Theft of Caravaggio masterpiece

Fate of Nativity taken from Palermo church remains a mystery

Caravaggio's painting Nativity with
St Lawrence and St Francis

One of the most notorious art crimes in history was discovered on this day in 1969 when a housekeeper at the Oratory of Saint Lawrence in Palermo arrived for work to find that the Nativity with St. Francis and St. Lawrence, painted by the Renaissance master Caravaggio in 1609, had been stolen.

The painting sat above the altar in the Oratory, which is situated in Via Immacolata in the centre of the Sicilian capital, adjacent to the Basilica of Saint Francis of Assisi, but when the housekeeper, Maria Gelfo, opened up with her sister on the morning of 18 October, they were confronted with an empty frame.

Worth an estimated £20 million (€23.73 million; $27.52 million), the painting has never been found, leaving half a century’s worth of theories about its fate to remain unproven.  Most of the theories link the theft to the Sicilian Mafia.

It is assumed that the painting was taken during the night of the 17-18 October, although the weather was reportedly awful, with a lightning storm raging for much of the night and Palermo suffering a deluge of rain, hardly ideal conditions for carrying a valuable work of art from a church to a waiting vehicle.

The thieves broke into the Oratory and seemingly headed straight for the Caravaggio. The painting appeared to have been cut from its frame using a sharp blade. Maria Gelfo also told police that a rug was also missing, which led to speculation that the canvas was removed from the church rolled up inside the rug.

The empty frame above the altar, 
pictured soon after the theft

Yet what happened to the painting is shrouded in mystery, not least because files containing statements made to police by key witnesses mysteriously disappeared, along with a report on the state of the premises ordered after Benedetto Rocco, the parish priest at the time of the theft, had raised concerns about security with the local state official for works of art, Vincenzo Scuderi.

Rocco had also raised concerns about Scuderi allowing RAI, the state broadcaster, to film a programme on hidden treasures inside the oratory - including Caravaggio’s painting - which was broadcast in August 1969. 

Gelfo, meanwhile, had expressed her worries about the security of a street-level window that could have been forced by an intruder, as well as reporting an unusually large number of strangers wanting to see the Caravaggio in the weeks leading up to its disappearance.

When the investigation into the crime was reopened in 2017 by the government’s anti-Mafia commission, following supposedly credible information supplied by Mafia pentiti Marino Mannoia and Gaetano Grado, the statements from Rocco and Gelfo had vanished.

Mannoia and Grado said that the painting was in Switzerland, albeit having been cut up, after Mafia boss Gaetano Badalamenti, who had made his money from trafficking heroin to the United States and had supposedly commissioned its theft, decided he no longer wanted it on his hands. The involvement of Badalamenti tallied with an interview given by Rocco in 2001 in which he claimed that Badalamenti was the perpetrator and had attempted to open a negotiation with the Catholic Church for its return, cutting off a small section of the canvas and sending it to Rocco to prove he had it.

Gaetano Badalamenti, a Mafia
boss accused of ordering the theft

However, the police were unable to find the files relating to the crime, including Rocco’s statements. Rocco, Gelfo and Badalamenti are all now dead.

Mannoia had previously told the anti-Mafia magistrate Giovanni Falcone that the Mafia had commissioned the theft after agreeing a price with a buyer, but that when the buyer saw the painting, it was so badly damaged he called the deal off.  Experts have since said that, had the painting been rolled up to be smuggled out inside a rug, it is likely that large amounts of paint would have cracked and fallen off.

Other explanations of its fate are that the painting was eaten by pigs after being kept in a barn, that it was buried by another mafioso, Gerlando Alberti, after he had failed to sell it, and that it was transported to Campania to be sold to the Naples Camorra only to be buried under rubble during the 1980 earthquake.

Another theory, put forward by a Mafia expert in Palermo, is that the theft was actually carried out by highly-skilled professional art thieves working independently of the local Mafia and that the multiple claims of Cosa Nostra responsibility were false, issued somewhat in panic by local gang bosses embarrassed that a crime of such magnitude had taken place under their noses without their knowledge. 

Detail from Giacomo Serpotta's
stucco work in the Oratory

Travel tip:

The Oratory of Saint Lawrence was founded in around 1570 by the Company of Saint Francis of Assisi, a baroque church built over the remnants of an ancient church dedicated to Saint Lawrence (San Lorenzo). It is located in the La Kalsa or Tribunali district of Palermo near Corso Vittorio Emanuele, next door to the basilica of Saint Francis (San Francesco d'Assisi).  In addition to Caravaggio’s masterpiece, the setting of which, above the altar, is now occupied by a reproduction of the original, the Oratory is also notable for the brilliant stucco decorations by Giacomo Serpotta, born in the neighbourhood but considered by many to be one of Sicily’s greatest artists.

