13 February

Benvenuto Cellini – sculptor and goldsmith

Creator of the famous Perseus bronze had a dark history

The colourful life of the Renaissance artist Benvenuto Cellini ended on this day in 1571 with his death in Florence at the age of 70.  A contemporary of Michelangelo, the Mannerist Cellini was most famous for his bronze sculpture of Perseus with the Head of Medusa, which still stands where it was erected in 1554 in the Loggia dei Lanzi of the Piazza della Signoria in Florence, and for the table sculpture in gold he created as a salieri - salt cellar - for Francis I of France.  The Cellini Salt Cellar, as it is generally known, measuring 26cm (10ins) by 33.5cm (13.2ins), is now kept at the Kunsthistorisches Museum in Vienna, with an insurance value of $60 million.  His works apart, Cellini was also known for an eventful personal life, in which his violent behaviour frequently landed him in trouble. He killed at least two people while working in Rome as a young man. Read more…

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Antonia Pozzi - poet

Tragic writer whose work was published only after her death

The poet Antonia Pozzi, who came to be regarded as one of the greatest Italian poets of the 20th century, was born on this day in 1912 in Milan. Born into a wealthy family, she enjoyed a privileged lifestyle but seemingly a difficult relationship with her parents. She kept diaries and began to write poems as a teenager, although none came to light until she died in tragic circumstances at the age of just 26. Afterwards, her notebooks were found to contain more than 300 poems, which revealed her to be one of the most original voices in 20th century Italian literature.  Most have subsequently been published, to great critical acclaim.  The daughter of Roberto Pozzi, a prominent Milan lawyer, and his aristocratic wife, Countess Lina Cavagna Sangiuliani, Antonia’s literary talent may have been inherited from her great-grandfather on her mother’s side, the 19th century poet and writer, Tommaso Grossi. Read more…

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Isabella d’Este – Marchioness of Mantua

‘The First Lady of the world’

Isabella d’Este, who was a leading cultural and political figure during the Renaissance, died on this day in 1539 in Mantua.  She had been a patron of the arts, a leader of fashion, a politically astute ruler and a diplomat. Such was her influence that she was once described as ‘the First Lady of the world’.  Her life is documented by her correspondence, which is still archived in Mantua. She received about 28,000 letters and wrote about 12,000. More than 2000 of her letters have survived.  Isabella grew up in a cultured family in the city of Ferrara. Her father was Ercole I d’Este, Duke of Ferrara, and her mother was Eleanor of Naples.  She received a classical education and had opportunities to meet famous scholars and artists. She was reputed to have frequently discussed the classics and affairs of state with ambassadors who came to the court.  Read more…

The Challenge of Barletta

The day an Italian red wine proved too good for the French to resist

A group of 13 Italian cavaliers won a duel, which has since gone down in history, against 13 French mounted soldiers, on this day in 1503 near Trani in the region of Puglia.  The celebrated contest has become known as the Challenge of Barletta (Disfida di Barletta), taking its name from a town in the area that later commemorated the victory with a monument.  It is considered one of the earliest displays of Italian national pride, if not the first of its kind, even though it was fought while a war was going on between French and Spanish troops, who were battling to win control of the south of Italy. The Challenge was provoked by a group of French soldiers who had been taken as prisoners of war by the Spanish. They had been invited to a banquet in Barletta at a local osteria, along with some of the Italian knights who were fighting on behalf of the Spanish.  Read more...

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Pierluigi Collina - football referee

Italian arbiter seen as the best in game's history

Pierluigi Collina, arguably the best and certainly the most recognisable football referee in the history of the game, was born on this day in 1960 in Bologna.  Collina, who was in charge of the 1999 Champions League final and the 2002 World Cup final, was named FIFA's referee of the year for six consecutive seasons.  He was renowned for his athleticism, his knowledge of the laws of the game and for applying them with even-handedness and respect for the players, while using his distinctive appearance to reinforce his authority on the field.  Standing 1.88m (6ft 2ins) tall and with piercing blue eyes, Collina is also completely hairless as a result of suffering a severe form of alopecia in his early 20s, giving him an intimidating presence on the field.  Growing up in Bologna, the son of a civil servant and a schoolteacher, Collina dreamed of becoming a professional footballer.  Read more…

