30 August

Andrea Gabrieli - composer

Father of the Venetian School

The Venetian composer and organist Andrea Gabrieli, sometimes known as Andrea di Cannaregio, notable for his madrigals and large-scale choral works written for public ceremonies, died on this day in 1585.  His nephew, Giovanni Gabrieli, is more widely remembered yet Andrea, who was organist of the Basilica di San Marco – St Mark’s – for the last 19 years of his life, was a significant figure in his lifetime, the first member of the Venetian School of composers to achieve international renown. He was influential in spreading the Venetian style of music in Germany as well as in Italy.  Little is known about Andrea’s early life aside from the probability that he was born in the parish of San Geremia in Cannaregio and that he may have been a pupil of the Franco-Flemish composer Adrian Willaert, who was maestro di cappella at St Mark’s from 1527 until 1562.  In 1562 – the year of Willaert’s death – Andrea is on record as having travelled to Munich in Germany, where he met and became friends with Orlando di Lasso, who wrote secular songs in French, Italian, and German, as well as Latin.  There was evidence in the later work of Di Lasso of a Venetian influence. Read more…

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Joe Petrosino - New York crime fighter

Campanian immigrant a key figure in war against Mafia

Joe Petrosino, a New York police officer who dedicated his life to fighting organised crime, was born Giuseppe Petrosino in Padula, a southern Italian town on the border of Campania and Basilicata, on this day in 1860.  The son of a tailor, Prospero Petrosino, he emigrated to the United States at the age of 12.  The family lived in subsidised accommodation in Mulberry Street, part of the area now known as Little Italy on the Lower East Side towards Brooklyn Bridge, where around half a million Italian immigrants lived in the second half of the 19th century.  Giuseppe took any job he could to help the family, at first as a newspaper boy and then shining shoes outside the police headquarters on Mulberry Street, where he would dream of becoming a police officer himself.  In 1878, by then fluent in English and known to everyone as Joe, Petrosino became an American citizen but it took him five years and repeated applications to realise his dream of joining the police. At 5ft 3ins he was technically too short to meet the criteria for an officer but after the police began to use him as an informant it was decided he could be of use in the fight against Italian organised crime.  Read more…

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Giovanni Domenico Tiepolo – painter and printmaker

Famous artist’s son developed his own style

Giovanni Domenico Tiepolo, who became famous for his paintings of Venetian life and of the clown, Pulcinella, was born on this day in 1727 in Venice.  Also known as Giandomenico Tiepolo, he was one of the nine children born to the artist Giovanni Battista Tiepolo and his wife, Maria Guardi, the sister of painters Francesco and Giovanni Guardi. Perhaps not surprisingly, Giandomenico inherited the talent to go into the same profession as his father and uncles and, by the age of 13, he had become the elder Tiepolo’s chief assistant. His younger brother, Lorenzo, also became a painter and worked as an assistant to his father.  By the age of 20, Giandomenico was already producing his own work for commissions. However, he continued to accompany his father when he received his major commissions in Italy, Germany and Spain.  He assisted his father with a grand stairwell fresco for a prince’s palace in Wurzburg in Bavaria in 1750 and with decorations for the Villa Valmarana ai Nani in Vicenza in 1757 and the Royal Palace of Madrid in 1770.  The elder Tiepolo died while in Madrid and after Giandomenico returned to live in Venice.  Read more…

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Emanuele Filiberto – Duke of Savoy

Ruler who made Turin the capital of Savoy

Emanuele Filiberto of Savoy, who was nicknamed testa di ferro (iron head) because of his military prowess, died on this day in 1580 in Turin.  After becoming Duke of Savoy he recovered most of the lands his father Charles III had lost to France and Spain and he restored economic stability to Savoy.  Emanuele Filiberto was born in 1528 in Chambery, now part of France. He grew up to become a skilled soldier and served in the army of the emperor Charles V, who was the brother-in-law of his mother, Beatrice of Portugal, during his war against Francis I of France. He distinguished himself by capturing Hesdin in northern France in July 1553.  When he succeeded his father a month later he began the reacquisition of his lands.  His brilliant victory over the French at Saint Quentin in northern France in 1557 on the side of the Spanish helped to consolidate his power in Savoy. The peace of Cateau-Cambresis in 1559 ended the wars between Charles V and the French Kings and restored part of the Duchy of Savoy back to Emanuele Filiberto on the understanding that he would marry Margaret of France, the sister of King Henry II.   Read more…

