10 December

NEW - Paolo Uccello - painter

Pioneer of perspective also worked in mosaics

Paolo Uccello, who was one of the leading painters in Florence in the 15th century, died on this day in 1475 at the age of 78.  The son of a surgeon, Uccello served an apprenticeship in the workshop of the sculptor and goldsmith Lorenzo Ghiberti but made his own mark as a painter and also as a mosaicist, at one time employed to work on the facade of Basilica di San Marco in Venice.  Younger than Ghiberti, Filippo Brunelleschi and Donatello, three giants of the Early Renaissance period, Uccello belonged to a generation of artists eager to move away from the flat, decorative forms of traditional Gothic art. His work is more often characterised by clear colours, well-defined outlines and a dramatic narrative, although he retains the fairytale quality of Gothic.  He was noted for his interest in linear perspective, which helped create a sense of depth in many of his paintings. According to Giorgio Vasari, the 16th century painter and architect whose book, Lives of the Most Excellent Painters, Sculptors, and Architects, led him to become known as the first art historian, Uccello was so fixated with perspective that he would stay up all night, seeking to apply his knowledge of mathematics to ensuring the angles in his pictures and the relative scale were exactly right.  Read more…

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Giuseppe 'Peppino' Prisco - lawyer and football administrator

Vice-president who became Inter Milan icon

The lawyer and football administrator Giuseppe Prisco, who served as a senior figure in the running of the Internazionale football club in Milan for more than half a century, was born on this day in 1921.  Universally known as Peppino, he managed to combine a career in legal practice with a passion for Inter that he would share so publicly he became a symbol of the club whose name was chanted on the terraces.  Born in Milan into a family with its roots in Torre Annunziata, near Naples, he was said to have fallen in love with the nerazzurri at seven years old in 1929, when he witnessed his first derby against AC Milan at Inter’s old stadium, the Campo Virgilio Fossati, between Via Goldoni and Piazza Novelli to the east of the city centre.  His career as a lawyer did not begin until after he had served with the Alpini - the mountain troops of the Italian Army - on the Russian front in the Second World War. He was only 18 when he joined up but reached the rank of lieutenant in the “L’Aquila” battalion of the 9th Alpine Regiment, and as one of only three officers from 53 to return alive from the Russian front was awarded a Silver Medal for Military Valour by the Italian government.  Read more…

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Luigi Pirandello - playwright, poet and novelist

Brilliant writing was born out of ‘chaos’

Sicilian writer Luigi Pirandello died on this day in Rome in 1936.  Famous for his play Six Characters in Search of an Author (Sei Personaggi in Cerca d’Autore), Pirandello was also a prolific writer of novels, short stories and poetry, some of which were written in his native Sicilian dialect.  His plays are often seen as the forerunners of the Theatre of the Absurd dramas of Samuel Beckett and Eugène Ionesco.  Pirandello’s contribution to the theatre was recognised in 1934 when he was awarded the Nobel prize in literature.  Pirandello was literally born in chaos. The name of the village near Agrigento in Sicily where his mother gave birth to him in 1867 is Caos, the Italian word for ‘chaos’, or in Sicilian, u Càvusu.  He was educated at home and had written his first play by the time he was 12. When his family moved to Palermo, he completed his school education and, after a spell working with his father in the sulphur industry, he registered at the University of Palermo.  He later moved to Rome to complete his studies, which gave him the chance to go to the theatre regularly, and he also studied for a while in Bonn.  Read more…

Giuseppe Dossena - painter

Modern impressionist who funded his art with restoration projects

The painter Emilio Giuseppe Dossena was born on this day in 1903 in the small town of Cavenago d’Adda, about 48km (30 miles) southeast of Milan, in Lombardy.  Known more often simply as Giuseppe Dossena, he showed a talent for sculpture during his early years but preferred painting and soon began to produce outstanding landscapes in a neo-impressionist style.  With a young family to support, however, he had to find ways to supplement his income and eventually found regular work restoring and decorating villas and castles for a string of rich or aristocratic clients.  In the late 1960s and early 1970s, Dossena spent a number of years living in the United States, where he was employed as a restorer of priceless artworks owned by institutions ranging from the Metropolitan Museum of New York to the Playboy Club.  As a child, he grew up in difficult circumstances, not helped by the death of his father when he was only 12 years old, which meant he had to give up school along with the older of his two brothers and find a job that would help support his mother and the three other members of the family.  Read more…

