Ferdinando Carulli - classical guitarist and composer

Neapolitan wrote first guide to playing the instrument

Ferdinando Carulli was born in Naples but spent much of
his life in Paris, where he taught and composed guitar music

The composer Ferdinando Carulli, who published the first complete method for playing the classical guitar as well as writing more than 400 works for the instrument, was born on this day in 1770 in Naples.

Carulli was also influential in changing the design of the guitar, which had a smaller body and produced a less resonant sound when he started out, to something much more like the classical guitars of today.

The son of an intellectual advisor to the Naples Jurisdiction, Carulli first trained as a cellist and received instruction in musical theory from a local priest.

He became interested in the guitar in his 20s and became so enthusiastic about the instrument he decided to devote himself to it entirely.  The guitar was little played and there were no guitar teachers in Naples in the late 18th century, so Carulli had to devise his own method of playing.

In time, he began to give concerts in Naples, playing some pieces of his own composition. These were popular, attracting large audiences who enjoyed the different sound that the guitar produced.

Carulli did much to make
the guitar widely popular

This encouraged Carulli to venture further afield and he engaged on a tour of Europe. He met his future wife, Marie-Josephine Boyer, in France. They married in around 1801 and had a son, Gustavo.  Carulli moved with his family to Milan, where he began to publish some of his works, but it was not long before they decided to settle in Paris, which was then seen as the capital of the music world.

Carulli became both a successful musician and teacher in Paris, attracting other guitarists from across Europe to join him in the French capital, helping him fulfil his ambition of making guitar music fashionable and popular, even in such a challenging environment. Members of the Parisian nobility would come to him for lessons. Filippo Gragnani, another Italian guitarist, with whom he collaborated on some pieces, devoted a number of duets to Carulli.

It was in Paris that Carulli wrote his method of classical guitar, entitled Harmony Applied to the Guitar. The book was hugely popular and many editions were published. His most influential work, Method, Op. 27, published in 1810, is still used widely today in training students of the classical guitar.

The guitar Carulli would have first played would have had
five pairs of strings, similar to this one

Later in life, Carulli worked with the instrument makers Antonio de Torres Jurado and Pierre René Lacôte in introducing significant changes for improving the sound of the guitar.

By the early 19th century, the guitar had evolved from a shallow lute-like instrument with five pairs of strings to something more closely resembling the guitars of today, with a long neck and circular sound hole in the middle, and with a deeper body providing greater resonance of sound. Early guitars produced a sound more like that of a violin.

Carulli died in Paris in February 1841, eight days after his 71st birthday.

The Conservatorio di Musica San Pietro a Majella in Naples
was established during Napoleonic rule of the city

Travel tip:

The famous Conservatorio di Musica San Pietro a Majella in Naples evolved from four institutions set up in the 16th century with the prime purpose of providing a refuge for orphan children.  The name ‘conservatorio’ relates to this original purpose, which was to conserve the lives of the children.  The oldest was the orphanage of Santa Maria di Loreto, situated in the poor fisherman’s district of the city. These institutions aimed to provide tuition in various skills, including music.  In time they acquired such a good reputation for providing a musical education that they began to be seen as music colleges primarily, and Naples eventually became one of the most important centres for musical training in Europe, nicknamed the “conservatory of Europe". Under the rule of Joachim Murat, the French cavalry leader Napoleon installed as King of Naples for a short period in the early 19th century, the original four conservatories were consolidated into a single institution, which was relocated in 1826 to the premises of the ex-monastery, San Pietro a Maiella.

Look for a hotel in Naples with Booking.com

The Teatro di San Carlo in Naples
adjoins the Royal Palace

Travel tip:

The most famous musical venue in Naples is the Teatro di San Carlo opera house in Via San Carlo, directly adjoining the Royal Palace. It is the oldest continuously active venue for public opera in the world, having opened in 1737, decades before both the Milan's Teatro alla Scala (La Scala) and Venice's Teatro La Fenice.  It is less known that there is smaller theater inside the Royal Palace, often used by the Neapolitan ballet company. Among the resident composers and musical directors in the 19th century, as the venue’s prestige grew, were Gioachino Rossini and Gaetano Donizetti.  One name readily associated with San Carlo is the great tenor, Enrico Caruso, although the Naples-born star in fact did not appear there after 1901, having taken umbrage at being booed by a section of the crowd during a performance of Donizetti’s L’elisir d’amore.


