4 July 2024

Giambettino Cignaroli - painter

Artist celebrated in home city of Verona 

A self-portrait painted by Cignaroli in 1758 ( Kunsthistorisches, Vienna)
A self-portrait painted by Cignaroli in
1758 ( Kunsthistorisches, Vienna)
The painter and writer Giambettino Cignaroli was born on this day in 1706 in Verona, where he spent much of his career and became the city’s leading painter in the Rococo era. 

Primarily a painter of religious scenes, he became known also for spiritual images and celebratory historical painting.

His most famous works include Death of Cato and Death of Socrates, two canvases of Greco-Roman episodes which he painted for the Austrian governor of Lombardy, Count Karl von Firmian; his Virgin and Child With Saints Jerome and Alexander, for the Chiesa di San Giovanni XXIII in Bergamo; and the Death of Rachel for the Scuola Grande della Carità, now part of the Galleria dell 'Accademia in Venice.

He was thought to have painted a portrait of the composer Wolfgang Amadeus Mozart when he visited Verona at the age of 13, although some experts attribute this work to Cignaroli’s nephew, Saverio Dalla Rosa. 

Although his workshop was in his home city, Cignaroli travelled around northern Italy in the 1730s and ‘40s, when he often worked in Venice, Chioggia, Bergamo and Brescia. He was also active in cities such as Milan, Parma, Turin, Bologna and Ferrara. 

Other notable works can be found in the Chiesa di San Lorenzo in Brescia, the basilica of San Giovanni Battista in Lonato del Garda, and the Chiesa di San Marco in Bergamo.

Cignaroli's Death of Socrates, which is now on display in the Museum of Fine Arts in Budapest
Cignaroli's Death of Socrates, which is now on
display in the Museum of Fine Arts in Budapest
Cignaroli was born into an artistic family. His half-brothers included a sculptor, Diomiro, and painters Gian Domenico and Giuseppe. Two of his father’s cousins, Pietro and Martino, were also painters, as was his uncle, Leonardo Seniore.

After studying rhetoric at a Jesuit school, he became interested in painting himself. He became a pupil of Sante Prunati before attending the painting school of Antonio Balestra. 

He then spent time in Venice, where he studied the works of masters such as Titian, Paolo Veronese and Palma il Vecchio before returning to Verona to set up his own workshop in 1728, which would become his permanent base. 

By mid-century, his fame had spread beyond Italy’s borders, and his works were sought after by monarchs and elites from Spain, Northern Europe, and Russia. Although he never left Italy, turning down invitations to work at the royal courts in Madrid and Vienna, his clients included the Elector of Saxony, the King of Poland and the Tsarina of Russia.

An altarpiece by Cignaroli in the Church of San Lorenzo in Brescia
An altarpiece by Cignaroli in the
Church of San Lorenzo in Brescia
A  monumental altarpiece by Cignaroli in the Prado Museum in Madrid, depicting the Madonna and Child with Saints Lucia, Lorenzo, Anthony of Padua, Barbara and the guardian angel, was commissioned in 1759 by the Duke and Duchess of Parma on behalf of Elisabetta Farnese, who was Queen of Spain by marriage to King Philip V. 

Cignaroli helped establish Verona’s art academy - now known as the Accademia Cignaroli di Pittura e Scultura - in 1766.  

As a writer, Cignaroli wrote poetry and history, including a series of biographies of Veronese painters.

He died in December, 1770 and was buried in Verona in the church of Saints Siro and Libera, a short distance from the Accademia Cignaroli. He never married and there was no record of any children.

In November 2019, the portrait of the young Mozart some experts attribute to him was sold at auction at Christie's in Paris for more than €4 million. 

The courtyard of the Cignaroli Accademia di Belli Arti di Verona, established during the painter's life
The courtyard of the Cignaroli Accademia di Belli
Arti di Verona, established during the painter's life
Travel tip:

The Cignaroli Academy is one of the oldest academies of fine arts in the world and one of the five historical Italian Academies.  Also known as the Accademia di Belle Arti di Verona, it was founded in 1764 by Giambettino Cignaroli and secured lasting recognition for the Verona school of painting. The institution faced challenges during periods of social and political upheaval but survived and prospered due to figures such as Saverio Dalla Rosa, Cignaroli’s nephew, who worked to preserve Verona’s artistic heritage and opened part of the academy as a public gallery. Today, the Accademia di Belle Arti di Verona maintains its prestigious standing, offering art courses as well as exhibitions open to the public. Situated in Via San Carlo, near Ponte Pietra, it is open on Monday to Friday from 9am until noon, and from 3-7pm.