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Fire at Teatro di San Carlo

Royal theatre reopens quickly after blaze 

Fire broke out during a dress rehearsal for a ballet at Teatro di San Carlo in Naples on this day in 1816.  The flames spread quickly, destroying a large part of the building in less than an hour.  The external walls were the only things left standing, but on the orders of Ferdinand IV, King of Naples, the prestigious theatre was rebuilt at once.  It was reconstructed following designs drawn up by architect Antonio Niccolini for a horseshoe-shaped auditorium with 1,444 seats. A stunning fresco was painted in the centre of the ceiling above the auditorium depicting a classical subject, Apollo presenting to Minerva the greatest poets of the world.  The rebuilding work took just ten months to complete and the theatre reopened to the public in January 1817.  Teatro di San Carlo had opened for the first time in 1737, way ahead of Teatro alla Scala in Milan and La Fenice in Venice.  Read more…

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Book of the Day: The Autobiography of Benvenuto Cellini (Everyman's Library Classics), by Benvenuto Cellini. Translated by Anne Macdonell 

Benvenuto Cellini was an artist-craftsman, one of the greatest sculptors in the Renaissance, passionately devoted to art, the worshipper and frequenter of the great men of his time, the 'divine' Michelangelo, who came to his studio, the 'marvellous' Titian (the adjectives are Cellini's ). He loathed the sculptor Torregiano because he had broken Michelangelo's nose. His autobiography gives a quite extraordinarily vivid account of daily life in Renaissance Florence and Rome, its studios, its taverns, its violence, his loves, the kings, cardinals and popes who commission his works. At 27 he helps direct the defence of the castello San Angelo; his account of his imprisonment there under a mad castellan (who thought he was a bat), his escape by an improvised rope, his recapture, his confinement in 'a cell of tarantulas and venomous worms' is a chapter of adventure equal to any in fact or fiction. Later he describes burning all his furniture to achieve sufficient heat to cast off one of his most famous works, Perseus and the Head of Medusa.  The Autobiography of Benvenuto Cellini was translated by Goethe into German. The Everyman translation by Anne Macdonell (1903) is widely recognised as the most faithful to the energy and spirit of the original.

Anne Macdonell was a British academic and literary translator, whose 1903 translation of Cellini’s autobiography became one of the standard English editions of the early 20th century.

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12 February

Franco Zeffirelli – film director

Shakespeare adaptations made director a household name

The film, opera and television director Franco Zeffirelli was born on this day in Florence in 1923.  He was best known for his adaptations of Shakespeare plays for the big screen, notably The Taming of the Shrew (1967), with Richard Burton and Elizabeth Taylor, Romeo and Juliet (1968) and Hamlet (1990) with Mel Gibson.   Boldly, he cast two teenagers in the title roles of Romeo and Juliet and filmed the tragedy against the backdrop of 15th century buildings in Serravalle in the Veneto region. His film became the standard adaptation of the play and has been shown to thousands of students over the years.  His later films included Jane Eyre (1996) and Tea with Mussolini (1999), while he directed several adaptations of operas for the cinema, including I Pagliacci (1981), Cavalleria rusticana (1982), Otello (1986), and La bohème (2008).  Read more…

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Vittorio Emanuele - Prince of Naples

Heir to the last King of Italy spent his life in exile

Prince Vittorio Emanuele of Savoy, the only son of Umberto II, the last King of Italy, was born on this day in 1937 in Naples.  He had to leave Italy when he was nine years old following the constitutional referendum held in Italy after World War II. The referendum affirmed the abolition of the monarchy and the creation of the Italian republic in 1946.  Umberto II had been King of Italy for just over a month and was afterwards nicknamed the May King. He had been de facto head of state since 1944, after his father, King Victor Emmanuel III, had transferred most of his powers to him.  Umberto lived for 37 years in exile in Cascais on the Portuguese Riviera. He never set foot in his native Italy again as he, and all his male heirs, were banned from Italian soil.  His only son, Vittorio Emanuele, spent most of his life exiled from Italy and living in Switzerland. He married a Swiss heiress and world ranked water skier, Marina Doria, in 1971.  Read more…

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Lazzaro Spallanzani – priest and scientist

18th century biologist who pioneered artificial insemination 

Lazzaro Spallanzani, the first scientist to interpret the process of digestion and the first to carry out a successful artificial insemination, died on this day in 1799 in Pavia.  Spallanzani made important contributions to the experimental study of bodily functions and animal reproduction. His investigations into the development of microscopic life in nutrient culture solutions paved the way for the later research of Louis Pasteur.  Born in Scandiano in the province of Reggio Emilia, the son of a wealthy lawyer, Spallanzani attended a Jesuit college and was ordained as a priest but then went to Bologna to study law.  Influenced by the eminent Laura Bassi, a professor of physics at the University, Spallanzani became interested in science.  In 1754 Spallanzani was appointed professor of logic, metaphysics and Greek at a college in Reggio. Read more…

