Premiere of Andrea Chénier

Giordano’s masterpiece is still stirring emotions

The poster advertising the opening
night of the Giordano masterpiece

Andrea Chénier, the greatest and most enduring opera to be written by the composer Umberto Giordano, was performed for the first time on this day in 1896 in Milan.

It was immediately acknowledged as a triumph and many members of the audience at Teatro alla Scala on the first night were moved by the emotional intensity of Giordano’s music.

The four-act opera was based on the life story of the French poet Andrea Chénier who was executed by guillotine in Paris in 1794, during the French revolution, at the age of just 31. He was accused of being a counter revolutionary in the final days of the so called ‘reign of terror.’ 

Ironically, just three days after Chénier’s horrific death, France’s radical Jacobin leader, Maximilien Robespierre, one of the main architects of ‘the terror’, was himself arrested and sent to the guillotine.

Giordano’s music, in particular the arias he wrote for the tenor who sings the title role, captured the turmoil and poignancy of this dangerous time in France’s history. The quality of the music has enabled the opera to remain popular over the centuries.

Plácido Domingo, Luciano Pavarotti and José Carreras are three of the great tenors to have sung Giordano’s emotional arias to great acclaim during the 20th century, often featuring the haunting Un dì all'azzurro spazio from the final act in their concert repertoire. The music remains a favourite with singers today because it provides an opportunity for a talented tenor to demonstrate his skills and the quality of his voice.

Giordano worked with the tenor Alfonso Garulli to create the role of Andrea Chénier, but Garulli became ill at the eleventh hour and his place on the first night in 1896 had to be taken by the young tenor Giuseppe Borgatti.

On the night of the premiere in Milan, Borgatti’s triumph in the role escalated him to the top tier of Italian opera singers and he went on to become acknowledged as Italy’s greatest Wagnerian tenor.

The tenors Giovanni Martinelli and Beniamino Gigli were also famous for their portrayals of the role of Andrea Chénier, and Enrico Caruso sang the part at performances of the opera in London in 1907.

Giuseppe Borgatti was a late
substitute in the title role

In the 1950s and 1960s, the Italian tenors Franco Corelli, Mario del Monaco and Carlo Bergonzi were also acclaimed for their interpretations of the title role.

The libretto for the verismo opera was written by Luigi Illica and on the night of the premiere in 1896 the orchestra was conducted by Rodolfo Ferrari. 

Singing opposite Borgatti, in the role of Chenier’s lover, Maddalena, was the soprano Avelina Carrera, and the part of the servant, Carlo Gérard, was sung by the baritone Mario Sammarco.

As well as the famous arias sung by the tenor playing the title role, Andrea Chénier also contains a beautiful aria for Maddalena, La Mamma Morta. This featured in the 1993 film Philadelphia, when a recording of the aria by Maria Callas was used in the soundtrack.

The final haunting duet, Vicino a te, which is sung by Chénier and Maddalena as they prepare to climb the scaffolding to go to the guillotine together, has also stood the test of time and is regularly performed. Corelli and the Italian soprano Renata Tebaldi were famed for performing this duet.

Teatro alla Scala is among a wealth of theatres
in Milan staging entertainments of many kinds

Travel tip:

Milan has come to be regarded as the opera capital of Italy because it is home to Teatro alla Scala, the theatre where many singers have made their debuts and operas have been premiered. La Scala was built after fire destroyed the Teatro Regio Ducale, previously the home of opera in the city, and a new theatre was built on the site of the former Church of Santa Maria alla Scala. The cost was funded by the owners of the boxes at the former Teatro Regio Ducale and it was designed by neoclassical architect Giuseppe Piermarini, opening on 3 August 1778. Milan went on to have a wealth of theatres staging a variety of entertainment, such as Teatro Dal Verme in San Giovanni sul Muro, which opened in 1872. The Piccolo Teatro in Via Rivoli opened in 1947 and Teatro dell’Arte in Viale Alemagna was redesigned and reopened in 1960. Teatro Litta next to Palazzo Litta in Corso Magenta dates back about 370 years and is believed to be the oldest theatre in the city. La Scala’s museum displays costumes and memorabilia from the history of the theatre and is open every day except the Italian Bank Holidays and a few days in December. 

