Angela Merici – Saint

Nun dedicated her life to educating girls

Angela Merici, pictured in a 17th
century painting by an unknown artist

Angela Merici, who founded the monastic Ursuline Order, was born on this day in 1474 in Desenzano del Garda, then part of the republic of Venice.

The Ursulines are the oldest order of women in the Roman Catholic Church dedicated to teaching and were the first to work outside a convent in the community.

Merici was orphaned at the age of 15 and sent to Salò to live in the home of an uncle, where she became deeply religious and joined the Third Order of Saint Francis.

She returned to Desenzano after the death of her uncle when she was 20 and found that many of the young girls in her home town received no education and had no hope of a better future.

Merici gathered together a group of girls to teach the catechism to the young children.

Then, in 1506, while praying in the fields, she had a vision that she would found a society of virgins in the town of Brescia.

It is claimed Merici became suddenly blind when she was on the island of Crete on her way to the Holy Land but continued on her journey. She is believed to have been cured of her blindness on her return, while praying at exactly the same place where she had been afflicted.

Merici and 28 of her followers consecrated themselves to God by a vow of virginity in 1535 in Brescia. They placed themselves under the protection of St Ursula, a fourth century martyr, and the Company of St Ursula was born. Their idea was to provide for the Christian education of girls in order to restore the family and, through the family, the whole of Christian society.

The 19th century artist Pietro Calzavacca
depicted Angela Merici as a teacher

Merici was unanimously elected as Superior of the Company in 1537. Before she died, she dictated her Testament and Souvenirs, which contained her counsels to her nuns.

After her death in 1540 in Brescia, her body was clothed in the habit of a Franciscan tertiary and interred in the church of St Afra, where she had often gone to pray at the tombs of martyrs. She was beatified in 1768 and canonised in 1807.

She is the patron saint of sickness, disability and those grieving the loss of parents.

The church of St Afra had to be rebuilt after Allied bombing in 1945 and after it reopened, a new dedication was made to Saint Angela Merici there.

Nuns from the Order of Ursulines established places of prayer and learning throughout Europe and north America. Many parishes and schools in America still bear the name Angela Merici.

The pretty harbour at Desenzano del Garda.

Travel tip:

Desenzano del Garda, Angela Merici’s birthplace, is the largest resort on Lake Garda, on the south western shore of the lake. It is a lively town with plenty of fashion shops, restaurants, bars and hotels. A Servizio di Navigazione (boat service) operates from Desenzano to other resorts on Lake Garda such as Sirmione, Bardolino, Peschiera and Moniga del Garda. In 1921 the remains of a fourth century Roman villa were unearthed close to the lake. The ruins are now open to the public and can be accessed from Via Antonio Gramsci. There is also a medieval castle within walking distance of the lake in Via Castello. The Duomo, dedicated to Santa Maria Maddalena, has an 18th century version of The Last Supper by Giambattista Tiepolo.

Piazza della Loggia is an elegant square in Brescia

Travel tip:

Brescia in Lombardy, where Angela Merici worked and died, is of artistic and architectural importance. Brescia became a Roman colony before the birth of Christ and you can see remains from the forum, theatre and a temple. The town came under the protection of Venice in the 15th century and there is a Venetian influence in the architecture of the Piazza della Loggia, an elegant square, which has a clock tower similar to the one in Saint Mark’s square. Next to the 17th century Duomo is an older cathedral, the unusually shaped Duomo Vecchio, also known as la Rotonda.

Brescia hotels by Booking.com

More reading:

Agostina Livia Pietrantoni - nurse whose death brought Rome to a standstill

First World War nurse who was made a Saint over lives she saved

Saint Giustina of Padua - slain by the Romans for refusing to renounce Christianity

Also on this day:

1858: The death of Benedetta Cambiagio Frassinello - Nun who battled for educational rights for girls

1918: The birth of Alberto Marvelli - the Good Samaritan of World War Two Rimini




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Giampiero Moretti - entrepreneur racing driver

Gentleman racer behind ubiquitous Momo accessories brand

Gianpiero Moretti won the 24 Hours of
Daytona at the 15th attempt

Giampiero Moretti, a motor racing enthusiast who made his fortune almost literally by reinventing the wheel, was born on this day in 1940 in Milan.

