26 July

Constantino Brumidi - painter

Rome-born artist responsible for murals in US Capitol Building

Constantino Brumidi, an artist whose work provides the backcloth to the daily business of government in the United States Capitol Building in Washington, was born on this day in 1805 in Rome.  Brumidi’s major work is the allegorical fresco The Apotheosis of Washington, painted in 1865, which covers the interior of the dome in the Rotunda.  Encircling the base of the dome, below the windows, is the Frieze of American History, in which Brumidi painted scenes depicting significant events of American history, although the second half of the work, which he began in 1878, had to be completed by another painter, Filippo Costaggini, as Brumidi died in 1880.  Previously, between 1855 and about 1870, Brumidi had decorated the walls of eight important rooms in the Capitol Building, including the Hall of the House of Representatives, the Senate Library and the President’s Room.  His Liberty and Union paintings are mounted near the ceiling of the White House entrance hall and the first-floor corridors of the Senate part of the Capitol Building are known as the Brumidi Corridors.  Brumidi arrived in the United States in 1852, having spent 13 months in jail in Rome following the upheaval caused by the occupation of the city by French forces and the revolution among Roman citizens.  Read more…

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Pope Paul II

Flamboyant pope who helped make books available to ordinary people

Pietro Barbo, who became Pope Paul II, died on this day in 1471 in Rome at the age of 54.  He is remembered for enjoying dressing up in sumptuous, ecclesiastical finery and having a papal tiara made for himself, which was studded with diamonds, sapphires, emeralds, topaz, large pearls and many other precious gems.  Barbo was born in Venice and was a nephew of Pope Eugenius IV through his mother and a member of the noble Barbo family through his father.  He adopted a spiritual career after his uncle was elected as pope and made rapid progress. He became a cardinal in 1440 and promised that if he was elected pope one day he would buy each cardinal a villa to escape the summer heat. He then became archpriest of St Peter’s Basilica.  It was reported that Pope Pius II suggested he should have been called Maria Pietissima (Our Lady of Pity) as he would use tears to help him obtain things he wanted. Some historians have suggested the nickname may have been an allusion to his enjoyment of dressing up or, possibly, to his lack of masculinity.  Barbo was elected to succeed Pope Pius II in the first ballot of the papal conclave of 1464.  Beforehand an agreement had been drawn up that bound the future pope to continue the Turkish war, to not journey outside Rome without the consent of the majority of the cardinals, nor to leave Italy without the consent of all of them.  Read more…

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Francesco Cossiga - Italy's 8th President

Political career overshadowed by Moro murder

Former Italian President Francesco Cossiga was born on this day in 1928 in the Sardinian city of Sassari.  Cossiga, a Christian Democrat who had briefly served as Prime Minister under his predecessor, Sandro Pertini, held the office for seven years from 1985 to 1992. He was the eighth President of the Republic.  His presidency was unexceptional until the last two years, when he gained a reputation for controversial comments about the Italian political system and former colleagues.   It was during this time that another heavyweight of the Italian political scene, Giulio Andreotti, revealed the existence during the Cold War years of Gladio, a clandestine network sponsored by the American secret services and NATO that was set up amid fears that Italy would fall into the hands of Communists, either through military invasion from the East or, within Italy, via the ballot box.  Cossiga admitted to have been involved with the creation of Gladio in the years immediately following the end of the Second World War.  This led to renewed speculation surrounding the kidnap and murder of former Prime Minister Aldo Moro in 1978, an event that prevented a vote in the Italian parliament on the so-called 'historic compromise' whereby the Italian Communist Party, which was riding a peak of popularity at a time in which Italy seemed especially vulnerable to social unrest, would be given a direct role in government for the first time.  The event was a key moment in Cossiga's political career. Read more…