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Leonardo Da Vinci's wall painting of The Last 
Supper is kept in a climate-controlled conditions

Travel tip:

Milan is also famous as the home of the Leonardo da Vinci masterpiece, The Last Supper, on the wall of the refectory at the Convent of Santa Maria delle Grazie. Commissioned by Ludovico Sforza, Duke of Milan, Leonardo began work on The Last Supper (known as Il Cenacolo in Italian) in 1495 and completed it four years later. He felt traditional fresco painting techniques would not capture the intensity he wanted so he experimented by painting on to dry plaster on the wall of the refectory. But his new method was not as durable as the traditional one and the painting soon deteriorated. By 1556, the painting was described by one commentator as ‘ruined’. Over the years it suffered from poor restoration techniques, vandalism by French soldiers, having a doorway cut into it to provide a shortcut for monks coming and going for their meals, and wartime bomb damage. By 1978 only a small part of Leonardo’s original work remained. A restoration project was organised to reverse the damage and the refectory was sealed and converted to provide a climate-controlled environment. Using modern techniques, the restoration team slowly removed everything that had been added after Leonardo completed the painting in 1498. The areas that couldn’t be repaired were repainted in subdued colours so they could be distinguished from the original painting. After more than 20 years’ work, longer than it took Leonardo to paint it, The Last Supper was once more revealed in 1999. The refectory has since remained a protected environment and visitor numbers inside at any one time are carefully restricted.

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More reading:

Why Giovanni Martinelli was seen by Americans as the successor to Caruso

How a football World Cup took Luciano Pavarotti's fame to a new level

Umberto Giordano's place among the greats of Italian opera

Also on this day:

1472: The birth of Renaissance painter Fra Bartolommeo 

1892: The birth of prohibition agent Vincenzo Capone

1918: The birth of star baritone Anselmo Colzani

1925: The birth of film producer Alberto Grimaldi

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Giuseppe Borgatti - tenor

Beautiful voice brings fame for former bricklayer

Borgatti was an illiterate bricklayer
before his vocal talent was spotted

Opera singer Giuseppe Borgatti, who became known as Italy’s greatest Wagnerian tenor, was born on this day in 1871 in Cento in the province of Ferrara.

Borgatti began his working life as a bricklayer and stone cutter, until a wealthy patron discovered that he had an outstanding voice and arranged for him to have music lessons. 

He went on to sing leading roles at Teatro alla Scala in Milan for a period of 20 years and he was the first Italian tenor to be invited to sing at the annual Wagner festival held in Bayreuth in Germany.

After being born into a poor family, Borgatti had grown up to be illiterate, but when his singing talent was discovered, a local aristocrat paid for him to have professional singing lessons and to acquire some basic education.

When Borgatti was in his early twenties, he made his debut at Castelfranco Veneto, singing the title role in Faust by Charles Gounod. After performing at some Italian opera houses, he was given the chance to sing the role of Chevalier des Grieux in Giacomo Puccini’s Manon Lescaut in a production in Venice. 

Later in the year, he appeared at Teatro del Verme in Milan as Lohengrin, which was his first Wagnerian role.

Borgatti’s big breakthrough came when he sang the title role in Andrea Chénier on the night of the premiere of the opera at La Scala in Milan. The composer of the opera, Umberto Giordano, had worked with the tenor Alfonso Garulli to create the role of Andrea Chénier, but Garulli became ill at the eleventh hour and his place on the first night in 1896 had to be taken by the young tenor Borgatti.

On the night of the premiere, many members of the audience in Milan were moved by the emotional intensity of Giordano’s music sung by Borgatti. 

The opera was a big success and his triumph in the role escalated him into the top tier of Italian opera singers. 

Borgatti continued to appear in Italian operas, but also worked closely with La Scala’s principal conductor, Arturo Toscanini to try to master the main tenor parts in the Richard Wagner repertoire. He also travelled to Spain, Russia, and South America with other Italian opera stars to perform. 

Borgatti on stage at as Siegfried in the
third opera of Wagner's The Ring Cycle

In 1901 he took part in a grand concert at La Scala, held to mark the death of Giuseppe Verdi, in which the rising young star Enrico Caruso also appeared. 

