28 August 2024

28 August

NEW - Ugo Mulas - photographer

Images of street life in Milan and of New York art scene won acclaim

The photographer Ugo Mulas, much admired for the way he captured the street atmosphere of postwar Milan and for his portrayals of Andy Warhol and others in the Bohemian New York art scene of the 1960s, was born on this day in 1928 in Pozzolengo, a small town near the southern tip of Lake Garda.  At one time part of Milan’s fashion community, another of Mulas’s claims to fame is having been the photographer who discovered Veruschka, a German aristocrat who became part of the supermodel generation of Twiggy and Jean Shrimpton in the 60s.  Known for his meticulous approach to composition and lighting, and for the candid, spontaneous style of his work, illness denied Mulas a long life but he is widely seen as a pioneering figure in photography who had a profound impact on the art form.  Little is known about Mulas’s early life other than that he studied at a classical lyceum and moved to Milan initially to study law, but then switched his focus to art, enrolling at the Accademia di Belle Arti di Brera.  He was drawn towards the company of the artists and intellectuals who frequented the nearby Bar Jamaica.  Read more…

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Lamberto Maggiorani - unlikely movie star

Factory worker who shot to fame in Bicycle Thieves

Lamberto Maggiorani, who found overnight fame after starring in the neorealist classic Bicycle Thieves (1948), was born on this day in 1909 in Rome.  Maggiorani was cast in the role of Antonio Ricci, a father desperate for work to support his family in post-War Rome, who is offered a job pasting posters to advertising hoardings but can take it only on condition that he has a bicycle – essential for moving around the city carrying his ladder and bucket.  He has one, but it has been pawned.  To retrieve it, his wife, Marie, strips the bed of her dowry sheets, which the pawn shop takes in exchange for the bicycle. They are happy, because Antonio has a job which will support her, their son Bruno and their new baby.  However, on his first day in the job the bicycle is stolen, snatched by a thief who waits for Antonio to climb to the top of his ladder before seizing his moment.  The remainder of the film follows Antonio and Bruno as they try to find the bicycle.  As a portrait of life among the disadvantaged working class in Rome in the late 1940s, the film is hailed as a masterpiece, director Vittorio de Sica and his screenwriter Cesare Zavattini fĂȘted by the critics for turning a little-known novel by Luigi Bartolini into a piece of cinema genius.  Read more…

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Elisabetta Sirani – artist

Sudden death of talented young woman shocked Bologna

The brilliant Baroque painter and printmaker Elisabetta Sirani died in unexplained circumstances at the age of 27 on this day in 1665 in Bologna. The body of the artist was carried to the Chapel of the Rosary in the Basilica of San Domenico in Bologna to be mourned, not just by her family, but by an entire community as she was loved and respected as an important female painter.  Elisabetta has been described as beautiful, focused and selfless and she became a symbol of the progressive city of Bologna, where the creativity of women was encouraged and they were able to express themselves through art and music.  Elisabetta’s father, Giovanni Andrea Sirani, was himself an artist and she was trained in his studio, although contemporary writers have recorded that he was reluctant to teach her to paint in the Bolognese style, as established by artists in the city in the 16th and 17th centuries as a way to distinguish themselves from the artists of Florence and Rome.  But Elisabetta acquired the technique anyway and became one of the most renowned painters in Bologna, overshadowing her father.  Read more…

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Giovanni Maria Benzoni - sculptor

Roman collectors called him the ‘new Canova’

The sculptor Giovanni Maria Benzoni, who earned such fame in Rome in the mid-19th century that collectors and arts patrons in the city dubbed him the “new Canova” after the great Neoclassical sculptor Antonio Canova, was born on this day in 1809 in Songavazzo, a small mountain village in northern Lombardy.  Benzoni sculpted many allegorical and mythological scenes, but also busts and funerary monuments.  Songavazzo being just outside Clusone in the province of Bergamo, Benzoni was regarded as a bergamasco - a native of the ancient city - even though he spent much of his life in Rome.  As such he was held in similar regard to bergamaschi celebrities such as the composer Gaetano Donizetti, the philologist Cardinal Angelo Mai and the painter Francesco Coghetti, all of whom lived in Rome during Benzoni’s time there.  He was later commissioned to sculpt a monumental tomb for Cardinal Mai in the Basilica of Sant’Anastasia al Palatino in the centre of Rome.  Benzoni’s parents, Giuseppe and Margherita, were farmers of modest means. Giovanni Maria worked briefly as a shepherd, but his father died when he was around 11 years old, after which he was sent to work in his uncle’s small carpentry shop at Riva di Solto, on the western shore of Lago d’Iseo, about 25km (16 miles) away.  Read more…

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Maurizio Costanzo - talk show host

Journalist whose show was the longest running on Italian TV

Talk show host and writer Maurizio Costanzo was born on this day in 1938 in Rome. Costanzo spent more than 40 years in television.  His eponymous programme, the Maurizio Costanzo Show, broke all records for longevity in Italian television.  Launched on September 18, 1982, the current affairs programme continued for 27 years, alternating between Rete 4 and Canale 5, two of Italy's commercial television networks, part of the Mediaset group owned by former Italian prime minister Silvio Berlusconi.  Its run came to an end in 2009 but was relaunched on the satellite channel Mediaset Extra in 2014 and returned to terrestrial television in 2015, again on Rete 4.  Costanzo began his media career in print journalism with the Rome newspaper Paese Sera at just 18 years old and by the time he was 22 he was in charge of the Rome office of the mass circulation magazine Grazia.  After branching into radio, he switched to television in 1976, hosting the RAI programme BontĂ  loro, which is considered to be Italy's first TV talk show.  Others followed before the launch of the Maurizio Costanzo Show, which involved prominent politicians and others in the public eye, discussing major issues of the day.  Read more…

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Book of the Day: Ugo Mulas: Creative Intersections, by Ugo Mulas