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Amedeo Nazzari - movie star

Sardinian actor seen as the Errol Flynn of Italian cinema

The prolific actor Amedeo Nazzari, who made more than 90 movies and was once one of Italian cinema's biggest box office names, was born on this day in 1907 in Cagliari.  Likened in his prime to the Australian-American star Errol Flynn, with whom he had physical similarities and the same screen presence, Nazzari enjoyed a career spanning five decades.  One of his first major successes, in the title role of the 1938 drama Luciano Serra, Pilot, in which he played a First World War veteran, established him as Italy's leading male star in 1930s and he maintained his popularity in the '40s and '50s.  He is remembered also for his appearance in Federico Fellini's Nights of Cabiria, which won the 1957 Academy Award for Best Foreign Language film.  Towards the end of his career, he featured in Henri Verneuil's 1969 Mafia caper The Sicilian Clan, for which the score was composed by Ennio Morricone.  His last big screen appearance came in 1976 in A Matter of Time, an Italian-American musical fantasy directed by Vincente Minnelli and starring his daughter, Liza Minnelli.  Nazzari was born Amedeo Carlo Leone Buffa, the son of a pasta manufacturer.  Read more…

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Errico Petrella – opera composer

Sicilian whose popularity drew scorn from rivals

The largely forgotten opera composer Errico Petrella, whose popularity in Italy in the 1850s and 1860s was second only to operatic giant Giuseppe Verdi, was born on this day in 1813 in Palermo.  He composed 25 works, mainly comedic or melodramatic in nature, and had a run of successes in the 1850s, when three of  his productions were premiered at Teatro alla Scala in Milan.  However, Petrella attracted the scorn of both Verdi and another contemporary, the German composer Richard Wagner, both of whose careers coincided exactly with Petrella’s, even down to having been born in the same year.  When Il Duca di Scilla had its first performance at La Scala in March 1859, a year on from his hugely successful Jone, which also premiered at the Milan theatre, Wagner’s criticism could have hardly been more unflattering.  Asked his opinion of the work, Wagner said: “It is an unbelievably worthless and incompetent operatic effort by a modern composer whose name I have forgotten.”  Some years earlier, admittedly before Petrella had enjoyed much success at all, Verdi had been similarly scathing in his assessment of the 1951 opera Le Precauzioni.  Read more…

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Book of the Day: Painting in Fifteenth-Century Italy: This Splendid and Noble Art, by Diane Cole Ahl

An expansive new volume that explores the wide breadth of Italian painting in the 15th century, Painting in Fifteenth-Century Italy: This Splendid and Noble Art is a transformational study that introduces groundbreaking approaches and discoveries. Challenging the traditional focus on Venice, Florence, and Rome, the lively narrative traverses the peninsula from north to south and culminates in the global ports of Naples and Sicily. It reappraises the careers and collaborations of painters, some little-known today. With greater frequency than previously imagined, these masters travelled widely to seek professional opportunities and expand their artistic horizons. Through such journeys, they engaged with local visual culture as well as the art of antiquity, Byzantium, Spain, and northern Europe.  New findings by conservators elucidate the varied techniques, precious materials, and brilliant colours of the works. With nearly 200 colour illustrations, some specially commissioned, Painting in Fifteenth-Century Italy reveals the richness, invention, and dynamic crosscurrents of the century’s art.

Diane Cole Ahl is the Arthur J ’55 and Barbara S Rothkopf Professor Emerita of Art History at Lafayette College, Pennsylvania, and an internationally recognized specialist in Italian Renaissance art.

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Paolo Uccello - painter

Pioneer of perspective also worked in mosaics

The first panel of Uccello's fresco series, Battle of
San Romano, on display at the National Gallery

Paolo Uccello, who was one of the leading painters in Florence in the 15th century, died on this day in 1475 at the age of 78.

The son of a surgeon, Uccello served an apprenticeship in the workshop of the sculptor and goldsmith Lorenzo Ghiberti but made his own mark as a painter and also as a mosaicist, at one time employed to work on the facade of Basilica di San Marco in Venice.