Borgatti was honoured by being the first Italian tenor asked to sing at the Bayreuth festival in Germany in 1904, after which Cosima Wagner, the composer’s widow, praised his voice.

When he was at the height of his career in 2007 and his voice was at its peak, Borgatti began losing his sight due to glaucoma. After another seven years, he had to retire from the operatic stage, even though his voice was still excellent.

He continued to give concerts and the theatre in his home town of Cento was named in his honour in 1924. Eventually he lost his sight in both eyes and, in 1928, he gave his last public performance in Bologna.

After retiring, he taught singing in Milan. His best known pupils were the English Lyric tenor, Heddle Nash, and the German baritone, Willi Domgraf-Fassbaender.

Borgatti married one of his singing teachers, Elena Cuccoli, and they had a daughter, Renata Borgatti, who became a concert pianist.

Borgatti died in 1850 when he was 79 at Reno di Leggiuno, a resort he had moved to near Lago Maggiore. He left fewer than 20 recordings, which were all sung in Italian, of extracts from works by Wagner, Verdi, and Puccini. Borgatti had been La Scala’s original Cavaradossi in Puccini’s Tosca in 1900 and among the recordings he left behind is the aria E lucevan le stelle, from Tosca.

Cento's impressive Rocca, the 14th century castle
originally built by the Bishop of Bologna

Travel tip:

Cento, where Giuseppe Borgatti was born, is a town in the province of Ferrara in Emilia-Romagna. It grew from being a little fishing village to become an established farming town and, in 1502, Pope Alexander VI took Cento away from the dominion of the Bishop of Bologna and made it part of the dowry for his daughter, Lucrezia Borgia, when she was betrothed to Duke Alfonso I d’Este. Cento was returned to the Papal States in 1598.The town’s 19th century theatre was named the Teatro Comunale Giuseppe Borgatti in honour of the famous tenor.  Known sometimes as "Little Bologna" for its arcaded streets and colourful buildings, it is famous as the birthplace of the Baroque painter Guercino, for its historic 14th-century Rocca fortress, and its world-renowned carnival.  Some of Guercino’s works can be seen in the Palazzo del Monte di Pietà, which houses the Civic Gallery, as well as in the Basilica Collegiata San Biagio, the Church of the Rosary and, in the frazione of Corporeno, the 14th-century church of San Giorgio.  The Rocca, a massive square castle with square towers, was built in 1378 by the Bishop of Bologna and enlarged by Giulio della Rovere, the future pope Julius II, in 1460.

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The Hermitage of Santa Caterina del Sasso, built into
the rock face, is accessible only by boat or on foot

Travel tip:

Giuseppe Borgatti went to live at Reno di Leggiuno, a resort at Lago Maggiore in the province of Varese, when he retired and he died there in 1850. Reno di Leggiuno is a picturesque  hamlet on the Lombardy shore of the lake. The area is famous for the Hermitage of Santa Caterina del Sasso, a Roman Catholic monastery perched on a rocky ridge overlooking the lake, which dates back possibly to the 12th century. It is thought to have been founded by a hermit, Alberto Besozzi. Though still in use as a monastery, it serves mainly as a tourist attraction and pilgrimage site. It can be reached by boat or on foot by climbing down a winding stairway and was declared a national monument in 1914. Reno di Leggiuno, which has a marina and a number of hotels, is a tranquil, authentic location featuring a scenic sand-and-pebble beach, lakefront dining, and panoramic views of the Borromean Islands. It is the birthplace of the footballer Luigi ‘Gigi’ Riva, while the actor and playwright Dario Fo, was born in nearby Leggiuno Sangiano. Reno di Leggiuno is about 25km (15 miles) northwest of the city of Varese.