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Recording of the Day: Gabrieli: The Glory of Venice, featuring the Choir of King’s College, Cambridge, the Philip Jones Brass Ensemble and Stephen Cleobury

The Gabrieli family's music, particularly that of Andrea and Giovanni, is synonymous with the vibrant and innovative musical scene of Renaissance Venice. Gabrieli: The Glory of Venice is a stunning collection that showcases the duo's mastery of polyphony, counterpoint, and the use of instruments, particularly brass and choir. The album features a wide range of works, from grand, multi-part motets to intimate instrumental pieces. The music is filled with energy, passion, and a sense of grandeur that reflects the opulence of Venice itself. The performers, often featuring renowned ensembles like the King's College Choir or the Philip Jones Brass Ensemble, deliver outstanding interpretations. Their technical skill, musicality, and understanding of the Venetian style are evident in every note. The album's sonic landscape is breathtaking. The interplay between voices and instruments creates a rich and textured tapestry that transports the listener to the heart of Renaissance Venice, offering a glimpse into the cultural and religious life of a city that was a centre of trade, art, and music.

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(To the best of our knowledge, all material was factually accurate at the time of writing. In the case of individuals still living at the time of publication, some of the information may need updating.)

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29 August

Libero Grassi - anti-Mafia hero

Businessman brutally murdered after refusing to pay

Libero Grassi, a Palermo clothing manufacturer, died on this day in 1991, shot three times in the head as he walked from his home to his car in Via Vittorio Alfieri, a street of apartment buildings not far from the historic centre, at 7.30am.  It was a classic Mafia hit to which there were no witnesses, at least none prepared to come forward. Such killings were not uncommon in the Sicilian capital as rival clans fought for control of different neighbourhoods.  Yet this one was different in that 67-year-old Grassi had no connection with the criminal underworld apart from his brave decision to stand up to their demands for protection money and refuse to pay.  Grassi owned a factory making underwear, which he sold in his own shop.  He employed 100 workers and his business had a healthy turnover. In a struggling economy, he was doing very well.  Of course, the Mafia wanted their cut.  Grassi began receiving demands, first by telephone, then in person, that he fall in line with other Palermo businesses and pay a pizzo, the term used for the monthly payment the mob collects from businesses in the city in a racket worth today in the region of €160 million a year.  Read more…

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Ugo Nespolo - artist and designer

Painter and sculptor worked in theatre, advertising and literature

The contemporary artist Ugo Nespolo, whose broad range of work includes paintings and sculpture, theatre sets and costumes, advertising posters, book layouts, commercial designs and experimental films, was born on this day in 1941 in the village of Mosso Santa Maria in the Biellese Prealps, about 70km (43 miles) northeast of Turin. As well as an enormous output of artworks influenced by Pop Art, conceptual art and Arte Povera among others and numerous sculptures in glass and ceramic, Nespolo created unique set and costume designs for a number of major opera and theatre productions and was associated with several prestigious advertising campaigns, including for the drinks manufacturer Campari and the chocolatier Caffarel.  Nespolo is described as having an insatiable artistic and intellectual appetite and a belief that no artist should confine himself to a single medium. He is said to have inherited those characteristics from his father, whose restless nature compelled him frequently to change jobs and where he - and his family - lived.  His interest in art was probably nurtured by his father’s brother, himself a painter.  Read more…

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Tiziana ‘Tosca’ Donati - singer

Versatile performer whose range spans musicals to sacred songs

The singer Tiziana Donati, who performs under the stage name Tosca, was born on this day in 1967 in Rome.  Winner of the Sanremo Festival in 1996, Tosca has recorded 10 studio albums, released the same number of singles and has recorded duets with many other artists.  She has enjoyed a successful stage career, appearing in numerous theatrical productions, and has been invited to perform songs for several movies, including the title track for Franco Zeffirelli’s version of Jane Eyre in 1996. She also sang and spoke the part of Anastasia in the Italian dubbed version of the Disney cartoon of the same name.  At Christmas in 1999, she participated in concerts in churches in Italy where she performed Latin songs set to music by Vincenzo Zitello and Stefano Melone.  Following this she began a collaboration with the Vatican, taking part in several televised events to commemorate the Jubilee of 2000, and was chosen to sing the Mater Iubilaei, the Marian anthem of the Jubilee, in a ceremony led by Pope John Paul II.  Throughout 2000, she toured with Musica Caeli, a concert made up of never-before performed sacred chants.  Read more…