Younger than Ghiberti, Filippo Brunelleschi and Donatello, three giants of the Early Renaissance period, Uccello belonged to a generation of artists eager to move away from the flat, decorative forms of traditional Gothic art. His work is more often characterised by clear colours, well-defined outlines and a dramatic narrative, although he retains the fairytale quality of Gothic.

He was noted for his interest in linear perspective, which helped create a sense of depth in many of his paintings. According to Giorgio Vasari, the 16th century painter and architect whose book, Lives of the Most Excellent Painters, Sculptors, and Architects, led him to become known as the first art historian, Uccello was so fixated with perspective that he would stay up all night, seeking to apply his knowledge of mathematics to ensuring the angles in his pictures and the relative scale were exactly right.

Uccello's St George and the Dragon echoed the
typical themes of traditional Gothic art

Uccello’s most celebrated works include a 1456 cycle of paintings depicting the Battle of San Romano, in which a Florentine army defeated Sienese troops in 1432, originally commissioned to adorn the palace of a Florentine politician, Lionardo Bartolini Salimbeni.  The three panels that comprised the cycle are now shared between the National Gallery in London, the Louvre in Paris and the Uffizi in Florence.

His love of perspective, meanwhile, was no better illustrated than in The Flood and The Waters Receding, part of a 1447-48 fresco depicting Scenes from the Life of Noah, which he painted for the Chiostro Verde of the Basilica of Santa Maria Novella in Florence.

His St George and the Dragon (c1456), which is also kept by the National Gallery in London), and the Miracle of the Desecrated Host (c1467), housed in Urbino’s Galleria Nazionale, are other notable works.

Uccello was born Paolo di Dono or Paolo Doni. His father was from a wealthy Florentine family and his mother from the noble Del Beccuto family, who had three chapels in the church of Santa Maria Maggiore, one of which Uccello would decorate himself. It is not known with certainty why he came to be known as Paolo Uccello, although he often used birds - uccelli - as well as small animals in his paintings as a device to help create perspective.

At the age of 10, Uccello became an apprentice in the workshop of Ghiberti. It was around the time that Ghiberti was creating the renowned bronze doors for the Florence cathedral's Baptistery, known as The Gates of Paradise.  

Uccello's fascination with perspective is evident
in this section of his Scenes from the life of Noah

Little remains of his work for Ghiberti. The earliest frescoes attributed to him, though now badly damaged, are in the Chiostro Verde of Santa Maria Novella and depict episodes from the Creation. 

From 1425 to 1431, Uccello worked as a master mosaicist in Venice. Documentary evidence has come to light suggesting that a mosaic of Saint Peter for the facade of the Basilica di San Marco, which was depicted in Gentile Bellini's 1496 painting, Processione in Piazza San Marco, was Uccello’s. Sadly, if there was such a piece, it no longer exists.  Some floor mosaics within the basilica are more confidently attributed to Uccello.

After returning to Florence, where he was to stay for most of the rest of his life, he executed works for various churches and patrons, most notably the Cattedrale di Santa Maria del Fiore, the city’s Duomo.

This mosaic on the floor of Basilica San
Marco in Venice is attributed to Uccello

In 1436, Uccello completed a monochrome fresco of an equestrian monument to Sir John Hawkwood in the Duomo. This work exemplified his keen interest in perspective. The condottiero and his horse are presented as if the fresco was a sculpture seen from below. At the same time, a sense of controlled potential energy within the horse and rider were characteristic of the new style of the Renaissance that had blossomed during Uccello’s lifetime.

Later, he painted the four heads of the prophets that surround the clock on the Duomo’s interior west facade clock, and designed a number of stained glass windows.

The three paintings celebrating the Battle of San Romano are thought to have been executed between 1438 and 1440. The three panels were exhibited until 1784 in a room in the Medici Palace on Via Larga in Florence.

Married in 1453 to Tommasa Malifici, Uccello had a son, Donato, with whom he worked towards the end of his life, and a daughter, Antonia, who became a Carmelite nun. 

In poor health, Uccello stopped working in 1470. His last will and testament was dated November 11, 1475, about a month before he died. He was buried in his father's tomb in the church of Santo Spirito in Florence.