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More reading:

The opera that propelled Umberto Giordano into the front rank of composers

How the great conductor Toscanini became an orchestra leader by chance

The painter Guercino, 17th century master who is Cento’s most famous son

Also on this day:

1542: The death of playwright Angelo Bealco

1826: The birth of inventor Innocenzo Manzetti

1861: Kingdom of Italy proclaimed 

1925: The birth of actor Gabriele Ferzetti

1939: The birth of football coach Giovanni Trapattoni

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Carlo Bergonzi – operatic tenor

Singer whose style was called the epitome of Italian vocal art

Carlo Bergonzi made his professional opera debut in
the role of Figaro in Rossini's The Barber of Seville

Carlo Bergonzi, one of the great Italian opera singers of the 20th century, died on this day in 2014 in Milan.

He specialised in singing roles from the operas of Giuseppe Verdi, helping to revive some of the composer’s lesser-known works.

Between the 1950s and 1980s he sang more than 300 times with the Metropolitan Opera of New York and the New York Times, in its obituary, described his voice as ‘an instrument of velvety beauty and nearly unrivalled subtlety’.

Bergonzi was born in Polesine Parmense near Parma in Emilia-Romagna in 1924. He claimed to have seen his first opera, Verdi’s Il Trovatore, at the age of six.

He sang in his local church and soon began to appear in children’s roles in operas in Busseto, a town near where he lived.

Bergonzi spent two years in a prisoner
of war camp during World War II 

He left school at the age of 11 and started to work in the same cheese factory as his father in Parma.  At the age of 16 he began vocal studies as a baritone at the Arrigo Boito Conservatory in Parma.

During World War II, Bergonzi became involved in anti-Fascist activities and was sent to a German prisoner of war camp. After two years he was freed by the Russians and walked 106km (66 miles) to reach an American camp.

On the way he drank unboiled water and contracted typhoid fever. He later recovered, but when he returned to the Arrigo Boito Conservatory after the war he weighed just over 36kg (80lb).

Bergonzi made his professional debut as a baritone in 1948 singing the role of Figaro in Gioachino Rossini’s The Barber of Seville. Other baritone parts followed but Bergonzi soon realised the tenor repertoire was more suited to his voice. After retraining he made his debut as a tenor in the title role of Andrea Chénier at the Teatro Petruzzelli in Bari in 1951.

The same year he sang at the Coliseum in Rome in a 50th anniversary concert commemorating Verdi’s death. The Italian radio network RAI engaged Bergonzi for a series of broadcasts of the lesser-known Verdi operas.

Carlo Bergonzi and Maria Callas (left) performed
together at the Metropolitan Opera

These included I due Foscari, Giovanna d’Arco and Simon Boccanegra.

He made his La Scala debut in 1953 creating the title role in Jacopo Napoli’s opera Mas’Aniello. His London debut came in 1953 and his American debut followed in 1955 in Chicago.

After he appeared at the Metropolitan Opera for the first time the following year he received a glowing review from the New York Times.

He continued to sing at the Met for the next 30 years, appearing opposite such famous sopranos as Maria Callas, Victoria de los Angeles and Leontyne Price. He sang in a performance of Verdi’s Requiem at the Met in 1964 in memory of President John F. Kennedy, under the baton of Georg Solti. His last role at the Met was Rodolofo in Verdi’s Luisa Miller in 1988.

Bergonzi’s chief Italian tenor rivals during his career were Franco Corelli and Mario Del Monaco but he outlasted them both, continuing to sing in concerts into the 1990s.

Franco Corelli's was one of Bergonzi's
rivals among Italian operatic tenors

In May 2000 it was announced he was to sing the title role in Verdi’s Otello in a concert in New York. It attracted a great deal of interest and Jose Carreras, Placido Domingo and Luciano Pavarotti were all in the audience.

Sadly, Bergonzi was unable to finish the performance because his voice had been affected by the air conditioning in his dressing room and a substitute tenor had to sing in his place.

After retiring, Bergonzi mentored many famous tenors and the soprano, Frances Ginsberg, was also one of his pupils.

Bergonzi died 12 days after his 90th birthday in Milan, leaving a widow and two sons. He was laid to rest in the Vidalenzo Cemetery, not far from Polisene Parmense.

He left a legacy of beautiful recordings of individual arias and complete operas, including works by Verdi, Giacomo Puccini, Pietro Mascagni and Ruggero Leoncavallo.

