Agostino Codazzi - soldier and map-maker

Italian who mapped first route for Panama Canal

Agostino Codazzi became a national hero
in Venezuela after fighting for Napoleon

Agostino Codazzi, a soldier, scientist, geographer and cartographer who became a national hero in Venezuela and plotted the route for the Panama Canal on behalf of the British government, was born on this day in 1793 in the town of Lugo in Emilia-Romagna.

When the canal was eventually built by United States engineers, they followed the precise route that Codazzi had recommended, although the Italian has not been credited in the history of the project.

Known in Latin America as Agustín Codazzi, he was born Giovanni Battista Agostino Codazzi.

As a young man, he was excited about the French Revolution and the idea of the ruling classes being overthrown by the people in pursuit of a more equitable society.  After attending the Scuola di Artiglieria military academy in Pavia, he joined Napoleon’s army and served with them until the Napoleonic empire collapsed in 1815.

It was then that he decided to travel further afield, finally settling in Venezuela, where he offered his military knowledge to another revolutionary, Simón Bolívar - known as El Libertador - who played a leading role in the establishment of Venezuela, Bolivia, Colombia, Ecuador, Peru, and Panama as sovereign states, independent of Spanish rule.

Codazzi produced extensive and detailed maps of Venezuela

Apart from military duties, in which he was elevated to the rank of colonel, he gave Venezuela the benefit of his expertise in geography and cartography, mapping the the borders between Venezuela, Colombia and Ecuador.

His creation of an Atlas of Venezuela led to him being awarded the Legion of Honor by the King of France in 1842, on behalf of the French Academy of Science.

Venezuela, on whose behalf he quelled many revolts during the establishment of the republic, honoured him with citizenship, and the president, José Antonio Páez, made him Governor of Barinas, a region of southwestern Venezuela.

The monument to Codazzi
in Colonia Tovar

When a military insurrection led to the fall of Páez, Codazzi fled to Colombia, where he continued his geographic and mapping activity and took on military duties for the Colombian government.  In was in 1852, commissioned by the British government, that he studied the geography of Panama and outlined the route he felt would be most suitable for a canal through the territory.

Codazzi died of malaria in February 1859 in the small town of Espíritu Santo in the Colombian mountains, which was subsequently renamed Aldea Codazzi.

Venezuela honored the memory of Agustín Codazzi by placing his remains inside the National Pantheon of Venezuela in 1942, which is reserved for those considered national heroes.

He is also honoured with a monument in Colonia Tovar, a small German settlement in the Venezuelan central mountains that he helped establish and which still exists today.

The Este Castle in Lugo di Romagna

Travel tip:

Lugo di Romagna is a town of 32,000 people about 30km (19 miles) west of Ravenna and 18km (8 miles) north of Faenza in Emilia-Romagna. It was overrun by Napoleonic forces while Codazzi was a child. Its most famous monument, the Rocca Estense (Este Castle), was partially rebuilt during the French occupation. The interior houses portraits of famous lughesi and a lunette attributed to Mino da Fiesole. Also of note is the 19th century covered market hall known as Il Paviglione and the restored 18th century Teatro Rossini. Apart from Codazzi, famous lughesi include the First World War fighter pilot Francesco Baracca.

The Duomo and Baptistery in Parma, one of several great
medieval cities in Emilia-Romagna

Travel tip:

The Emilia-Romagna region in northern Italy, which borders Apennine mountains to the south and the Po river in the north, has something for everyone, from its wealth of medieval cities, such as Parma, Modena, Reggio Emilia, Ferrara and Ravenna, to lively seaside resorts such as Rimini, Riccione and Cattolica. The capital, Bologna, is a vibrant city with an 11th-century university, and arched porticoes lining the streets and squares of its medieval centre. The area is famed for its gastronomy, producing many of Italy’s most famous foods, such as grana parmigiano cheese, balsamic vinegar and prosciutto di parma.

More reading:

The first comprehensive map of Italy

When Napoleon became King of Italy

The story of Lugo's famed flying ace Francesco Baracca

Also on this day:

1664: The death of Stefano della Bella, sketch-maker to the Medici

1884: The birth of tragic artist Amadeo Modigliani



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Giuseppe Arcimboldo – painter

Portraits were considered unique in the history of art

Giuseppe Arcimboldo's portrait, in fruit and
vegetables, of Holy Roman Emperor Rudolph II

The artist Giuseppe Arcimboldo, who created imaginative portrait heads made up entirely of objects such as fruit, vegetables, flowers and fish, died on this day in 1593 in Milan.

Unique at the time, Arcimboldo’s work was greatly admired in the 20th century by artists such as Salvador Dali and his fellow Surrealist painters.

Giuseppe’s father, Biagio Arcimboldo, was also an artist and Giuseppe followed in his footsteps designing stained glass and frescoes for churches.

Arcimboldo (sometimes also known as Arcimboldi) at first painted entirely in the style of the time. His beautiful fresco of the Tree of Jesse can still be seen in the Duomo of Monza.