The Church of Saints Siro and Libera was built within the remains of Verona's Teatro Romano
The Church of Saints Siro and Libera was built
within the remains of Verona's Teatro Romano
Travel tip:

The Church of Saints Siro and Libera, where Cignaroli was buried, can be found in the Veronetta district of Verona, within the archaeological site which includes the ruins of the Teatro Romano, an open-air theatre built in the 1st century BC at the foot of Colle San Pietro, on the left bank of the Adige, which is one of the best preserved Roman theatres in northern Italy.  According to historical accounts, the church owes its unusual location, directly overlooking what would have been the theatre’s stage, to the first Christian mass in the city of Verona being celebrated in an archway of the theatre. It was above this archway that in 913 Giovanni, Bishop of Cremona, built the church. The church was modified and expanded in the early 17th century to include the gabled, west-facing façade, accessed via a staircase divided into two branches.

Also on this day:

1742: The death of mathematician Luigi Guido Grandi

1914: The birth of car designer Giuseppe ‘Nuccio’ Bertone

1927: The birth of actress Gina Lollobrigida


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3 July 2024

3 July

Alessandro Blasetti - film director

Reputation tarnished by links with Mussolini

Alessandro Blasetti, the film director sometimes referred to as ‘the father of Italian cinema’ for the part he played in reviving the film industry in Italy in the late 1920s and 30s, was born on this day in 1900 in Rome.  In his directing style, Blasetti was seen as ahead of his time, even in his early days.  His films were often shot on location, used many non-professional actors and had the characteristics of the neorealism that would make Italian cinema famous in the post-War years.  Yet he will forever be seen by some critics as an apologist for Fascism, a charge which stems mainly from his support for at least part of the ideology of Benito Mussolini, which led to a number of his films being interpreted as Fascist propaganda, although the evidence in some cases was rather thin.  The son of an oboe professor at Rome’s Accademia Nazionale di Santa Cecilia, Blasetti graduated in law from the Sapienza University of Rome.   Married in 1923, his first job was as a bank clerk but after a year he began to work as a journalist and wrote the first film column to appear in an Italian national newspaper.  He used his position to campaign for a revival of film production in Italy.  Read more…

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Ulisse Stacchini - architect

Designer behind two famous Milan landmarks

Ulisse Stacchini, the architect who designed two of Milan's most famous 20th century landmarks, was born on this day in 1871 in Florence.  A champion of Liberty-style Art Nouveau designs, Stacchini's defining work was the gargantuan Stazione di Milano Centrale - the city's main railway terminal.  He also designed the stadium that evolved into the city's iconic Stadio Giuseppe Meazza, joint home of Milan's two major football clubs, Internazionale and AC Milan.  Stacchini studied in Rome and moved to Milan soon after graduating, setting up a partnership with the engineer Giulio de Capitani, building houses, offices and shops for private clients.  Among his early projects was the Savini Caffè in the Galleria Vittorio Emanuele II.  His style can be seen in a number of town houses commissioned by wealthy patrons, including Via Gioberti 1 at Via Revere 7, which feature linear designs.  He became involved with the Milano Centrale project when he won a design competition in 1912, although construction was delayed by more than a decade because of the crisis in the Italian economy that followed the First World War.  Read more…

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Flavio Insinna - actor and presenter

Star of TV dramas turned game show host

The actor and presenter Flavio Insinna, who is the host of Italy’s popular television game show L’eridità and was formerly the face of Affari tuoi - the Italian version of Deal or No Deal - was born on this day in 1965 in Rome. In a broad-ranging career, Insinna has run up an impressive list of credits in cinema, theatre and television as well as publishing an autobiography and a novel. He is also known for his philanthropy after donating his 49-foot boat Roxana to humanitarian organisation Médecins Sans Frontières to help rescue Syrian refugees.  In a substantial catalogue of television drama and comedy appearances, notable was Insinna’s portrayal of the Carabinieri captain Flavio Anceschi in the popular Rai Uno series Don Matteo, with Terence Hill and Nino Frassica.  Ironically, Insinna’s ambition after obtaining his Liceo Classico diploma from Rome’s Augusto high school in 1984, had been to become a Carabinieri officer but after failing to gain admission to the elite police force’s training college he opted for acting. He enrolled at the drama school run by the Polish-Italian dramatist Alessandro Fersen and later joined the drama laboratory led by the Rome-born singer and actor Gigi Proietti, who had been one of his heroes growing up.  Read more…