The magnificent Florence Duomo, topped by
Brunelleschi's colossal dome, towers over the city

Travel tip:

Florence’s Duomo - the Cattedrale di Santa Maria del Fiore - with its enormous dome by Filippo Brunelleschi and campanile by Giotto, is one of Italy's most recognisable and most photographed sights, the dominant feature of the city’s skyline. From groundbreaking to consecration, the project spanned 140 years and involved a series of architects. Arnolfo di Cambio, who also designed the Basilica of Santa Croce and the Palazzo Vecchio, was the original architect engaged and it was largely to his template that the others worked.  When he died in 1410, 14 years after the first stone was laid, he was succeeded by Giotto, who himself died in 1337, after which his assistant Andrea Pisano took up the project.  Pisano died in 1348, as the Black Death swept Europe, and a succession of architects followed, culminating in Brunelleschi, who won a competition - against Lorenzo Ghiberti - to build the dome, which remains the largest brick-built dome ever constructed.

The facade of the Basilica of Santa Maria
Novella, designed by Leon Battista Alberti

Travel tip:

The Gothic Basilica of Santa Maria Novella in Florence, for which Uccello created his Scenes from the Life of Noah fresco series, which included The Flood and The Waters Receding, was built in the 13th century by the Dominicans and can be described as the city’s first great basilica. This church was given the suffix ‘Novella’ - new - because it was built on the site of the 9th-century oratory of Santa Maria delle Vigne.  The new church was commissioned by wealthy Florentine wool merchant Giovanni di Paolo Rucellai and designed principally by Leon Battista Alberti. The church, recognisable for its white marble façade, was built between 1456 and 1470. A list of its notable artworks reads like a roll call of masters of Gothic and early Renaissance painting and sculpture, including Botticelli, Bronzino, Brunelleschi, Duccio, Ghiberti, Ghirlandaio, Lippi, Masaccio, Pisano, Uccello and Vasari. The city’s nearby main railway station takes its name from the basilica.

Also on this day:

1813: The birth of composer Errico Petrella

1903: The birth of painter Giuseppe Dossena

1907: The birth of actor Amedeo Nazzari

1921: The birth of football administrator Giuseppe 'Peppino' Prisco

1936: The death of playwright and novelist Luigi Pirandello

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9 December

Baldassare Ferri – singer

Male soprano was admired by the crowned heads of Europe

Castrato singer Baldassare Ferri was born on this day in 1610 in Perugia in the region of Umbria.  He is said to have possessed a beautiful soprano voice that was praised by other musicians and by much of the aristocracy of Europe.  The Holy Roman Emperor Leopold I, who was a great patron of music and himself a composer, is believed to have become so enchanted with Ferri that he had a portrait of the singer hung in his bedroom with the inscription, Baldassare Ferri, Re dei Musici (King of Musicians).  By the age of 11, Ferri was a chorister serving Cardinal Crescenzi in Orvieto. He then studied music in Naples and in Rome, where he was taught by Vincenzo Ugolini of Perugia, who was maestro of the Cappella Giulia.  Prince Wladislaus of Poland then secured Ferri’s services for the court of King Sigismund III at Warsaw, where the singer took part in dramas set to music. He continued to be employed at the court when the prince became King Wladislaus IV Vasa in 1632.  A few years later Ferri moved to Vienna, where he entered the services of the Emperor Ferdinand III and afterwards sang for the Emperor Leopold I.  Read more…

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Sonia Gandhi - Indian politician

Widow of ex-PM Rajiv born in pre-Alps of Veneto

Sonia Gandhi, an Italian who married into a famous political dynasty and became the most powerful woman in India, was born on this day in 1946 in a small town near Vicenza. In 1965, in a restaurant in Cambridge, England, where she was attending a language school, she met an engineering student from the University of Cambridge. They began dating and three years later were married. His name was Rajiv Gandhi, the eldest son of the future Indian prime minister Indira Gandhi. They were married in a Hindu ceremony, Sonia moved into her mother-in-law’s house and from then on lived as an Indian. Rajiv became an airline pilot while Sonia looked after their two children, Rahul and Priyanka. Everything changed when Indira Gandhi was assassinated by Sikh nationalists in 1984, a year after Sonia had been granted Indian citizenship. Rajiv had entered politics in 1982 following the death of his brother, Sanjay, in a plane crash and was elected to succeed his mother as prime minister. Sonia wanted to remain in the background, having developed a passionate interest in preserving India’s artistic treasures. But when Rajiv himself was killed by a suicide bomber in 1991, she was invited to take over as prime minister. Read more…