Ugo Mulas was one of the most important postwar international photographers. Self-taught, his career unfolded in close contact with the artistic and cultural scene in Milan. Having discovered Pop Art at the Venice Biennale in 1964, Mulas decided to go to the United States (1964–67), where he created a book titled New York: The New Art Scene (1967). His meetings with Robert Rauschenberg and Andy Warhol, and the discovery of the photographic works of Robert Frank and Lee Friedlander, helped bring about a change in his work in the 1960s, when he moved away from traditional reportage.  Mulas brought about a profound reshaping of the historical function of photography: his aesthetic and phenomenological reflections led to a portfolio on Marcel Duchamp (1972) and to the Archivio per Milano project (1969–72). His last work, Verifiche (1968–72), sums up his experience and interaction with the art world. Creative Intersections is a collection of photographs exhibited in London in 2019, which presented artworks by Lucio Fontana, Pietro Consagra, Fausto Melotti, and Michelangelo Pistoletto from Mulas’ private collection, together with his own photographic works. Mulas sought to relate his eye to each of the artists in a specific way, sometimes in a cinematic key, giving birth to dynamic creative intersections between visual art and photography.

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(To the best of our knowledge, all material was factually accurate at the time of writing. In the case of individuals still living at the time of publication, some of the information may need updating.)

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Ugo Mulas - photographer

Images of street life in Milan and of New York art scene won acclaim

Ugo Mulas began his photography career in Milan in the 1950s
Ugo Mulas began his photography
career in Milan in the 1950s
The photographer Ugo Mulas, much admired for the way he captured the street atmosphere of postwar Milan and for his portraits of Andy Warhol and others in the Bohemian New York art scene of the 1960s, was born on this day in 1928 in Pozzolengo, a small town near the southern tip of Lake Garda.

At one time part of Milan’s fashion community, another of Mulas’s claims to fame is having been the photographer who discovered Veruschka, a German aristocrat who became part of the supermodel generation of Twiggy and Jean Shrimpton in the 60s. 

Known for his meticulous approach to composition and lighting, and for the candid, spontaneous style of his work, illness denied Mulas a long life but he is widely seen as a pioneering figure in photography who had a profound impact on the art form.

Little is known about Mulas’s early life other than that he studied at a classical lyceum and moved to Milan initially to study law, but then switched his focus to art, enrolling at the Accademia di Belle Arti di Brera.

He was drawn towards the company of the artists and intellectuals who frequented the nearby Bar Jamaica. 

A fashionable hang-out at different times for artists such as Piero Manzoni and Lucio Fontana, writers Allen Ginsberg and Salvatore Quasimodo, designers Achille Castiglioni and Ettore Sottsass and actors Dario Fo and Mariangela Melato, it was the Jamaica and its clientele that sparked Mulas to begin taking photographs.

Armed with a compact Leica camera, Mulas developed an eye for pictures that captured the essence of everyday life. In the Brera and beyond, around Milano Centrale station, where people from all walks of life paused in the waiting rooms, and in other locations, he created a visual record of life in a city at the forefront of Italy’s postwar recovery in the early 1950s.

Mulas first gave notice of his photographic talent with his street scenes in postwar Milan
Mulas first gave notice of his photographic talent
with his street scenes in postwar Milan 
He became a regular at the Jamaica, where in addition to taking photographs he made numerous contacts in the fashion industry and the media, which led to his first paid assignment in 1954, when he was invited by the Venice Biennale to cover the exhibition as its official photographer. It was a relationship that would continue until 1972.

The following year he opened his own studio in Milan and his work would soon be illustrating the pages of publications such as Settimo Giorno, Rivista Pirelli, Domus and Vogue, as well as supporting advertising campaigns for clients including Pirelli and Olivetti.

Away from fashion, art and architecture, Mulas still enjoyed taking his camera on to the streets to photograph Italians in their day-to-day life. It was while he was shooting street scenes in Florence, in 1959, that his eyes were drawn towards a woman whose 6ft 3ins frame would make her stand out in any crowd.

This was Veruschka von Lehndorff, a German aristocrat whose father, a member of the German resistance movement in World War Two, had been executed in 1944 for plotting to assassinate Adolf Hitler. She was in Florence in the late 50s to further her study of art.

Mulas’s striking images of her long-limbed elegance found their way to the desk of Diana Vreeland, editor of the US edition of Vogue. It was the start of a modelling career that would see Veruschka paid $10,000 for a single day’s shooting at her peak.

Among the projects for which Mulas won particular acclaim were his 1964 series on the Argentine-Italian artist Lucio Fontana, his reportage on the Sculture nelle cittĂ  exhibition in Spoleto in 1962 and the series devoted to Ossi di sepia, the collection of poems by Eugenio Montale.

Mulas came into contact with the American art scene at the 1964 Venice Biennale, where his encounters with a number of American artists, art critics, and the art dealer Leo Castelli led him to travel to New York City.

Andy Warhol (right), with the American poet Gerard Malanga, photographed by Ugo Mulas in New York
Andy Warhol (right), with the American poet Gerard
Malanga, photographed by Ugo Mulas in New York
The New York art scene in the 1960s was a vibrant and transformative period, marked by a variety of groundbreaking movements and innovative artists.  Mulas was drawn in particular to the Bohemian atmosphere of the Pop Art scene. He won the trust of artists such as Jasper Johns and Roy Lichtenstein and installed himself as a fly on the wall within the studios of six artists he would follow closely over three visits: those of Johns, Lichtenstein, Marcel Duchamp, Andy Warhol, Barnett Newman, and Robert Rauschenberg. 

His collection of more than 100 photographs from this period became the subject of an exhibition and a book. 

From the late 1960s, Mulas began working in theatre, contributing to the stage design for many  productions at Milan's Piccola Scala theatre and the Teatro Comunale di Bologna.

