11 May 2019

Filippo De Pisis - painter and poet

Artist known for extravagant lifestyle


A 1923 painting by Filippo De Pisis entitled Still Life with a Bottle
A 1923 painting by Filippo De Pisis
entitled Still Life with a Bottle
The painter and poet Filippo De Pisis, whose works grace the Museum of Modern Art in New York, the Peggy Guggenheim Collection in Venice and the Palazzo Ruspoli in Rome among other galleries, was born Luigi Filippo Tibertelli De Pisis in Ferrara on this day in 1896.

A close associate for a while of Giorgio de Chirico and Carlo Carrà, De Pisis is best known for his cityscapes, metaphysically-inspired maritime scenes, and still life pictures, especially depicting flowers.  De Pisis, who was homosexual, also made many homoerotic sketches of the male nude. Later in life, he lived in Venice and became somewhat eccentric, travelling everywhere in his personal gondola.

Born into a noble family, as a boy he was known as Gigi. He was educated at home and was strongly influenced by his sister, Ernesta Tibertelli, who was a distinguished illustrator with libertarian views, and who probably introduced De Pisis to mystical writings.

De Pisis spent his childhood reading, drawing, collecting butterflies and wildflowers and writing poetry. He studied literature and philosophy at the University of Bologna, and published a volume of poems, Canti della Croara, in 1916. That same year, he met Carrà, De Chirico and his brother Alberto Savinio and and was attracted to metaphysical painting.

De Pisis spent 14 of his most productive years as a painter living in Paris
De Pisis spent 14 of his most productive years as
a painter living in Paris
In 1919, he moved to Rome, living in Via di Monserrato, near the Palazzo Farnese. He met more artists, including Armando Spadini, and began to paint in earnest. He still wrote, publishing a collection of essays, La città dalle 100 meraviglie - The City of 100 Wonders - in 1920.

He had been criticised for the overly-sentimentality of some of his poetry, yet his emotional nature worked in his favour in his painting, which received early acclaim.

Seeking new adventures and subjects, in 1925 he moved to Paris, which would be his base for the next 14 years, with only brief interruptions. He met and became friends with Édouard Manet, Camille Corot, Henri Matisse and members of the avant-garde fauve movement.

After holding a personal exhibition, presented by Carrà, in the Lidel room in Milan, he returned to Paris and began an intense relationship with the painter Onofrio Martinelli, who he had met in Rome. They shared a house-studio in the Rue Bonaparte in the Saint-Germain-des-Prés quarter.

He became part of a group of artists known as the Italians in Paris, which included De Chirico, Savinio, Massimo Campigli, Mario Tozzi, Renato Paresce and Severo Pozzati.  During his Parisian period he also visited London several times, forming friendships with the British painters Vanessa Bell and Duncan Grant.

De Pisis was probably best known for his cityscapes. This one, painted in Venice in 1942, is Rio della Torricella
De Pisis was probably best known for his cityscapes. This
one, painted in Venice in 1942, is Rio della Torricella 
De Pisis returned to Italy in 1939, anticipating the outbreak of the Second World War.  He settled in Vicenza for a few weeks before moving to Milan, taking up residence at the Hotel Vittoria in Via Durini.  He might have remained in Milan, but in 1943 his studio in Via Rugabella was destroyed in a bombing raid.

He moved again to Venice, where he was inspired by the paintings of Francesco Guardi and other Venetian masters of the 18th century, and began to live a rather extravagant lifestyle, travelling to and from his house on the Rio de San Sebastian canal in the Dorsoduro district by gondola. He maintained two gondoliers on 24-hour duty, who wore black-and-gold livery.

His health began to decline after the war and in 1948 he was treated in a clinic for neurological disorders in Bologna. From 1949 until his death in 1956 he lived mainly in a nursing home for sufferers from nervous diseases in Brugherio, a town north of Milan.  As well as the collections in New York, Venice and Rome, there are a large number of his paintings at the Museo Filippo De Pisis in his home city of Ferrara.

