Franco Bonvicini – comic book artist

Comic artist became famous for satirising the Nazis

Bonvi's Sturmtruppen was a hit in countries
beyond Italy as well as at home

Franco Bonvicini, who signed his comic strips Bonvi, was born on this day in 1941 in either Parma or Modena in Emilia-Romagna.

The correct birthplace is unknown. According to the artist, his mother registered him in both places to obtain double the usual amount of food stamps for rations.

After a brief spell working in advertising, Bonvi made his debut in the comic strip world for the Rome newspaper Paese Sera with his creation Sturmtruppen in 1968.

This series satirising the German army was a big hit and was published in various periodicals over the years. It was also translated for publication in other countries.

Although left-wing and a pacifist, Bonvi was fascinated by war and built up immense knowledge about Nazi Germany’s uniforms, weapons and equipment, which he depicted faithfully in his illustrations. The cartoons satirised military life and the Nazis themselves, providing him with an endless source of comic and surreal situations.

Bonvi's characters first appeared in
1968 in the Paese Sera newspaper

Bonvi also created the character Nick Carter, a comic detective, who later featured in a play, two films and a number of television cartoons.

In the 1980s, Bonvi became a member of Bologna City Council and founded a publishing house and monthly magazine in the city.

He was killed in 1995 in Bologna when he was struck by a car while crossing a road on his way to the television studios. He was due to appear on a show hosted by DJ and TV personality Red Ronnie and it was believed he intended to appeal for financial assistance for a friend, a Bolognese cartoonist, who was unable to work because he was dying of cancer.

A plate of Parma's famous prosciutto

Travel tip:

Franco Bonvicini could have been born in either Parma or Modena, cities that are about 60 km apart in Emilia-Romagna. Parma is famous for producing Prosciutto di Parma, a type of cured ham, and Parmigiano Reggiano, a hard cheese. Modena for Cotechino Modena, a type of sausage, and aceto balsamico di Modena, a high quality balsamic vinegar made from grape must.

Bologna's best food shops can be found in the Quadrilatero

Travel tip:

Bologna, where Franco Bonvicini lived in later life, is known by Italians as La Grassa, the fat one, because of its rich culinary traditions. It is the home of the world’s most famous pasta dish, tagliatelle Bolognese, long strips of pasta served with a rich meat sauce. The best traditional food shops in the city can be found in the area known as the Quadrilatero, which is bordered by Piazza Maggiore, Via Rizzoli, Via Castiglione and Via Farini.

More reading:

How Benito Jacovitti became Italy's favourite cartoonist

Hugo Pratt, the Rimini-born creator of comic book character Corto Maltese

How comic actor Sergio Tòfano invented comic cartoon favourite Signor Bonaventura

Also on this day:

1425: The birth of Bianca Maria Visconti, the Milanese Duchess who led her army into battle

1675: The birth of intellectual leader Pope Benedict XIV


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Fortunato Depero - artist

Futurist who designed iconic Campari bottle

Fortunato Depero's 1932 Campari Soda
bottle is still in production today

The Futurist painter, sculptor and graphic artist Fortunato Depero, who left a famous mark on Italian culture by designing the conical bottle in which Campari Soda is still sold today, was born on this day in 1892 in the Trentino region.

Depero had a wide breadth of artistic talent, which encompassed painting, sculpture, architecture and graphic design.

He designed magazine covers for the New Yorker, Vogue and Vanity Fair among others, created stage sets and costumes for the theatre, made sculptures and paintings and some consider his masterpiece to be the trade fair pavilion he designed for the 1927 Monza Biennale Internazionale delle Arti Decorative, which had giant block letters for walls.

Yet it is the distinctive Campari bottle that has endured longest of all his creations, which went into production in 1932 as the manufacturers of the famous aperitif broke new ground by deciding to sell a ready-made drink of Campari blended with soda water.

It was the first pre-mixed drink anyone had sold commercially and Depero, who was already working with the Milan-based company on a series of advertising posters and stylish black-and-white newspaper ads, was tasked with creating a unique miniature bottle in which the new product would be packaged.

Depero became an important designer
in the advertising world

The conical shape, a little like an upturned glass, made it stand out on the shelves and at a time when the modern and unconventional was considered chic was perfect in helping establish Campari Soda as the sophisticated pre-dinner drink of choice among Italy’s style-setters.

