustration from the collection of garden views created
by Giovanni Battista Falda, entitled Giardini di Roma
Falda was a significant influence on the work of later Roman printmakers, such as Giovanni Francesco Ventunni, Alessandro Specchi, and Giuseppe Vasi.

With more than 300 architectural views attributed to him, Falda also had much to do with Rome’s renown in the 17th century for the veduta as a genre and helped change the perception of the city, shifting the focus away from its ancient history and underlining its new status as a modern, progressive and expanding metropolis.

In 1676, he produced a 12-sheet map of Rome depicting the city in minute detail at the height of its Baroque splendor.

The first of the Grand Tourists, who arrived in Rome in the mid-17th century, bought so much of Falda’s work that he soon grew prosperous, although he did not live long to enjoy his wealth. He passed away at the age of just 34 in 1678.

Today, his works are still collectible. When they come up at auction, they usually sell for between £2,500 and £3,500 (€2,800 - €3,900), although some have realised up to £20,000 (€22,500).

Gian Lorenzo Bernini's Fontana dei Quattro Fiumi in Rome's historic Piazza Navona
Gian Lorenzo Bernini's Fontana dei Quattro Fiumi in
Rome's historic Piazza Navona
Travel tip:

Gian Lorenzo Bernini, who was born in 1598 and lived for more than 81 years, is the architect and sculptor behind many of Rome’s most famous landmarks, particular the fountains that Giovanni Battista Falda depicted with such success in his engravings. The Fontana della Barcaccia in Piazza di Spagna, the Fontana del Tritone in Piazza Barberini, and the Fontana dei Quattro Fiumi and Fontana del Moro in Piazza Navona are all by Bernini, although he is more famous even for his work at St Peter’s Basilica, which included numerous beautiful sculptures within the church and the architectural masterpiece that is Piazza San Pietro - St Peter’s Square - with its majestic sweep of statue-topped colonnades.


The Isola San Giulio in the middle of the beautiful Lago di Orta in Piedmont, not far from where Falda was born
The Isola San Giulio in the middle of the beautiful Lago
di Orta in Piedmont, not far from where Falda was born
Travel tip:

Valduggia, the small town in northern Piedmont where Falda was born, is just 15km (9 miles) from Lago di Orta, a smaller and less well known lake than Maggiore, Como, Garda and Iseo, yet one that is no less beautiful and has the benefit of being less crowded than its more high-profile neighbours. The small town of Orta San Giulio, at the south-eastern edge of the lake, is the most important town on the shores of Lake Orta, boasting an attractive historical centre with narrow cobbled streets and many bars and ice cream shops.  Boats leave the harbour to cross to Isola San Giulio, the charming island in the centre of the lake where visitors can find the ruins of a 12th century basilica and follow a path that follows the circumference of the island.


More reading:

Gian Lorenzo Bernini - the greatest sculptor of the 17th century

How Pietro da Cortona became the leading Baroque painter of his time

Visentini engravings took Venice to the wider world

Also on this day:

The Feast of St Ambrose in Milan

1302: The birth of Milanese ruler Azzione Visconti

1598: The birth of Gian Lorenzo Bernini


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