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Bruno Ruffo - motorcycle racer

Italy's first world champion on two wheels

Motorcycle racer Bruno Ruffo, winner of the inaugural 250cc World Championship in 1949, was born on this day in 1920 in Colognola ai Colli, a village in the province of Verona.  He shares with Nello Pagani the distinction of being Italy's first world champion motorcyclist, Pagani having won the first world title in the 125cc class in the same year.  Ruffo wanted to race from the age of eight, having become fascinated with the motorcycles and cars that his father repaired in his workshop.  He was able to drive a car at the age of 10 and was given his first motorcycle by his father as a 16th birthday present.  He entered a race for the first time the following year at Montagnana near Padua and won. The minimum age for participants was 18 and it later transpired he had falsified his identity papers to take part.  The Second World War interrupted his progress.  Drafted into the Italian Army, Ruffo served for 20 months on the Russian front.   After the war, he bought a Moto Guzzi 250, which he raced privately, enjoying considerable success in 1946, when he won nine of the 11 races he entered in the cadet class.  Read more…

Teofilo Folengo – poet

Style of writer’s verses took its name from the dumpling

Teofilo Folengo, who is remembered as one of the principal Italian ‘macaronic’ poets, died on this day in 1544 in the monastery of Santa Croce in Campese, a district of Bassano del Grappa in the Veneto.  Folengo published, under the pseudonym Merlin Cocaio, a macaronic narrative poem entitled Baldo, which was a humorous send-up of ancient epic and Renaissance chivalric romance.  Writing in verse that mixed vernacular language with Latin became known as macaronic verse, the word deriving from the Latin macaronicus and the Italian maccarone, which meant dumpling, fare mixed crudely from different ingredients that at the time was regarded as a coarse, peasant food. It is presumed to be the origin of the modern Italian word maccheroni.  Folengo was a runaway Benedictine monk who satirised the monastic life using an invented, comic language that blended Latin with various Italian dialects.  Born Girolamo Folengo in 1491 in Cipada, a village near Mantua, he entered the Benedictine order as a young man taking the name Teofilo. He lived in monasteries in Brescia, Mantua and Padua.  Read more…

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Carlo Azeglio Ciampi - prime minister and president

The politician who took Italy into the euro

The politician and banker, Carlo Azeglio Ciampi, was born on this day in 1920 in Livorno.  He was the 49th prime minister of Italy between 1993 and 1994 and the tenth president, in office from 1999 to 2006.  Ciampi studied ancient Greek literature in Pisa, before being called up to do military duty, but in 1943 he refused to stay with the Fascists and took refuge in Abruzzo.  He managed to get to Bari, where he joined the Italian resistance movement.  After the war, he gained a doctorate in law from Pisa University and began working at the Banca d’Italia. He went on to become Governor of the bank and then President of the National Bureau de Change.  Ciampi was the first-non parliamentarian prime minister of Italy for more than 100 years, appointed by the President, Oscar Luigi Scalfaro, to oversee a technical government.  Later, as the treasury minister under Romano Prodi and Massimo d’Alema, Ciampi, a staunch supporter of the EU, adopted the euro currency for Italy.  When he was elected president, he had a broad majority and was only the second president ever to be elected at the first ballot. Read more…

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Book of the Day: The World of the Castrati: The History of an Extraordinary Operatic Phenomenon, by Patrick Barbier

For two centuries, the castrati were the darlings of the operatic stage. They enjoyed the adulation of European society, were patronised by royalty and were the pop stars of their era. How did the phenomenon come about? Why were boys deprived of their manhood to satisfy the eccentric taste of a baroque society that demanded that its heroes should sing with female voices? Entertaining, authoritative, as dazzling as its subject, The World of the Castrati is a comprehensive study that looks at every aspect of their lives - from their social origins, rigorous training, brilliant careers and their often lonely and poverty-stricken old age. Farinelli, Carestini, Bernardi... the names still hold the glamour that surrounded them and they live again in the pages of this book, as vibrant, fascinating and enigmatic as ever. Illustrated with rare archive paintings and engravings this is a fitting celebration of the artistry of one of the strangest episodes in operatic history.

