Luca della Robbia - sculptor

Renaissance ‘genius’ famed for glazed terracotta

Della Robbia's Resurrection over the door of
the northern sacristy in the Florence duomo

Luca della Robbia, whose work saw him spoken of in the same breath as Donatello and Lorenzo Ghiberti among the great sculptors of the Renaissance, died on this day in 1482 in Florence.

Della Robbia worked in marble and bronze initially but enjoyed considerable success after inventing a process for making statuary and reliefs in terracotta decorated with a colourful mineral glaze.

Thought to be around 82 or 83 years old, he had shared the full details of the process only with his family. On his death, his nephew Andrea della Robbia inherited his workshop and other members of the family, notably his great-nephews Giovanni della Robbia and Girolamo della Robbia, continued to employ his methods with success into the 16th century.

Terracotta literally means cooked earth and Della Robbia’s technique involved the application of colourful glazes made using lead, tin and other minerals to the fired clay. 

Sculpting in terracotta was not new, having been invented in the ancient world, but Della Robbia’s idea to coat the terracotta with a glaze that fused with the clay below gave the surface a brightness and shine and made the sculpture particularly durable. 

Della Robbia decorated the dome of Brunelleschi's
Pazzi Chapel in the Basilica of Santa Croce

It took him many years to perfect his technique. The clay itself came from riverbeds, where Della Robbia would look for a light-colored, chalky variety of clay that bound particularly well with his glazes, cleaning and sifting it before adding soft river sand to achieve optimal consistency.  The blend of minerals in the glaze itself was a closely guarded secret.

The first commissions for which Della Robbia used the technique were in the Duomo of Florence, where between 1442 and 1445 he sculpted a lunette of the Resurrection over the door of the northern sacristy and a relief of the Ascension over the southern sacristy door.

He went on to execute many more works in the medium, of which some of the most important are the roundels of the Apostles in Filippo Brunelleschi’s Pazzi Chapel in the Basilica di Santa Croce in Florence, the roof of Michelozzo’s Chapel of the Crucifix in the Basilica di San Miniato al Monte, Florence, and a lunette over the entrance of the Church of San Domenico at Urbino.

His final major work was an altarpiece in the Palazzo Vescovile at Pescia, a small town just over an hour from Florence, near Montecatini Terme.

Della Robbia's bust in the Pincio
Gardens in Rome

It was the Renaissance polymath Leon Battista Alberti who compared Della Robbia to fellow sculptors Donatello and Ghiberti, ranking him also alongside the architect Brunelleschi and the painter Masaccio in terms of their artistic genius. This assessment took into account more than just his work in glazed terracotta, although his use of bright colours gave his work in the medium a particular charm that was very popular.

In the early part of his career, Della Robbia, who may have trained as a goldsmith, worked with Ghiberti on the famous bronze doors of the Florence Baptistry - the so-called Gates of Paradise.

Brunelleschi often used him for sculpture on his buildings. His important commission was for the Cantoria - a singing gallery - in Florence's Duomo, for which he was probably chosen by the Medici family.  The project took seven years and his depictions in the 10 panels of children singing, dancing and making music, the figures lively and finely observed in the manner of Renaissance naturalism, established him as a major Florentine artist.

Della Robbia’s other important works in marble include a tabernacle carved for the Chapel of San Luca in the Santa Maria Nuova Hospital in Florence, and the tomb of Benozzo Federighi, bishop of nearby Fiesole.

Florence's magnificent Duomo towers above
the skyline of Della Robbia's city

Travel tip:

The Florence Duomo - the Cattedrale di Santa Maria del Fiore - with its enormous dome by Filippo Brunelleschi and campanile by Giotto, is one of Italy's most recognisable and most photographed sights, towering above the city and the dominant feature of almost every cityscape. From groundbreaking to consecration, the project took 140 years to complete and involved a series of architects. Arnolfo di Cambio, who also designed the church of Santa Croce and the Palazzo Vecchio was the original architect engaged and it was to his template, essentially, that the others worked.  When he died in 1410, 14 years after the first stone was laid, he was succeeded by Giotto, who himself died in 1337, after which his assistant Andrea Pisano took up the project.  Pisano died in 1348, as the Black Death swept Europe, and a succession of architects followed, culminating in Brunelleschi, who won a competition - against Lorenzo Ghiberti - to build the dome, which remains the largest brick-built dome ever constructed.