Michelangelo Cerquozzi – painter

Battle scenes brought fame and riches to Baroque artist

Michelangelo Cerquozzi, the Baroque painter, was born on this day in 1602 in Rome.  He was to become famous for his paintings of battles, earning himself the nickname of Michelangelo delle Battaglie - Michelangelo of the Battles.  Cerquozzi was born into a well-off family as his father was a successful leather merchant. He started his artistic training at the age of 12 in the studio of Giuseppe Cesari, a history painter, with whom the young Caravaggio trained when he first arrived in Rome.  Not much is known about Cerquozzi’s early work, although he is thought to have been influenced by the Flemish and Dutch artists active in Rome at the time. As well as battles, Cerquozzi painted small, religious and mythological works and some still life scenes.  Cerquozzi joined the Accademia di San Luca in 1634 and, although he did not follow their strict rules, he started gradually gaining recognition for his work.  Read more…

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Claudia Mori - actress and singer

Film star who married pop icon Adriano Celentano

The actress, singer and later television producer Claudia Mori, married for more than half a century to Italy’s all-time biggest-selling recording artist, Adriano Celentano, was born on this day in 1944 in Rome.  She and Celentano met in 1963 on the set of Uno strano tipo (A Strange Type), a comedy film in which they were both starring. The two were married the following year at the Church of San Francesco in Grosseto in Tuscany, having kept their intentions secret to avoid publicity.  Mori was only 20 when she and Celentano - six years her senior - were married but she had already made several films.  Born Claudia Moroni, she made her film debut in Raffaello Matarazzo’s romantic comedy Cerasella at the age of just 15 in 1959, featuring as the title character opposite Mario Girotti, the actor who would later change his name to Terence Hill and become famous as the parish priest Don Matteo in television series of the same name.  Read more…

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Book of the Day: Franco Zeffirelli: Complete Works - Theatre, Opera, Film, by Caterina Napoleone

Widely considered the definitive volume on Zeffirelli’s artistic output, Franco Zeffirelli: Complete Works covers his entire career across opera, theatre, and film, and is produced with the cooperation of Zeffirelli and his family. It includes essays by respected critics and collaborators.  Its coverage of his opera output includes full-page photos of set designs, costumes, and stage tableaux, notes on his collaborations with major houses such as La Scala, the Met and Covent Garden, and commentary on his visual language.  It discusses his productions of Shakespeare plays for theatre and there are substantial sections devoted to his movie output, particularly Romeo and Juliet, The Taming of the Shrew, Jesus of Nazareth, La Traviata and Hamlet. The tone is admiring but not hagiographic.

Caterina Napoleone is a Rome-born art historian and journalist. She has been a cultural columnist at Il Giornale since 1994 and has written a number of books, including two on Zeffirelli. 

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11 February

NEW - Anton Giulio Bragaglia - theatre director and photographer

Intellectual whose work sparked argument among Futurists

Anton Giulio Bragaglia, a film and theatre director and writer whose early work with photography made him an important if controversial figure in the Italian Futurist movement, was born on this day in 1890 in Piglio, an historic hilltop town about 55km (33 miles) east of Rome, in Lazio.  Bragaglia began his working life in Italy’s nascent movie industry - his father, Francesco, was employed at a studio in Rome - and went on to influence Italy’s cultural life in many more ways as a theatre director, cinematographer and the founder or editor of a number of arts magazines, in addition to his work with photography.  He also founded in 1922 the Teatro Sperimentale degli Independenti, an alternative theatre built by adapting the ancient Roman baths of Septimius Severus in Via degli Avignonesi, a street that runs parallel with the top end of Via del Tritone, near Piazza Barberini. Read more… 

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Giuseppe De Santis - film director

Former Resistance fighter famous for neorealist classic Bitter Rice

The writer and film director Giuseppe De Santis, who is best remembered for the 1949 neorealist film Bitter Rice - screened as Riso Amaro for Italian audiences - was born on this day in 1917 in Fondi, a small city in Lazio about 130km (81 miles) south of Rome.  De Santis is sometimes described as an idealist of the neorealism genre, which flourished in the years immediately after World War Two, yet it can also be argued that he moved away from the documentary style that characterised some of neorealism’s early output towards films with more traditional storylines.  Bitter Rice, for example, while highlighting the harsh working conditions in the rice fields around Vercelli in the Po Valley and the exploitation of labourers by wealthy landowners, is also a tale of plotting, jealousy and treachery among thieves.  Read more…