More reading:

Antonio Janigro - the cellist who found accidental fame in Yugoslavia

How Luigi Boccherini popularised cello music in the 18th century

How Domenico Sarro's opera was given historic status as the first to be played at Teatro San Carlo

Also on this day:

1621: Alessandro Ludovisi becomes Pope Gregory XV

1891: The birth of politician Pietro Nenni

1953: The birth of boxing world champion Vito Antuofermo

1953: The birth of tragic missionary Ezechiele Ramin

(Picture credits: Conservatorio by Armando Mancini; Teatro di San Carlo by Radomil)

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8 February

Italo Santelli - fencer

Olympic medallist famous for real ‘duel’

The Olympic fencer Italo Santelli, who famously fought a duel with his team captain over a matter of honour, died on this day in 1945 in Livorno, Tuscany.  Santelli won a silver medal at the 1900 Olympics in Paris with a new style of sabre fencing of his own invention. But after competing for Italy be became coach of Hungary, and it was this conflict of interests that sparked an incident at the 1924 Olympics, also in Paris, that led to Santelli and Adolfo Cotronei, Italy’s team captain, engaging in the infamous duel. Read more...

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Nicola Salvi – architect

Creator of Rome’s iconic Trevi Fountain

The architect Nicola Salvi, famous as the designer of the Fontana di Trevi – known in English as the Trevi Fountain and one of the most famous and most visited monuments in Rome – died on this day in 1751. He was working on the Trevi when he passed away, having been engaged on the project since 1732. It had to be finished by Giuseppe Pannini before the giant statue of Oceanus – the Titan God of the Sea in Greek mythology – set in the central niche, was completed by Pietro Bracci. Read more…

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Guercino - Bolognese master

Self-taught artist who became his city's leading painter

The artist known as Guercino was born on this day in 1591 in Cento, a town in what is now Emilia-Romagna region. After the death of Guido Reni he became established as the leading painter in Bologna. His best known works include The Arcadian Shepherds (Et in Arcadia Ego - I too am in Arcadia), which is now on display at the Galleria Nazionale di Arte Antica in Rome, and The Flaying of Marsyas by Apollo, which can be found in the Palazzo Pitti in Florence.  The Vatican altarpiece The Burial of Saint Petronilla is considered his masterpiece. Read more...

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Revolt in Padua

When students and citizens joined forces against their oppressors 

An uprising against the Austrian occupying forces, when students and ordinary citizens fought side by side, took place on this day in Padua in 1848. A street is now named Via VIII Febbraio to commemorate the location of the struggle between the Austrian soldiers and the students and citizens of Padua, when both the University of Padua and the Caffè Pedrocchi briefly became battlegrounds. The rebellion was one of a series of revolts in Italy during 1848, which had started with the Sicilian uprising in January of that year. Read more…

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Italo Santelli - fencer

Olympic medallist famous for real ‘duel’

Italo Santelli set new standards for
sabre fencing with his own technique

The Olympic fencer Italo Santelli, who famously fought a duel with his former team captain over a matter of honour, died on this day in 1945 in Livorno, Tuscany.

Santelli won a silver medal at the 1900 Olympics in Paris with a new style of sabre fencing of his own invention. Originally from Carrodano in Liguria, he fought for Italy but spent a large part of his career coaching Hungary, who he helped become a formidable power in fencing.

It was this conflict of interests that sparked an incident at the 1924 Olympics, also in Paris, that led to Santelli and Adolfo Cotronei, who was Italy’s team captain, engaging in the infamous duel.

It happened during a match between the Italians and the host nation France in the team foil event when Italy’s Aldo Boni was facing off against Lucien Gaudin. With the match tied at four touches each, the Hungarian judge György Kovacs awarded the winning fifth touch to Gaudin, a decision that sparked immediate consternation in the Italian ranks.

Boni rounded on Kovacs, delivering a verbal tirade. But it was in Italian - beyond the official’s comprehension. It just happened that Santelli, in his capacity as Hungary’s coach, witnessed the whole dispute and was asked to step in as interpreter.

Santelli’s translation did not reflect well on Boni, who was asked to apologise for insulting Kovacs. When he refused, Italy were disqualified and the event ended with France winning the gold, with Belgium taking silver and Hungary the bronze.

Italo Santelli, left, in action at the Paris Olympics of 1900,
in which he won a silver medal in the sabre event

That seemed to be the end of the matter until, on the team’s return to Italy, the captain Cotronei, who was also a journalist, wrote an article in which he alleged that Santelli had deliberately portrayed Boni as the villain on the basis that if the Italians were eliminated, his own Hungary team would have a better chance of finishing in a medal position.

Santelli was outraged but the bullish Cotronei stood by his article and, although accounts vary as to who challenged whom, it was somehow agreed that the two would engage in a duel, a dispute-settling method that had been outlawed in many other parts of the western world but was still part of Italian culture even in the early part of the 20th century. Legislation was being drawn up to ban the practice in Italy - driven by Benito Mussolini, then still Prime Minister rather than dictator - but special dispensation was obtained to allow this one to go ahead.

Thus the the stage was set for a date in August for the two to face each other with sabres in the town of Abbazia, a town about 70km (43 miles) southeast of Trieste that later became Opatija in Croatia but was then on Italian soil.