As a photographer, Mulan would continually experiment, always pursuing new ideas for composition, plot and framing. Some of his contemporaries suggested that through his art he sought to understand the depths of human souls. In the late 1960s, he began work on a new series, entitled La Verifiche - the Verification - that was an attempt to analyse the photographic process and identify its value.

It turned out to be his last work of substance. Diagnosed with cancer in 1970, he continued to work for as long as he had the strength but in March 1973, soon after the release of his last book, La Photographie, in which he recorded all his ideas and observations on art and photography, he died at home in Milan at the age of 45, survived by his wife, Antonia “Nini” Bongiorno.

Before he died, Mulas established the Archivio Ugo Mulas, in Via Giovanni Battista Piranesi in Milan, which houses, manages copyright and sales and promotes the artistic work of Ugo Mulas.

The Castello di Pozzolengo in the historic town close to Lake Garda dates back to the 10th century
The Castello di Pozzolengo in the historic town
close to Lake Garda dates back to the 10th century

Travel tip:

Pozzolengo, where Mulas was born, is a small town in Lombardy, close to the border with the Veneto region and about halfway between Brescia and Verona. Situated just a few kilometres south of Lake Garda, it is surrounded by low hills lined with vines. Its origins can be traced to the Bronze Age, while Roman relics have also been discovered in the area. It has a mediaeval castle, built in the 10th century at the highest point of Monte Fluno, and a 12th century Benedictine monastery, the Abbazia di San Virgilio, now converted to a golf resort. The town’s vineyards produce the Lugana DOC wine, while other local products include saffron and a salami called salame morenico di Pozzolengo. In the 19th century Pozzolengo was the scene of a number of battles which led to the independence and unification of Italy, in particular, of the Battle of Solferino and San Martino in June 1859. Fought between the Austrian and Franco-Sardinian armies with the participation of over 230,000 soldiers, the battle resulted in a victory for the Franco-Sardinian forces, bringing to an end the Second Italian War of Independence.

The Palazzo Brera in Milan is home to the  prestigious Accademia di Belle Arti di Brera
The Palazzo Brera in Milan is home to the 
prestigious Accademia di Belle Arti di Brera
Travel tip:

The Accademia di Belle Arti di Brera, sometimes shortened to Accademia di Brera, where Ugo Mulas studied after initially pursuing a law degree, is now a state-run tertiary public academy of fine arts in Via Brera in Milan, in a building it shares with the Pinacoteca di Brera, Milan's main public museum for art. The academy was founded in 1776 by Maria Theresa of Austria and shared its premises with other cultural and scientific institutions. The main building, the Palazzo Brera, was built in about 1615 to designs by Francesco Maria Richini.  The Brera district is so named because in around the ninth century, for military purposes, it was turned into a ‘brayda’ – a Lombardic word meaning ‘an area cleared of trees’. For a long time a magnet for artists and writers, the Brera district remains one of Milan’s most fashionable neighbourhoods, its narrow streets lined with trendy bars and restaurants. As the traditional home of many artists and writers, the area has a Bohemian feel that has brought comparisons with Montmartre in Paris.

Also on this day:

1665: The death of painter and printmaker Elisabetta Sirani

1809: The birth of sculptor Giovanni Maria Benzoni

1909: The birth of movie actor Lamberto Maggiorani

1938: The birth of journalist and talk show host Maurizio Costanzo


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27 August 2024

27 August

Zanetta Farussi – actress

Venetian performer who gave birth to a legendary womaniser

Zanetta Farussi, the comedy actress who was the mother of the notorious adventurer, Casanova, was born on this day in 1707 in Venice.  At the age of 17, Zanetta had married the actor Gaetano Casanova, who was 10 years older than her.  He had just returned to Venice after several years with a touring theatrical troupe, to take a job at the Teatro San Samuele.  Farussi’s parents opposed the marriage because they considered acting to be a disreputable profession.  But Farussi soon began working at Teatro San Samuele herself and the following year she gave birth to a son, Giacomo, who was to grow up to make the name Casanova synonymous with womanising and philandering.  Giacomo Casanova would later claim that his real father was Michele Grimani, who owned the Teatro San Samuele.  Zanetta and Gaetano accepted a theatrical engagement in London where Farussi gave birth to their second son, Francesco, who became a well-known painter.  They returned to Venice in 1728 and went on to have four more children. The youngest child was born two months after the death of his father.  Read more…

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Lina Poletti - writer and feminist

One of first Italian women to come out as gay

The writer, poet and playwright Lina Poletti, who was one of the first gay Italian women to openly declare their sexuality, was born on this day in 1885 in Ravenna.  Poletti, an active campaigner for the emancipation of women, had relationships with a number of high-profile partners, including the writer Sibilla Aleramo and the actress Eleonora Duse. Her own works included the epic Il poemetto della guerra (The War Poem), many essays and lectures on her literary heroes, including Dante Alghieri, Giovanni Pascoli and GiosuĂš Carducci, and a number of collections of poetry.  One of four daughters born to Francesco Poletti and his wife Rosina Donati, who ran a business making ceramics, Lina’s birth name was Cordula.  She was said to be a rebellious child, misunderstood by her sisters and something of a loner, often disappearing into the attic of their house in Via Rattazzi, or hiding in the tree house in the garden.  After finishing high school in Ravenna, she enrolled against her family’s wishes at the University of Bologna, where she became acquainted with Pascoli, a fellow student, and wrote a celebrated thesis on the poetry of Carducci.  Read more…

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Titian - giant of Renaissance art

Old master of Venice who set new standards

Tiziano Vecellio, the artist better known as Titian, died in Venice on this day in 1576.  Possibly in his 90s by then - his date of birth has never been established beyond doubt - he is thought to have succumbed to the plague that was sweeping through the city at that time.  Titian is regarded as the greatest painter of 16th century Venice, a giant of the Renaissance held in awe by his contemporaries and seen today as having had a profound influence on the development of painting in Italy and Europe.  The artists of Renaissance Italy clearly owe much to the new standards set by Titian in the use of colour and his penetration of human character.  Beyond Italy, the work of Rubens, Rembrandt and Manet have echoes of Titian.  Titian was enormously versatile, famous for landscapes, portraits, erotic nudes and monumental religious works.  Although it was his fullness of form, the depth of colour and his ability to bring his figures almost to life which he earned his reputation, he was not afraid to experiment with his painting.  Towards the end of his life, some of his works were impressionist in nature, almost abstract.  Read more…