After moving to Venice permanently in 1943, De Pisis lived in a house on Rio de San Sebastian in Dorsoduro
After moving to Venice permanently in 1943, De Pisis lived
in a house on Rio de San Sebastian in Dorsoduro
Travel tip:

Dorsoduro, where De Pisis lived after leaving Milan in 1943, is one of the six sestieri - municipal areas - of Venice, and sits between the Grand Canal and the Giudecca Canal.  It is regarded as a good place to get a feel for the more traditional Venice, without the huge crowds and tourist trappings associated with the areas around St Mark's and the Rialto.  There are many traditional bacari, the small bars that sell inexpensive small snacks - cicchetti - along with glasses of wine - known locally as ombre, as well as squares where local people meet during the day and students gather at night.  It is also home to some fine churches, such as San Sebastiano, close to Casa De Pisis, which is full of works by Veronese. Nearby are two of the city's most prestigious galleries, the Accademia and the Peggy Guggenheim.


The Villa Fiorita in Brugherio used to house the nursing home where De Pisis was cared for in his later years
The Villa Fiorita in Brugherio used to house the nursing
home where De Pisis was cared for in his later years
Travel tip:

The nursing home in which De Pisis spent the last few years of his life was housed in the Villa Fiorita, an historic aristocratic urban mansion in Brugherio that was built in 1721 for the Scotti family. After being bought and sold a number of times, it was given over for use as a nursing home in 1938. De Pisis spent much of his time in the mansion’s vast greenhouse, which is situated in its large landscape gardens, which he chose because of its optimal exposure to sunlight and relaxing parkland setting. The mansion now houses Brugherio’s municipal offices. The greenhouse has been renamed Serra De Pisis.



More reading:

Giorgio de Chirico, founder of the scuola metafisica movement

How Carlo Carrà captured violence and speed on canvas

Vittorio Miele, the artist of the metaphysical school who lost his family in World War II battle

Also on this day:

1715: The birth of opera composer Ignazio Fiorillo

1817: The birth of ballet star Fanny Cerrito

1932: The birth of fashion icon Valentino





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10 May 2019

10 May

Miuccia Prada – fashion designer


Talented businesswoman studied politics and mime

Miuccia Prada, the businesswoman behind the fashion label Prada, was born Maria Bianchi on this day in 1949 in Milan.  The youngest granddaughter of the fashion firm’s founder, Mario Prada, she took over the family business in 1978 having previously been a mime student and a member of the Italian Communist Party.  Since then the company, which is famous for its luxury goods, has gone from strength to strength and taken over other labels. Prada has been listed as the 75th most powerful woman in the world, worth an estimated $11 billion.  After graduating with a PhD in political science from the University of Milan, Maria Bianchi trained at the Piccolo Teatro di Milano in mime and was a performer for five years.  As a member of the Italian Communist party she became involved in the women’s rights movement.  She took the name Miuccia Prada in the 1980s, making her first impact on the fashion world with an unusual handbag design in 1985. Read more…

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Antonio Ghirelli - journalist


Neapolitan writer specialised in football and politics

Antonio Ghirelli, a patriarch of Italian journalism, was born on this day in 1922 in Naples.  As passionate about football as he was about politics, Ghirelli was equally at home writing about both. At different times he edited the three principal Italian sports daily newspapers, La Gazzetta dello Sport, Tuttosport and Corriere dello Sport, but also wrote with distinction in the editorial and opinion pages of such respected titles as con L'Unità, Paese Sera, Avanti!, Corriere della Sera, Il Mondo and Il Globo.  Sandro Pertini, who was President of Italy from 1978 to 1985, so respected his wisdom that he invited him to be head of the Quirinale press office. His politics were in line with those of the Socialist Pertini, as they were with Bettino Craxi, Italy’s first Socialist prime minister, for whom he was principal press officer during Craxi’s two spells in office.  Read more…

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Antonio Priuli - Doge of Venice


Doge clamped down on Spanish ‘spies’