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Piazzo Mino is the main square in the centre of
Fiesole, in the hills to the northeast of Florence

Travel tip:

Fiesole, a town of about 14,000 inhabitants situated in an elevated position about 8km (5 miles) northeast of Florence, has since the 14th century been a popular place to live for wealthy Florentines and even to this day remains the richest municipality in Florence.  Formerly an important Etruscan settlement, it was also a Roman town of note, of which the remains of a theatre and baths are still visible.  Fiesole's cathedral, built in the 11th century, is supposedly built over the site of the martyrdom of St. Romulus. In the middle ages, Fiesole was as powerful as Florence until it was conquered by the latter in 1125 after a series of wars.

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More reading:

Lorenzo Ghiberti and the 'Gates of Paradise'

Filippo Brunelleschi, the genius who designed the dome of the Florence duomo

Gian Lorenzo Bernini, the Florentine who made his mark in Rome

Also on this day:

1791: The birth of painter Francesco Hayez

1918: The death of Nobel Peace Prize winner Ernesto Teodoro Moneta

1941: The birth of author and politician Raffaele Lauro

1953: The founding of the giant oil and gas company ENI

1966: The birth of footballer Andrea Silenzi

(Picture credits: Resurrection by Sailko; Pazzi Chapel ceiling by Mattis; bust of della Robbia by Lalupa; via Wikimedia Commons)

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9 February

Vito Antuofermo - world champion boxer

Farmer's son from deep south who won title in Monaco

Vito Antuofermo, who went from working in the fields as a boy to becoming a world champion in the boxing ring, was born on this day in 1953 in Palo del Colle, a small town in Apulia, about 15km (9 miles) inland from the port of Bari.  He took up boxing after his family emigrated to the United States in the mid-1960s.  After turning professional in 1971, he lost only one of his first 36 fights before becoming European light-middleweight champion in January 1976.  In his 49th fight, in June 1979, he beat Argentina's Hugo Corro in Monaco to become the undisputed world champion in the middleweight division.  Antuofermo's success in the ring, where he won 50 of his 59 fights before retiring in 1985, opened the door to a number of opportunities in film and television and he was able to settle in the upper middle-class neighbourhood of Howard Beach in New York, just along the coast from John F Kennedy Airport.  He and his wife Joan have four children - Lauren, Vito Junior, Pasquale and Anthony.  He grew up in rather less comfort. The second child of Gaetano and Lauretta Antuofermo, who were poor tenant farmers, he was working in the fields from as young as seven years old.  Read more…

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Ezechiele Ramin – missionary

Priest from Padua who was murdered in Brazil

Ezechiele Ramin, a Comboni missionary who was shot to death by hired killers after standing up for the rights of peasant farmers and traditional tribesmen in a remote rural area in Brazil, was born on this day in 1953 in Padua.  Ramin was only 32 when he was murdered in July 1985, having worked in the South American country for about a year and a half.  He had already completed missionary assignments in North and Central America, worked to help victims of the Irpinia earthquake in Campania and organised a demonstration against the Camorra in Naples before being posted to Brazil.  He was based in the state of Rondônia, an area in the northwest of Brazil next to the border with Bolivia, where small farmers found themselves oppressed, by legal and illegal means, by wealthy landowners, and where government measures had been introduced to curb the freedom of the indigenous Suruí tribes.  Ramin, an easy-going and popular man who amused himself by making sketches and playing the guitar, tried to solve the problems by arranging for a lawyer, paid for by the Brazilian Catholic Church through the Pastoral Land Commission, to act on behalf of the peasant farmers to see that their legal rights were properly observed.  Read more…

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Ferdinando Carulli - classical guitarist and composer