The shape, timelessly modern, has not changed fundamentally in 88 years since and has become an icon of Italian design.

Depero was born either in the village of Fondo or its neighbour Malosco, about 40-50km (25-31 miles) north of Trento, and went to college a little further south in Rovereto, between Trento and Verona. He was apprenticed in a marble workshop, having been turned down in his efforts to obtain a place at the Academy of Fine Arts in Vienna.

He first became aware of the Futurist movement on a trip to Florence in 1913 and when his mother died the following year he decided to move to Rome, where he met fellow Futurist Giacomo Balla. Together they produced an extraordinary text entitled Ricostruzione futurista dell’universo (Futurist Reconstruction of the Universe), a manifesto that reflected the core values of the movement, which rejected everything ancient and classical and aimed to free Italy from what was perceived as a stifling obsession with the past.

The establishment tended to dismiss Futurists as cranks, because they admired the speed and technological advancement of cars and aeroplanes and the new industrial cities, all of which they saw as demonstrating the triumph of humanity over nature through invention, and wanted to depict those things in their art.

Il Motociclista (the Motorcyclist) is an example of Depero's art

Yet in many ways, Depero and Balla and talented Futurist painters such as Carlo Carrà and Umberto Boccioni, who embraced a parallel obsession with nationalistic revolution and the overthrow of the hierarchical class system, foresaw how the 20th century would unfold, from the evolution of technology to the explosion of violence and the spread of mass communication.

The movement was ultimately tarnished by its association with Fascism, with which they initially shared similar goals in terms of wishing to build a strong, egalitarian, productive, youthful and modern Italy.  Once the link existed, it was difficult to break and after Mussolini’s regime was defeated there were many Futurists who found themselves shunned.

Depero himself found Italy an uncomfortable place after the Second World War and decided to return to New York, where he had spent a couple of years in the late 1920s, working on magazines and in the theatre and even building a house.  During his second stay, which lasted until the early 1950s, he published an English version of an earlier autobiography, entitled So I Think, So I Paint.

Depero returned to Italy and lived out his final days in Rovereto, where he died in 1960 from complications of diabetes.  A large collection of his work can be seen at the Museum of Modern and Contemporary Art of Trento and Rovereto.

Rovereto's Campana dei Caduti sounds
100 times at nightfall each day

Travel tip:

The picturesque small city of Rovereto, east of Riva del Garda, is notable not only for the aforementioned art museum but for a 14th century castle, which contains the Italian War Museum, and for the Maria Dolens (Mary Grieving) bell, also known as the Campana dei Caduti (the Bell of the Fallen) and the Bell of Peace. The second largest swinging bell in the world, it was originally the idea of a local priest, Father Antonio Rossaro, to honour the fallen of all wars and to invoke peace and brotherhood. Cast in 1924, since 1965 it has been located on Miravale Hill outside the town and sounds 100 times at nightfall each evening.

The beautiful Piazza Duomo in Trento

Travel tip:

The city of Trento is considered to have arguably the best quality of life in Italy, based on climate, surroundings and employment opportunities. With a population of 117,000, it is situated in an Alpine valley on the Adige river between the northern tip of Lake Garda and the border city of Bolzano, about 115km (71 miles) north of Verona. It was controlled by the Austrians almost continuously from the 14th century until the First World War.  In the 16th century, it hosted the Council of Trent, the ecumenical council of the Catholic Church that gave rise to the resurgence of the church following Protestant Reformation.

More reading:

The explosive art of leading Futurist painter Carlo Carrà

Luigi Russolo and the strange phenomenon of 'noise music'

Painter whose work depicted Fascist repression

Also on this day:

1282: The revolt that became known as the Sicilian Vespers

1905: The birth of Modernist architect Ignazio Gardella


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Francesco Faà di Bruno - advocate for poor

Entered priesthood after appeal to pope

Francesco maintained his faith
through difficult times in Italy

The blessed Francesco Faà di Bruno, a talented academic from a wealthy family who devoted much energy to helping the poor, disadvantaged and elderly, was born on this day in 1825 near Alessandria in Piedmont.

He was a supporter of Italian unification and indeed was wounded in the cause as a commissioned lieutenant in the Piedmontese Army during the First Italian War of Independence. Yet he could not accept the anti-Catholic sentiments of many of the movement’s leaders.