Palermo's beautiful cathedral, viewed across the
its square in the Monte di Pietà district of the city

Travel tip:

Although the Mafia have long cast an unwanted shadow over Palermo, thankfully most visitors know it as an attractive tourist destination, a vibrant city with a wealth of history, culture, art, music and food. It has many outstanding restaurants as well as fine examples of Romanesque, Gothic and Baroque churches, palaces and buildings.  Attractions include the extraordinary Cappella Palatina, featuring Byzantine mosaics decorated with gold leaf and precious stones, the Teatro Massimo, the largest opera house in Italy and the third biggest in Europe, and a beautiful cathedral that blends Norman, Moorish, Gothic, Baroque and Neoclassical styles.  Although the Sicilian Baroque style is strongly represented in the city’s architecture, the streets around Via Libertà and the seaside resort of Mondello, just outside the city, feature many examples of Stile Liberty, the Italian variant on Art Nouveau, in villas built for the well-to-do of Palermo in the late 19th and early 20th centuries.

Also on this day: 

1634: The birth of painter Luca Giordano

1833: The birth of entrepreneur Cristoforo Benigno Crespi

1933: The birth of racing driver Ludovico Scarfiotti

The Feast Day of St Luke the Evangelist

Home

17 October

The end of the Venetian Republic

Peace treaty saw Venice given away to Austria

A peace settlement signed in a small town in north-east Italy on this day in 1797 heralded a dark day for Venice as the Most Serene Republic officially lost its independence after 1,100 years.  The Treaty of Campo Formio, drawn up after the Austrians had sought an armistice when faced with Napoleon Bonaparte's advance on Vienna, included an exchange of territory that saw Napoleon hand Venice to Austria.  It marked the end of the First Coalition of countries allied against the French, although it was a short-lived peace.  A Second Coalition was formed the following year.  The Venetian Republic, still a playground for the rich but in decline for several centuries in terms of real power, had proclaimed itself neutral during the Napoleonic Wars, wary that it could not afford to sustain any kind of conflict.  But Napoleon wanted to acquire the city nonetheless, seeing it as a potential bargaining chip in his empire-building plans and had his eye on its vast art treasures.  In May 1797 he provoked the Venetians into attacking a French ship and used this as an excuse to declare war.  The reaction of the Venetian Grand Council and the last of its Doges, Ludovico Manin, was to vote the Republic out of existence.  Read more…

__________________________________________________________

Bartolommeo Bandinelli - Renaissance sculptor

Career scarred by petty jealousies

The sculptor Bartolommeo Bandinelli, a contemporary and rival of Michelangelo and Benvenuto Cellini in Renaissance Italy, was born on this day in 1473 in Florence.  He left his mark on Florence in the shape of the monumental statue of Hercules and Cacus in the Piazza della Signoria and his statues of Adam and Eve, originally created for the Duomo but today housed in the Museo Nazionale del Bargello.  Also known as Baccio Bandinelli and Bartolommeo Brandini, he was skilled in small sculptures but became known and disliked for his antagonistic manner with other artists and his particular hatred of Michelangelo, of whom he was bitterly jealous.  Giorgio Vasari, the artist and sculptor who was the first to compile a written history of art and artists, and who was a student in Bandinelli’s workshop, recalled an occasion when Bandinelli was so enraged by the excitement that ensued when a Michelangelo drawing was uncovered in the Palazzo Vecchio that, as soon as an opportunity arose, he tore it up.  Where Michelangelo was revered for everything he did, Bandinelli’s critics said he lacked the skills required to tackle large sculptures.  Read more…

__________________________________________________________

Giovanni Matteo Mario - operatic tenor

Disgraced nobleman became the toast of London and Paris

The operatic tenor Giovanni Matteo Mario, a Sardinian nobleman who deserted from the army and began singing only to earn a living after fleeing to Paris, was born on this day in 1810 in Cagliari.  He was baptised Giovanni Matteo de Candia, born into an aristocratic family belonging to Savoyard-Sardinian nobility. Some of his relatives were members of the Royal Court of Turin. His father, Don Stefano de Candia of Alghero, held the rank of general in the Royal Sardinian Army and was aide-de-camp to the Savoy king Charles Felix of Sardinia.  He became Giovanni Mario or Mario de Candia only after he had begun his stage career at the age of 28. He was entitled to call himself Cavaliere (Knight), Nobile (Nobleman) and Don (Sir) in accordance with his inherited titles, yet on his first professional contract, he signed himself simply ‘Mario’ out of respect for his father, who considered singing a lowly career.  Although he was one of the most celebrated tenors of the 18th century, Italy never heard Mario sing. Instead, the Royal Opera House, Covent Garden in London and the Théâtre Italien in Paris witnessed most of his triumphs.  Read more…