Known as 'the last of the gentleman racers' because of his unfailing courtesy, refined manners and an unquenchable determination to succeed on the track, Moretti made a profound mark on the sport through his ergonomic rethink of the racecar steering wheel.

Steering wheels were traditionally large and made of steel or polished wood but Moretti saw that reducing the diameter of the wheel would cut the effort needed by the driver to steer the car, helping him conserve energy and creating a more comfortable driving position.  He also covered the wheel with leather to improve the driver's grip, and gave it a contoured surface.

He made the first one for a car he planned to race himself and there was soon interest among other drivers and he began to make more wheels.  His big break came when Ferrari invited him to design a leather wheel for their Formula One car.

Enzo Ferrari himself was a traditionalist who took some persuading that the tried-and-tested old steering wheel was not the best but when his drivers took to it with such enthusiasm he sanctioned its installation in the new Ferrari 158 that John Surtees was to drive in the 1964 F1 season.

The Ferrari 158 in which John Surtees won the 1964
Formula One drivers' championship

Surtees loved it and, as it happened, won his only F1 world title that year, his victories in the German and Italian Grand Prix enabling him to pip his fellow British driver Graham Hill by one point.

Ferrari was sold on Moretti's innovative skills and decided he wanted his steering wheel on all Ferrari cars.

On the back of this encouragement, Moretti acquired a small factory premises near Verona and set up the company, Momo (an amalgam of the first two letters of Moretti and of Monza, the Italian race track), of which Ferrari was the principal client.

Eventually, the company expanded its lines to include helmets, shift knobs, road wheels, fireproof driving suits, gloves and shoes, and branched out into sponsorship and team ownership. Although Moretti sold the company in 1996, its red and yellow logo is still familiar today.

Born into a wealthy Milanese family who owned a large pharmaceuticals business, Moretti caught the racing bug when he was studying for his political science degree at the University of Pavia and soon began taking part in sports car events.

Moretti established the Momo motor racing
accessories business in the 1960s

Although he won from time to time, it was an expensive hobby and it was part to finance his racing without relying on his family's support that he launched his business.

It enabled him to continue to pursue his ultimate dream, which was to win the 24 Hours of Daytona, the prestigous endurance sports car race that takes place in Florida each year.

Having been a fixture at Daytona for many years, racing Porsches and Ferraris and developing close friendships with movie actors such as Gene Hackman and Paul Newman, for whom he would often could pasta dishes in his motorhome, Moretti finally could call himself a winner in 1998, at the 15th attempt.

In their Ferrari 333sp - a car Moretti had persuaded Ferrari to develop specifically to race in the United States - Moretti and his co-drivers, Arie Luyendyk, Didier Theys and Mauro Baldi, recovered from 18 laps behind to take the lead in the final three hours, with Moretti at the wheel to take the chequered flag.

Amazingly, the team also won the 12 Hours of Sebring only a couple of months later, while Moretti partnered another Italian driver, Massimiliano "Mad Max" Papis to win the Six Hours of Watkins Glen, making Moretti the only driver to win all three events in the same year.

Moretti, who never married but had two sons, Matteo and Marco, died in Milan in 2012, at the age of 71.

The chimneys of the cement factory are still a
feature of the Tregnano skyline

Travel tip:

Moretti established his first factory at Tregnano, a small town outside Verona that for many years enjoyed a thriving economy due to the establishment of a cement factory that at its peak supplied the cement that went into the Ponte della Libertà, the road bridge linking Venice with the mainland that was opened in 1933.  Although the factory closed in 1973, the factory's tall chimneys still exist.  Notable buildings include the 15th century parish church of Santa Maria Assunta and the remains of a castle built between the 11th and 12th centuries.