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The 410 Sack of Rome

Invasion that signalled terminal decline of Western Roman Empire

The ancient city of Rome was left in a state of shock and devastation after three days of looting and pillaging by Visigoths under the command of King Alaric came to an end on this day in 410.  An unknown number of citizens had been killed and scores of others had fled into the countryside. Countless women had been raped. Many buildings were damaged and set on fire and Alaric and his hordes made off with vast amounts of Roman treasure.  It was the first time in 800 years that an invading army had successfully breached the walls of the Eternal City and many historians regard the event as the beginning of the end for the Western Roman Empire.  It could have been more devastating still had Alaric, a Christian, been a more cruel leader.  Although he struggled to control his men - historians believe they were an ill-disciplined rabble rather than an organised fighting force - he stopped short of ordering large-scale slaughter of the Roman population, while silver and gold objects they were told had belonged to St Peter were left behind.  It was brought to a swift conclusion because Alaric had other targets he wished to attack.  Read more…

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Alessandro Farnese – Duke of Parma, Piacenza and Castro

Duke was a brilliant strategist and diplomat

The outstanding military leader, Alessandro Farnese, was born on this day in 1545 in Rome.  As regent of the Netherlands on behalf of Philip II of Spain between 1578 and 1592, Alessandro restored Spanish rule and ensured the continuation of Roman Catholicism there, a great achievement and testimony to his skill as a strategist and diplomat.  However, his brilliant military career gave him no time to rule Parma, Piacenza and Castro when he succeeded to the Dukedom.  Alessandro was the son of Duke Ottavio Farnese of Parma and Margaret, the illegitimate daughter of the King of Spain and Habsburg Emperor, Charles V.  Ottavio, and was the grandson of Pope Paul III, a Farnese who had set up the papal states of Parma, Piacenza and Castro as a duchy in order to award them to his illegitimate son, Pier Luigi. Ottavio became Duke in 1551 after his father, Pier Luigi, was murdered.  Alessandro had a twin brother, Charles, who died after one month. He was sent to live in the court of Philip II as a young child as a guarantee of Ottavio’s loyalty to the Habsburgs. He lived with Philip II first in the Netherlands and then in Madrid.  Read more…

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Book of the Day: Casanova, by Ian Kelly

Giacomo Casanova was one of the most beguiling and controversial individuals of his or any age. Braggart or perfect lover? Conman or genius? He made and lost fortunes, founded state lotteries, wrote 42 books and 3,600 pages of memoirs recording the tastes and smells of the years before the French Revolution - as well, of course, as his affairs and sexual encounters with dozens of women and a handful of men. His energy was dazzling.  In Casanova, historian Ian Kelly draws on previously unpublished documents from the Venetian Inquisition, by Casanova, his friends and lovers, which give new insights into his life and world. His research spans 18th-century Europe.  This is the story of a man, but also of the book he wrote about himself. His own memoirs have brought him two centuries of notoriety. They have also changed forever the way we think and write about ourselves - and about sex. At the same time that revolutions - scientific, industrial, political and artistic - remade the world in the 18th century, Casanova created an intimate and exhaustive study of what he saw as the most revolutionary article of all - himself.  The world, and the way we look at ourselves in it, would never be the same again.

Ian Francis Kelly is a Cambridge-born British writer and actor. His works include historical biographies, stage and screenplays. He has acted on Broadway and in the West End and played Hermione Granger’s father in the movie version of Harry Potter and the Deathly Hallows - Part 1. As well as Casanova, he has written biographies of the 19th century French chef Antonin Careme, the Regency London socialite Beau Brummell, and the 20th century fashion designer Vivienne Westwood. 

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(To the best of our knowledge, all material was factually accurate at the time of writing. In the case of individuals still living at the time of publication, some of the information may need updating.)

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26 August 2024

26 August

Carlo Camillo Di Rudio - soldier

Italian aristocrat who survived Battle of the Little Bighorn

Carlo Camillo Di Rudio, a military officer who became known as Charles Camillus DeRudio and gave 32 years’ service to the United States Army in the late 19th century, was born in Belluno in northern Italy on this day in 1832.  Having arrived in New York City as an immigrant from England in 1860, he served as a volunteer in the American Civil War (1861-65) before joining the Regular Army in 1867 as a 2nd lieutenant in the 2nd Infantry, an appointment which was cancelled when he failed a medical. Undeterred, he was readmitted and joined the 7th Cavalry in 1869, eventually attaining the rank of Major.  He participated in the Battle of the Little Bighorn, in which the US Army suffered a defeat to the combined forces of Lakota, Northern Cheyenne, and Arapaho tribesmen. The battle was part of the Great Sioux Wars of 1876, fought for possession of the Black Hills in South Dakota, where gold had been found.  DeRudio was thrown from his horse as the American forces under Major Marcus Reno were driven back across the Little Bighorn River to regroup on the eastern side. He was left stranded on the western side and hid for 36 hours with a private, Thomas O’Neill.  Read more…

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Sant’Alessandro of Bergamo

Annual festival keeps alive the memory of city’s saint

The patron saint of Bergamo, Sant’Alessandro, was martyred on this day in 303 by the Romans for refusing to renounce his Christian faith.  It is believed Alessandro was a devout citizen who had continued to preach in Bergamo, despite having several narrow escapes from would-be Roman executioners, but he was eventually caught and suffered public decapitation.  In Christian legend, Alessandro was a centurion of the Theban Legion, a legion of the Roman army that converted en masse to Christianity, whose existence prompted a crusade against Christianity launched by the Romans in around AD 298.  Alessandro was reputedly held in prison in Milan on two occasions but escaped to Bergamo, where he defiantly refused to go into hiding and instead openly preached, converting many Bergamaschi to his faith.  Of course, he was ultimately taken into custody again by the Romans and beheaded on August 26, 303, on the spot now occupied by the church of Sant' Alessandro in Colonna in Bergamo’s CittĂ  Bassa (lower town).  Today is the Festa di Sant'Alessandro.  Read more…

