11 June

Giovanni Antonio Giay – composer

Opera composer also wrote religious music for the Savoy family

Opera and music composer Giovanni Antonio Giay was born on this day in 1690 in Turin.  A protégée of Charles Emmanuel III of Savoy, Giay - sometimes spelt Giai or Giaj -  wrote 15 operas, five symphonies and a large quantity of sacred music for the royal chapel of Turin Cathedral.  Giay’s father, Stefano Giuseppe Giay, who was a chemist, died when Giovanni Antonio was just five years old.  At the age of ten, Giovanni Antonio became the first member of his family to study music when he entered the Collegio degli Innocenti at Turin Cathedral to study under Francesco Fasoli.  Giay’s first opera, Il trionfo d’amore ossia La Fillide, was premiered at the original Teatro Carignano during the Carnival of 1715.  At the invitation of Charles Emmanuel III of Savoy, Giay became maestro di cappella at the royal chapel in Turin in 1732, succeeding Andrea Stefano Fiore.  Charles Emmanuel III liked art and music and reintroduced feasting and celebrations in Turin that had previously been abolished by his predecessors.  The composer produced a great deal of religious music for the chapel but continued to write opera as well.  Read more…

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Corrado Alvaro - writer and journalist

Novelist from Calabria won Italy's most prestigious literary prize

The award-winning writer and journalist Corrado Alvaro died on this day in 1956 at the age of 61.  Alvaro won the Premio Strega, Italy’s most prestigious literary prize, in 1951 with his novel Quasi una vita (Almost a Life).  The Premio Strega – the Strega Prize – has been awarded to such illustrious names as Alberto Moravia, Giuseppe Tomasi di Lampedusa, Elsa Morante, Primo Levi, Umberto Eco and Dacia Maraini since its inception in 1947.  Alvaro made his debut as a novelist in 1926 but for much of his life his literary career ran parallel with his work as a journalist.  He was born in San Luca, a small village in Calabria at the foot of the Aspromonte massif in the southern Apennines. His father Antonio was a primary school teacher who also set up classes for illiterate shepherds.  Corrado was sent away to Jesuit boarding schools in Rome and Umbria before graduating with a degree in literature in 1919 at the University of Milan.  He began his newspaper career writing for Il Resto di Carlino of Bologna and Milan’s Corriere della Sera, both daily newspapers, for whom he combined reporting with literary criticism.  Read more…

Antonio Cifrondi – painter

Artist who preserved images of everyday life 

Baroque artist Antonio Cifrondi was born on this day in 1655 in Clusone, just north of Bergamo, in Lombardy.  He is known for his religious works and his genre paintings of old men and women and of people at work, in which he depicts their clothing in great detail.  Some of his work is on display in the Accademia Carrara in Bergamo. A self-portrait can be seen in the church of Sant' Alessandro della Croce in Via Pignolo in Bergamo.  Cifrondi was born into a poor family in Clusone, the main town in Val Seriana to the northeast of Bergamo.  After training as a painter locally he moved to Bologna, and then to Turin and to Rome, where he stayed for about five years. He also worked briefly at the Palace of Versailles near Paris.  He came back to live in the Bergamo area in the 1680s, after which he painted many of his major works. He lived for the last years of his life in a convent near Brescia, the city where he died in 1730.  Bergamo in Lombardy is a beautiful city with an upper and lower town that are separated by impressive fortifications. The magical upper town has gems of medieval and Renaissance architecture.  Read more…

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Book of the Day: Music in the Baroque, by Wendy Heller 

A study of Baroque music in its cultural, social, and intellectual contexts,  Wendy Heller's Music in the Baroque traces the production and consumption of music in the 17th and early 18th century. Going beyond a history of styles, the text explores patronage, education, religious and civic ritual, theatre, and visual culture. Heller focuses not only on the nature of music in the Baroque period, but also on the different ways in which men and women experienced music in their daily lives. Treating music as an expression of political and national identity, she examines it in the context of the era's art and literature, political and religious conflicts, and contentious issues of class and gender. The book is part of the series Western Music in Context: A Norton History, which comprises six volumes of moderate length, each written in an engaging style by a recognised expert. Authoritative and current, the series examines music in the broadest sense - as sounds notated, performed, and heard - focusing not only on composers and works, but also on broader social and intellectual currents.