Visit Booking.com to find a hotel in Verona

The Duomo at Monza is often overlooked by
visitors who flock to the motor racing circuit

Travel tip:

Monza, which is situated about 18km (11 miles) north of Milan, is best known as the home of the Italian Grand Prix, and while the racing circuit within the Parco di Monza to the north of the town attracts thousands of visitors, the town itself is often passed by, despite many historic buildings. These include a beautiful Duomo completed in 1681 with a Baroque facade decorated in Gothic style, the 14th century Arengario civic palace, a magnificent 18th century Royal Villa, designed by Giuseppe Piermarini (of Teatro alla Scala fame) and the Ponte dei Leoni, a bridge of Roman origin.

More reading:

Enzo Ferrari and the world's most famous sports cars

Alberto Ascari - triumph and tragedy of Italy's double F1 champion

Mario Andretti, the Italian who is America's only F1 champion

Also on this day:

1898: The birth of exclusive jeweller Fulco di Verdura

1934: The birth of Azeglio Vicini, coach of Italy's 1990 World Cup team



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Francesco Gasparini – musician and writer

Opera composer who gave Vivaldi a job

Francesco Gasparini, captured in a
caricature by Pier Leone Ghezzi

Francesco Gasparini, one of the great Baroque composers, whose works were performed all over Europe, was born on this day in 1661 in Camaiore near Lucca in Tuscany.

Gasparini also worked as a music teacher and was musical director of the Ospedale della Pietà in Venice for about 15 years, where he made the inspired decision to employ a 25-year-old Antonio Vivaldi as a violin master.

By the age of 17, Gasparini was a member of the Philharmonic Academy of Bologna. He moved to Rome, where he studied under the musicians Arcangelo Corelli and Bernardo Pasquini. His first important opera, Roderico, was produced there in 1694.

After arriving in Venice in 1702, he became one of the leading composers in the city. He wrote the first opera to use the story of Hamlet - Ambleto - in 1705, although he did not base the work on Shakespeare’s play.

Gasparini was appointed musical director of the Ospedale della Pietà, an orphanage in Venice where young girls received a musical education. The most talented pupils stayed on to become members of the Ospedale’s orchestra and choir.

Listen: Excerpt from Gasparini's "Amore e Ombre"



He engaged the services of Antonio Vivaldi in 1703 to teach the violin. Vivaldi, who had been taught to play the violin to a high level by his father, composed most of his major works while working there over the next 30 years.

Gasparini hired Antonio Vivaldi to teach violin
at the Ospedale della Pietà, in Venice

Gasparini’s Missa canonica, written in Venice in 1705 for four voices, became known to Johann Sebastian Bach, who copied it out in 1740 and, after adding parts for strings and wind instruments, performed it in churches in Leipzig.

While in Venice, Gasparini also taught the Venetian composer Benedetto Marcello and wrote a treatise on the harpsichord, published in 1708, which continued to be reprinted for more than 100 years and was used in Italy well into the 19th century.

Gasparini was the leading composer for the theatre in Venice, having written 23 operas and 15 oratorios by the time he left the city.

After his return to Rome in about 1720, he was maestro di cappello in two churches and taught the Neapolitan composer Domenico Scarlatti. He also taught counterpoint to the German flautist and composer Johann Joachim Quantz.

In his day, Gasparini was the principal composer of the Italian operas presented in London. His last important work, Tigrane, was produced in Rome in 1724.

The composer died in Rome in 1727, aged 66.