At the age of 51 he became a priest, although only after the intervention of Pope Pius IX, who stepped in to overrule the Archbishop of Turin, who had rejected Francesco’s credentials on the grounds that he was too old.

He was beatified 100 years after his death by Pope John Paul II.

Francesco was the youngest of 12 children born to Lady Carolina Sappa de' Milanesi of her husband, Luigi, a wealthy landowner whose various titles included Marquis of Bruno, Count of Carentino, Lord of Fontanile, and Patrizio of Alessandria.

His family were of a strong Catholic faith and encouraged a concern for the poor among all their children. Two of his sisters became nuns and one of his brothers built the church of St Peter in Hatton Garden for Italian immigrants living in London.

Francesco was wounded at the Battle
of Novara in 1849

Francesco, whose mother died when he was nine years old, was educated at home until he was 11 and entered the Royal Military Academy of Turin in 1840. One of the skills he developed was topography, which he used to draw up battlefield maps.

He was wounded during the Battle of Novara in 1849, where the Piedmontese were defeated by the Austrians. Afterwards, Victor Emmanuel, who had been his commander in the battle and succeeded his father, Charles Albert, as King of Sardinia, invited Francesco to become tutor to his two young sons but was forced to withdraw the offer because his supporters, including the revolutionary leader Giuseppe Garibaldi and the future prime minister of Italy, Count Camillo Benso di Cavour, were opposed to the influence of Catholics in education and put him under pressure to make a secular appointment.

Francesco then sought his release from the army and moved to Paris to study mathematics and astronomy at the Sorbonne, where his tutors included Augustin Cauchy and Urbain Le Verrier, who jointly discovered the planet Neptune.

Returning to Italy, he was appointed Professor of Mathematics at the University of Turin and at the same time began to devote increasing amounts of his time and money to helping the poor and disadvantaged. Despite it being a difficult time for the Catholic Church, he worked closely with the priest Giovanni Bosco, who set up a church grammar school, and also founded a society to promote Sunday observance and protect workers forced to work on Sundays.

The huge number of initiatives Francesco took up began with providing food for the poor during the icy cold Turin winters. Later he founded the Society of Saint Zita for maids and domestic servants, later expanding it to include unmarried mothers.

Pope John Paul II beatified Francesco
in 1988, 100 years after his death

He helped establish hospitals and boarding houses for the elderly, poor and disabled and, profoundly moved by the death of his brother Emilio in 1866 in the Third Italian War of Independence, he oversaw the construction of the church of Nostra Signora del Suffragio in Turin, completed in 1869 and dedicated to the memory of Italian soldiers who had lost their lives in the struggle for the unification of Italy.

Wishing to broaden and deepen his commitment to the poor, Francis studied for the priesthood, although his bid to be ordained was at first blocked by the Archbishop of Turin on the basis that he was too old. Traditionally, men began their preparation for Holy Orders in their teens.

However, after appealing directly to Pope Pius IX, he was ordained at the age of 51. As a priest, he continued to work on behalf of the disadvantaged and among his achievements was to create a refuge for prostitutes.

Remarkably, he still had the energy to pursue academic activities, contributing many articles to mathematics periodicals, designing several scientific instruments, writing a book about Catholic beliefs aimed at non-Catholics, and even composing a number of sacred melodies.

He died suddenly in Turin in 1888, two days before what would have been his 63rd birthday, from an intestinal infection.

Travel tip:

The village of Bruno in Piedmont is situated just over 20km (12 miles) southwest of Alessandria and a similar distance southeast of Asti. Formerly the seat of Francesco Faà di Bruno’s family, it falls within the area of Piedmont best known for the production of Nizza wine, a DOCG red made from the Barbera grape.

The church's bell tower is the
fifth tallest building in Turin

Travel tip:

The neo-Romanesque church of Nostra Signora del Suffragio e Santa Zita, the church that Francesco built in part to honour the Italians killed in the struggle for independence, is located in the San Donato district of Turin. It is notable for its bell tower, which at 83 metres is the fifth tallest structure in the city, after the Mole Antonelliana, the Intesa SanPaolo skyscraper, the Lingotto skyscraper and the Littoria Tower. Adjoining the church is a museum dedicated to the life of the priest.