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La PietĂ  - Michelangelo's masterpiece

Brilliant sculpture commissioned by French Cardinal

Michelangelo Buonarotti agreed the contract to create the sculpture that would come to be regarded as his masterpiece on this day in 1498.  It was made between the artist and Cardinal Jean de BilhĂšres-Lagraulas, the French ambassador to the Holy See, who wanted a sculpture of the Virgin Mary grieving over the body of Jesus, which was a common theme in religious art in northern Europe at the time.  Michelangelo, who would live until he was almost 89, was just 23 at the time and had been in Rome only a couple of years, but was about to produce a piece of work that astounded his contemporaries and is still seen as one of the finest pieces of sculpture ever crafted.  La PietĂ  – in English, 'the pity' – was carved from a block of blue and white Carrara marble selected by Michelangelo, a good six feet (183cm) tall by six feet across.  The Cardinal intended it to be his funeral monument. It was eventually placed in a chapel in St Peter’s Basilica.  The work shows the body of Christ, shortly after being taken down from the cross following his crucifixion by the Romans, cradled in the lap of Mary.  It is necessarily out of proportion – Michelangelo makes Mary quite a broad figure to accommodate the body of a man lying across her -  but the detail is exquisite.  Read more…

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Book of the Day: The Last Stand: Custer, Sitting Bull and the Battle of the Little Bighorn, by Nathaniel Philbrick

This is the archetypal story of the American West. Whether it is cast as a tale of unmatched bravery in the face of impossible odds or of insane arrogance receiving its rightful comeuppance, Custer's Last Stand continues to captivate the imagination.  Nathaniel Philbrick brilliantly reconstructs the build-up to the Battle of the Little Bighorn through to the final eruption of violence. Two legendary figures dominate the events: George Armstrong Custer and Sitting Bull. Those involved are brought vividly to life, as well as the history, geography and haunting beauty of the Great Plains.  The Last Stand: Custer, Sitting Bull and the Battle of the Little Bighorn provides a thrilling account of what happened there - and why - at the end of June 1876, and analyses the characters and contributions of the Plains Indians leader and forefront Union cavalry officer while explaining how the conflict forged a Native American alliance and set the stage for the reservation confinement of major tribal leaders.

Nathaniel Philbrick is an historian and broadcaster whose award-winning books include In the Heart of the Sea, Sea of Glory, Mayflower and The Last Stand.  He lives on Nantucket Island.

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(To the best of our knowledge, all material was factually accurate at the time of writing. In the case of individuals still living at the time of publication, some of the information may need updating.)


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25 August 2024

25 August

NEW
- Death of Pliny the Elder

Roman writer was fascinated by nature and geography

The author, philosopher, and naval and army commander who became known as Pliny the Elder died on this day in 79 AD during the eruption of Mount Vesuvius near Naples in Campania. Pliny had been stationed with the Roman Navy a short distance away at Misenum, on what is now known as the Gulf of Pozzuoli, and had organised a rescue mission after a friend had sent him a message saying that she was stranded at Stabiae. It is thought he died from asphyxiation  caused by the toxic gases coming from the volcano.  Born Gaius Plinius Secundus in either 23 or 24 AD in Como, then called Novum Comum, in Lombardy, Pliny grew up to become a prolific writer, naturalist and philosopher.  He wrote Naturalis Historia - The Natural History - a 37-volume work about the natural world, based on his extensive studies and investigations into nature and geography. He also wrote the 20-volume Bella Germaniae, a history of the German wars, which was used as a source by Roman historians such as Plutarch, Tacitus and Suetonius.  Pliny had some legal education in Rome and became a junior officer in the army at the age of 23.  Read more…

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Ippolito II d’Este – Cardinal

Borgia prince enjoyed the good things in life

Ippolito II d’Este, who became infamous for plundering Hadrian’s Villa to decorate his own home, was born on this day in 1509 in Ferrara in Emilia-Romagna.  He was the second son of Lucrezia Borgia and her husband, Duke Alfonso I d’Este and therefore also a grandson of Pope Alexander VI. He was named after his uncle, Ippolito d’Este.  At the age of ten, Ippolito II inherited the archbishopric of Milan from his uncle, the first of a long list of ecclesiastical appointments he was to be given, which provided him with a good income. He was later given benefices in many parts of France from which he was also able to draw revenue and he was created a Cardinal by Pope Paul III before he had reached the age of 30. A lover of luxuries and the finer things in life, Ippolito II had Palazzo San Francesco in Ferrara refurbished for himself. He also had a palace renovated to provide him with a sumptuous residence in Rome.  He became Governor of Tivoli in 1550 and had the Villa d’Este built there to a design by Mannerist architect Pirro Ligorio.  He became interested in the ruins of the Roman villas in Tivoli and carried out archaeological excavations.  Read more…

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Galileo demonstrates potential of telescope

Scientist unveiled new instrument to Doge of Venice

The scientist and inventor Galileo Galilei demonstrated the wonders of the telescope to an audience of Venetian lawmakers on this day in 1609.  The 90th Doge, Leonardo Donato, and other members of the Venetian senate accompanied Galileo to the top of the campanile of St Mark’s Basilica, where each took it in turn to look through the instrument.  The meeting had been arranged by Galileo’s friend, Paolo Sarpi, who was a scientist, lawyer and statesman employed by the Venetian government. The two were both professors at the University of Padua.  Galileo, whose knowledge of the universe led him to be called the ‘father of observational astronomy’, was for many years wrongly credited with the invention of the telescope when in fact the first to apply for a patent for the device was a Dutch eyeglass maker named Hans Lippershey.  However, Galileo’s work using uncertain details of Lippershey’s design certainly took the idea to a different level.  Whereas Lippershey’s device magnified objects by about three times, Galileo eventually produced a telescope with a magnification factor of 30.  The one he demonstrated on August 25, 1609, is thought to have had a factor of about eight or nine.  Read more…