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25 July

Carlo Bergonzi - operatic tenor

Singer whose style was called the epitome of Italian vocal art

Carlo Bergonzi, one of the great Italian opera singers of the 20th century, died on this day in 2014 in Milan.  He specialised in singing roles from the operas of Giuseppe Verdi, helping to revive some of the composer’s lesser-known works.  Between the 1950s and 1980s he sang more than 300 times with the Metropolitan Opera of New York and the New York Times, in its obituary, described his voice as ‘an instrument of velvety beauty and nearly unrivalled subtlety’.  Bergonzi was born in Polesine Parmense near Parma in Emilia-Romagna in 1924. He claimed to have seen his first opera, Verdi’s Il Trovatore, at the age of six.  He sang in his local church and soon began to appear in children’s roles in operas in Busseto, a town near where he lived.  He left school at the age of 11 and started to work in the same cheese factory as his father in Parma.  At the age of 16 he began vocal studies as a baritone at the Arrigo Boito Conservatory in Parma.  During World War II, Bergonzi became involved in anti-Fascist activities and was sent to a German prisoner of war camp. After two years he was freed by the Russians and walked 106km (66 miles) to reach an American camp.  Read more…

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Agostino Steffani – composer

Baroque musician and cleric who features in modern literature

A priest and diplomat as well as a singer and composer, Agostino Steffani was born on this day in 1654 in Castelfranco Veneto near Venice.  Details of his life and works have recently been brought to the attention of readers of contemporary crime novels because they were used by the American  novelist, Donna Leon, as background for her 2012 mystery The Jewels of Paradise.  Steffani was admitted as a chorister at St Mark’s Basilica in Venice while he was still young and in 1667 the beauty of his voice attracted the attention of Count Georg Ignaz von Tattenbach, who took him to Munich.  Ferdinand Maria, Elector of Bavaria, paid for Steffani’s education and granted him a salary, in return for his singing.  In 1673 Steffani was sent to study in Rome, where he composed six motets. The original manuscripts for these are now in a museum in Cambridge.  On his return to Munich Steffani was appointed court organist. He was also ordained a priest and given the title of Abbate of Lepsing. His first opera, Marco Aurelia, was written for the carnival and produced at Munich in 1681.  Read more…

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Battle of Molinella

First time artillery played a major part in warfare

An important battle in Italy’s history was fought on this day in 1467 at Molinella, near Bologna.  On one side were infantry and cavalry representing Venice and on the other side there was an army serving Florence.  It was the first battle in Italy in which artillery and firearms were used extensively, the main weapons being cannons fired by gunpowder that could launch heavy stone or metal balls.  The barrels were 10 to 12 feet in length and had to be cleaned following each discharge, a process that took up to two hours.  Leading the 14,000 soldiers fighting for Venice was the Bergamo condottiero Bartolomeo Colleoni. He was working jointly with Ercole I d’Este from Ferrara and noblemen from Pesaro and Forlì.  Another condottiero, Federico da Montefeltro, led the army of 13,000 soldiers serving Florence in an alliance with Galeazzo Maria Sforza, ruler of the Duchy of Milan, King Ferdinand II of Aragon and Giovanni II Bentivoglio, the ruler of Bologna.  Condottieri were professional military leaders hired by the Italian city-states to lead armies on their behalf.  Read more…

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Alfredo Casella – composer

Musician credited with reviving popularity of Vivaldi

Pianist and conductor Alfredo Casella, a prolific composer of early 20th century neoclassical music, was born on this day in 1883 in Turin.  Casella is credited as being the person responsible for the resurrection of Antonio Vivaldi’s work, following a 'Vivaldi Week' that he organised in 1939.  Casella was born into a musical family. His grandfather had been first cello in the San Carlo Theatre in Lisbon and he later became a soloist at the Royal Chapel in Turin.  His father, Carlo, and his brothers, Cesare and Gioacchino, were professional cellists. His mother, Maria, was a pianist and she gave the young Alfredo his first piano lessons. Their home was in Via Cavour, where it is marked with a plaque.  Casella entered the Conservatoire de Paris in 1896 to study piano under Louis Diemer and to study composition under Gabriel Fauré.  Ravel was one of his fellow students and Casella also got to know Debussy, Stravinsky, Mahler and Strauss while he was in Paris.   He admired Debussy, but he was also influenced by Strauss and Mahler when he wrote his first symphony in 1905.  Read more…

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Carlo Bergonzi – operatic tenor

Singer whose style was called the epitome of Italian vocal art

Carlo Bergonzi made his professional opera debut in
the role of Figaro in Rossini's The Barber of Seville

Carlo Bergonzi, one of the great Italian opera singers of the 20th century, died on this day in 2014 in Milan.