Piazza Principale, the main square in Camaiore

Travel tip:

Camaiore, the birthplace of Francesco Gasparini, is a city within the province of Lucca in Tuscany. It derives its name from the time it was a large Roman encampment, Campus Major, and an important station along the Via Cassia. It has two Romanesque churches, the Collegiata di Santa Maria Assunta and the Church of Santi Giovanni e Stefano as well as a Benedictine Abbey, Badia di San Pietro, that dates back to the eighth century.

Camaiore hotels by Booking.com

The church of La Pietà, also known as Santa
Maria della Visitazione, in Venice

Travel tip:

The Church of La Pietà, or Santa Maria della Visitazione, on Riva degli Schiavoni facing the lagoon in Venice, dates back to the 15th century. It started its life as a foundling home for orphans. After Gasparini was appointed musical director there, he employed Vivaldi to teach the violin and they both composed music for the orchestra and choir. The church is now a regular venue for music concerts.

Find a Venice hotel with Tripadvisor

More reading:

How Vivaldi enjoyed success but died a pauper

Why composer Antonio Salieri was haunted by rumours surrounding the death of rival Mozart

The lost operas of Tomaso Albinoni

Also on this day:

1923: The birth of cartoonist Benito Jacovitti

1943: The birth of former prime minister Mario Monti



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Bobby Solo - pop singer

Sixties star found fame after Sanremo disqualification

Bobby Solo was heavily influenced
by his idol Elvis Presley

Bobby Solo, who was twice winner of Italy's prestigious Sanremo Festival yet had his biggest hit with a song that was disqualified, was born Roberto Satti on this day in 1945 in Rome.

The singer and songwriter won the contest in 1965 and again in 1969 but it was the controversy over his 1964 entry that thrust him into the spotlight and sent him to the top of the Italian singles charts with the first record to sell more than one million copies in Italy.

To emphasise that the competition was to select the best song, rather than the best artist, each entry was sung by two artists, one a native Italian, the other an international guest star. In 1964, Solo was paired with the American singer Frankie Laine to showcase Una lacrima sul viso (A Tear on Your Face).

Laine performed the song in English but Solo was stricken with a throat problem. Rather than withdraw, he sang the song with the help of a backing track, only to be told afterwards that this was against the rules.

Solo celebrates his victory at Sanremo in 1965

The song was disqualified but attracted such attention that it became a huge hit, topping the Italian singles chart for eight weeks. Sales in Italy and other countries eventually topped two million and set Solo on the way to a highly successful career.

On the back of the song's success, Solo - a rock and roll singer in the mould of his idol, Elvis Presley - starred in a movie, also entitled Una lacrima sul viso, in which he sang not only the title track but several other of his songs.

In 1965 he returned to Sanremo, where he was chosen to sing Se piangi, se ridi (If you cry, if you laugh), of which the American folk ensemble the New Christy Minstrels performed an English version, and this time won.  The song gave Solo his second No 1 in the Italian charts and gave him fifth place in the Eurovision Song Contest the same year.

Four years later, partnered with the Italian female star Iva Zanicchi, Solo achieved his third Sanremo triumph with Zingara.

Other 60s hits included Quello sbagliato,Cristina and La Casa del Signore, the Italian version of Elvis Presley’s Crying In The Chapel, his 1966 Sanremo entry Questa volta, which he sung with English group The Yardbirds,  Per far piangere un uomo, an Italian cover of the Tom Jones song, To Make A Big Man Cry, and an Italian cover of Scott McKenzie’s San Francisco.

In all, Solo participated in 12 Sanremo Festivals between 1964 and 2003 and in a recording career spanning six decades has made more than 40 singles and in excess of 30 albums.  His total record sales have been conservatively estimated at more than five million and he still performs today, well into his 70s.

Bobby Solo on stage in 2018

The son of an airline executive from Friuli and an Istrian mother, Solo acquired his love for music, especially American country and rock and roll, from his brother-in-law, an American serviceman who had married his sister and lived in Verona.