Wendy Heller is Professor of Music and Director of the Program in Italian Studies at Princeton University. She is the author of Emblems of Eloquence: Opera and Women's Voices in Seventeenth-Century Venice and articles published in the Journal of the American Musicological Society, Early Music, and Music & Letters.

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10 June

NEW - Bruno Bartoletti – operatic conductor

Florentine maestro conquered hearts in Chicago

Internationally acclaimed operatic conductor Bruno Bartoletti, who conducted and served as an artistic director at Lyric Opera Chicago for more than 50 years, was born on this day in 1926 in Sesto Fiorentino in Tuscany.  Bartoletti is recognised as having shaped the excellent reputation of Lyric Opera Chicago for staging great productions of Italian opera masterpieces, as well as modern works. He also directed Teatro dell’Opera di Roma and Maggio Musicale Fiorentino, and was principal conductor at the Danish Royal Opera.  His father, Umberto, was a blacksmith who played the clarinet in a band, and as a young boy Bruno Bartoletti played the piccolo. One of his teachers recognised his musical talent, and her husband, who was the sculptor Antonio Berti, recommended him to the Cherubini conservatory, where he studied the flute and the piano.  Bartoletti went on to play in the orchestra of the Maggio Musicale Fiorentino and then became a pianist on the staff of Teatro Comunale in Florence.  He assisted conductors such as Artur Rodzinski, Dimitri Mitropoulos, Vittorio Gui and Tullio Serafin, who was the one who encouraged Bartoletti to study conducting.  Read more…

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Arrigo Boito – writer and composer

Death of a patriot who fought for Venice

Arrigo Boito, who wrote both the music and libretto for his opera, Mefistofele, died on this day in 1918 in Milan.  Of all the operas based on Goethe’s Faust, Boito’s Mefistofele is considered the most faithful to the play and his libretto is regarded as being of particularly high quality.  Boito was born in Padua in 1842, the son of an Italian painter of miniatures, and a Polish countess. He attended the Milan Conservatory and travelled to Paris on a scholarship.  It was there he met Giuseppe Verdi, for whom he wrote the text of the Hymn of the Nations in 1862.  He fought under the direction of Giuseppe Garibaldi in 1866 in the seven weeks of the Third Italian War of Independence, against Austria, after which Venice was ceded to Italy.  While working on Mefistofele, Boito published articles, influenced by the composer Richard Wagner, in which he vigorously attacked Italian music and musicians.  Verdi was deeply offended by his words and by 1868, when Mefistofele was produced in Milan, Boito’s opinions had provoked so much hostility there was nearly a riot.  The opera was withdrawn after two performances, but a revised version, produced in 1875, still survives.  Read more…

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Italy enters the Second World War

Mussolini sides with Germany against Britain and France

One of the darkest periods of Italian history began on this day in 1940 when the country's Fascist dictator, Benito Mussolini, declared war on Great Britain and France, ending the possibility that Italy would avoid being drawn into the Second World War.  Mussolini made the declaration from the balcony of the Palazzo Venezia in Rome, where he had his office. The balcony enabled him to address a large crowd in the Piazza Venezia and he ordered his Blackshirts to ensure that the square was full of enthusiastic supporters.  Italy had already signed a Pact of Steel with Germany but had been reluctant to enter the conflict. Mussolini had a strong navy but a relatively weak army and a lack of resources across the board.  By June 1940, however, Germany was on the point of conquering France and it was thought that Britain would soon follow. Historians believe Mussolini's decision to enter the conflict was an opportunistic attempt to win a share of French territory.  He told the Italian people that going to war was a matter of honour after his efforts to preserve peace had been rebuffed by 'treacherous' Western democracies, but many believe his motives were simply to pursue his expansionist ambitions.  Read more...