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Saint Patricia of Naples

Patron saint performs a miracle every week

The feast day of Saint Patricia is celebrated every year in Naples on this day.  The saint, who is also sometimes referred to as Patricia of Constantinople, is one of a long list of patron saints of Naples.  She is less well known than San Gennaro, also a patron saint of the city, who attracts crowds to Naples Cathedral three times a year to witness the miracle of a small sample of his blood turning to liquid.  But Saint Patricia’s blood, which is kept in the Church of San Gregorio Armeno, is said to undergo the same miraculous transformation every Tuesday morning as well as on August 25 each year - her feast day - which was believed to be the day she died in 665 AD.  Saint Patricia was a noble woman, who may have been descended from St Constantine the Great.  She was a devout virgin and travelled to Rome to become a nun in order to escape an arranged marriage.  She received the veil – symbolising her acceptance into the monastic community – from Pope Liberius.  When her wealthy father died, she returned to Constantinople and, renouncing any claim to the imperial crown, distributed her wealth among the poor.  Read more…

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Carlo Eduardo Acton – composer and musician

Musical member of the Acton family was born in Naples

Opera composer Carlo Eduardo Acton, who was part of the distinguished Italian-based branch of the Acton family, was born on this day in 1829 in Naples.  Carlo became a concert pianist and is particularly remembered for composing the opera Una cena in convitto. His father, Francis Charles Acton, was the youngest son of General Joseph Acton, and he was also the younger brother of Sir John Acton, the sixth Baronet.  Sir John Acton, Carlo’s uncle, had served as Commander of the naval forces of the Grand Duchy of Tuscany and as the Prime Minister of the Kingdom of Naples while the city was under the rule of King Ferdinand IV. He was the son of Edward Acton, an English physician who had settled in France, and he was the great-grandson of Sir Walter Acton, the second Baronet.  One of Sir John's grandchildren, John Dalberg-Acton (1834-1902), better known as Lord Acton, was an historian, English politician, and writer, also born in Naples. He was Regius Professor of Modern History at Cambridge from 1895 until his death. He edited the first series of the Cambridge Modern History, served as a Liberal Party MP and is remembered for coining the phrase 'power tends to corrupt, and absolute power corrupts absolutely' in a letter to an Anglican bishop.  Read more…

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Alessandro Galilei - architect

Florentine who made mark in Rome

The architect Alessandro Galilei, best known for the colossal Classical façade of the basilica of San Giovanni in Laterano in Rome, was born on this day in 1691 in Florence.  From the same patrician family as Renaissance polymath Galileo Galilei but not a direct descendant, Galilei’s father was a notary, Giuseppe Maria Galilei. Though his father considered the family to be noble still, their standing had fallen somewhat under Medici rule.  Alessandro studied mathematics and engineering at the prestigious Accademia dei Nobili in Florence, where he was instructed in building techniques and perspective among other things.  As he sought to develop a career, Galilei met John Molesworth, son of the Irish Viscount, Robert Molesworth, who spent three years in Florence as an envoy to the Medici court. Molesworth used his time there to indulge his interests in architecture, art, music, literature and poetry and developed a close friendship with Galilei, whose designs he admired.  He sponsored Galilei to spend time studying in Rome and when his posting in Italy was at an end, invited him to return to London with him.  Read more…

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Vesuvius erupts

Terrible toll of Europe's worst volcanic catastrophe 

Mount Vesuvius erupted on this day in AD 79, burying the Roman cities of Pompeii, Herculaneum, Oplontis and Stabiae and causing the deaths of thousands of people.  An eyewitness account of the eruption, in which tons of stones, ash and fumes were ejected from the volcano, has been left behind for posterity by a Roman administrator and poet, Pliny the Younger, who described the event in his letters to the historian Tacitus.  Although there were at least three large eruptions of Vesuvius before AD 79 and there have been many since, the disaster in August AD 79 is considered the most catastrophic volcanic eruption in European history.  Mount Vesuvius had thrown out ash the day before and many people had left the area. But in the early hours of the morning of August 25, pyroclastic flows of hot gas and rock began to sweep down the mountain.  The flows were fast moving and knocked down all the structures in their path, incinerating or suffocating the people who had remained. Pliny noted there were also earth tremors and a tsunami in the Bay of Naples.  The remains of about 1500 people have been found at Pompeii and Herculaneum (Ercolano) but it is not known what percentage this represents of the overall death toll.  Read more…

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Book of the Day: In the Shadow of Vesuvius: A Life of Pliny, by Daisy Dunn

Ash spewed into the sky. All eyes were on Vesuvius. Pliny the Elder sailed towards the phenomenon. A teenage Pliny the Younger waited. His uncle did not come back.  In a dazzling new literary biography, Daisy Dunn introduces Pliny the Younger, the survivor who became a Roman lawyer, senator, poet, collector of villas, curator of drains, and representative of the Emperor. He was confidant and friend to the great and good, an unparalleled chronicler of the Vesuvius catastrophe, and eyewitness to the terror of Emperor Domitian.  The younger Pliny was adopted by his uncle, admiral of the fleet and author of the Natural History, an extraordinary compendium of knowledge and the world’s first full-length encyclopaedia. The younger Pliny inherited his uncle’s notebooks and carried their pearls of wisdom with him down the years. In The Shadow of Vesuvius breathes vivid life back into the Plinys. Reading from the Natural History and the Younger Pliny’s Letters, Daisy Dunn resurrects the relationship between the two men to expose their beliefs on life, death and the natural world in the first century. Interweaving their work, and positioning the Plinys in relation to the devastating eruption, Dunn’s biography is a celebration of two outstanding minds of the Roman Empire, and their lasting influence on the world thereafter.