He specialised in singing roles from the operas of Giuseppe Verdi, helping to revive some of the composer’s lesser-known works.

Between the 1950s and 1980s he sang more than 300 times with the Metropolitan Opera of New York and the New York Times, in its obituary, described his voice as ‘an instrument of velvety beauty and nearly unrivalled subtlety’.

Bergonzi was born in Polesine Parmense near Parma in Emilia-Romagna in 1924. He claimed to have seen his first opera, Verdi’s Il Trovatore, at the age of six.

He sang in his local church and soon began to appear in children’s roles in operas in Busseto, a town near where he lived.

Bergonzi spent two years in a prisoner
of war camp during World War II 

He left school at the age of 11 and started to work in the same cheese factory as his father in Parma.  At the age of 16 he began vocal studies as a baritone at the Arrigo Boito Conservatory in Parma.

During World War II, Bergonzi became involved in anti-Fascist activities and was sent to a German prisoner of war camp. After two years he was freed by the Russians and walked 106km (66 miles) to reach an American camp.

On the way he drank unboiled water and contracted typhoid fever. He later recovered, but when he returned to the Arrigo Boito Conservatory after the war he weighed just over 36kg (80lb).

Bergonzi made his professional debut as a baritone in 1948 singing the role of Figaro in Gioachino Rossini’s The Barber of Seville. Other baritone parts followed but Bergonzi soon realised the tenor repertoire was more suited to his voice. After retraining he made his debut as a tenor in the title role of Andrea Chénier at the Teatro Petruzzelli in Bari in 1951.

The same year he sang at the Coliseum in Rome in a 50th anniversary concert commemorating Verdi’s death. The Italian radio network RAI engaged Bergonzi for a series of broadcasts of the lesser-known Verdi operas.

Carlo Bergonzi and Maria Callas (left) performed
together at the Metropolitan Opera

These included I due Foscari, Giovanna d’Arco and Simon Boccanegra.

He made his La Scala debut in 1953 creating the title role in Jacopo Napoli’s opera Mas’Aniello. His London debut came in 1953 and his American debut followed in 1955 in Chicago.

After he appeared at the Metropolitan Opera for the first time the following year he received a glowing review from the New York Times.

He continued to sing at the Met for the next 30 years, appearing opposite such famous sopranos as Maria Callas, Victoria de los Angeles and Leontyne Price. He sang in a performance of Verdi’s Requiem at the Met in 1964 in memory of President John F. Kennedy, under the baton of Georg Solti. His last role at the Met was Rodolofo in Verdi’s Luisa Miller in 1988.

Bergonzi’s chief Italian tenor rivals during his career were Franco Corelli and Mario Del Monaco but he outlasted them both, continuing to sing in concerts into the 1990s.

Franco Corelli's was one of Bergonzi's
rivals among Italian operatic tenors

In May 2000 it was announced he was to sing the title role in Verdi’s Otello in a concert in New York. It attracted a great deal of interest and Jose Carreras, Placido Domingo and Luciano Pavarotti were all in the audience.

Sadly, Bergonzi was unable to finish the performance because his voice had been affected by the air conditioning in his dressing room and a substitute tenor had to sing in his place.

After retiring, Bergonzi mentored many famous tenors and the soprano, Frances Ginsberg, was also one of his pupils.

Bergonzi died 12 days after his 90th birthday in Milan, leaving a widow and two sons. He was laid to rest in the Vidalenzo Cemetery, not far from Polisene Parmense.

He left a legacy of beautiful recordings of individual arias and complete operas, including works by Verdi, Giacomo Puccini, Pietro Mascagni and Ruggero Leoncavallo.