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Walter Veltroni - politician

Popular former communist twice elected Mayor of Rome

The politician Walter Veltroni, who was the first leader of Italy’s centre-left Democratic Party (Partito Democratico) and was twice elected Mayor of Rome, was born on this day in 1955 in Rome.  A popular figure, Veltroni helped the PD reach a level of influence in Italian politics that enabled them to provide the leaders of three consecutive governments in Enrico Letta, Matteo Renzi and Paolo Gentiloni before the centre-left were routed at the 2018 general election.  Veltroni had such charisma and broad appeal that he was often tipped as a future prime minister, but his star began to wane after he lost the April 2008 general election in a head-to-head with Silvio Berlusconi’s centre-right People of Freedom party.  He had stepped down as Mayor of Rome in order to focus on winning the election so defeat was a crushing blow.  In February 2009, following a heavy defeat for PD in regional elections in Sardinia and amid clashes within the party, he resigned as leader, giving way to his former deputy, Dario Franceschini.  Veltroni's political career had begun in 1976, when he was elected as a Rome city councillor as a member of the Italian Communist Party (PCI).  Read more…

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Book of the Day:  A History of Italian Cinema, by Peter Bondanella and Federico Pacchioni

This second edition of A History of Italian Cinema, an update of the bestselling definitive guide, was published to celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni’s new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.

Peter Bondanella is the author of a number of groundbreaking books, including Hollywood Italians, The Cinema of Federico Fellini, and The Films of Roberto Rossellini. In 2009, he was elected to the European Academy of Sciences and the Arts for his contributions to the history of Italian cinema and his translations or editions of Italian literary classics (Dante, Boccaccio, Machiavelli, Vasari, Cellini).  Federico Pacchioni is Sebastian Paul & Marybelle Musco Chair of Italian Studies at Chapman University, Orange, California.

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2 July 2024

2 July

Palio di Siena

First of two annual races contested on 2 July

The first of the two annual contests for the historic Palio di Siena takes place in Piazza del Campo on 2 July.  The passionately competitive horse race, first run in 1656, is staged on this date and 16 August each year. The first race is in honour of Siena's Madonna of Provenzano, the second forms part of the celebrations marking the Feast of the Assumption.  A colourful pageant, the Corteo Storico, precedes the race, which sees the square filled with spectators from many parts of the world.  The Palio features 10 horses, each representing one of Siena's 17 contrade, or wards, ridden bareback by riders wearing the colours of the contrada they represent.   They race for three circuits of a dirt track laid around the perimeter of the Piazza del Campo.  It is an event with no holds barred.  Riders are allowed to use the whip to encourage their own mounts but also to hamper their rivals and falls are frequent.  The winner is the horse that crosses the finishing line first, even if its rider is no longer on board.  Horses are trained specifically with the Palio in mind and 10 judged to be of approximately equal quality are chosen four days before the race.  Read more…

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Pierre Cardin - fashion designer

Star of Parisian haute couture was born in Italy

Pierre Cardin, who has been described as the last survivor of the heyday of Parisian haute couture in the 50s and 60s, was born on this day in 1922 in the province of Treviso, north of Venice.  There are differing versions of the story of Cardin’s Italian origins.  One says that his parents were French but had a holiday home in Italy and that he was born in the village of Sant’ Andrea di Barbarana, on the Piave river, where his parents had a house.  Another says that his father was Italian, a labourer, that he was born in another small town in the province, San Biagio di Callalta and that he was the last of 11 children. This version suggests his father was in his 60s when Pierre – christened Pietro – was born.  What is agreed is that the family left Italy for France in 1924, possibly because of his father’s unease at the rise of Mussolini and his opposition to Fascism.  They settled in the industrial city of Saint-Etienne, where Pierre began his career in the clothing industry in 1936 when he was taken on as a tailor’s apprentice.  He moved to Vichy in 1939 and worked during the Second World War for the Red Cross before relocating to Paris in 1945, determined to make his name in the fashion world.  Read more…

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Carlo Pisacane – socialist and revolutionary