Daisy Dunn was born in London in 1987 and read Classics at the University of Oxford, completing a doctorate in Classics and History of Art at University College London. She writes and reviews for many publications, including The Daily Telegraph, Evening Standard, and Standpoint, and is editor of Argo, a Greek culture magazine. 

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(To the best of our knowledge, all material was factually accurate at the time of writing. In the case of individuals still living at the time of publication, some of the information may need updating.)

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Death of Pliny the Elder

Roman writer was fascinated by nature and geography

A 19th century lithograph depicting the death of Pliny the Elder by the Spanish painter Ricardo MartĂ­ AguilĂł
A 19th century lithograph depicting the death of Pliny
the Elder by the Spanish painter Ricardo MartĂ­ AguilĂł
The author, philosopher, and naval and army commander who became known as Pliny the Elder died on this day in 79 AD during the eruption of Mount Vesuvius near Naples in Campania.

Pliny had been stationed with the Roman Navy a short distance away at Misenum, on what is now known as the Gulf of Pozzuoli, and had organised a rescue mission after a friend had sent him a message saying that she was stranded at Stabiae. It is thought he died from asphyxiation  caused by the toxic gases coming from the volcano.

Born Gaius Plinius Secundus in either 23 or 24 AD in Como, then called Novum Comum, in Lombardy, Pliny grew up to become a prolific writer, naturalist and philosopher.

He wrote Naturalis Historia - The Natural History - a 37-volume work about the natural world, based on his extensive studies and investigations into nature and geography. He also wrote the 20-volume Bella Germaniae, a history of the German wars, which was used as a source by Roman historians such as Plutarch, Tacitus and Suetonius.

Pliny had some legal education in Rome and became a junior officer in the army at the age of 23. He was interested in Roman literature and through this made influential literary friends, who helped him advance his career.

Pliny the Elder was a writer and lawyer as well as a naval officer
Pliny the Elder was a writer and
lawyer as well as a naval officer
Pliny the Elder’s first book was about the use of missiles by cavalry troops, but it has not survived. Some of its contents were revealed in his Naturalis Historia, where he refers to using the movements of the horse to assist the rider when throwing a javelin.

During the reign of Nero, Pliny lived in Rome, where he witnessed the construction of Nero’s Domus Aurea, or Golden House. As well as pleading law cases, Pliny studied and carried on writing. His second published work was The Life of Pomponius Secundus, a distinguished statesman and poet.

After the death of Nero, Vespasian became emperor and put Pliny to work immediately governing various provinces and he spent time in Africa and Spain. He was trusted by Vespasian right up to the emperor’s death, which was a few months before that of Pliny.

Vespasian had appointed Pliny as praefectus classis in the Roman Navy and the writer was in Misenum with the fleet when Vesuvius erupted in August 79 AD and he saw what he at first thought was an unusual cloud formation in the sky. According to the writing of his nephew, Pliny the Younger, he ordered a fleet of galleys to cross the Gulf of Naples to Stabiae to investigate what was happening and try to rescue his friend, Rectina, and any others who were stranded there.

A 15th century copy of Pliny the Elder's Naturalis Historia printed in Venice
A 15th century copy of Pliny the Elder's
Naturalis Historia printed in Venice
When cinders and pumice began to fall on the vessel, Pliny was advised to turn back, but he vowed to continue, saying, ‘Fortune favours the bold.’ 

After reaching Stabiae, strong winds prevented his party from leaving again. But later, when they did try to leave because they realised that they were in danger, a plume of hot, toxic gases engulfed them. Pliny, who it is thought may have suffered from asthma, probably died from asphyxiation.

Pliny the Elder never married and he had no children. In his will, he adopted his nephew, who later became known as Pliny the Younger, to enable him to inherit his entire estate. 

Pliny the Elder had deliberately reserved some of his writing on Roman history to be published after his death, knowing it to be controversial and that it could have put his life in danger during the reign of Nero. During his lifetime he had tried to stick to writing about safe topics, such as grammar and nature.

His huge work, Naturalis Historia, which was published just before his death, is thought to have been the first ever encyclopaedia, and it is the earliest known encyclopaedia to have survived to this day. It remained an authority on scientific matters until the Middle Ages.

Statues of Pliny the Elder and Pliny the Younger flank the entrance to the Duomo di Como
Statues of Pliny the Elder and Pliny the Younger
flank the entrance to the Duomo di Como
Travel tip:

Como, where Pliny the Elder was born, is a city at the foot of Lake Como in Lombardy, which in Roman times was called Novum Comum, so called because it was a new city built on swampland at the southern tip of the lake that had been drained on the orders of Julius Caesar after he had deemed that the settlement be moved from its former location on nearby hills. Today it is a popular tourist destination because of its proximity to the lake and has many attractive churches, gardens, museums, theatres, parks, and palaces to visit. The Villa Olmo, built in neoclassical style there in 1797 by an aristocratic family, has hosted Napoleon, Ugo Foscolo, Prince Metternich, Archduke Franz Ferdinand I and Giuseppe Garibaldi, to name but a few of the eminent people who have stayed there. The 15th century facade of Como's duomo - the Cattedrale di Santa Maria Assunta - has a portal flanked by Renaissance statutes of Pliny the Elder and Pliny the Younger.