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Carlo Sartori – footballer

Italian was first foreigner to play for Manchester United

Carlo Domenico Sartori, the first footballer from outside Great Britain or Ireland to play for Manchester United, was born on this day in 1948 in the mountain village of Caderzone Terme in Trentino.  The red-haired attacking midfielder made his United debut on October 9, 1968, appearing as substitute in a 2-2 draw against Tottenham Hotspur at the London club’s White Hart Lane ground.  On the field were seven members of the United team that had won the European Cup for the first time the previous May, including George Best and Bobby Charlton, as well as his boyhood idol, Denis Law, who had missed the final against Benfica through injury.  Sartori, who made his European Cup debut against the Belgian side Anderlecht the following month, went on to make 56 appearances in four seasons as a senior United player before returning to Italy to join Bologna. Read more…

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Louis Visconti - architect

Roman who made his mark on Paris

The architect Louis Visconti, who designed a number of public buildings and squares as well as numerous private residences in Paris, was born on this day in 1791 in Rome.   Notably, Visconti was the architect chosen to design the tomb to house the remains of Napoleon Bonaparte after King Louis Philippe I obtained permission from Britain in 1840 to return them from Saint Helena, the remote island in the South Atlantic where the former emperor had died in exile in 1921.  Born Louis Tullius Joachim Visconti, he came from a family of archaeologists. His grandfather, Giambattista Antonio Visconti was the founder of the Vatican Museums and his father, Ennio Quirino Visconti, was an archaeologist and art historian.  Ennio had been a consul of the short-lived Roman Republic, proclaimed in February 1798 after Louis Alexandre Berthier, a general of Napoleon, had invaded Rome. Read more… 

Carlo Carrà - Futurist artist

Painter hailed for capturing violence at anarchist's funeral

The painter Carlo Carrà, a leading figure in the Futurist movement that gained popularity in Italy in the early part of the 20th century, was born on this day in 1881 in Quargnento, a village about 11km (7 miles) from Alessandria in Piedmont.  Futurism was an avant-garde artistic, social and political movement that was launched by the poet Filippo Tommaso Marinetti in 1909 and attracted many painters and sculptors, designers and architects, writers, film makers and composers who wished to embrace modernity and free Italy from what they perceived as a stifling obsession with the past.  The Futurists admired the speed and technological advancement of cars and aeroplanes and the new industrial cities, all of which they saw as demonstrating the triumph of humanity over nature through invention.  Read more…

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Lateran Treaty

How the Vatican became an independent state inside Italy 

An agreement between the Kingdom of Italy and the Holy See, recognising the Vatican as an independent state within Italy, was signed on this day in 1929.  The Lateran Treaty settled what had been known as ‘The Roman Question’, a dispute regarding the power of the Popes as rulers of civil territory within a united Italy.  The treaty is named after the Lateran Palace where the agreement was signed by prime minister Benito Mussolini on behalf of King Victor Emmanuel III and Cardinal Pietro Gasparri on behalf of Pope Pius XI.  The Italian parliament ratified the treaty on June 7, 1929. Although Italy was then under a Fascist government, the succeeding democratic governments have all upheld the treaty.  The Vatican was officially recognised as an independent state, with the Pope as an independent sovereign ruling within Vatican City. Read more...

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Gianluca Ginoble – singer

Versatile baritone helps make Il Volo’s magical sound

Gianluca Ginoble, a member of the hugely successful and award winning Italian pop and opera trio Il Volo, was born on this day in 1995 in Roseto degli Abruzzi, in the Abruzzo region.  He is the youngest of the trio and the only baritone. The other two singers, Piero Barone and Ignazio Boschetto, are both tenors.  Gianluca’s family lives in Montepagano, a small hilltop town overlooking Roseto degli Abruzzi. He is the oldest son of Ercole Ginoble and Eleonora Di Vittorio and has a younger brother, Ernesto.  Gianluca started to sing when he was just three years old with his grandfather, Ernesto, in the Bar Centrale, which Ernesto owns, in the main square of the town.  While still young, Gianluca took part in music festivals and competitions in his area, winning some and being distinguished in them all because of his beautiful deep voice.  Read more…

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Book of the Day: Italian Futurism, 1909–1944: Reconstructing the Universe, edited by Vivien Greene