Patriot who put deeds before ideas

Carlo Pisacane, Duke of San Giovanni, was killed on this day in 1857 at Sanza in Campania, while trying to provoke an uprising in the Kingdom of Naples.  Pisacane is remembered for coming up with the concept ‘propaganda of the deed’, an idea that influenced Mussolini and many rebels and terrorists subsequently.  He argued that violence was necessary, not only to draw attention or generate publicity for a cause, but to inform, educate and rally the masses to join in.  Pisacane was born into an impoverished but noble family in Naples in 1818.  He joined the Neapolitan army at the age of 20, but became interested in the political ideas of Giuseppe Mazzini and went to England and France before going to serve in the French army in Algeria.  After the revolution of 1848 he came back to Italy, where he played a part in the brief life of the Roman Republic. After the city was captured by the French he went into exile again in London.  Pisacane regarded the rule of the House of Savoy as no better than the rule of Austria and went to Genoa to involve himself with the uprisings planned by Mazzini and his followers.  Read more…

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Book of the Day: Living the Palio: A Story of Community and Public Life in Siena, by Thomas W Paradis

A maddening, twice-annual horse race held in Siena's public square, the Palio is less a sport than it is a game - one that involves a combination of bare-back riding skills, human deal-making, and a large dose of fate. The 90-second race and the rituals that surround it have continued largely uninterrupted since the 1500s, serving as the primary source of identity for the city's 17 neighbourhoods, or contrade. The Palio can therefore confuse short-term visitors who see little more than an afternoon of pageantry followed by three laps of ferocious racing. On the surface, jockeys wear uniquely coloured outfits and attempt to survive the narrow, uneven track while beating one another with stick-like whips. Living the Palio thus provides a freshly upbeat and accessible introduction to Siena's centuries-old festival, along with the intriguing cultural traditions that underlie it.  Join Thomas Paradis on an amusing, instructional romp as he weaves witty stories of personal discovery with a peek into Siena's little-known customs.  Complete with detailed, play-by-play accounts of multiple races, Living the Palio may elicit your own emotional reactions as you cheer on a favourite competitor.

Thomas W Paradis is a professor of geography and community planning at Butler University in Indianapolis, Indiana. In addition to his broad teaching experiences in human and physical geography, he has taught and led various study-abroad programs in Italy.

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1 July 2024

1 July

Clara Gonzaga – noblewoman

Countess from Mantua founded European dynasties

Clara (Chiara) Gonzaga, the eldest daughter of Federico I Gonzaga and Margaret of Bavaria, was born on this day in 1464 in Mantua.  One of her six children became Charles III, Duke of Bourbon and led the imperial army sent by Emperor Charles V against Pope Clement VII in what was to become the Sack of Rome in 1527.  Clara was also to feature as one of the characters in The Heptameron, a collection of 72 short stories written in French by the sister of King Francis I of France, Marguerite of Angouleme, who had been inspired by Giovanni Boccaccio’s The Decameron.  Clara had five siblings, including Francesco II Gonzaga, who married Isabella d’Este.  She was married at the age of 17 to Gilbert of Bourbon Montpensier. Four years later he succeeded his father as Count of Montpensier and Dauphin of Auvergne.  Clara and Gilbert had six children, but when she was just 32, Gilbert, who had also become Viceroy of Naples and the Duke of Sessa, died of a fever while in Pozzuoli near Naples, leaving her a widow.  Three years later, Clara acted as a mediator on behalf of her brother Francesco, who was trying to form an alliance with King Louis XII of France in order to protect Mantua.  Read more…

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Gino Meneghetti - career burglar

Pisa-born criminal became legend in Brazil

Gino Amleto Meneghetti, a small-time thief in Italy who became a romanticised figure for his criminal exploits after emigrating to Brazil, was born on this day in 1878 in Pisa.  His early days were spent in a fishing village outside Pisa, but his father could find only low-paid work and moved the family to a different neighbourhood so he could take a job in a ceramics factory.  It was there that Gino fell in with a gang of boys who regularly engaged in petty crime, stealing fruit or chickens or other objects of minimal worth.  The young Meneghetti was arrested for the first time at 11 years of age.  After teenage years spent largely thieving, he made an attempt to change his life, going back to the classroom to learn to be a mechanic and a locksmith.  He found work and saved money, but then decided to move to Marseilles in France to live with an uncle, who owned a restaurant.  It was not a wise move. Like most large commercial ports, there was a seamier side to Marseilles and Meneghetti again fell into bad company.  His next arrest was for a more serious offence - illegal possession of weapons.  Found guilty, he spent some time in prison before being deported to Italy.  To avoid compulsory military service, Meneghetti feigned madness.  Read more…