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Leonardo De Lorenzo – flautist

Flair for the flute led to international career

Leonardo De Lorenzo, a brilliant flute player who passed on his knowledge of the instrument to others through his books, was born on this day in 1875 in Viggiano in the province of Potenza.  De Lorenzo started playing the flute at the age of eight and then moved to Naples to attend the music conservatory of San Pietro a Majella.  He became an itinerant flautist until he was 16, when he moved to America, where he worked in a hotel. He returned to Italy in 1896 to do his military service in Alessandria and became a member of a military band directed by Giovanni Moranzoni, whose son was to become a famous conductor of the orchestra at the Metropolitan Opera in New York.  De Lorenzo then began a career as a flautist and toured Italy, Germany, England and South Africa, joining an orchestra in Cape Town for a while. Eventually he returned to Naples to continue his studies.  When he travelled to America again, he became the first flautist of the New York Philharmonic Orchestra directed by Gustav Mahler. He was warned never to answer back to Mahler, who had a reputation for being unpleasant.  Read more…

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Book of the Day: The Sicilian Mafia: The Business of Private Protection, by Diego Gambetta

Blood ceremonies, obscure symbols, elaborate codes, brutal executions: the arcane remnants of a defunct culture? The Mafia, this book suggests, is not nearly as bizarre as all that, not nearly as remote as we might think. In fact, as Diego Gambetta's analysis unfolds, the Mafia begins to resemble any other business. In a society where trust is in short supply, this business sells protection, a guarantee of safe conduct for commercial and social transactions. It grudgingly shares the market with other concerns like itself, of which it is merely the most successful. The author develops his elegant economic theory with ample evidence, much of it based on the remarkable work done by Judge Giovanni Falcone and his colleagues in Palermo and Agrigento in the 1980s. Drawing on the confessions of eight Mafiosi and the trials their revelations triggered, Gambetta is able to explain all manner of peculiar Mafia marketing strategies that have been endlessly misinterpreted in the past. The Sicilian Mafia: The Business of Private Protection makes illuminating - and unexpected - comparisons between the business of protection and ordinary industries, such as automotive insurance, and advertising. Gambetta teases out the subtle distinctions between protection and extortion, in which the protector himself poses a threat. This new approach reshapes traditional interpretations of the Mafia - its origins, functions, and social consequences. Applying informal economic analysis, Gambetta shows how such a recognized evil can perform a real service, and how such a recognizable service can inflict great harm on a society.

Diego Gambetta is an Italian-born social scientist. A former professor of Sociology at the University of Oxford, a Fellow of All Souls College and a former professor of social theory at the European University Institute in Florence, he is now a Carlo Alberto Chair at the Collegio Carlo Alberto in Turin.

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(To the best of our knowledge, all material was factually accurate at the time of writing. In the case of individuals still living at the time of publication, some of the information may need updating.)

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28 August

NEW - Ugo Mulas - photographer

Images of street life in Milan and of New York art scene won acclaim

The photographer Ugo Mulas, much admired for the way he captured the street atmosphere of postwar Milan and for his portrayals of Andy Warhol and others in the Bohemian New York art scene of the 1960s, was born on this day in 1928 in Pozzolengo, a small town near the southern tip of Lake Garda.  At one time part of Milan’s fashion community, another of Mulas’s claims to fame is having been the photographer who discovered Veruschka, a German aristocrat who became part of the supermodel generation of Twiggy and Jean Shrimpton in the 60s.  Known for his meticulous approach to composition and lighting, and for the candid, spontaneous style of his work, illness denied Mulas a long life but he is widely seen as a pioneering figure in photography who had a profound impact on the art form.  Little is known about Mulas’s early life other than that he studied at a classical lyceum and moved to Milan initially to study law, but then switched his focus to art, enrolling at the Accademia di Belle Arti di Brera.  He was drawn towards the company of the artists and intellectuals who frequented the nearby Bar Jamaica.  Read more…

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Lamberto Maggiorani - unlikely movie star