In the event, Cotronei had to take on not Italo Santelli but his son, Giorgio, another fencer, who had invoked a rule under the 18th century Code Duello that allowed him to substitute for his father, who was keen to defend his honour but was by then in his 61st year.

It was at the 1924 Olympics, again in Paris, that Santelli became
embroiled in a dispute between the Italian team and an official

It was not a fight to the death, thankfully, but blood needed to be drawn for a winner to be declared.  Within only a couple of minutes, the nimbler and more agile Santelli junior had inflicted a cut to Cotronei’s face and the duel was over.

Italo Santelli had been educated at the Scuola Magistrale Militare, a military school in Rome, but in 1896 decided to move to Budapest together with brother Otello, also a fencer, and his wife. Their son, Giorgio, was born in Hungary in 1897, although he kept his Italian citizenship and ultimately emigrated to the United States,

It was while working in Hungary that he developed the new style of sabre fencing, involving a much quicker defence than the classical style. It became known as the "modern style" or the “Santelli style” and historians of the sport sometimes refer to Santelli as “the father of modern sabre fencing.”

Although Cotronei was known for his temper - he fought at least six duels in his lifetime - he and Santelli were said to have been reconciled when they met again at the 1932 Olympics in Los Angeles and subsequently became friends.

The Abbey Church of Santa Maria Assunta, built from
Carrara marble, is one of La Spezia's attractions

Travel tip:

Santelli’s home village of Carrodano is in the province of La Spezia, a port city of 94,000 inhabitants and Liguria’s second city after Genoa. The home of Italy’s largest naval base and a major commercial port, tucked away in a sheltered gulf, La Spezia is so close to the ruggedly beautiful stretch of coastline known as the Cinque Terre, not to mention the picturesque fishing village of Portovenere, that it tends not to be regarded as a tourist attraction. Yet La Spezia has an atmospheric historic centre of narrow streets, not to mention the recently restored 17th century castle and the impressive black and white Carrara marble of the Abbey Church of Santa Maria Assunta.

One of the canals in Livorno's Venetian quarter

Travel tip:

Santelli spent his final days in another of Italy’s northern Mediterranean port cities, Livorno. The second population area in Tuscany after Florence, Livorno has a population of almost 160,000. Although it is a large commercial port with much related industry, it has many attractions, including an elegant sea front – the Terrazza Mascagni - and an historic centre – the Venetian quarter – with canals, and a tradition of serving excellent seafood.  The Terrazza Mascagni is named after the composer Pietro Mascagni, famous for the opera Cavalleria Rusticana, who was born in Livorno.


More reading:

Valentina Vezzali, the fencer who is Italy's most successful athlete

How Luigi Baccali brought home Italy's first Olympic track gold

Ottavio Missoni: From Olympic hurdler to fashion designer

Also on this day:

1591: The birth of Baroque master Guercino

1751: The death of Trevi Fountain architect Nicola Salvi

1848: Padua revolts against the Austrians

(Picture credits: La Spezia church by Davide Papalini; Livorno canal by Daniel Ventura; via Wikimedia Commons)


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7 February

Vittoria della Rovere - Grand Duchess of Tuscany

Bride who brought the treasures of Urbino to Florence

Vittoria della Rovere, who became Grand Duchess of Tuscany, was born on this day in 1622 in the Ducal Palace of Urbino. Her marriage to Ferdinando II de’ Medici when she was just 11 years old was to bring a wealth of treasures to the Medici family, which can still be seen today in the Palazzo Pitti and the Uffizi Gallery in Florence. Read more…

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The Bonfire of the Vanities

Preacher Savonarola's war on Renaissance 'excesses'

The most famous 'bonfire of the vanities' encouraged by outspoken Dominican priest Girolamo Savonarola took place in Florence on this day in 1497.  Savonarola campaigned against what he considered to be the artistic and social excesses of the Renaissance, organising large communal bonfires and urging Florentines to come forward with items of luxury or vanity to throw on it. Read more…

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Amedeo Guillet – army officer

Superb horseman helped keep the British at bay

The Italian army officer Amedeo Guillet, the last man to lead a cavalry charge against the British Army, was born on this day in 1909 in Piacenza. His daring actions in Eritrea in January 1941, when he led a daybreak charge towards British artillery in the defence of Mussolini’s East African empire, were remembered by some British soldiers as ‘the most frightening and extraordinary’ episode of the Second World War. Read more…

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Little Tony – pop singer

Star from San Marino enjoyed a long career 

Singer and actor Little Tony was born Antonio Ciacci on this day in 1941 in Tivoli near Rome.  His parents were both born in the Republic of San Marino and so Little Tony was Sammarinese and never applied for Italian citizenship. He became successful in the late 1950s and early 1960s in Britain as the lead singer of Little Tony and His Brothers, calling himself Little Tony after the singer, Little Richard. Read more…

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