Blessed with a good voice, he taught himself to play the guitar and after watching Elvis Presley in the film Jailhouse Rock he was inspired to begin writing songs in his teens. After his father had been relocated to Linate airport in Milan, he earned an audition with the Milan company Dischi Recordi, who signed him up and would produce all his records until the early 1970s.

Solo acquired his stage name at around the same time, and there is a story - perhaps apocryphal - that he became Bobby Solo by accident, the intention having been that he would perform simply as Bobby. According to the story,  the secretary who took down the record label details for his first single mistook the instruction that he would be known as "solo Bobby" (only Bobby) and wrote down his name as Bobby Solo.

The Galleria Vittorio Emanuele II in Milan

Travel tip:

Dischi Recordi, which operated from 1958 until the company was sold in 1994, had its headquarters right in the heart of Milan in Via Giovanni Berchet, a stone's throw from the Duomo and across Via Ugo Foscolo from the Galleria Vittorio Emanuele II, the magnificent 1861 shopping arcade, with its central dome and arching glass and cast iron roof, which is the oldest shopping mall  in the world still in use and has become a Milan landmark.  The Palazzo Dischi is now the home of upmarket sports car manufacturer Ferrari's flagship merchandise store.

Milan hotels by Booking.com

The harbour at Sanremo in Liguria

Travel tip:

Sanremo in Liguria, the Italian Riviera resort that has been home to the Sanremo Festival since 1951, expanded rapidly in the mid-18th century, when the phenomenon of tourism began to take hold, albeit primarily among the wealthy. Several grand hotels were established and the Emperor Nicholas II of Russia was among the European royals who took holidays there. The Swedish chemist Alfred Nobel made it his permanent home.

More reading:

How Gigliola Cinquetti conquered Sanremo and Eurovision at just 16

Eros Ramazotti - the Sanremo winner with 65 million sales

Little Tony - Italy's answer to Little Richard

Also on this day:

1848: The Five Days of Milan

1944: When Vesuvius last blew its top


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Innocenzo Manzetti - inventor

Made prototype telephone 33 years ahead of Bell

Innocenzo Manzetti was an inventor of such
energy he could get by on minimal sleep

The inventor Innocenzo Manzetti, credited by some scientific historians as having been the creator of a forerunner of the telephone many years ahead of his compatriot Antonio Meucci and the Scottish-American Alexander Graham Bell, was born on this day in 1826 in Aosta, in northwest Italy.

Manzetti's extraordinary catalogue of inventions included a steam-powered car, a hydraulic water pump, a pendulum watch that would keep going for a whole year and a robot that could play the flute.

But he was a man whose creative talents were not allied to business sense.  Like Meucci, a Florentine emigrant to New York who demonstrated a telephone-like device in 1860 - 16 years before Bell was granted the patent - Manzetti did not patent his device and therefore missed out on the fortune that came the way of Bell.

Research has found that Manzetti may have had the idea for a "vocal telegraph" as early as 1843, as a result of his success with his flute-playing automaton, which he constructed as a life-size model of a man sitting on a chair, inside which were concealed a system of levers, rods and compressed air tubes that enabled his lips and fingers to move on the flute.

This was linked to a program recorded on a cylinder much like those that would become the key component in the self-playing pianos, or pianolas, that were popular in the early part of the 20th century.

Manzetti's automaton

When Manzetti showed off his automaton in public, he went to great lengths to make it appear lifelike, programming it to stand and take a bow at the end of a performance.  He successfully devised a system of wires whereby he could transmit the sound of a piano being played out of view of the audience so that it would appear to come from his automaton.

The natural extension of this was to attempt to transmit his own remote voice, so that the automaton would seem to speak, and there are descriptions in newspapers of the time that spoke of a cornet-like device, containing a magnetized steel needle and a coil of silk-coated copper wire, into which Manzetti spoke.

However, he put the idea aside for two decades and concentrated on other projects.  It is thought that this was because there were imperfections in his system, which could transmit vowel sounds accurately but was not clear enough to make one consonant sound different from another, that he was unable to solve.