Factory worker who shot to fame in Bicycle Thieves

Lamberto Maggiorani, who found overnight fame after starring in the neorealist classic Bicycle Thieves (1948), was born on this day in 1909 in Rome.  Maggiorani was cast in the role of Antonio Ricci, a father desperate for work to support his family in post-War Rome, who is offered a job pasting posters to advertising hoardings but can take it only on condition that he has a bicycle – essential for moving around the city carrying his ladder and bucket.  He has one, but it has been pawned.  To retrieve it, his wife, Marie, strips the bed of her dowry sheets, which the pawn shop takes in exchange for the bicycle. They are happy, because Antonio has a job which will support her, their son Bruno and their new baby.  However, on his first day in the job the bicycle is stolen, snatched by a thief who waits for Antonio to climb to the top of his ladder before seizing his moment.  The remainder of the film follows Antonio and Bruno as they try to find the bicycle.  As a portrait of life among the disadvantaged working class in Rome in the late 1940s, the film is hailed as a masterpiece, director Vittorio de Sica and his screenwriter Cesare Zavattini fêted by the critics for turning a little-known novel by Luigi Bartolini into a piece of cinema genius.  Read more…

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Elisabetta Sirani – artist

Sudden death of talented young woman shocked Bologna

The brilliant Baroque painter and printmaker Elisabetta Sirani died in unexplained circumstances at the age of 27 on this day in 1665 in Bologna. The body of the artist was carried to the Chapel of the Rosary in the Basilica of San Domenico in Bologna to be mourned, not just by her family, but by an entire community as she was loved and respected as an important female painter.  Elisabetta has been described as beautiful, focused and selfless and she became a symbol of the progressive city of Bologna, where the creativity of women was encouraged and they were able to express themselves through art and music.  Elisabetta’s father, Giovanni Andrea Sirani, was himself an artist and she was trained in his studio, although contemporary writers have recorded that he was reluctant to teach her to paint in the Bolognese style, as established by artists in the city in the 16th and 17th centuries as a way to distinguish themselves from the artists of Florence and Rome.  But Elisabetta acquired the technique anyway and became one of the most renowned painters in Bologna, overshadowing her father.  Read more…

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Giovanni Maria Benzoni - sculptor

Roman collectors called him the ‘new Canova’

The sculptor Giovanni Maria Benzoni, who earned such fame in Rome in the mid-19th century that collectors and arts patrons in the city dubbed him the “new Canova” after the great Neoclassical sculptor Antonio Canova, was born on this day in 1809 in Songavazzo, a small mountain village in northern Lombardy.  Benzoni sculpted many allegorical and mythological scenes, but also busts and funerary monuments.  Songavazzo being just outside Clusone in the province of Bergamo, Benzoni was regarded as a bergamasco - a native of the ancient city - even though he spent much of his life in Rome.  As such he was held in similar regard to bergamaschi celebrities such as the composer Gaetano Donizetti, the philologist Cardinal Angelo Mai and the painter Francesco Coghetti, all of whom lived in Rome during Benzoni’s time there.  He was later commissioned to sculpt a monumental tomb for Cardinal Mai in the Basilica of Sant’Anastasia al Palatino in the centre of Rome.  Benzoni’s parents, Giuseppe and Margherita, were farmers of modest means. Giovanni Maria worked briefly as a shepherd, but his father died when he was around 11 years old, after which he was sent to work in his uncle’s small carpentry shop at Riva di Solto, on the western shore of Lago d’Iseo, about 25km (16 miles) away.  Read more…

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Maurizio Costanzo - talk show host

Journalist whose show was the longest running on Italian TV

Talk show host and writer Maurizio Costanzo was born on this day in 1938 in Rome. Costanzo spent more than 40 years in television.  His eponymous programme, the Maurizio Costanzo Show, broke all records for longevity in Italian television.  Launched on September 18, 1982, the current affairs programme continued for 27 years, alternating between Rete 4 and Canale 5, two of Italy's commercial television networks, part of the Mediaset group owned by former Italian prime minister Silvio Berlusconi.  Its run came to an end in 2009 but was relaunched on the satellite channel Mediaset Extra in 2014 and returned to terrestrial television in 2015, again on Rete 4.  Costanzo began his media career in print journalism with the Rome newspaper Paese Sera at just 18 years old and by the time he was 22 he was in charge of the Rome office of the mass circulation magazine Grazia.  After branching into radio, he switched to television in 1976, hosting the RAI programme Bontà loro, which is considered to be Italy's first TV talk show.  Others followed before the launch of the Maurizio Costanzo Show, which involved prominent politicians and others in the public eye, discussing major issues of the day.  Read more…

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Book of the Day: Ugo Mulas: Creative Intersections, by Ugo Mulas