Neapolitan wrote first guide to playing the instrument

The composer Ferdinando Carulli, who published the first complete method for playing the classical guitar as well as writing more than 400 works for the instrument, was born on this day in 1770 in Naples.  Carulli was also influential in changing the design of the guitar, which had a smaller body and produced a less resonant sound when he started out, to something much more like the classical guitars of today.  The son of an intellectual advisor to the Naples Jurisdiction, Carulli first trained as a cellist and received instruction in musical theory from a local priest.  He became interested in the guitar in his 20s and became so enthusiastic about the instrument he decided to devote himself to it entirely.  The guitar was little played and there were no guitar teachers in Naples in the late 18th century, so Carulli had to devise his own method of playing.  In time, he began to give concerts in Naples, playing some pieces of his own composition. These were popular, attracting large audiences who enjoyed the different sound that the guitar produced.  This encouraged Carulli to venture further afield and he engaged on a tour of Europe.  Read more…

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Pope Gregory XV

Legally-trained pontiff was against witchcraft and for secret ballots

Gregory XV, who was christened Alessandro Ludovisi, became Pope on this day in 1621.  He was the last Pope to issue a papal ordinance against witchcraft with his ‘Declaration against Magicians and Witches’, put out in March 1623.  He was already 67 years of age and in a weak state of health when he was chosen as Pope and relied heavily on his 25-year-old nephew, Ludovico Ludovisi, to assist him in his duties.  Born in Bologna in 1554, the young Alessandro Ludovisi was educated at a Jesuit college in Rome before going to Bologna University to study law.  He worked in various roles for the church until he was appointed Archbishop of Bologna in 1612, having at some stage been ordained.  In 1616 he was sent by Pope Paul V to mediate between Charles Emmanuel 1, Duke of Savoy and Philip III of Spain, who were involved in a dispute. The Pope elevated him to the rank of Cardinal in the same year.  He went to Rome after the death of Pope Paul V to take part in the conclave. He was chosen as Pope on February 9, 1621, the last Pope to be elected by acclamation.  His nephew, Ludovico, was made a cardinal.  Read more…

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Pietro Nenni - politician

Orphan who became influential leader of Italian Socialist Party

The politician Pietro Sandro Nenni, who was a major figure of the Italian left for five decades, was born on this day in 1891 in Faenza in Emilia-Romagna.  Nenni was general secretary of the Italian Socialist Party (PSI) on three occasions and rose to high office in the Italian government, twice serving as foreign affairs minister and several times as deputy prime minister, notably under the progressive Christian Democrat Aldo Moro in the centre-left coalitions of the 1960s.  He was a recipient of the Stalin Peace Prize in 1951 but returned the $25,000 that came with the honour in protest at the Soviet invasion of Hungary in 1956.  Born into a peasant family, Nenni lost both his parents before he was five years old and grew up in an orphanage, having been placed there by the aristocratic landowners for whom his father had worked.  His experiences there seemed to stir in him a desire to rebel against authority.  He was only nine years old when, on learning of the assassination of King Umberto I by the anarchist Gaetano Bresci, he is said to have written ‘Viva Bresci’ on a wall in the orphanage.   Read more…

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8 February

NEW - Giuseppe Torelli – violinist and composer

Brilliant musician could both perform and write beautiful music

Talented musician Giuseppe Torelli, who played the viola and violin and was a composer during the late Baroque era, died on this day in 1709 in Bologna in Emilia-Romagna.  He is remembered for contributing to the development of the instrumental concerto and for being the most prolific Baroque composer for trumpets and he is ranked with Arcangelo Corelli as a developer of the Baroque concerto and concerto grosso.  Torelli was born in Verona in 1658. He learnt to play the violin and studied composition with Giacomo Antonio Perti.  At the age of 26 it is known that he was a member of the Accademia Filarmonica as a violinist. Two years later he was employed as a viola player at the Basilica di San Petronio in Bologna. He stayed there for about ten years until the orchestra was disbanded because of financial constraints.  His first published works were ten sonatas for violin and basso continuo and 12 concerti da camera for two violins and basso continuo.  Around 1690 Torelli began writing his first trumpet works. It is considered unusual for a strings player to compose works for the trumpet. Read more… 

