Gaetano Donizetti - operatic genius

The day the music died

Joseph Kriehuber's 1842 portrait of
Gaetano Donizetti

A prolific composer of operas in the first half of the 19th century, Gaetano Donizetti died on this day in 1848 in Bergamo in Lombardy.

Donizetti had returned to his native city after a brilliant international career to spend his last days in the Palazzo Scotti in the Città Alta, the upper town.

By then seriously ill, he was looked after by friends in the gracious surroundings of the palazzo until his death. His tomb is in the Basilica di Santa Maria Maggiore, where it is marked by a white, marble monument.

Donizetti has since become acknowledged as the greatest composer of lyrical opera of all time. He was a major influence on Giuseppe Verdi, Giacomo Puccini and other composers who came after him.

Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the bel canto opera style during the first half of the 19th century. Among more than 70 works, his best and most famous operas are considered to be Lucia di Lammermoor, Don Pasquale and L’elisir d’amore.

In Via Sentierone in Bergamo’s lower town there is an elaborate white marble monument to the composer next to Teatro Donizetti, which was renamed in his honour in 1897 on the centenary of his birth.

Donizetti painted as a schoolboy in
Bergamo in the early 19th century

Born in the Borgo Canale quarter of Bergamo, just outside the city walls, the youngest of three sons of the caretaker of a municipal pawnshop, he trained with the German composer Simon Mayr, the maestro di cappella at the city's cathedral. Mayr helped him win a place at the Bologna Academy at the age of 19.  He was not the most assiduous student, gaining a reputation for missing classes and getting into scrapes, but Mayr's faith in his talent did not waver and ultimately it was rewarded.

His first important success came in 1818 with Enrico di Borgogna at the Teatro San Luca, in Venice. Soon afterwards he moved to Naples, taking up residency at the Teatro San Carlo in 1822 at the age of 25. He stayed there until 1844, producing more than three quarters of his work there.  In 1830 his Anna Bolena, produced at Teatro alla Scala in Milan, carried his fame abroad and two years later came L’elisir d’amore. The year after that Lucrezia Borgia consolidated his reputation in Milan.

However, more than once he found himself at odds with the censors, and in the 1840s began to spend an increasing amount of time in Paris, where the censorship rules were less strict.

Married in 1828 to Virginia Vasseli, the sister of one of his closest friends in Rome, Donizetti's spirits suffered greatly after her death in 1837, soon after the stillbirth of a son. Indeed, none of their three children survived birth.

His own health began to decline soon after he moved to Paris and it was not only physically but mentally that he deteriorated rapidly, suffering periods of near-insanity due to the loss of his cognitive faculties. It was only because of the devotion of a nephew, Andrea, that he was able to return to Bergamo for his final days.

Donizetti's birthplace in Via Borgo Canale
is clearly marked at No 14

Travel tip:

Donizetti’s Casa Natale (birthplace), is in Via Borgo Canale just outside the walls of the upper town. It has now been declared a national monument and is open free to visitors every weekend. You can still see the well from which the family drew their water and the fireplace where meals were cooked, which would also have been their only source of heating.  To reach Donizetti’s birthplace, leave the Città Alta through Porta Sant’Alessandro and go past the station for the San Vigilio funicolare. Via Borgo Canale is the next street on the right and Casa Natale, at number 14, is in the middle of a row of characteristic, tall houses and is marked by a plaque.

Bergamo hotels by Booking.com

The bed in which Donizetti spent his final hours in Palazzo
Scotti is on display in the museum in Via Arena

Travel tip:

A museum dedicated to Donizetti’s life and career is housed in the former Palazzo Misericordia Maggiore, now a musical institute, in Via Arena in the Città Alta. There are many interesting letters, documents and original scores on display along with the bed he died in and the chair he sat in while staying in Palazzo Scotti towards the end of his life. Donizetti’s tomb can be seen in the Basilica di Santa Maria Maggiore in Piazza Duomo in the Città Alta.

Also on this day:

1492: The death of Lorenzo the Magnificent 

1868: The birth of equestrian pioneer Federico Caprilli

1929: The birth of controversial historian Renzo De Felice

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Giovanni Battista Rubini - opera singer

Tenor was as famous in his day as Caruso

Giovanni Battista Rubini

Giovanni Battista Rubini, born on this day in 1794, was a tenor as famous in his day as Enrico Caruso would be almost a century later, his voice having contributed to the popularity of opera composers Vincenzo Bellini and Gaetano Donizetti.

He was the first 19th-century non-castrati singer to become a major international star after two centuries in which audiences and composers were obsessed with the castrati.  Rubini's exceptionally high voice could match the coloratura of the castrati and he effectively launched the era of the bel canto tenor, which signalled the end of the dominance of the castrati.