The church of the Beata Vergine di Loreto

Travel tip:

The village of Polisene Parmense, where Bergonzi was born, is about 40km (25 miles) northwest of Parma and around 20km (12 miles) south of Cremona. In January 2016 it merged with Zibello to form the new municipality of Polesine Zibello.  The village contains two buildings of interest - the church of the Beata Vergine di Loreto, also known as Madonnina del Po, which was built between 1846 and 1920 to preserve an effigy fresco of Our Lady of Loreto that had been discovered in an ancient shrine, and the nearby Antica Corte Pallavicina, a fortress that dates back to the 13th century.

The entrance to Bergonzi's restaurant in Busseto, I due Foscari

Travel tip:

Busseto, where Bergonzi sang as a child, is a town in the province of Parma, about 40km (25 miles) from the city of Parma. Verdi was born in the nearby village of Le Roncole but moved to Busseto in 1824. Bergonzi owned a house there and after his retirement also opened a restaurant and hotel there, I due Foscari, named after the Verdi opera about court intrigue in Venice. At the time of his death, I due Foscari was still being run by his son, Marco.

More reading:

How Italy mourned the loss of Giuseppe Verdi

Why Franco Corelli was called 'the prince of tenors'

Pietro Mascagni - a reputation built on one brilliant opera

Also on this day:

1467: The Battle of Molinella sees artillery used for the first time in warfare

1654: The birth of baroque musician Agostino Steffani

1883: The birth of Alfredo Casella, the musician who revived interest in Vivaldi

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24 July

Giuseppe Di Stefano – tenor

Singer from Sicily who made sweet music with Callas

The opera singer Giuseppe Di Stefano, whose beautiful voice led people to refer to him as ‘the true successor to Beniamino Gigli’, was born on this day in 1921 in Motta Sant’Anastasia, a town near Catania in Sicily.  Di Stefano also became known for his many performances and recordings with the soprano, Maria Callas, with whom he had a brief romance.   The only son of a carabinieri officer, who later became a cobbler, and his dressmaker wife, Di Stefano was educated at a Jesuit seminary and for a short while contemplated becoming a priest.  But after serving in the Italian army he took singing lessons from the Swiss tenor, Hugues Cuenod. Di Stefano made his operatic debut in Reggio Emilia in 1946 when he was in his mid-20s, singing the role of Des Grieux in Massenet’s Manon. The following year he made his debut at La Scala in Milan in the same role.  Di Stefano made his debut at the Metropolitan Opera in New York in 1948 as the Duke of Mantua in Verdi’s Rigoletto. Read more… 

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Eugene de Blaas - painter

Austro-Italian famous for Venetian beauties

Eugene de Blaas, a painter whose animated depictions of day-to-day life among ordinary Venetians were his most popular works, was born on this day in 1843 in Albano Laziale, just outside Rome.  Sometimes known as Eugenio Blaas, or Eugene von Blaas, he was of Austrian parentage. His father, Karl, also a painter, was a teacher at the Accademia di Belle Arti (Academy of Fine Arts) in Rome. His brother, Julius, likewise born in Albano, was also a painter.  In 1856, the family moved to Venice after his father was offered a similar position at the Venetian Academy. At that time, Venice attracted artists from all over Europe and the young De Blaas grew up in a social circle that was largely populated by painters and poets.  Like his father, he became interested in the school known as Academic Classicism, a style which seeks to adhere to the principles of Romanticism and Neoclassicism.  He exhibited at the Venice Academy when he was only 17 years old.  Read more…

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Victor Emmanuel of Sardinia

The first king to be called Victor Emmanuel

The King of Sardinia between 1802 and 1821, Victor Emmanuel I was born on this day in 1759 in the Royal Palace in Turin.  He was the second son of King Victor Amadeus III of Sardinia and was known from birth as the Duke of Aosta.  When the King died in 1796, Victor Emmanuel’s older brother succeeded as King Charles Emmanuel IV of Sardinia.  Within two years the royal family was forced to leave Turin because their territory in the north was occupied by French troops.  After his wife died, Charles Emmanuel abdicated the throne in favour of his brother, Victor Emmanuel, because he had no heir.  The Duke of Aosta became Victor Emmanuel I of Sardinia in June 1802 and ruled from Cagliari for the next 12 years until he was able to return to Turin.  During his reign he formed the Carabinieri, which is still one of the primary forces of law and order in Italy.  Read more… 

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