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Achille Varzi - racing driver

Death on track led to mandatory wearing of crash helmets

Italian motor racing fans were in mourning on this day in 1948 when it was announced that Achille Varzi, whose rivalry with fellow driver Tazio Nuvolari made frequent headlines during the 1930s, had been killed in an accident while practising for the Swiss Grand Prix.  Although the sun was shining, an earlier downpour had left parts of the Bremgarten circuit outside Berne very wet and Varzi’s Alfa Romeo 158 was travelling at 110mph (170kph) when he arrived at a corner that was both wet and oily.  The car spun several times and appeared to be coming to a stop but then flipped over. The helmetless Varzi was crushed beneath the car and died from his injuries at the age of 43.  His death was especially shocking because he was regarded as one of the more cautious drivers. Since beginning his career on two wheels in his teens he had suffered only one major accident, in stark contrast to Nuvolari, whose daredevil tactics led him to have several serious crashes.  Whether Varzi would have survived with better protection is unknown, but his death did prompt motor racing’s governing body, the FIA, to make the wearing of crash helmets by drivers mandatory rather than optional. Read more…

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Alberto Magnelli - abstract painter

Self-taught artist whose work became known as Concrete Art

The abstract painter Alberto Magnelli, who became a leading figure in the Concrete Art movement, was born on this day in 1888 in Florence.  Concrete Art is described as abstract art that is entirely free of any basis in observed reality and that has no symbolic meaning. It had strong geometric elements and clear lines and its exponents insisted the form should eschew impressionism and that a painting should have no other meaning than itself.  The movement took its name from the definition of concrete as an adjective rather than a noun, meaning ‘existing in a material or physical form’.  It became Magnelli’s focus after he moved to Paris in 1931. Until then, he had experimented in various genres.  He was born into a comfortable background in Florence, his father coming from a wealthy family of textile merchants.  He never studied art formally but would spend hours in museums and churches looking at paintings and frescoes. He particularly admired the Renaissance artists Andrea del Castagno, Paolo Uccello, and Piero della Francesca.  Magnelli’s first paintings were landscapes, which he began to produce while on holiday in the Tuscan countryside.  Read more…

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Claudio Saracini – musician

Baroque songs have survived till modern times

Composer Claudio Saracini was born on this day in 1586 in or close to Siena in Tuscany.  He is one of the most highly regarded composers of his time and is known also to have played the lute and been a singer.  He became famous for composing monody, which is secular music for a single voice, and 133 of the songs he wrote in this style have survived till today.  Some of Saracini’s compositions are still recorded, often in collections along with works by other composers of the same era, such as Monteverdi, who is said to have admired him.  Saracini travelled widely and seems to have established useful connections abroad as he dedicated a lot of his music to foreign aristocrats. He also appeared to have absorbed some of the musical styles of the lands he visited in his own compositions.  A unique feature of his work is the influence of folk music, particularly music from the Balkans, which is rarely heard in early Baroque music.  Saracini’s music was all published in Venice between 1614 and 1624, before his death in 1630.  During the 20th century there was renewed interest in his work after it had been neglected for a long time.  Read more…

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Book of the Day: The Renaissance in Italy: A Social And Cultural History Of The Rinascimento, by Guido Ruggiero

The Renaissance in Italy: A Social And Cultural History Of The Rinascimento offers a rich and exciting new way of thinking about the Italian Renaissance as both a historical period and a historical movement. Guido Ruggiero's work is based on archival research and new insights of social and cultural history and literary criticism, with a special emphasis on everyday culture, gender, violence and sexuality. The book offers a vibrant and relevant critical study of a period too long burdened by anachronistic and outdated ways of thinking about the past. Familiar, yet alien; pre-modern, but suggestively post-modern; attractive and troubling, this book returns the Italian Renaissance to center stage in our past and in our historical analysis.

Guido Ruggiero is a preeminent specialist in the history of Italy, from the 14th to 17th centuries. He is Emeritus Professor of History and Cooper Fellow of the College of Arts and Sciences at the University of Miami.

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