Born in Nantes, Patrick Barbier is professor of music history at the West Catholic University in Angers. He specialises in the history of opera. He is the author of many books, including Venice: The Enchanted Mirror and The World of the Castrati.

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8 December

Marcello Piacentini – architect

Designer whose buildings symbolised Fascist ideals

Urban theorist and architect Marcello Piacentini was born on this day in 1881 in Rome.  The son of architect Pio Piacentini, he studied arts and engineering in Rome before going on to become one of the main proponents of the stark, linear designs characteristic of the Fascist era.  When he was just 26, he was commissioned with redesigning the centre of the Lombardy city Bergamo’s lower town, the Città Bassa, where Piacentini's buildings remain notable landmarks today.  The project marked Piacentini as an architect of considerable vision and talent.  He then went on to work throughout Italy, and in particular in Rome, for the Fascist government.  He designed a new campus for the University of Rome, La Sapienza, the road approaching St Peter’s in Rome that was named Via della Conciliazione, and much of the EUR district of the capital, of which he was not only the architect but, by appointment to the Fascist leader, Benito Mussolini, the High Commissar.  Characteristic of all these projects was Piacentini's simplified neoclassicism, which became the mainstay of Fascist architecture.  Read more…

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The Borghese Coup

Neo-fascist ‘plot’ aborted at last moment

Italians might have woken up on this day in 1970 to learn that the nation’s legitimate government had been overthrown in a neo-fascist coup had the plotters behind the insurrection not abandoned their action at the 11th hour. The night of December 7-8 had been chosen as the date for the Golpe Borghese - the Borghese Coup - the proposed coup d’état by Junio Valerio Borghese, a nobleman descended from the House of Borghese, which originated in Siena and went on to wield significant power and influence in Rome in the 17th century. Borghese, a former member of Benito Mussolini's National Fascist Party, had been a naval commander in World War Two who had aligned himself with Mussolini’s Italian Social Republic following the armistice of 1943. He became a prominent neo-fascist in post-war Italy, first as a member of the Italian Social Movement and later setting up his own political party, the Fronte Nazionale (National Front).   Like many on the far right of Italian politics, Borghese - known as the Black Prince both for his politics and his family history - had been alarmed by the rise of the Italian Communist Party (PCI). Read more…

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Johann Maria Farina - perfumier

Emigrant to Germany who invented Eau de Cologne

Johann Maria Farina, the Italian perfumier said to have created the world’s first Eau de Cologne, was born on this day in 1685 in the small town of Santa Maria Maggiore in Piedmont.  Farina’s family were masters in the art of distilling alcohol to carry fragrances, which involves different techniques to those used to distill alcohol to drink.  The method was developed in northern Africa, exported to Sicily and then on to the Italian mainland.  Farina’s antecedents brought it with them to Piedmont, where his grandmother established the family workshop in Santa Maria Maggiore, which is located about 130km (81 miles) northeast of Turin, not far from the border with Switzerland.  In his early 20s, Farina emigrated to Germany. Taking the name Johann Maria Farina - his given Italian name was Giovanni - he initially worked for an uncle who had moved to Cologne (Köln) some years earlier.  Feeling homesick, Farina began to dabble in experiments using the distilling techniques he had inherited.  One day in 1708 he excitedly wrote a letter to his brother, Giovanni Battista Farina, exclaiming that he had produced a scent so pleasing to his nostrils that it was almost dreamlike in its qualities.  Read more…