Ugo Mulas was one of the most important postwar international photographers. Self-taught, his career unfolded in close contact with the artistic and cultural scene in Milan. Having discovered Pop Art at the Venice Biennale in 1964, Mulas decided to go to the United States (1964–67), where he created a book titled New York: The New Art Scene (1967). His meetings with Robert Rauschenberg and Andy Warhol, and the discovery of the photographic works of Robert Frank and Lee Friedlander, helped bring about a change in his work in the 1960s, when he moved away from traditional reportage.  Mulas brought about a profound reshaping of the historical function of photography: his aesthetic and phenomenological reflections led to a portfolio on Marcel Duchamp (1972) and to the Archivio per Milano project (1969–72). His last work, Verifiche (1968–72), sums up his experience and interaction with the art world. Creative Intersections is a collection of photographs exhibited in London in 2019, which presented artworks by Lucio Fontana, Pietro Consagra, Fausto Melotti, and Michelangelo Pistoletto from Mulas’ private collection, together with his own photographic works. Mulas sought to relate his eye to each of the artists in a specific way, sometimes in a cinematic key, giving birth to dynamic creative intersections between visual art and photography.

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(To the best of our knowledge, all material was factually accurate at the time of writing. In the case of individuals still living at the time of publication, some of the information may need updating.)

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Ugo Mulas - photographer

Images of street life in Milan and of New York art scene won acclaim

Ugo Mulas began his photography
career in Milan in the 1950s

The photographer Ugo Mulas, much admired for the way he captured the street atmosphere of postwar Milan and for his portraits of Andy Warhol and others in the Bohemian New York art scene of the 1960s, was born on this day in 1928 in Pozzolengo, a small town near the southern tip of Lake Garda.

At one time part of Milan’s fashion community, another of Mulas’s claims to fame is having been the photographer who discovered Veruschka, a German aristocrat who became part of the supermodel generation of Twiggy and Jean Shrimpton in the 60s. 

Known for his meticulous approach to composition and lighting, and for the candid, spontaneous style of his work, illness denied Mulas a long life but he is widely seen as a pioneering figure in photography who had a profound impact on the art form.

Little is known about Mulas’s early life other than that he studied at a classical lyceum and moved to Milan initially to study law, but then switched his focus to art, enrolling at the Accademia di Belle Arti di Brera.

He was drawn towards the company of the artists and intellectuals who frequented the nearby Bar Jamaica. 

A fashionable hang-out at different times for artists such as Piero Manzoni and Lucio Fontana, writers Allen Ginsberg and Salvatore Quasimodo, designers Achille Castiglioni and Ettore Sottsass and actors Dario Fo and Mariangela Melato, it was the Jamaica and its clientele that sparked Mulas to begin taking photographs.

Armed with a compact Leica camera, Mulas developed an eye for pictures that captured the essence of everyday life. In the Brera and beyond, around Milano Centrale station, where people from all walks of life paused in the waiting rooms, and in other locations, he created a visual record of life in a city at the forefront of Italy’s postwar recovery in the early 1950s.

Mulas first gave notice of his photographic talent
with his street scenes in postwar Milan 

He became a regular at the Jamaica, where in addition to taking photographs he made numerous contacts in the fashion industry and the media, which led to his first paid assignment in 1954, when he was invited by the Venice Biennale to cover the exhibition as its official photographer. It was a relationship that would continue until 1972.

The following year he opened his own studio in Milan and his work would soon be illustrating the pages of publications such as Settimo Giorno, Rivista Pirelli, Domus and Vogue, as well as supporting advertising campaigns for clients including Pirelli and Olivetti.

Away from fashion, art and architecture, Mulas still enjoyed taking his camera on to the streets to photograph Italians in their day-to-day life. It was while he was shooting street scenes in Florence, in 1959, that his eyes were drawn towards a woman whose 6ft 3ins frame would make her stand out in any crowd.

This was Veruschka von Lehndorff, a German aristocrat whose father, a member of the German resistance movement in World War Two, had been executed in 1944 for plotting to assassinate Adolf Hitler. She was in Florence in the late 50s to further her study of art.

Mulas’s striking images of her long-limbed elegance found their way to the desk of Diana Vreeland, editor of the US edition of Vogue. It was the start of a modelling career that would see Veruschka paid $10,000 for a single day’s shooting at her peak.