The church of the Beata Vergine di Loreto

Travel tip:

The village of Polisene Parmense, where Bergonzi was born, is about 40km (25 miles) northwest of Parma and around 20km (12 miles) south of Cremona. In January 2016 it merged with Zibello to form the new municipality of Polesine Zibello.  The village contains two buildings of interest - the church of the Beata Vergine di Loreto, also known as Madonnina del Po, which was built between 1846 and 1920 to preserve an effigy fresco of Our Lady of Loreto that had been discovered in an ancient shrine, and the nearby Antica Corte Pallavicina, a fortress that dates back to the 13th century.

The entrance to Bergonzi's restaurant in Busseto, I due Foscari

Travel tip:

Busseto, where Bergonzi sang as a child, is a town in the province of Parma, about 40km (25 miles) from the city of Parma. Verdi was born in the nearby village of Le Roncole but moved to Busseto in 1824. Bergonzi owned a house there and after his retirement also opened a restaurant and hotel there, I due Foscari, named after the Verdi opera about court intrigue in Venice. At the time of his death, I due Foscari was still being run by his son, Marco.

More reading:

How Italy mourned the loss of Giuseppe Verdi

Why Franco Corelli was called 'the prince of tenors'

Pietro Mascagni - a reputation built on one brilliant opera

Also on this day:

1467: The Battle of Molinella sees artillery used for the first time in warfare

1654: The birth of baroque musician Agostino Steffani

1883: The birth of Alfredo Casella, the musician who revived interest in Vivaldi

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Giovanni Martinelli – tenor

Singer made his fame abroad

Giovanni Martinelli was seen as the
successor to Enrico Caruso

One of the most famous tenors of the 20th century, Giovanni Martinelli, was born on this day in 1885 in Montagnana in the province of Padua in the Veneto.

Martinelli began his career playing the clarinet in a military band and then studied as a singer with Giuseppe Mandolini in Milan. He made his professional debut at the Teatro del Verme in Milan in the title role of Giuseppe Verdi's Ernani in 1910.

Martinelli became famous for singing the role of Dick Johnson in Giacomo Puccini's La Fanciulla del West, which he performed in Rome, Brescia, Naples, Genoa, Monte Carlo and also at La Scala in Milan.

He played Cavaradossi in Puccini's Tosca at the Royal Opera House in London and took on the same role for his first American engagement in 1913. That same year Martinelli portrayed Pantagruel in the world premiere of Jules Massenet’s Panurge in Paris.

He attracted favourable reviews when he played Rodolfo in Puccini's La Bohème at the Metropolitan Opera in New York. He went on to sing 36 different roles for the theatre over 32 seasons.

Martinelli on stage in a production of
Rossini's opera William Tell

In 1937 Martinelli returned to London to sing opposite the English soprano Eva Turner at Covent Garden.

He retired from the stage in 1950, but gave one final performance in 1967 at the age of 82 as Emperor Altoum in Puccini's Turandot in Seattle.

At the peak of his career Martinelli had a strong high C and exceptional breath control.  In America he was regarded as Enrico Caruso’s successor, even though their voices were different.

He made a number of recordings for Edison and the Victor Talking Machine.

Martinelli was married to Adele Previtali with whom he had three children. He died in 1969 at Roosevelt Hospital in New York City.

Montagnana's walls are some of the best
preserved in the whole of Europe

Travel tip: 

Montagnana, where Martinelli was born, is one of the borghi più belli d’talia - an association of the most beautiful small towns in Italy - because it has some of the best preserved medieval walls in Europe. The cathedral has a fresco that has recently been attributed to the artist Giorgione.

The Teatro del Verme in Milan, where Martinelli
made his operatic debut in 1910

Travel tip:

The Teatro del Verme in Milan, where Martinelli made his operatic debut, is in Via San Giovannni sul Muro and was built on the site of a previous theatre. It was used for plays and operas throughout the 19th and 20th centuries. Today the theatre is a venue for concert, plays and dance performances as well as exhibitions and conferences.

More reading:

Why some still regard Caruso as the greatest of them all

What made Giacomo Puccini one of Italy's all-time finest composers

Baritone Antonio Scotti's 35 seasons at the Met

Also on this day:

1965: The birth of the actress Valeria Golino

1968: Soave wine granted DOC status


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