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Guercino - Bolognese master

Self-taught artist amassed fortune from his work

The artist known as Guercino was born Giovanni Francesco Barbieri on this day in 1591 in Cento, a town between Bologna and Ferrara in what is now the Emilia-Romagna region.  His professional name began as a nickname on account of his squint - guercino means little squinter in Italian.  After the death of Guido Reni in 1642, he became established as the leading painter in Bologna.  Guercino painted in the Baroque and classical styles. His best known works include The Arcadian Shepherds (Et in Arcadia Ego - I too am in Arcadia), showing two shepherds who have discovered a skull, which is now on display at the Galleria Nazionale di Arte Antica in Rome, and The Flaying of Marsyas by Apollo, which can be found in the Palazzo Pitti in Florence, both of which were painted in 1618.  Guercino's frescoes were notable for the technique of creating an illusionist ceiling and would make a big impact on how churches and palaces in the 17th century were decorated.  Mainly self-taught, Guercino became apprenticed at 16 to Benedetto Gennari, a painter of the Bolognese school, at his workshop in Cento before moving to Bologna in 1615.  Read more…

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Nicola Salvi – architect

Creator of Rome’s iconic Trevi Fountain

The architect Nicola Salvi, famous as the designer of the Fontana di Trevi – known in English as the Trevi Fountain and one of the most famous and most visited monuments in Rome – died on this day in 1751.  He was working on the Trevi when he passed away, having been engaged on the project since 1732. It had to be finished by Giuseppe Pannini and the giant statue of Oceanus – the Titan God of the Sea in Greek mythology – set in the central niche, was completed by Pietro Bracci, yet Salvi takes credit as the lead architect.  Salvi ran a workshop in Rome that he had taken over when his master, Antonio Canevari, left the city in 1727 to take up a position working as architectural consultant to the king of Portugal in Lisbon.  He completed a number of commissions on behalf of Canevari but spent a good deal of his time tutoring others and might have made very little impression on architectural history had he not submitted entries for two design competitions run by Pope Clement XII in 1732.  One was for a new façade for the church of San Giovanni in Laterano, for which his design was commended.  Read more…

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Revolt in Padua

When students and citizens joined forces against their oppressors 

An uprising against the Austrian occupying forces, when students and ordinary citizens fought side by side, took place on this day in Padua in 1848.  A street is now named Via VIII Febbraio to commemorate the location of the struggle between the Austrian soldiers and the students and citizens of Padua, when both the University of Padua and the Caffè Pedrocchi briefly became battlegrounds.  The Padua rebellion was one of a series of revolts in Italy during 1848, which had started with the Sicilian uprising in January of that year.  The Austrians were seen as arrogant and aggressive by ordinary citizens and the ideas of Giuseppe Mazzini and Camillo Benso Cavour about a united Italy were becoming popular with progressive thinkers.   Students and professors at Padua University had been meeting in rooms at the University and in Caffè Pedrocchi to discuss their discontent.  The uprising began with the storming of a prison and prisoners being set free. Then many ordinary citizens came to fight alongside the students against the armed Austrians, who clubbed the Paduans with their guns as well as firing at them.  Read more…

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Italo Santelli - fencer

Olympic medallist famous for real ‘duel’

The Olympic fencer Italo Santelli, who famously fought a duel with his former team captain over a matter of honour, died on this day in 1945 in Livorno, Tuscany.  Santelli won a silver medal at the 1900 Olympics in Paris with a new style of sabre fencing of his own invention. Originally from Carrodano in Liguria, he fought for Italy but spent a large part of his career coaching Hungary, who he helped become a formidable power in fencing.  It was this conflict of interests that sparked an incident at the 1924 Olympics, also in Paris, that led to Santelli and Adolfo Cotronei, who was Italy’s team captain, engaging in the infamous duel.  It happened during a match between the Italians and the host nation France in the team foil event when Italy’s Aldo Boni was facing off against Lucien Gaudin. With the match tied at four touches each, the Hungarian judge György Kovacs awarded the winning fifth touch to Gaudin, a decision that sparked immediate consternation in the Italian ranks.  Boni rounded on Kovacs, delivering a verbal tirade. But it was in Italian - beyond the official’s comprehension. It just happened that Santelli, in his capacity as Hungary’s coach, witnessed the whole dispute and was asked to step in as interpreter.  Read more…

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Giuseppe Torelli – violinist and composer

Brilliant musician could both perform and write beautiful music

Torelli is ranked alongside Arcangelo Corelli
as a developer of the Baroque concerto

Talented musician Giuseppe Torelli, who played the viola and violin and was a composer during the late Baroque era, died on this day in 1709 in Bologna in Emilia-Romagna.