Italian Futurism was officially launched in 1909 when Filippo Tommaso Marinetti published The Founding and Manifesto of Futurism. Italian Futurism, 1909–1944: Reconstructing the Universe is a paperback edition of the authoritative Guggenheim catalogue on the Italian avant-garde movement considerably advances the scholarship and understanding of an influential 20th-century artistic movement. As part of the first comprehensive overview of Italian Futurism to be presented in the United States, this publication examines the historical sweep of Futurism from its inception with Marinetti’s manifesto through the rise of Italian Fascism and the movement’s demise at the end of World War II. Presenting more than 300 works created between 1909 and 1944 by artists, writers, designers and composers such as Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Fortunato Depero, Gerardo Dottori, Marinetti, Ivo Pannaggi, Rosa Rosà, Luigi Russolo, Tato and many others, this publication encompasses not only painting and sculpture but also architecture, design, ceramics, fashion, film, photography, advertising, poetry, publications, music, theatre and performance.

Vivien Greene has been a Guggenheim curator since 1993 and specialises in late 19th- and early 20th-century European art with concentrations in French and Italian modernism and international currents in turn-of-the-century art and culture.

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Anton Giulio Bragaglia - theatre director and photographer

Intellectual whose work sparked argument among Futurists

Photography was only part of Anton
Giulio Bragaglia's artistic life

Anton Giulio Bragaglia, a film and theatre director and writer whose early work with photography made him an important if controversial figure in the Italian Futurist movement, was born on this day in 1890 in Piglio, an historic hilltop town about 55km (33 miles) east of Rome, in Lazio.

Bragaglia began his working life in Italy’s nascent movie industry - his father, Francesco, was employed at a studio in Rome - and went on to influence Italy’s cultural life in many more ways as a theatre director, cinematographer and the founder or editor of a number of arts magazines, in addition to his work with photography.

He also founded in 1922 the Teatro Sperimentale degli Independenti, an alternative theatre built by adapting the ancient Roman baths of Septimius Severus in Via degli Avignonesi, a street that runs parallel with the top end of Via del Tritone, near Piazza Barberini.

Francesco Bragaglia, an engineer, was the first technical director of the Cines film studio, which opened in 1906 near Porta San Giovanni in the Italian capital.

Anton Giulio joined the studio as an assistant director in the same year, gaining considerable experience working alongside directors Mario Caserini and Enrico Guazzoni.

When he was 19, however, still to become established as the director, set designer, and cinematographer he would be remembered as, Bragaglia became excited by the fledgling Italian Futurist movement and their enthusiasm for speed, dynamism and technology.

He and his older brothers, Arturo and Carlo Ludovico, both of whom worked, like Anton Giulio, in the film business, wanted to become active participants in the movement, which rejected traditional art and would influence painting, literature, sculpture and architecture in Italy in the early part of the 20th century.

Through their experimental work with cameras, they found ways to capture movement, energy, and continuity in photographs, using long exposures to create blurred forms and the impression of movement. 

Anton Giulio set out their methods and vision in his 1911 manifesto, entitled Fotodinamismo futurista.  His photodynamic works, such as Waving and The Typist, were widely admired for demonstrating motion as the essence of modern life and through these he hoped to establish photography as a central medium of Futurist experimentation and a tool for expressing the rhythms of modernity. 

Bragaglia's The Typist, in which his open shutter
technique was able to capture a sense of movement

Filippo Tommaso Marinetti, the founder of the Futurist movement, was supportive of their contribution and was happy to help them fund exhibitions of their work - although ultimately the movement expelled them in 1913 due to fundamental disagreements over whether photography could be considered as an art form.

This was mainly down to the influence of Umberto Boccioni, the painter and sculptor, who argued that photography was a mechanical medium that merely copied reality, not true creative art, and could undermine the high-art status of Futurist painting. 

Boccioni and others felt that Anton Giulio Bragaglia had been presumptuous in publishing his Fotodinamismo futurista manifesto, accusing him of trying to act as a spokesman for the movement without having the permission to do so. 

Despite their expulsion in 1913, Anton Giulio Bragaglia continued to contribute to the avant-garde movement, later founding the Casa d'arte Bragaglia in 1918, welcoming Futurist artists and giving them space to exhibit their work.

He continued to experiment with photography, his work being exhibited in Italy and abroad, including the Venice Biennale in 1924 and 1926.