Antonio Priuli, who was the 94th Doge of Venice, was born on this day in 1548 in Venice.  He took office in 1618 in the midst of allegations that the Spanish were conspiring to invade Venice. He immediately began a brutal process of ferreting out individuals suspected of plotting against La Serenissima, the Most Serene Republic of Venice.  The so-called ‘spy war’ did not end until 1622 and resulted in the imprisonment and deaths of many innocent people.  Priuli was the son of Girolamo Priuli and Elisabetta Cappello. He grew up to enjoy a successful career as a sailor and a soldier and married Elena Barbarigo, with whom he had 14 children.  In 1618 Priuli was appointed provveditore, a type of governor, of Veglia, an island in the Adriatic, which now belongs to Croatia.  That same year, following the death of Doge Nicolo Donato, Priuli was recalled from Veglia to become the next Doge.  Read more…

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9 May 2019

9 May

Carlo Maria Giulini - conductor


Boy violinist who became a maestro of the baton

Carlo Maria Giulini, who conducted many of the world’s great orchestras in a career spanning 54 years, was born on this day in 1914 in Barletta, a town on the Adriatic coast 66km (41 miles) north of the port city of Bari.  Appointed musical director of Teatro alla Scala in Milan in 1953, he went on to become one of the most celebrated conductors of orchestral performances, developing long associations with the Chicago Symphony Orchestra and the Philharmonia of London in particular, as well as the orchestra of the Royal Opera House, Covent Garden, the Vienna Symphony Orchestra and the Los Angeles Philharmonic.  He became renowned for projecting serene authority from the podium, as well as his selfless devotion to the score. A handsome man who was always impeccably tailored, he had a magisterial presence. Initially most recognised for the breadth and detail he brought to the operas of Verdi and Mozart, he eventually became as well known for his orchestral repertoire. Read more…

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Ottavio Missoni - fashion designer


Former prisoner of war was also an Olympic hurdler

The fashion designer Ottavio Missoni died on this day in 2013 at the age of 92 following an extraordinary life.  Missoni was the co-founder of the Italian fashion brand Missoni, which he set up in 1953 with his wife, Rosita. The company became known around the world for its brightly coloured geometric knits and zigzag patterns and were among the pioneers of Italian ready-to-wear clothing lines.  Earlier, he had been an infantryman during the Second World War, fighting at the Battle of El Alamein in 1942. He was captured by the 7th Armoured Division of the British Army, popularly known as the Desert Rats, and spent the remainder of the war in an English prisoner-of-war camp in Egypt.  After the war, he pursued his passion for competitive athletics, becoming good enough to be selected in the Italian team for the 1948 Olympics in London, where he reached the final of the 400m hurdles event.  Read more…

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Giovanni Paisiello - composer


Audience favourite with a jealous streak

The composer Giovanni Paisiello, who wrote more than 90 operas and much other music and was enormously popular in the 18th century, was born on this day in 1740 in Taranto.  Paisiello was talented, versatile and had a big influence on other composers of his day and later, yet he was jealous of the success of rivals and is remembered today primarily as the composer whose passionate fans wrecked the premiere of Gioachino Rossini’s opera Almaviva, which was based on the same French play as Paisiello’s Il barbiere di siviglia, which was regarded as his masterpiece.  Rossini’s opera would eventually be more commonly known as Il barbiere di siviglia, but not until after Paisiello had died.  Nonetheless, Paisiello’s supporters still felt Rossini was attempting to steal their favourite’s thunder and many of them infiltrated the audience at Almaviva’s opening night in Rome and disrupted the performance with constant jeers and catcalls. Read more…

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Victor Emmanuel III abdicates


Last ditch bid to save the monarchy fails

Italy’s longest-reigning King, Victor Emmanuel III (Vittorio Emanuele III di Savoia), abdicated from the throne on this day in 1946.  To try to save the monarchy, Victor Emmanuel III had earlier transferred his powers to his son, Umberto. But then he formally abdicated, hoping the new King, Umberto II, would be able to strengthen support for the monarchy.  Victor Emmanuel III went to live in Alexandria in Egypt , where he died, after just 18 months in exile, in December 1947.  In contrast with his father, who had been King of Italy for nearly 46 years, Umberto reigned for only just over a month, from 9 May to 12 June. The country had voted in a referendum to abolish the monarchy and Italy was declared a republic. Umberto went into exile and was later nicknamed Re di maggio, the May King.  Victor Emmanuel III had at one time been a popular King of Italy, ascending to the throne in 1900 after his father was assassinated in Monza.  Read more…