Rubini was just 12 when he was taken on as a violinist and chorister at the Riccardi Theatre in Bergamo, not far from his home town of Romano di Lombardia. He was 20 when he made his professional debut in Pietro Generali’s Le lagrime d’una vedova at Pavia in 1814, then sang for 10 years in Naples in the smaller, comic opera houses.

Famed for a voice capable of reaching beyond the range of conventional tenors, particularly in the higher registers, in 1825 he sang the leading roles in Gioachino Rossini’s La Cenerentola, Otello, and La donna del Lago in Paris and was soon regarded as the leading tenor of his day.

After he had premiered Bellini's Bianca e Gernando in Naples the following year, Bellini began to write specifically with Rubini's voice in mind, giving him the tenor leads in Il pirata, La sonnambula and I Puritani.

Rubini was cast in I Puritani with the soprano Giulia Grisi, the baritone Antonio Tamburini and the bass Luigi Lablache. The group achieved popularity together as the “Puritani quartet.”

The four appeared together again in Donizetti's Marino Faliero during the same season, in 1835, then travelled to London with the Irish composer Michael William Balfe for a further round of operatic engagements.

Rubini premiered Donizetti's La lettera anonima, Elvida, Il giovedì grasso, Gianni di Calais. Il paria and Anna Bolena as well as Marino Faliero.

A genuine international star, Rubini alternated during his peak years between the Théâtre-Italien in Paris and His Majesty’s Theatre in the Haymarket, London. 

He toured Germany and Holland with Franz Liszt in 1843 and in the same year performed in St. Petersburg, Russia.  Czar Nicholas I appointed him Director of Singing and made him Colonel of the Imperial Music.

A gateway in Romano di Lombardia featuring the Venetian
Lion of St Mark's. (Photo: Luca Giarelli CC BY-SA 3.0)

In 1845 he retired to his birthplace, the town of Romano di Lombardia, situated about 30 miles (45km) east of Milan in the province of Bergamo, about 12 miles from the city of Bergamo, which is also the birthplace of Donizetti.

He bought a palazzo there, where he died in 1854.  He was hardly an attractive figure, short and pockmarked according to references made at times to his physical appearance. Yet his fame enabled him to conduct numerous affairs and he passed away a month short of his 60th birthday, apparently stricken with a sexually transmitted disease that robbed him of his voice and ultimately his life.

Travel tip: 

Romano di Lombardia is a small town with a population of just under 19,000 in Lombardy, in the province of Bergamo, close to the River Serio and on the railway line between Milan and Brescia. Its history dates back to Roman times and later it was ruled for many years by Venice, evidence of which still exists around the town in symbols depicting the Lion of St Mark's.  The palazzo Rubini bought on his return to Romano became a museum after his death.

The Teatro Donizetti in Bergamo is built on the site of the
Teatro Riccardi, where Rubini sang and played the violin

Travel tip:

The Teatro Riccardi in Bergamo, where Rubini became a violinist and chorister at the age of 12, was destroyed by fire towards the end of the 18th century and rebuilt in brick.  It is now known as Teatro Donizetti.

More reading:

The brilliant career of Enrico Caruso 

The humble roots of Geatano Donizetti

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Raphael - Renaissance painter and architect

Precocious genius from Urbino famous for Vatican frescoes

Raphael's self-portrait, believed to have
been painted in 1506, when he was 23

The Renaissance painter and architect commonly known as Raphael was born Raffaello Sanzio in Urbino, in the Marche region of Italy, on this day in 1483.

Raphael is regarded as one of the masters of the Renaissance, along with Michelangelo and Leonardo da Vinci.  He was more prolific than Da Vinci and, some argue, more versatile than Michelangelo, and was certainly influenced by both.

The young Raphael was taught to paint by his father, Giovanni Santi, who was a painter for the Duke of Urbino, Federigo da Montefeltro, but his talents surpassed those of his father, who died when he was just 11 years old.  He was soon considered one of Urbino's finest painters and was commissioned to paint for a church in a neighbouring town while still a teenager.

In 1500, Raphael moved to Perugia in Umbria to become assistant to Pietro Vannunci, otherwise known as Perugino, absorbing considerable knowledge of his master's technique and incorporating it in his own style.  From 1504 onwards, Raphael spend a good deal of his time in Florence, studying the works of Fra Bartolommeo, Da Vinci, Michelangelo and Masaccio.

He added more intricacy and expressiveness to his own work. He produced a series of paintings depicting the Madonna including La Belle Jardinière, which features the Madonna in an informal pose with the Christ Child and John the Baptist and is regarded as a quintessential example of the Raphael style.