Home

16 October

Dorando Pietri - marathon runner

Athlete who made his fortune from famous disqualification

The athlete Dorando Pietri, who found fame and fortune after being disqualified in the 1908 Olympic marathon, was born on this day in 1885 in Mandrio, a hamlet near Carpi, in Emilia-Romagna.  In an extraordinary finish to the 1908 race in London, staged on an exceptionally warm July day, Pietri entered the White City Stadium in first place, urged on by a crowd of more than 75,000 who were there to witness the finish, only for his legs to buckle beneath him.  He was helped to his feet by two officials only to fall down four more times before he crossed the finish line.  Each time, officials hauled him to his feet and walked alongside him, urging him on and ready to catch him if he fell.  The final 350 yards (320m) of the event accounted for 10 minutes of the two hours, 54 minutes and 46 seconds recorded as his official time.  Eventually, a second athlete entered the stadium, the American Johnny Hayes, but Pietri had staggered over the line before he could complete the final lap.  The American team was already unpopular with the British crowd, partly because of a row about a flag at the opening ceremony. They lost even more support after they lodged an objection to the result.   Read more…

___________________________________________________________

Dino Buzzati - author

Novelist likened to Camus whose short stories remain popular

The multi-talented author Dino Buzzati, whose output included five novels, several theatre and radio plays, a children’s novel, five opera libretti, some poetry, a comic book in which he also drew the illustrations, and several books of short stories, was born on this day in 1906 in Belluno.  Buzzati’s most famous novel, Il deserto dei Tartari (1940), titled The Tartar Steppe in the English translation, saw Buzzati compared to Albert Camus and Franz Kafka as a work of existentialist style, but it is for his short stories that he still wins acclaim.  A new collection entitled Catastrophe and Other Stories, which showcases Buzzati’s talent for weaving nightmarish fantasy into ordinary situations, was published earlier this year.  Buzzati, who worked as a journalist for the whole of his adult life and also painted prolifically, was the second of four children born to Giulio Cesare Buzzati, a distinguished professor of international law, and Alba Mantovani, a veterinarian born in Venice.  The family’s main home was in Milan but they had a summer villa in San Pellegrino, a village just outside Belluno in the foothills of the Dolomites, which was where Dino was born.  Read more…

____________________________________________________________

Election of Pope John Paul II

How Karol Wojtyla became first non-Italian pope for 455 years

Pope John Paul II, who was to have a political and social influence unmatched by any pontiff since the Middle Ages, was elected to be the new leader of the Catholic Church on this day in 1978.  The result of the second Papal conclave in what became known as the Year of the Three Popes was announced after eight ballots. The new pontiff succeeded Pope John Paul I, who had died on September 28 after only 33 days in office, who had himself followed Pope Paul VI, who had passed away in August after reigning for 15 years.  The new man chosen was 58-year-old Cardinal Karol Wojtyla, then Archbishop of Kraków, the first non-Italian to hold office for 455 years since the Dutch Pope Adam VI, who served from 1522-23.  Wojtyla's stand against Poland's Communist regime had brought him respect but he was not seen as a Vatican favourite and his elevation to the highest office stunned the Catholic world.  Yet he would go on to become one of the most familiar faces in the world, remaining in post for almost 27 years, which made him the second longest-serving pope in modern history after Pope Pius IX. Read more…

Home

15 October

Gibbon's moment of inspiration

Walk around the Forum sparked idea for epic work 

The English writer and historian Edward Gibbon claimed that the inspiration to write the book that - unbeknown to him - would grant him literary immortality came to him while exploring the ruins of the Forum in Rome on this day in 1764.  Gibbon, who had enjoyed modest success with his first book, entitled Essay on the Study of Literature, was in Rome after deciding to embark on the Grand Tour, taking in the Italian cities of Florence, Naples and Venice as well as the capital.  Later, in his memoirs, Gibbon wrote that:  "It was at Rome, on the fifteenth of October 1764, as I sat musing amidst the ruins of the Capitol, while the barefooted friars were singing Vespers in the temple of Jupiter, that the idea of writing the decline and fall of the City first started to my mind."  In the event, the book expanded to cover rather more than the city of Rome.  The History of the Decline and Fall of the Roman Empire ran to six volumes and as many as 5,000 pages in the original version and saw Gibbon, whose second work - Mémoires Littéraires de la Grande Bretagne - had been dismissed as having little merit by fellow writers and historians, eventually recognised as in the forefront of historians in Europe.  Read more…