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Carlo Maria Giulini - conductor

Boy violinist who became a maestro of the baton


Giulini conducted some of the world's  great orchestras in a long career
Giulini conducted some of the world's
great orchestras in a long career
Carlo Maria Giulini, who conducted many of the world’s great orchestras in a career spanning 54 years, was born on this day in 1914 in Barletta, a town on the Adriatic coast 66km (41 miles) north of the port city of Bari.

Appointed musical director of Teatro alla Scala in Milan in 1953, he went on to become one of the most celebrated conductors of orchestral performances, developing long associations with the Chicago Symphony Orchestra and the Philharmonia of London in particular, as well as the orchestra of the Royal Opera House, Covent Garden, the Vienna Symphony Orchestra and the Los Angeles Philharmonic.

He became renowned for projecting serene authority from the podium, as well as his selfless devotion to the score. A handsome man who was always impeccably tailored, he had a magisterial presence. Initially most recognised for the breadth and detail he brought to the operas of Verdi and Mozart, he eventually became as well known for his orchestral repertoire.

Carlo Maria Giulini was born to a Neapolitan mother and a father from Lombardy. Although born in the south of Italy, he was raised in Bolzano, which was part of Austria until 1915. For Christmas in 1919, when he was five, Giulini was given a violin and he progressed rapidly thanks to local instructors, notably a pharmacist who was also a violinist, whom he nicknamed Brahms.

Giulini with his wife Marcella de Girolami, to whom he was married for more than half a century
Giulini with his wife Marcella de Girolami, to whom
he was married for more than half a century
When the distinguished Italian violinist and composer Remy Principe gave a recital in Bolzano in 1928, he invited Giulini to study with him at Italy's foremost conservatory, the Accademia Nazionale di Santa Cecilia in Rome. He soon won a place in the academy’s prestigious orchestra.

He played under such giants of conducting as Bruno Walter, Wilhelm Furtwängler, Richard Strauss, Igor Stravinsky, and Otto Klemperer. Giulini’s first public performance was the Brahms Symphony No. 1 under Walter.

In 1940, Giulini won a competition with the prize of a chance to conduct the St. Cecilia orchestra. However, before the concert took place at which he was due to conduct, he was drafted into the Italian army and sent to the front in Croatia, in spite of being unequivocally opposed to Benito Mussolini and a committed pacifist. He refused to fire his gun at human targets.

In 1942, on a 30-day break in Rome, he married Marcella de Girolami, his girlfriend since 1938. They would remain together until her death 53 years later.

Giulini began his career mainly conducting opera, first for the Rai radio orchestra
Giulini began his career mainly conducting
opera, first for the Rai radio orchestra 
In September 1943, the Armistice between Italy and Allied armed forces was signed, but the occupying Nazis refused to abandon Rome. When Giulini's Italian commander ordered his troops to fight on, Giulini went into hiding, living for nine months in a tunnel underneath a home owned by his wife's uncle, along with two friends and a Jewish family. There were posters around Rome showing his face with instructions that he be shot on sight.

After the Allies liberated Rome in June 1944, Giulini - one of the few conductors not tainted by associations with Fascism - was chosen to lead the Accademia's first post-Fascist concert, held in July 1944. On the programme was the Brahms Symphony No. 4, which would become almost his signature work, one that he conducted 180 times over the course of his career.

In 1948, Giulini conducted his first opera, a production of Verdi’s La Traviata for Italian radio, before conducting his first theatre production of the same opera in Bergamo in 1950.

After hearing Giulini’s radio broadcast of Debussy's La mer, the great conductor Arturo Toscanini asked to meet Giulini and recommended him to be musical director at La Scala. He took up the post in 1953, although in the event he resigned after members of the audience jeered Maria Callas during a run of operas in 1956.