Mercurino Arborio di Gattinara – politician and cardinal

Lawyer and strategist dreamt of a united Europe ruled by the Emperor

Influential statesman and political adviser Mercurino Arborio di Gattinara was born on this day in 1465 in Gattinara in Piedmont.  Gattinara became Grand Chancellor to the Holy Roman Emperor Charles V and, despite being a layman who had never been ordained as a priest, he was created a cardinal. He was one of the most important men active in politics of his time and he set out to centralise power in Germany and make the Holy Roman Empire a moral and political arbiter for all the kingdoms and principalities in Europe.  Born in his family’s home in Gattinara, he was the eldest son of Paolo Arborio di Gattinara and Felicità Ranzo, who was from an important family in Vercelli.  After his father’s death, Gattinara had to interrupt his studies for financial reasons and went to Vercelli to practise with his father’s cousin, who was a notary.  He was able to resume his law studies at the University of Turin after marrying Andreetta Avogadro and using her dowry to pay for his studies. After obtaining his doctorate, he practised law in Turin.  In 1501, he became adviser to Duchess Margherita of Habsburg, the daughter of Emperor Maximilian 1 of Hapsburg. Read more…

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Carlo Ancelotti - football manager

Five-times winner of the Champions League

Carlo Ancelotti, a former top-level player who has become one of football’s most accomplished managers, was born on this day in 1959 in Reggiolo, a small town in Emilia-Romagna.  With Real Madrid's defeat of Liverpool in the 2022 final, he became the only manager to have won the UEFA Champions League four times - twice with AC Milan and twice with Real Madrid. He has since won the trophy for a fifth time thanks to Madrid’s victory over Borussia Dortmund in the 2024 final. Ancelotti, who has managed title-winning teams in four countries, is also one of only seven to have won the European Cup or Champions League as a player and gone on to do so as a manager too.  As a boy, Ancelotti often helped his father, Giuseppe, who made and sold cheese for a living, in the fields on the family farm, which is where he claims he acquired his appreciation of hard work.  But despite the cheeses of Emilia-Romagna having international renown, especially the famous Parmigiana-Reggiano, he saw how his father struggled to make enough money to feed his family and vowed to make more of his own life.  His talent for football, allied to that work ethic, enabled him to fulfil that promise.  Read more…

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Book of the Day: Divas and Scholars: Performing Italian Opera, by Philip Gossett

Divas and Scholars is a dazzling and beguiling account of how opera comes to the stage, filled with Philip Gossett’s personal experiences of triumphant—and even failed—performances and suffused with his towering and tonic passion for music. Writing as a fan, a musician, and a scholar, Gossett, the world's leading authority on the performance of Italian opera, brings colourfully to life the problems, and occasionally the scandals, that attend the production of some of our favourite operas. Gossett begins by tracing the social history of 19th-century Italian theatres in order to explain the nature of the musical scores from which performers have long worked. He then illuminates the often hidden but crucial negotiations made between opera scholars, opera conductors and performers: What does it mean to talk about performing from a critical edition? How does one determine what music to perform when multiple versions of an opera exist? What are the implications of omitting passages from an opera in a performance? In addition to vexing questions such as these, Gossett also tackles issues of ornamentation and transposition in vocal style, the matters of translation and adaptation, and even aspects of stage direction and set design.  Gossett enlivens the text with reports from his own experiences with major opera companies at venues ranging from the Metropolitan and Santa Fe operas to the Rossini Opera Festival at Pesaro.  Divas and Scholars was the winner of the 2007 Otto Kinkeldey Award from the American Musicological Society and the 2007 Deems Taylor Award from the American Society of Composers, Authors, and Publishers.

Professor in Music and the College at the University of Chicago, Philip Gossett is the general editor of The Works of Giuseppe Verdi, published by the University of Chicago Press and Casa Ricordi, and The Works of Gioachino Rossini. In 2004 he received one of four lifetime achievement awards given by the Andrew W. Mellon Foundation, and in 1998 the Cavaliere di Gran Croce, the highest civilian award given by the Italian government.