He revisited the idea in the 1860s and there were newspaper articles at the time proclaiming his invention of the télégraph parlant. But neither he nor Meucci could meet the high cost of patenting their devices and it was left to Bell to take the glory in 1876.

Nonetheless, there is no detracting from Manzetti's achievements as an inventor, the product of such enormous creative energy that he was said to exist during his most productive phases on only a couple of hours' sleep a night,

Manzetti's house in Aosta on Rue Xavier de Maistre

The hydraulic pump-like mechanism he devised in 1855 to remove water from the previously unworkable Ollomont copper mines of the Aosta Valley meant the mines were put back to use and remained in service until 1945.

The steam-powered car he built in 1864 came 27 years before Léon Serpollet built and demonstrated one in Paris.

Manzetti also built a wooden flying parrot for his daughter that could hover for two or three minutes before settling down again, created several instruments he used in his work as a land surveyor and invented a telescope based on three converging lenses that produced such magnification of images that the user could observe the movement of a small lizard, for example, at a distance of more than 7km (4 miles).

Nonetheless, he was not a wealthy man. Married to Rosa Sofia Anzola, he had two daughters, neither of whom survived beyond childhood, and himself died in impoverished circumstances in 1877, aged only 51.

The beautiful entrance facade to
the cathedral in Aosta

Travel tip:

Aosta is the principal municipality in the Aosta Valley, an autonomous bilingual French-Italian region close to the Italian entrance to the Mont-Blanc Tunnel, about 110km (68 miles) northwest of Turin. Its position in relation to the Great and Little St Bernard passes made it a place of strategic importance and there are the remains of a Roman military camp and an amphitheatre as well as the Arch of Augustus.  The cathedral of Santa Maria Assunta and San Giovanni Battista boasts a beautiful Renaissance facade decorated with frescoes and high reliefs dedicated to the Life of the Virgin.

Hotels in Aosta by Booking.com

The Centro Saint-Bénin in Via Jean-Boniface Festaz

Travel tip:

Since April 2012, there has been a permanent exhibition dedicated to Manzetti and his inventions in a hall of the Centro Saint-Bénin in Aosta, where his the automaton, which is still visited today by engineering scientists from all over the world, can be seen at close quarters.  The main square outside the town's railway station is named after Manzetti.

More reading:

Antonio Meucci's claim to be the true father of communications

How Marconi made the world's first radio communication

Alessandro Volta - creator of first electrical battery

Also on this day:

1861: The birth of the Kingdom of Italy

1925: The birth of acclaimed actor Gabriele Ferzetti

1939: The birth of brilliant football coach Giovanni Trapattoni

(Picture credits: Automaton, Manzetti's house by Patafisik; Aosta cathedral by Laurom; Centro Saint-Bénin by Tenam2; via Wikimedia Commons)

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Emilio Lunghi - athlete

Italy's first Olympic medallist 

Emilio Lunghi in his Sport Pedestre
Genova club vest

Emilio Lunghi, a middle-distance runner who was the first to win an Olympic medal in the colours of Italy, was born on this day in 1886 in Genoa.

Competing in the 800 metres at the 1908 Olympic Games in London, Lunghi took the silver medal behind the American Mel Sheppard. In a fast-paced final, Lunghi's time was 1 minute 54.2 seconds, which was 1.8 seconds faster than the previous Olympic record buts still 1.4 seconds behind Sheppard.

It was the same Olympics at which Lunghi's compatriot Dorando Pietri was controversially disqualified after coming home first in the marathon, when race officials took pity on him after he collapsed from exhaustion after entering the stadium and helped him across the line.

A versatile athlete who raced successfully at distances from 400m up to 3,000m, Lunghi was national champion nine times in six events and is considered the first great star of Italian track and field.