The School of Athens, in the Stanza della Segnatura in the
Vatican, is regarded by some as Raphael's masterpiece

Raphael moved to Rome in 1508 under the patronage of Pope Julius II to work in the Vatican and a year later began to paint a fresco cycle on the four walls of the Stanza della Segnatura to depict Philosophy, Poetry, Theology and Law. The School of Athens, which represented Philosophy, is regarded by some as Raphael's masterpiece.

He went on to paint three more fresco cycles for the Vatican and more paintings of the Madonna, including the famed Sistine Madonna.

It was while working at the Vatican that he received his first commissions to design buildings after the Pope asked him to succeed Donato Bramante, who died in 1514, as his chief architect. Raphael designed a chapel in Sant’ Eligio degli Orefici, the Santa Maria del Popolo Chapel and part of the new Saint Peter’s basilica, although much of his work was later demolished.

His Palazzo Branconio dell'Aquila was destroyed to make way for Bernini's piazza for St Peter's but the Chigi Chapel, which he designed and painted for the Papal treasurer, Agostini Chigi, survives.

On 6 April, 1520, which was Good Friday and his 37th birthday, Raphael died, having fallen into a fever of unexplained cause.  He had been working on his largest painting on canvas, The Transfiguration, at the time of his death. The unfinished work was placed on his coffin stand at his funeral mass, which was attended by a large crowd, before his body was interred at the Pantheon.

Although he was greatly admired by his contemporaries, it was not until the late 17th century that history began fully to appreciate his talent.  His works were at their most popular in the 19th century.

The Casa Natale di Raffaello in Urbino
(Photo: Sailko CC BY-SA 3.0)

Travel tip:

The Casa Natale di Raffaelo - Raphael's birthplace - can be found in the Via Raffaelo Sanzio in Urbino.  Purchased by Raphael's father, Giovanni, in 1460, it became the property of the Raphael Academy in 1875 and subsequently restored.  Nowadays, it is both a shrine to Raphael and a museum of his and his father's work.  It is open for eight hours daily (except Sundays) from March until October and for five hours from November until February.  For more information, visit www.accademiaraffaello.it

Travel tip:

The four Raphael Rooms form a suite of reception rooms in the palace, the public part of the papal apartments in the Palace of the Vatican. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's ceiling frescoes in the Sistine Chapel, they are the grand fresco sequences that mark the High Renaissance in Rome.  For more information, visit www.vaticanstate.va

More reading:

The legacy of Michelangelo -'the greatest of all time'

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Vincenzo Viviani – mathematician and scientist

Galileo follower's name lives on as moon crater

Vincenzo Viviani

Forward-thinking scientist Vincenzo Viviani was born on this day in 1622 in Florence.

Viviani worked as an assistant to Galileo Galilei and after his mentor's death continued his experimental work in the field of mathematics and physics. This work was considered so important that Viviani has had a small crater on the moon named after him.

While at school in Florence, Viviani was given a scholarship to buy mathematical books by the Grand Duke Ferdinando II de' Medici. He later became a pupil of Evangelista Torricelli and worked with him on physics and geometry.

By the time he was 17 he was working as an assistant to Galileo Galilei. After Galileo’s death in 1642, Viviani edited the first edition of his teacher’s collected works.

Viviani was appointed to fill Torricelli’s position at the Accademia dell’Arte del Disegno in Florence after his death in 1647.

In 1660 Viviani conducted an experiment with another scientist, Giovanni Borelli, to determine the speed of sound by timing the difference between seeing the flash and hearing the noise of a cannon being fired from a distance.

As his reputation as a mathematician grew, Viviani started to receive job offers from abroad. As a result the Grand Duke offered him a post as court mathematician in order to keep him in Italy.

Viviani had published a book on engineering and had almost completed a major work on the resistance of solids when he died in Florence in 1703 at the age of 81.

The extraordinary façade of Vincenzo Viviani's former home
in Florence, with a bust of Galileo over the entrance
(Photo: Jebulon CC0 1.0)

Travel tip:

Palazzo dei Cartelloni, formerly known as Palazzo Viviani, in Via Sant’Antonino in Florence, has prominent inscriptions on the façade in Latin celebrating and glorifying the life and discoveries of Galileo Galilei. Viviani had these applied to the front of his home as a tribute to his mentor and there is also a bust of Galileo over the entrance. Today the building is owned by an American art institution.

Travel tip:

Galileo’s tomb in the Basilica of Santa Croce in Florence was not erected until 1737 when his remains were finally allowed a Christian burial. With the help of money left by Viviani in his will for a tomb for himself and Galileo, the scientist was reburied below a bust of himself by Giovanni Battista Foggini. Viviani’s own remains were transferred to the grave at the same time, according to his wishes.

Read more:

Galileo Galilei: the founder of modern science

Laura Bassi: physicist who broke new ground for women

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