He is remembered for contributing to the development of the instrumental concerto and for being the most prolific Baroque composer for trumpets and he is ranked with Arcangelo Corelli as a developer of the Baroque concerto and concerto grosso.

Torelli was born in Verona in 1658. He learnt to play the violin and studied composition with Giacomo Antonio Perti.

At the age of 26 it is known that he was a member of the Accademia Filarmonica as a violinist. Two years later he was employed as a viola player at the Basilica di San Petronio in Bologna. He stayed there for about ten years until the orchestra was disbanded because of financial constraints.

His first published works were ten sonatas for violin and basso continuo and 12 concerti da camera for two violins and basso continuo.

Around 1690 Torelli began writing his first trumpet works. It is considered unusual for a strings player to compose works for the trumpet but it is thought Torelli may have been inspired by the virtuoso trumpeter Giovanni Pellegrino Brandi, who occasionally performed with the San Petronio orchestra.

In 1687 it went on record that Torelli’s music was being played at the Sanctuary Maria della Steccata in Parma in Emilia Romagna by Giuseppe Corsi da Celano, a composer and teacher.

Francesco Antonio Pistocchi, with
whom Torelli collaborated

By 1698, Torelli had become maestro di concerto at the court of Georg Friedrich II, Margrave of Brandenburg Ansbach. He conducted the orchestra for Le pazzie d’amore e dell’interesse, an idea drammatica composed by the maestro di cappella, his friend Francesco Antonio Pistocchi, the composer and castrato singer 

After 1701, Torelli was known to be back in Bologna, where he is listed as a violinist in the newly reformed cappella musicale at San Petronio, directed by his former composition teacher, Perti.

Torelli and Pistocchi appeared in a number of concerts together in the early years of the 18th century. At around this time Torelli composed 12 concerti grossi con una pastorale, Op 8, which features one of his most popular pieces, the Christmas Eve concerto No 6.

Torelli died, aged 50, on 8 February 1709 in Bologna. His manuscripts were conserved in the San Petronio archives. He had composed many sonatas, concertos and symphonies, including more than 30 concertos for trumpets.

He had many pupils, the most notable being Francesco Manfredini. His brother, Felice Torelli was a painter with a good reputation in Bologna.

The unfinished facade of the Basilica di San
Petronio, one of Europe's largest churches

Travel tip:

The Basilica di San Petronio, which dominates Bologna’s Piazza Maggiore, is a huge structure, 132m (144yds) long, 60m (66yds) wide and 47m (154ft) tall, which makes it the sixth largest church in Europe and is seen as a symbol of the city, even if it is not actually Bologna’s cathedral (that being the nearby Duomo di San Pietro). Indeed, despite construction starting in 1380, it was not consecrated as a church until 1954, having been built as a civic temple and not transferred from the city to the diocese until 1929.  It is notable for its unfinished facade, the red and brick marble of Domenico da Varignana’s design abandoned when it had barely reached one third of the building’s height, following the intervention of Pope Pius IV, who considered the project too expensive and ambitious and ordered that the city’s focus switch instead to the building of the Archiginnasio, the official seat of the University of Bologna.

The balcony of the Casa Giulietta, which remains
one of Verona's most visited attractions

Travel tip:

Verona, where Torelli was born, is now the third largest city in the northeast of Italy, with a population across its whole urban area of more than 700,000. Famous now for its wealth of tourist attractions, of which the Roman amphitheatre known the world over as L’Arena di Verona is just one, the city was also the setting for three plays by Shakespeare – Romeo and Juliet, The Two Gentlemen of Verona and The Taming of the Shrew  - although it is unknown whether the English playwright ever actually set foot in the city.  Nonetheless, Casa Giulietta in Via Cappello, about five minutes’ walk from the Arena, is still promoted as the balcony where Shakespeare’s famous scene with Romeo took place.

Also on this day:

1591: The birth of painter Guercino

1751: The death of Trevi Fountain architect Nicolo Salvi

1848: Uprising in Padua

1945: The death of Olympic fencer Italo Santelli

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