But in 1562 he abruptly changed his style after moving to Prague to become court painter to the erudite King Rudolph II.

Giuseppe Arcimboldo's self-portrait, now
in the National Gallery in Prague

He began to create human heads, which could be considered as portraits, made up of pieces of fruit and vegetable and other objects, which were chosen for the meaning attributed to the image.

Arcimboldo also painted settings for the court theatre in Prague and he became an expert in illusionist trickery. His paintings contained allegorical meanings, puns and jokes that were appreciated by his contemporaries, but were lost upon later audiences.

His eccentric vision is epitomised in his portraits of Summer and Winter in the Kunsthistorisches Museum in Vienna.

In his painting of The Librarian, painted in about 1566, he was criticising wealthy people who collected books just to own them rather than to read them.

By using everyday objects such as the curtains that created individual study rooms in a library and the animal tails that were used as dusters, it was both a portrait and a still life painting at the same time. It is now in a museum in Stockholm.

Given the Renaissance fascination with puzzles, riddles and the bizarre, it is thought Arcimboldo was catering to the tastes of his time.

Arcimboldo's 1566 painting, The Librarian

His portrait of Rudolph II was taken from the King’s castle in Prague by an invading Swedish army in 1648 and, along with other pieces of Arcimboldo’s work, is now in Sweden. Some of his work has since been completely lost, but Arcimboldo’s remaining paintings in Italy can be found in galleries in Cremona, Brescia and Florence.

The artist came back to live in Milan after retiring from working at the royal court and leaving Prague. He died in his home city in 1593.

It was not until 1885 that an art critic published a monograph on Arcimboldo’s role as a portrait painter.

With the arrival of surrealism in the 20th century, many articles and books were published referring to his work.

Arcimboldo-style fruit people have appeared in books, films and video games subsequently. There is a series of audiobooks with a portrait of William Shakespeare made out of books, similar to Arcimboldo’s Librarian, being used as the logo for the front cover.

Arcimboldo designed stained glass windows for the Milan Duomo

Travel tip:

Milan, where Giuseppe Arcimboldo was born and died, is the capital city of Lombardy. Arcimboldo worked on the Duomo with his father when he was a young man, designing pictures for the stained glass windows, including the one depicting Santa Caterina d’Alessandria. Construction of the Duomo, in Piazza Duomo in the centre of Milan, began in 1386, but the building took almost six centuries to complete. It is the largest church in Italy and the third largest church in the world.

The Pinacoteca Tosio Martinengo in Brescia

Travel tip:

Giuseppe Arcimboldo’s painting of Spring, painted in 1580, can be seen in the collection of the Pinacoteca Tosio Martinengo in Brescia in Lombardy. The gallery in Piazza Moretto in the centre of the town has paintings by many other artists from the region, dating from the 13th to the 18th centuries.

More reading:

Giorgio de Chirico, Surrealist artist who founded the scuola metafisica

Simonetta Vespucci, the Renaissance beauty every artist wanted to paint

The Futurist art of Luigi Russolo

Also on this day:

1934: The death of fashion designer Giorgio Armani

1576: The death by strangulation of Medici wife Eleonora di Garzia di Toledo

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Calogero Vizzini - Mafia chieftain

‘Man of Honour’ installed as Mayor by Allies

Calogero Vizzini used his power to solve
problems and settle disputes

The Sicilian Mafia boss Calogero Vizzini, known as Don Calò, died on this day in 1954 in Villalba, a small town in the centre of the island about 100km (62 miles) southeast of the capital, Palermo.

He was 76 and had been in declining health. He was in an ambulance that was taking him home from a clinic in Palermo and was just entering the town when he passed away.

His funeral was attended by thousands of peasants dressed in black and a number of politicians as well as priests played active roles in the service. One of his pallbearers was Don Francesco Paolo Bontade, a powerful mafioso from Palermo.

Although he had a criminal past, Don Calò acquired the reputation as an old-fashioned ‘man of honour’, whose position became that of community leader, a man to whom people looked to settle disputes and to maintain order and peace through his power.

In rural Sicily, such figures commanded much greater respect than politicians or policemen, many of whom were corrupt.

In his own words, in a newspaper interview in 1949, his view of the world was that “in every society there has to be a category of people who straighten things out when situations get complicated.

Like many traditional Mafia figures,
Vizzini dressed like a peasant

“Usually they are functionaries of the state. Where the state is not present, or where it does not have sufficient force, this is done by private individuals."

His position in this regard was legitimised after the Second World War when the US military government of the occupied territories was looking to ensure the defeated Fascists did not retain any vestige of power on the island.

The Americans wanted positions in a restructured local government on the island to be given to known opponents of Fascism.

Vizzini had once supported Mussolini and had even attended a dinner with the future dictator in Milan in 1922 but turned against him when the Fascists sent Cesare Mori, the so-called Iron Prefect, to Sicily on a mission to destroy the Mafia.

He, and other mafiosi, who would have been almost wiped out but for the Allied invasion, had joined the movement for an independent Sicily and were therefore seen as fitting the bill by the Americans, who installed Vizzini as Mayor of his home town.