By then Bragaglia had made a broader impression in the arts world. Having become editor-in-chief of the artistic and theatrical periodical L’Artista in 1911, he founded the magazine La Ruoto and the periodical Cronache di Attualità, attracting impressive lists of contributors to both that included Gabriele D'Annunzio, Grazia Deledda, Rudyard Kipling, Luigi Pirandello, Corrado Alvaro, the poet Trilussa and artists Giorgio De Chirico and Fortunato Depero. 

A section of the interior of 
Bragaglia's Teatro Sperimentale

He made a number of films, largely with a Futurist imprint, in no small part due to the avant-garde scenography of Enrico Prampolini. 

In 1918 he founded and directed the Casa d'Arte Bragaglia, which he inaugurated with a personal exhibition by the Futurist painter Giacomo Balla. The following year he directed his first play at the Teatro Argentina in Rome. 

In 1922 he opened the Teatro Sperimentale degli Indipendenti, which he directed until 1936, having entrusted the architect and artist Virgilio Marchi with the adaptation of the ancient Roman baths. He engaged Balla, Depero and Prampolini to take care of furnishings and decoration, again with a heavy accent on Futurist styles. 

The Teatro Sperimentale degli Indipendenti became a point of reference for the Italian avant-garde, although Bragaglia did not close the door on traditional theatrical forms. Although he embraced the innovations of international theatre, he was also keen to promote young Italian playwrights.

An intellectual with a considerable range of interests, he wrote extensively as a critic on cinema, theatre, dance, scenography and stagecraft, often travelling across Europe and to America to host exhibition and conference tours, while still working actively in the theatre, in which he eventually directed more than 50 productions.

He directed for the last time at the Rome Opera House in 1960, staging Pietro Mascagni's Le maschere, an opera written as an homage to Italian comic opera - opera buffa - and the traditions of commedia dell'arte.

Bragaglia died in July 1960 at the age of 70. His funeral and burial took place at the Verano monumental cemetery in Rome, not far from the Sapienza University.

Piglio occupies an elevated position with 
sweeping views across the Sacco Valley

Travel tip:

Built on a spur of Monte Scalambra, a somewhat isolated mountain located on the border between the Metropolitan City of Rome and the Province of Frosinone, Bragaglia’s birthplace, Piglio, overlooks the Sacco Valley.  At the highest point of the small town stands the castle built by the Colonna family just over 1,000 years ago. The Colonnas lost control of the town but regained it in the 14th century and retained control until the early 19th century. With a history that goes back to ancient Roman times, the town’s strategic position has not always been to its advantage. A fierce battle between the Romans and Hannibal’s army in the valley during the Second Punic War, Napoleon’s armies largely burnt it down in the late 18th century and it was bombed by Allied planes in World War Two. Happily, it has been quieter in recent times and Pope John Paul II used to go there for moments of relaxation, a habit which is commemorated in a path laid out in the town, in which significant quotations attributed to him are engraved. Today, Piglio is known as part of the Cesanese DOCG red wine production area, staging a wine festival in October each year. 

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The Palazzo Barberini, built in the 17th century,
now houses one of Rome's major art museums

Travel tip:

Bragaglia opened his Teatro Sperimentale degli Independenti within some ancient Roman baths in the district of Rome known as Rione II - Trevi, an area right at the heart of one of Rome’s most visited areas. Naturally, it features the iconic Trevi Fountain, now more than 250 years old, which remains one of the city’s most popular attractions, so much so that the city now charges tourists a €2 euro fee for the privilege of seeing the fountain close up at peak times. Other major sights within the Trevi rione are the Palazzo Barberini, the Baroque palace built for the Barberini family in the 17th century that stands directly off the piazza and houses one of Rome’s major art museums; the Fontana del Tritone, Gian Lorenzo Bernini’s 1643 masterpiece which is the centrepiece of Piazza Barberini; and the Fontana delle Api, another Bernini fountain located just off the piazza.The Via Veneto, one of the city’s most famous boulevards thanks to its association with the Dolce Vita era, begins at Piazza Barberini, while the Quirinal Hill area, which includes several historic churches and the Palazzo Quirinale, the official residence of the Italian President, is also nearby. 

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More reading:

Umberto Boccioni, the leading Futurist artist who died tragically young

How Giacomo Balla’s paintings captured movement and speed

Giorgio De Chirico, founder of the scuola metafisica of Italian art

Also on this day:

1791: The birth of architect Louis Visconti

1881: The birth of Futurist painter Carlo Carrà

1917: The birth of film director Giuseppe De Santis

1929: Lateran Treaty gives independence to Vatican

1948: The birth of footballer Carlo Sartori

1995: The birth of singer Gianluca Ginoble

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