___________________________________________________________

Angelo Schiavio - footballer

Scored goal that won Italy's first World Cup

Angelo Schiavio, the hero of the Italian football team’s first World Cup victory in 1934, was born on this day in 1905 in Bologna.  The centre forward, a prolific goalscorer for his home-town club in Serie A, scored the winning goal in the final against Czechoslovakia to hand victory to the Azzurri in the 16-team tournament, of which the Italians were hosts.  In the final at the Stadio Flaminio in Rome, the Azzurri had gone behind to a goal by the Czech winger Antonin Puc with 19 minutes remaining, but equalised 10 minutes later through Raimundo Orsi, the Argentina-born forward from Juventus, taking the match into extra time.  Schiavio struck the decisive goal, driven home with his right foot from a pass by Enrique Guaita, another Argentine – one of 12 to represent Italy and Argentina in the days before playing for more than one nation was outlawed.  It was his fourth goal of the tournament, sparking massive celebrations in Rome and across Italy, albeit in a mood of triumph hijacked by Benito Mussolini and his Fascist regime.  Rumours circulated, almost inevitably, that match officials had been bribed to make decisions favouring the Italians.  Read more…

_________________________________________________________

Virgil – Roman poet

Writer’s epic poem commemorates achievements and ideals of Rome

Regarded as the greatest of the Roman poets, Virgil, or Publius Vergilius Maro as he was originally named, was born on this day in 70 BC in the village of Andes near Mantua, in what is now Lombardy.  Virgil is famous for his work, the Aeneid, which told the story of Rome’s founder and the Roman mission to civilise the world under divine guidance. It is widely considered one of the most important poems in the history of Western literature.  Experts have high regard for Virgil’s poetry, not only for the music and diction of his verse and for his skill in constructing an intricate work on a grand scale, but also because of what it reveals about Roman life and behaviour.  Virgil was born of peasant stock and his love of the Italian countryside and the people who worked in it is well reflected in his poetry.  He was educated in Cremona, Milan and Rome and acquired a thorough knowledge of Greek and Roman authors and was trained in rhetoric and philosophy.  When Virgil was 20, Julius Caesar crossed the Rubicon and began the series of civil wars that did not end until Augustus’s victory at Actium in 31 BC.  Hatred and fear of civil war is powerfully expressed by Virgil in his poetry.  Read more…

________________________________________________________

Roberto Vittori – astronaut

High-flying Colonel contributed to space research

Roberto Vittori, the last non-American to fly on board the US Space Shuttle, was born on this day in 1964 in Viterbo.  An Italian air force officer, Vittori was selected by the European Space Agency to be part of their Astronaut Corps and has participated in three space flights.  In 2011 Vittori was on board the Space Shuttle that travelled to the International Space Station to install the AMS-02 cosmic ray detector to examine dark matter and the origin of the Universe.  Vittori had to grapple the six-tonne AMS-02 with the Space Shuttle’s robotic arm and move it to the station for installation. This was to be the final flight of Space Shuttle Endeavour.  He is one of five Italians to have visited the International Space Station. The others are Umberto Guidoni, who was the first European to set foot on board when he flew on Space Shuttle Endeavour in 2001, Paolo Nespoli, who visited as recently as 2017 and at 61 is the European Space Agency’s oldest active astronaut, Luca Parmitano and Samantha Cristoforetti, the first Italian woman in space.  Nespoli, who has participated in three International Space Station missions, was coming to the end of a 159-day stay when Vittori visited.  Read more…

___________________________________________________________

Giovanni Migliara – painter

19th century artist captured many beautiful views for posterity

Giovanni Migliara, who rose from working as a theatre set designer to becoming court painter to King Charles Albert of Sardinia, was born on this day in 1785 in Alessandria in Piedmont.  He was first apprenticed to the sculptor Giuseppe Maria Bonzanigo, but then went on to study at the Brera Academy.in Milan with Giocondo Albertolli.  He began working as a set designer with Teatro Carcano in Milan in 1804 and then moved to La Scala in 1805, where he served under the direction of Alessandro Sanquirico until 1809. His theatre work enabled him to acquire skills as a landscape artist and a creator of perspective.  Migliara had to stop working while he was suffering from a serious lung problem but from about 1810 he started painting miniatures and then moved on to watercolours and then oils on canvas, silk and ivory, drawing inspiration from Venetian painters.  In 1812 he exhibited four views of Milan at the Brera Academy, officially signalling his return to the world of art.  Migliara specialised in painting views and romantic, historical subjects. Because of the high quality of his work he became a favourite of the aristocracy living in Milan at the time.  Read more…

Home