More reading:

The death of unification leader Giuseppe Garibaldi

Giuseppe Mazzini - hero of the Risorgimento

The inspirational figure of Giovanni (John) Bosco

Also on this day:

1888: The birth of Enea Bossi, disputed creator of the world's first human-powered aeroplane

1939: The birth of Don Matteo actor Terence Hill


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Anselmo Colzani - opera star

Baritone who had 16 seasons at the New York Met

Anselmo Colzani in his signature role,
Scarpia in Puccini's Tosca

Anselmo Colzani, an operatic baritone who was a fixture at the Metropolitan Opera in New York in the 1960s and 1970s, as well as La Scala in his home country, was born on this day in 1918 in Budrio, a town not far from Bologna.

His stage career continued until 1980, when he made his final stage appearance in one of his signature roles as Scarpia in Giacomo Puccini’s Tosca.

Although his repertoire was much wider, his reputation became strongly associated with the works of Puccini and Giuseppe Verdi, with Jack Rance in Puccini's Fanciulla del West and the title role of Verdi's Falstaff, as well a Amonasro in Aida and Iago in Otello among his most famous roles.

Colzani’s association with the Met began in March 1960 after he was approached by Rudolf Bing, the opera house’s general manager, following the sudden death of Leonard Warren onstage during a performance of La Forza del Destino.

A few weeks later, Colzani took over Warren's role in Verdi's Simon Boccanegra. It was not only the first time he had sung at the Met, but the first time he had sung the role, which he had to learn it in a matter of days.

Yet so impressive was he that he returned to the Met for the next 16 seasons, making 272 appearances either in New York or on tour. A measure of the stature he achieved there in a short space of time was that he was the baritone chosen for the title role in the first performance of Franco Zeffirelli’s acclaimed production of Falstaff in 1964, conducted by Leonard Bernstein.

Colzani with the soprano Renata Tebaldi, with
whom he starred many times

Brought up in a musical family, Colzani joined the Italian Army before beginning to study singing formally, signing up as an 18-year-old in 1936. His service required him to fight in the Second World War. Thankfully he survived and in 1945 began attending the Bologna Conservatory under the tutelage of Corrado Zambelli.

He made his debut at the Teatro Comunale in Bologna in 1947 in the small role of the Herald in Wagner's Lohengrin. Also in the cast and making her house debut was the  soprano Renata Tebaldi, with whom he would later be reunited in New York.

Colzani made his bow at Teatro alla Scala in Milan, in 1952, as the murderous Alfio in Pietro Mascagni’s Cavalleria rusticana, and he continued to sing there until 1970, his last appearance being also as Alfio.

He was soon in demand throughout Italy for the dramatic baritone roles of Verdi in particular, becoming a major draw  in Naples, Verona and in Rome, where he enjoyed several seasons at the Baths of Caracalla.

He made his United States debut at the San Francisco Opera in 1956, but it was at the Met that he established an enduring foothold, appearing there with many of the major stars of the day, including Maria Callas, Franco Corelli and Carlo Bergonzi.

Colzani's last Met performance was as Michonnet in Adriana Lecouvreur, by Francesco Cilea, in 1978. He continued singing until 1980, when he gave his final performance in Tosca, reprising the Scarpia role in which he most frequently appeared during his years at the Met.

Married twice - his first wife died young - Colzani died in 2006, a few days before what would have been his 88th birthday. He was survived by his second wife, Ada, and his two children, Bianca and Miriam.

One of the towers that formed part of
Budrio's medieval 

Travel tip:

Colzani’s home town, Budrio, is 15km (9 miles) east of Bologna. A former Roman settlement, it is notable for the remains of the four corner towers of a castle rebuilt in the 14th century, inside which the original village was contained. Each year, the town stages an international opera competition in Colzani’s memory.

Travel tip:

Bologna has a tradition of presenting opera that goes back to the early 17th century. The Teatro Comunale, where Colzani made his debut, came into being in 1763 as the Nuovo Teatro Pubblico, designed by Antonio Galli Bibiena, who won a competition to design a new theatre for the city after another one, Teatro Mavezzi, had been destroyed by fire.  Arturo Toscanini, who went on to be musical director at La Scala, the Met and the New York Philharmonic, conducted there many times in the early part of his career.

More reading:

Why Renata Tebaldi was said to have the 'voice of an angel'

How Arturo Toscanini became a conductor by chance

Tito Gobbi - the baritone who enjoyed a movie career

Also on this day:

1472: The birth of the great Renaissance painter Fra Bartolommeo

1925: The birth of legendary film producer Alberto Grimaldi


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