An all-round sportsman, Lunghi was a talented gymnast, swimmer and boxer, but after winning a 3,000m-race in his home city he was encouraged to develop his potential as a runner by joining Sport Pedestre Genova, at the time the most important athletics club in Liguria.

In June 1906 in the historic city of Vercelli in Piedmont, Lunghi took his first national title in the 1500m. In the next six years, he was at different times Italian champion over 400m and 400m hurdles, 800m, 1000m (three times), 1500m (twice) and 1200m steeplechase.

Piazza di Siena in Rome's Borghese Gardens, where Lunghi
won the 400m and 700m events to qualify for the 1908 Olympics

The qualifying competition for the 1908 Olympics took place on a track round the Piazza di Siena within the Borghese Gardens in Rome, watched by members of the Italian royal family. Lunghi won both the 400m and 1000m events, the latter in a world record time of 2 min 31 sec.

In London, Lunghi should have participated in the 1500m as well as the 800m, but the qualifying rules were that only the winners of the eight heats could take part in the final and Lunghi was beaten into second place in his by the Englishman Norman Hallows, although his time was quicker than any of the other seven heat winners.

As it was he had to content himself with the 800m, which Sheppard won after deciding to run a very fast first lap and building such a lead that Lunghi was unable to catch him, even though the American's second lap was almost seven seconds slower than his first.

After the Olympics, Lunghi spent a profitable year in North America, where he participated in 31 races and won 27, setting world records at 700 yards, 880yds and 1320yds (two-thirds of a mile).

Lunghi spent a year racing in
the USA and Canada

He had been invited to America by the Irish-American Athletics Club, for whom Sheppard raced. His accomplishments during his time there were recognised with honorary life membership of the club, on whose own track at Celtic Park stadium in Queens, New York, he set the world's fastest time for the 700yds.

His 880yd record came only eight days later at the Canadian championships Montreal.

Returning home, he continued to collect national titles, but his second Olympics was a disappointment.  At the Stockholm Games in 1912 he was eliminated at the semi-final stage in both the 400m and 800m events.

The First World War denied him a third Olympics and at the end of the conflict he announced his retirement from competitive running. A seaman by trade, he helped set up a trade union for dock workers and merchant seamen, his talent as an administrator earning him a role at the 1924 Olympics in Paris, where he was a judge and assistant to the newly-created Athletics Technical Commissioner.

He died in 1925 in Genoa at the age of just 39, having contracted a severe bacterial infection in the days before antibiotics had been discovered.

The Basilica of Sant'Andrea in Vercelli

Travel tip:

Vercelli, where Lunghi won his first Italian track title, a city of around 46,500 inhabitants some 85km (53 miles) west of Milan and about 75km (46 miles) northeast of Turin, is reckoned to be built on the site of one of the oldest settlements in Italy, dating back to 600BC. It is home to numerous Roman relics, the world's first publicly-funded university and the Basilica of Sant'Andrea, which is regarded as one of the most beautiful and best-preserved Romanesque buildings in Italy.

The Porto Antico in Genoa

Travel tip:

Genoa is Italy's sixth largest city, with an urban population of more than 500,000 and up to 1.5 million living along the coastline.  The city's historic centre consists of numerous squares and narrow alleys, while there are also many fine palaces.  The waterfront area around the Porto Antico has been redeveloped to designs by Renzo Piano as a cultural centre, with the Aquarium and Museum of the Sea now among the city's major tourist attractions.

More reading:

Dorando Pietri and the most famous Olympic disqualication

How Luigi Beccali brought home Italy's first track Gold

Valentina Vezzali - Italy's most decorated female athlete 

Also on this day:

1940: The birth of controversial film maker Bernardo Bertolucci

1978: Italy in shock as Red Brigades kidnap former PM


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Salvator Rosa – artist

Exciting Baroque painter inspired others

Salvator Rosa: a self-portrait (1645), which can
be seen at the Musée des Beaux-Arts in Strasbourg

Salvator Rosa, a fiery and flamboyant character who was a poet and actor as well as an artist, died on this day in 1673 in Rome.