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Bruno Bartoletti – operatic conductor

Florentine maestro conquered hearts in Chicago

Bruno Bartoletti spent more than 50 years at Lyric
Opera Chicago as conductor and artistic director  

Internationally acclaimed operatic conductor Bruno Bartoletti, who conducted and served as an artistic director at Lyric Opera Chicago for more than 50 years, was born on this day in 1926 in Sesto Fiorentino in Tuscany.

Bartoletti is recognised as having shaped the excellent reputation of Lyric Opera Chicago for staging great productions of Italian opera masterpieces, as well as modern works. He also directed Teatro dell’Opera di Roma and Maggio Musicale Fiorentino, and was principal conductor at the Danish Royal Opera.

His father, Umberto, was a blacksmith who played the clarinet in a band, and as a young boy Bruno Bartoletti played the piccolo. One of his teachers recognised his musical talent, and her husband, who was the sculptor Antonio Berti, recommended him to the Cherubini conservatory, where he studied the flute and the piano.

Bartoletti went on to play in the orchestra of the Maggio Musicale Fiorentino and then became a pianist on the staff of Teatro Comunale in Florence.

He assisted conductors such as Artur Rodzinski, Dimitri Mitropoulos, Vittorio Gui and Tullio Serafin, who was the one who encouraged Bartoletti to study conducting.

Bartoletti made his professional debut as
a conductor in Florence in 1953

In 1953, Bartoletti made his professional conducting debut at Teatro Comunale in Florence with Giuseppe Verdi’s opera Rigoletto.

Bartoletti made his debut as a conductor in the United States in 1956 with Lyric Opera Chicago when he conducted Verdi’s Il trovatore, after Tullio Serafin had been taken ill. He had been recommended to the theatre by the Italian baritone, Tito Gobbi. 

He subsequently became principal conductor of the Royal Danish Opera between 1957 and 1960.

From 1956 until 2007, Bartoletti conducted 600 performances of 55 different operas for Lyric Opera of Chicago. He became their principal conductor in 1964 and continued in that role until his retirement in 1999. 

He also became co-artistic director at Lyric Opera and was later named sole artistic director. He worked with many famous opera singers, including Placido Domingo, Luciano Pavarotti and Renata Tebaldi. 

His final appearance at Lyric Opera was in 2007 when he conducted Verdi’s La traviata.

Bartoletti died the day before
his 87th birthday in 2013

After his retirement, Bartoletti was given the title of artistic director emeritus by Lyric Opera for the rest of his life.

Bartoletti was awarded the title of Cavaliere di Gran Croce della Repubblica Italiana by the Italian Government, and he was made a member of the Accademia di Santa Cecilia, one of the oldest and most prestigious musical institutions in the world. In his later years, he taught at the Accademia Chigiana in Siena. Bartoletti conducted his final opera, Manon Lescaut, in 2011.

With his wife, Rosanna, he had two daughters and five grandchildren.  He died in Florence the day before his 87th birthday in 2013.

He has been acknowledged as a superb interpreter of 19th century and early 20th century Italian opera, but Bartoletti also embraced modern music and Slavic works, such as Bedrich Smetana’s Bartered Bride and Modest Mussorgsky’s Boris Godunov, during his career, although he is said to have rarely conducted symphonies.

Sesto Fiorentino's historic Palazzo Pretorio was
built at the end of the 15th century

Travel tip:

Bartoletti’s home town, Sesto Fiorentino, known locally as simply Sesto, is a town within the metropolitan area of Florence in Tuscany, situated about 12km (7.5 miles) to the northwest. With a population of around 49,000. It is famous above all for its tradition of ceramics. Once an ancient Etruscan settlement, it began to flourish at the time of ancient Romans, thanks to its position along the Via Cassia. Today, there are more than 100 pottery producers in Sesto Fiorentino, the first having been founded there in 1735 by Marquis Carlo Ginori. Now under the name Richard-Ginori, the company is still located in Sesto, which also hosts a state school for teaching pottery, L'Istituto Statale d'Arte. Notable buildings in Sesto Fiorentino include the beautiful Romanesque parish church of San Martino and the Palazzo Pretorio, built at the end of the 15th century as the seat of the podestà, the local representative of Florentine authority. The 15th century façade is still decorated with the coats of arms of the families who exercised power over the town between the 15th and 16th centuries.