Mario Minniti - painter

Sicilian influenced by long-time collaborator Caravaggio

The painter Mario Minniti, who has acquired some historical notoriety over his long association with the brilliant but hot-tempered Renaissance great Caravaggio but went on to enjoy a successful career in his own right, was born on this day in 1577 in Syracuse, Sicily.  Minniti first encountered Caravaggio - born Michelangelo Merisi - when he arrived in Rome at the age of 15, seeking an apprenticeship following the death of his father.  Caravaggio was just a few years older than Minniti. They became friends and Minniti, who was blessed with boyish good looks, is thought to have been the model Caravaggio used in a series of works commissioned by Cardinal Francesco Maria del Monte, one of the leading connoisseurs in Rome.  These included his paintings Boy with a Basket of Fruit, The Fortune Teller, The Musicians, Bacchus and The Lute Player.  As well as learning Caravaggio’s style and techniques, whose influence shone through in many of his own works, Minniti became close friends with his mentor, with some historians buying into the theory that they were lovers and that Caravaggio was obsessed with his young model’s beauty.  Read more…

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Arnaldo Forlani - politician

Oldest surviving former prime minister

Arnaldo Forlani, who was Italy's oldest surviving prime minister until his death in 2023, was born on this day in 1925 in Pesaro.  A Christian Democrat for the whole of his active political career, Forlani was President of the Council of Ministers - the official title of the Italian prime minister - for just over eight months, between October 1980 and June 1981.  He later served as deputy prime minister (1983-87) in a coalition led by the Italian Socialist Party leader Bettino Craxi, having previously been defence minister under Aldo Moro (1974-76) and foreign affairs minister under Giulio Andreotti (1976-79).  Forlani represented Ancona in the Chamber of Deputies from his election in 1958 until the party collapsed in 1994 in the wake of the mani pulite corruption investigations.  He was premier during a difficult period for Italy, which was still reeling from the terrorist attack on Bologna railway station and the decade or so of social and political turmoil known as the Years of Lead.  Barely a month into his term, Forlani was confronted with the devastation of the Irpinia earthquake in Campania, which left almost 2,500 people dead, a further 7,700 injured and 250,000 homeless.  Read more…

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Feast of the Immaculate Conception

Prayers are followed by bonfires and feasting

The Feast of the Immaculate Conception is celebrated on this day throughout Italy every year.  It is a public holiday everywhere, when banks and offices are closed, special masses take place in the churches and people celebrate the start of Christmas.  It is an official festa - feast day - in the Christian calendar, when the immaculate conception of Jesus is celebrated. The day commemorates Mary, the mother of Jesus, being given the grace of God to live a life ‘free of sin.’  Many people attend Mass and the Pope leads the celebrations from Rome.  The day was officially declared a festa by the Vatican in 1854.  It marks the official start of the Christmas season in Italy, when the lights and trimmings go up.  The shops are open and do a brisk trade, with many people not at work taking the opportunity to do some Christmas shopping.  Bonfires are lit in some parts of Italy and the different areas celebrate with their own traditional food and wine.  Read more…

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Book of the Day: A Difficult Heritage: Fascist-Era Art and Architecture Out of its Time, edited by Carmen Belmonte

A volume focused on the artistic and architectural heritage of the Fascist period, in contemporary Italy, it examines the afterlife and reception of the Fascist era legacy in the longue durée.  Many urban projects realised during the 20th century remain part of the Italian landscape and, together with architectural monuments and works of art, create a constellation of surviving images of Fascist visual culture in contemporary Italy. As part of the national cultural heritage, these artefacts are protected by preservation laws. However, in the ambiguous process whereby Italy confronts its Fascist and colonial past, they have also become a nexus of critical debate and political struggle.  Probing the theoretical concept of ‘difficult heritage’ in relation to the peculiarities of the Italian case, and from a comparative perspective with other nations, A Difficult Heritage: Fascist-Era Art and Architecture Out of its Time addresses issues of restoration, display, and critical preservation of Fascist-era artefacts located in public and institutional spaces.  Texts by: Mia Fuller, Giuliana Pieri, Hannah Malone, Joshua Arthurs, Dell Upton, Liza Candidi and Davide Grasso1, Franco Baldasso, Adachiara Zevi, Rosalia Vittorini, Lucy Maulsby, Pippo Ciorra, Luca Acquarelli, and Alessandro Gallicchio.

Carmen Belmonte is Assistant Professor of Contemporary Art History at Roma Tre University. Her research focuses on the visual culture and legacy of Italian colonialism and fascism, as well as on cultural heritage in contemporary Italy.

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