One of the least conventional artists of 17th century Italy, he was adopted as a hero by painters of the Romantic movement in the 18th and 19th centuries.

He mainly painted landscapes, but also depicted scenes of witchcraft, revealing his interest in the less conventional ideas of his age. These scenes were also sometimes the background for his etchings and the satires he wrote.

Rosa was born in Arenella on the outskirts of Naples. His father, a land surveyor, wanted him to become a lawyer or priest and entered him in the convent of the Somaschi Fathers.

Rosa was interested in art and secretly learnt about painting with his uncle and his brother-in-law, Francesco Fracanzano, who was a pupil of Jose de Ribera. Rosa later became an apprentice to Aniello Falcone, working with him on his battle scenes.

His own paintings featured landscapes overgrown with vegetation and beach scenes with caves, peopled with shepherds, seamen, soldiers and bandits.

After moving to Rome in about 1638, Rosa painted the first of his few altarpieces, the Incredulity of Thomas. He also wrote and acted in satires put on around the city, causing him to make a powerful enemy in the sculptor and architect Gian Lorenzo Bernini, whom he offended.

Rosa's controversial painting Allegory
of Fortune almost saw him arrested

Rosa then moved to Florence to work in a more comfortable environment, where he enjoyed Medici patronage and founded the Academia dei Percossi - the Academy of the Afflicted - for artists and writers.

In 1646 he returned to Naples, where he is thought to have sympathised with the insurrection of Masaniello as he painted a portrait of him.

Rosa went back to live in Rome in 1649, where he enjoyed success as a history painter and with his etchings. It was then that he painted his Allegory of Fortune, which seemed to imply that frequently artists received rewards that did not match their talent. This was considered controversial and he was nearly arrested.

Rosa is remembered as being determinedly independent, refusing to be constrained by patrons. It is said he would not paint on commission or to an agreed price, a stance that appealed to the British Romantic painters who came later.

His final work is believed to be Saul and the Witch of Endor, which is now in the Louvre.

Rosa was ill with dropsy for a few months and died in 1673. In his last moments he married a woman from Florence who had borne him two sons. He was buried in Rome in the church of Santa Maria degli Angeli e dei Martiri.

The unconventional artist later inspired biographies, fictional accounts of his life, novels, a ballet, a piece of music by Franz Liszt, and an opera.

The view across Naples towards Vesuvius
from the top of Vomero hill

Travel tip:

Arenella, where Rosa was born, is an area of Naples on the Vomero hill above the city, which was once considered a desirable place to get away from the chaos of the city. There is a street, Via Salvator Rosa and a metro stop named after the artist. Vomero is a middle class largely residential area of central Naples but has a number of buildings of historic significance. The most dominant, on top of Vomero Hill, is the large medieval fortress, Castel Sant'Elmo, which stands guard over the city. In front of the fortress is the Certosa San Martino, the former Carthusian monastery, now a museum.  Walk along the adjoining street, Largo San Martino, to enjoy extraordinary views over the city towards Vesuvius. 

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Salvator Rosa's tomb

Travel tip:

Salvator Rosa’s tomb is in the Basilica of Santa Maria degli Angeli e dei Martiri, a 16th century church built to a design by Michelangelo inside the ruined frigidarium of the Roman Baths of Diocletian in the Piazza della Repubblica in Rome.

More reading:

How the Baroque artist Cerquozzi depicted the Revolt of Masaniello

The mysterious death of Caravaggio

The genius of Gian Lorenzo Bernini

Also on this day:

44BC: Julius Caesar is murdered

1738: The birth of criminal law philosopher Cesare Beccaria

1849: The death of hyperpolyglot Giuseppe Mezzofanti 

(Picture credit: Tomb by Giovanni dell'Orto via Wikmedia Commons)


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