The atrium, with some frescoes still intact, at the well-preserved Villa San Marco in Castellammare
The atrium, with some frescoes still intact, at the
well-preserved Villa San Marco in Castellammare
Travel tip:

The town of Stabiae in Campania, where Pliny the Elder met his death, was an ancient city which used to be situated near the modern town of Castellammare di Stabia. Many Roman villas were built in ancient Stabiae because it was a popular seaside resort for wealthy Romans and, although the town was buried under layers of volcanic ash, like nearby Pompei, some of the villas can still be visited today. They are the largest concentration of well-preserved Roman seaside villas known in the world. Built on the northernmost edge of Varano hill, which offers panoramic views of the Gulf of Naples, they include the Villa San Marco, one of the largest villas ever discovered in Campania, measuring over 11,000 square meters. It has an atrium, courtyard with a pool, triclinium with bay views, colonnaded courtyard, kitchen, and two internal gardens, as well as a private bath complex. The walls are decorated with mosaics and frescoes. At the time of the eruption, the Villa San Marco is thought to have been undergoing repairs following an earthquake and was not occupied.

Also on this day: 

79: Vesuvius erupts, destroying Pompeii and other cities

665: The death of Saint Patricia of Naples

1509: The birth of Borgia cardinal Ippolito II d'Este

1609: Galileo demonstrates the potential of telescope

1691: The birth of architect Alessandro Galilei 

1829: The birth of composer Carlo Eduardo Acton


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24 August 2024

24 August

Peppino De Filippo - comedian, actor and playwright

Talented Neapolitan who lived in shadow of his brother

The playwright and comic actor Peppino De Filippo was born Giuseppe De Filippo on this day in 1903 in Naples.  A highly accomplished performer on stage in serious as well as comedy roles, De Filippo also had a list of film credits numbering almost 100, of which he is best remembered for his screen partnership with the brilliant comic actor TotĂČ.  To an extent, however, he spent his career in the shadow of his older brother, Eduardo De Filippo, who after Luigi Pirandello was regarded as the second great Italian playwright of the 20th century.  The two fell out in the 1940s for reasons that were never made clear, although it later emerged that they had many artistic differences.  They were never reconciled, and though Peppino went on to enjoy a successful career and was widely acclaimed it annoyed him that he was always seen as a minor playwright compared with his brother.  When Peppino published an autobiography in 1977, three years before he died, he called it Una famiglia difficile - A Difficult Family. In the book he described his relationship with his sister, Titina, as one of warmth and affection, but portrays Eduardo as something of a tyrant.  Read more…

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Parmigianino - Mannerist painter

Artist from Parma left outstanding legacy

The artist Girolamo Francesco Maria Mazzola – better known as Parmigianino – died on this day in 1540 in Casalmaggiore, a town on the Po river south-east of Cremona in Lombardy.  Sometimes known as Francesco Mazzola, he was only 37 years old when he passed away but had nonetheless made sufficient impact with his work to be regarded as an important influence on the period that followed the High Renaissance era of Leonardo da Vinci, Michelangelo and Raphael.  Known for the refined sensuality of his paintings, Parmigianino – literally ‘the little one from Parma’ – was one of the first generation of Mannerist painters, whose figures exuded elegance and sophistication by the subtle exaggeration of qualities associated with ideal beauty.  Parmigianino is also thought to have been one of the first to develop printmaking using the technique known as etching and through this medium his work was copied, and circulated to many artistic schools in Italy and other countries in northern Europe, where it could be studied and admired.  Parmigianino’s figures would often have noticeably long and slender limbs and strike elegant poses.  Read more…

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Carlo Gambino - Mafia Don

Sicilian thought to be model for Mario Puzo's Godfather

Carlo Gambino, who would become one of the most powerful Mafia Dons in the history of organised crime, was born on this day in 1902 in Palermo, Sicily.  For almost two decades up to his death in 1976, he was head of the Gambino Crime Family, one of the so-called Five Families that have sought to control organised crime in New York under one banner or another for more than a century.  He is thought to have been the real-life Don that author Mario Puzo identified as the model for Vito Corleone, the fictional Don created for the best-selling novel, The Godfather.  During Gambino's peak years, the family's criminal activities realised revenues of an estimated $500 million per year.  Yet Gambino, who kept a modest house in Brooklyn and a holiday home on Long Island, claimed to make a living as a partner in a company that advised on labour relations.  Despite coming under intensive surveillance by the FBI, he managed to avoid prison during a life spent almost exclusively in crime.  Everything he did was planned meticulously to avoid detection, even down to communicating with associates through coded messages.  Read more…

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Book of the Day: A History of Neapolitan Drama in the Twentieth Century, by Mariano D’Amora

In a world that tends to homologate, thus becoming, in every aspect of our lives, grey, flat and uniform, so creating the world of universal similarity (including language), does it still make sense today to talk about vernacular theatre? Tackling such a question implies uncovering the reasons for the disappearance of the many regional theatres that were present in Italy in the 19th century. There is no doubt that first the unification of the country in 1861, and then the language policies of Fascism in the 1930s were the final nails in the coffin for local theatres. It is also true, however, that what really determined their downsizing was the progressive loss of connection with their own environment. If we give an essentially superficial interpretation to the adjective “vernacular”, and in a play we see a canovaccio (plot) that the local star uses as a vehicle to show his talent through a series of modest mannerisms, then “vernacular” implies the death certificate of this type of theatre (once the star dies, his alleged dramaturgy dies with him and his mannerisms). On the contrary, if we identify in this adjective the theatre’s healthy attempt to develop a local, social and cultural analysis of its environment, it opens a whole new meaning and acquires a perspective that a national theatre can never aspire to. This is the case of Neapolitan theatre. As D’Amora explains in A History of Neapolitan Theatre in the Twentieth Century, it managed to survive and thrive, producing plays that were capable of critically describing modern and contemporary reality. Neapolitan playwrights forcefully proclaimed their roots as a primary source for their work. The city, in fact, became a direct expression of that cultural microcosm which provided them with the living flesh of their plots.

Mariano D’Amora has taught Drama at Buckinghamshire New University, the University of Naples “Parthenope”, the University of Rome and Royal Holloway, University of London.

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(To the best of our knowledge, all material was factually accurate at the time of writing. In the case of individuals still living at the time of publication, some of the information may need updating.)

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