In 1958, Giulini conducted a highly acclaimed production of Verdi's Don Carlos at the Royal Opera House in London - directed by Luchino Visconti - and although he returned to Covent Garden several more times, and to other venues in Europe, he became so disillusioned with some of the modern visual interpretations of classic works that he effectively quit opera in 1965 to concentrate on orchestral works. Even the Metropolitan Opera in New York could not persuade him to change his mind.

Giulini, who worked into his 80s, had a long association with the Chicago Symphony Orchestra
Giulini, who worked into his 80s, had a long association
with the Chicago Symphony Orchestra
In 1955 he made his American debut with the Chicago Symphony Orchestra, leading to a 23-year association with the orchestra, of which he was principal guest conductor from 1969 to 1972 and continued to appear with them regularly until 1978. In 1956, he began his association with the Philharmonia of London.

In addition to his role in Chicago, he was music director of the Vienna Symphony from 1973 to 1976. From 1978 to 1984, he served as principal conductor and music director of the Los Angeles Philharmonic, launching his tenure there with performances of Beethoven's 9th Symphony.

In addition to being in great demand as a guest conductor of major orchestras around the world, Giulini made numerous recordings with the Philharmonia in London.

Two Mozart recordings, Don Giovanni and Le Nozze Di Figaro, brilliantly produced by Walter Legge, were recalled as exceptional. The recordings that followed during the early 1960s reflected a London concert repertory that included music by Schubert, Brahms, Dvorak, Tchaikovsky, Debussy and Ravel, as well as brilliant Rossini overtures and memorable performances of the Verdi Requiem.

Giulini often said that he found the public role of being a conductor uncomfortable and that ideally he would prefer to do no publicity at all. Yet he had an eccentric side that appeared to enjoy fame, to the extent that during his time in Los Angeles he would sometimes be spotted driving around in an open-top Mercedes, wearing sunglasses, a flowing scarf and a large hat that could scarcely fail to get him noticed.

His later years in America were marred somewhat by the ill health and eventual death of his wife in 1995, not long after which, in 1998, he announced his retirement, returning to Italy and living in the area around Brescia in Lombardy, where he died in 2005 at the age of 91.

The city of Bolzano is set against a backdrop of  stunning Alpine views
The city of Bolzano is set against a backdrop of
 stunning Alpine views
Travel tip:

Bolzano, where Giulini grew up, is a city in the South Tyrol province of northern Italy, also known as Alto Adige. It is in a valley amid hilly vineyards. A gateway to the Dolomites mountain range in the Italian Alps, it has a medieval city centre, where can be found wooden market stalls are laid out with Alpine cheese, ham and dark, seeded loaves. Bolzano us the home of the South Tyrol Museum of Archaeology, which features a Neolithic mummy called Ötzi the Iceman. Nearby is the imposing 13th-century Mareccio Castle, and the Duomo di Bolzano with its Romanesque and Gothic architecture.

The beautiful 14th century Basilica di Santa Maria Maggiore in Barletta
The beautiful 14th century Basilica di Santa
Maria Maggiore in Barletta
Travel tip:

Giulini’s home town of Barletta is a working port with modern suburbs and an attractive historic centre, where one of the most famous sights is an ancient bronze 'Colossus', thought to be the oldest surviving bronze Roman statue. The identity of the figure the statue represents is not clear but one theory is that it is the Byzantine Emperor Marcian and that the statue’s original home was in Constantinople.  Barletta has a beautiful 12th century cathedral, renovated in the 14th century, the Basilica of Santa Maria Maggiore.

More reading:

How a chance opportunity changed conductor Arturo Toscanini's life

The life of the passionate maestro Riccardo Muti

Why Luchino Visconti was known as the aristocrat of Italian cinema

Also on this day:

1740: The birth of composer Giovanni Paisello

1946: Italy's King Victor Emmanuel III abdicates

2013: The death of fashion designer Ottavio Missoni


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