The new Teatro del Maggio Musicale Fiorentino
has been the home of the festival since 2014

Travel tip:

The Maggio Musicale Fiorentino is an annual festival in Florence that has been held since 1933. It was started by Luigi Ridolfi Vay da Verrazzano, a politician and entrepreneur who also founded the AC Fiorentina football club, in conjunction with the conductor Vittorio Gui and another politician, Carlo Delcroix, who was its first president. It usually takes place from the end of April to the beginning of July and includes operas, concerts, ballets and prose performances. It has its origins in the ancient tradition of the musical festivals of May, called maggiolate. Originally, the festival was staged at the Teatro Comunale in Corso Italia, on the edge of the city’s historic centre, about 1.5km (1 mile) from the Ponte Vecchio along the Arno river.  Since 2014, the festival has had its own base at the new Teatro del Maggio Musicale Fiorentino, situated less than a kilometre away on land opposite the public park known as Le Cascine. Designed by Paolo Desideri, it was inaugurated in 2011 with a performance of Beethoven's Ninth Symphony conducted by Zubin Mehta. The square in front of the theatre is named Piazza Vittorio Gui in honour of the festival’s founder.

Also on this day:

1465: The birth of statesman and political adviser Mercurino Arborio di Gattinara

1918: The death of opera composer and librettist Arrigo Boito

1940: Italy enters World War Two

1959: The birth of football manager Carlo Ancelotti

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9 June

The Maestà of Duccio

Masterpiece influenced the course of Italian art history

A magnificent altarpiece by the artist Duccio di Buoninsegna was unveiled in the cathedral in Siena on this day in 1311.  Duccio’s Maestà was to set Italian painting on a new course, leading away from Byzantine art towards using more realistic representations of people in pictures.  The altarpiece was commissioned by the city of Siena from the artist and was composed of many individual paintings.  The front panels made up a large picture of an enthroned Madonna and Child with saints and angels.  At the base of the panels was an inscription, which translated into English means: ‘Holy Mother of God, be thou the cause of peace for Siena and life to Duccio because he painted thee thus.’  When the painting was installed in the cathedral on June 9, 1311, one witness to the event wrote: ‘…on that day when it was brought into the cathedral, all workshops remained closed and the bishop commanded a great host of devoted priests and monks to file past in solemn procession.  This was accompanied by all the high officers of the commune and by all the people; all honourable citizens of Siena surrounded said panel with candles held in their hands, and women and children followed humbly behind’. Read more…

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The death of Nero

Brutal emperor killed himself with help of aide

The Roman emperor Nero, whose rule was associated with extravagance and brutality, died on this day in 68 AD in what would now be described as an assisted suicide.  Effectively deposed as emperor when simultaneous revolts in the Gallic and Spanish legions coincided with the Praetorian Guard rising against him, with Galba named as his successor, Nero fled Rome, seeking refuge from one of his few remaining loyalists.  Phaon, an imperial freedman, gave him the use of a villa four miles outside Rome along Via Salaria, where he hastened, under disguise, along with Phaon and three other freedmen, Epaphroditos, Neophytus, and Sporus.  Nero had hoped to escape to Egypt but realised there was no one left to provide the means and asked the four freedmen to begin digging his grave, in readiness for his death by suicide.  In the meantime, the Senate had declared Nero a public enemy. As well as ordering the executions of numerous rivals, real or perceived, and even having his mother and two wives killed, Nero made many enemies through unpopular policies and confiscation of property.  Read more…

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Nedo Nadi - Olympic record-breaker