Among the projects for which Mulas won particular acclaim were his 1964 series on the Argentine-Italian artist Lucio Fontana, his reportage on the Sculture nelle città exhibition in Spoleto in 1962 and the series devoted to Ossi di sepia, the collection of poems by Eugenio Montale.

Mulas came into contact with the American art scene at the 1964 Venice Biennale, where his encounters with a number of American artists, art critics, and the art dealer Leo Castelli led him to travel to New York City.

Andy Warhol (right), with the American poet Gerard
Malanga, photographed by Ugo Mulas in New York

The New York art scene in the 1960s was a vibrant and transformative period, marked by a variety of groundbreaking movements and innovative artists.  Mulas was drawn in particular to the Bohemian atmosphere of the Pop Art scene. He won the trust of artists such as Jasper Johns and Roy Lichtenstein and installed himself as a fly on the wall within the studios of six artists he would follow closely over three visits: those of Johns, Lichtenstein, Marcel Duchamp, Andy Warhol, Barnett Newman, and Robert Rauschenberg. 

His collection of more than 100 photographs from this period became the subject of an exhibition and a book. 

From the late 1960s, Mulas began working in theatre, contributing to the stage design for many  productions at Milan's Piccola Scala theatre and the Teatro Comunale di Bologna.

As a photographer, Mulan would continually experiment, always pursuing new ideas for composition, plot and framing. Some of his contemporaries suggested that through his art he sought to understand the depths of human souls. In the late 1960s, he began work on a new series, entitled La Verifiche - the Verification - that was an attempt to analyse the photographic process and identify its value.

It turned out to be his last work of substance. Diagnosed with cancer in 1970, he continued to work for as long as he had the strength but in March 1973, soon after the release of his last book, La Photographie, in which he recorded all his ideas and observations on art and photography, he died at home in Milan at the age of 45, survived by his wife, Antonia “Nini” Bongiorno.

Before he died, Mulas established the Archivio Ugo Mulas, in Via Giovanni Battista Piranesi in Milan, which houses, manages copyright and sales and promotes the artistic work of Ugo Mulas.

The Castello di Pozzolengo in the historic town
close to Lake Garda dates back to the 10th century

Travel tip:

Pozzolengo, where Mulas was born, is a small town in Lombardy, close to the border with the Veneto region and about halfway between Brescia and Verona. Situated just a few kilometres south of Lake Garda, it is surrounded by low hills lined with vines. Its origins can be traced to the Bronze Age, while Roman relics have also been discovered in the area. It has a mediaeval castle, built in the 10th century at the highest point of Monte Fluno, and a 12th century Benedictine monastery, the Abbazia di San Virgilio, now converted to a golf resort. The town’s vineyards produce the Lugana DOC wine, while other local products include saffron and a salami called salame morenico di Pozzolengo. In the 19th century Pozzolengo was the scene of a number of battles which led to the independence and unification of Italy, in particular, of the Battle of Solferino and San Martino in June 1859. Fought between the Austrian and Franco-Sardinian armies with the participation of over 230,000 soldiers, the battle resulted in a victory for the Franco-Sardinian forces, bringing to an end the Second Italian War of Independence.

The Palazzo Brera in Milan is home to the 
prestigious Accademia di Belle Arti di Brera

Travel tip:

The Accademia di Belle Arti di Brera, sometimes shortened to Accademia di Brera, where Ugo Mulas studied after initially pursuing a law degree, is now a state-run tertiary public academy of fine arts in Via Brera in Milan, in a building it shares with the Pinacoteca di Brera, Milan's main public museum for art. The academy was founded in 1776 by Maria Theresa of Austria and shared its premises with other cultural and scientific institutions. The main building, the Palazzo Brera, was built in about 1615 to designs by Francesco Maria Richini.  The Brera district is so named because in around the ninth century, for military purposes, it was turned into a ‘brayda’ – a Lombardic word meaning ‘an area cleared of trees’. For a long time a magnet for artists and writers, the Brera district remains one of Milan’s most fashionable neighbourhoods, its narrow streets lined with trendy bars and restaurants. As the traditional home of many artists and writers, the area has a Bohemian feel that has brought comparisons with Montmartre in Paris.

Also on this day:

1665: The death of painter and printmaker Elisabetta Sirani

1809: The birth of sculptor Giovanni Maria Benzoni

1909: The birth of movie actor Lamberto Maggiorani

1938: The birth of journalist and talk show host Maurizio Costanzo

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