Five-medal haul at 1920 Antwerp Games included unique treble

Nedo Nadi, the Italian fencer regarded as among the greatest of all time, was born on this day in 1894 in Livorno, the port on the Tuscan coast. Born into a fencing family - his father, Giuseppe, was a renowned fencing master - Nadi won five gold medals at the 1920 Olympics in Antwerp, which remained the most by any athlete at a single Games until Mark Spitz won seven swimming titles in 1972.  Nadi’s own distinction is that he was and still is the only fencer to have won a gold medal with all three weapons, winning the individual championship in both foil and sabre and a team gold in the épée. His quintuple of medals was completed with team golds in both the sabre and foil.  His younger brother, Aldo, was also part of the winning Italian team in the épée and sabre events.  Their total of seven golds is the most won by members of the same family at a single Games.  Nedo’s historic achievement might never have happened if his father had had his way. Giuseppe believed the épée to be a “crude and undisciplined" weapon and refused to teach it, limiting the two brothers’ tuition to foil and sabre, to which they were introduced as children. Read more…

Luigi Cagnola - architect

Designer of Milan’s neoclassical Arch of Peace

The architect Luigi Cagnola, among whose most notable work the monumental Arco della Pace - Arch of Peace - in Milan stands out, was born in Milan on this day in 1762.  The Arco della Pace, commissioned when Milan was under Napoleonic rule in 1807, can be found at Porta Sempione, the point at which the historic Strada del Sempione enters the city, about 2km (1.2 miles) northwest of the Duomo. Cagnola’s original commission a year earlier was for a triumphal arch for the marriage of Eugenio de Beauharnais, viceroy of the Kingdom of Italy, with Princess Amalia of Bavaria. The arch was made of wood, and not intended as a permanent structure, but Cagnola’s design was of such beauty that the Milan authorities asked him to reconstruct it in marble. His other major works include the Porta Ticinese, another of the main gates into Milan, the campanile - bell tower - of the church of Santi Nazario e Celso in Urgnano, a small town just outside Bergamo in Lombardy, the chapel of Santa Marcellina in Milan, the staircase of the Villa Saporiti in Como, and his own villa just outside Inverigo, the town to the southwest of Lake Como where Cagnola spent his final days. Read more…

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Luigi Fagioli - racing driver

Man from Le Marche is Formula One's oldest winner

Racing driver Luigi Fagioli, who remains the oldest driver to win a Formula One Grand Prix, was born on this day in 1898 at Osimo, an historic hill town in the Marche region.  Fagioli was a highly skilled driver but one who was also renowned for his fiery temperament, frequently clashing with rivals, team-mates and his bosses.  It was typical of his behaviour after recording his historic triumph at the F1 French Grand Prix at Reims in 1951 he announced in high dudgeon that he was quitting Formula One there and then.  He was furious that his Alfa Romeo team had ordered him during the race to hand his car over to Juan Manuel Fangio, the Argentine who would go on to win the 1951 World Championship, which meant the victory was shared rather than his outright.  Nonetheless, at 53 years and 22 days, Fagioli's name entered the record books as the oldest F1 Grand Prix winner.  Fagioli trained as an accountant but was always fascinated with the new sport of car racing and his background - he was born into a wealthy family of pasta manufacturers - gave him the financial wherewithal to compete.  Read more…

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Book of the Day: Siena: The Rise of Painting, 1300 - 1350, by Joanna Cannon

In the early 1300s, the city of Siena gave rise to an extraordinary period of creativity and innovation. Painters, sculptors, and goldsmiths produced remarkable works whose impact was felt far beyond the city’s walls. From vast altarpieces to portable objects for private devotion, the art emanating from Siena left an enduring legacy.  This book explores a crucial turning point in Italian art when the prestige of painting reached new heights. Siena became the centre of a rich exchange of ideas, as painters took inspiration from marble and ivory sculptures, intricate metalwork, and precious imported silks to enhance the power of their work. Travelling beyond their native city, Sienese artists made their mark across Italy and into northern Europe.  Beautifully illustrated, Siena: The Rise of Painting, 1300 - 1350 explores masterpieces by four of Siena’s most illustrious painters - Duccio, Simone Martini, and Ambrogio and Pietro Lorenzetti - alongside objects in other media and from other countries and cultures, encouraging fresh perspectives and dialogues between these groundbreaking works.

Joanna Cannon specialises in the art and architecture of Italy in the 13th and 14th centuries. She is professor emerita at the Courtauld Institute of Art, London.

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