For many years, the story has been told that Mafia figures were handed key political positions in return for facilitating the Allied landings but many historians dismiss this as a myth.

A scene from Vizzini's funeral in July 1954

A much more likely scenario is that the Mafia were seen as an important block not only on any  resurgence in Fascism but against the growing support on the mainland for communism.  Where the Mafia leaders had rebelled against Fascism, they were never likely to support the Italian Communists.

Whatever the truth,  Don Calò had moved from a life of crime - his ‘charge sheet’ included scores of murders, attempted murders, robberies, thefts and extortions - to one in which local people revered him as a bastion of law and order and a protector of his community.

He had run protection rackets, smuggled livestock, controlled flour mills and sulphur mining, ‘acquired’ considerable land from aristocratic absentee landlords, and operated a huge black market business during the Second World War selling goods stolen from warehouses and army bases.

Yet after his death a notice was pinned on the door of the church where his funeral mass would take place. It read: "Humble with the humble. Great with the great. He showed with words and deeds that his Mafia was not criminal. It stood for respect for the law, defence of all rights, greatness of character: it was love."

The Chiesa Madre di San Giuseppe on the main square
in Vizzini's home town of Villalba

Travel tip:

Villalba is a town with a population of a little less than 2,000 in the province of Caltanissetta, about 51km (32 miles) northwest of the town of the same name and 68km (42 miles) inland from Agrigento.  The name of the village has has Spanish origins, meaning "the white city" because of town's white houses. Villalba is known for the production of cereals, grapes, vegetables, tomatoes, and lentils. The Sagra del Pomodoro (tomato festival) is held in August each year.  Important churches include the Chiesa Madre, built in 1700, and the Chiesa della Concezione, erected in 1795, preserving a statue by artist Filippo Quattrocchi.

The Greek Temple of Concordia is one of the attractions in
the Valley of the Temples outside Agrigento

Travel tip:

Agrigento, a city of 55,000 inhabitants on the southern coast of Sicily, is built on the site of an ancient Greek city. It is regularly visited by tourists, largely for the ruins of the Greek city Akragas, a UNESCO World Heritage Site generally known as the Valley of the Temples and, at 1,300 hectares, the largest archaeological site in the world.  The site features a series of temples, the most impressive of which is the Temple of Concordia, one of the largest and best preserved Doric temples in the world, with 13 rows of six columns, each 6m (20ft) high, still virtually intact.

More reading:

Cesare Mori - Mussolini's fabled Mafia buster

How Charles 'Lucky' Luciano played a part in the Allied invasion of Sicily

Politics, the Mafia and a Labour Day massacre

Also on this day:

138AD - The death of the Roman emperor Hadrian

1897: The birth of former NATO secretary-general Manlio Brosio

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Ottorino Respighi – violinist and composer

Talented Bolognese brought a Russian flavour to Italian music

Ottorino Respighi brought a Russian flavour
to 20th century Italian music

The musician Ottorino Respighi was born on this day in 1879 in an apartment inside Palazzo Fantuzzi in the centre of Bologna.

As a composer, Respighi is remembered for bringing Russian orchestral colour and some of Richard Strauss’s harmonic techniques into Italian music.

He is perhaps best known for his three orchestral tone poems Fountains of Rome, Pines of Rome and Roman Festivals, but he also wrote several operas.

Respighi was born into a musical family and learnt to play the piano and violin at an early age.

He studied the violin and viola with Federico Sarti at the Liceo Musicale in Bologna and then went to St Petersburg to be the principal violinist in the orchestra of the Imperial Theatre. While he was there he studied with Nicolai Rimsky-Korsakov and acquired an interest in orchestral composition.

One of Respighi’s piano concertos was performed at Bologna in 1902 and an orchestral piece by him was played at the Metropolitan Opera House in New York the same year.

Respighi played one of his own piano
concertos in New York in 1925

His operas brought him more recognition and in 1913 he was appointed as professor of composition at the prestigious St Cecilia Academy in Rome, a post he held for the rest of his life.

Respighi’s Roman compositions, written between 1916 and 1928, sought to reflect the sensual, decadent climate of the city depicted by Gabriele D’Annunzio in his poetry.

The composer was also interested in 16th and 17th century Italian music, which he transcribed for orchestra from compositions written for old instruments, such as the lute.

In 1919 Respighi married one of his pupils, Elsa Olivieri-Sangiacomo, who was a singer and composer.

He performed in New York for the first time in 1925, playing one of his own piano concertos at Carnegie Hall.

Respighi continued to go on tour and to compose music until his health deteriorated in 1936. He died that year at the age of 56 in Rome. A year after his death his remains were moved to his birthplace, Bologna and reinterred at the city’s expense at the Certosa di Bologna.

The Palazzo Fantuzzi in Bologna, where Respighi was born

Travel tip:

The Palazzo Fantuzzi, where Resphigi was born, is a Renaissance-style palace in Via San Vitale, close to the Church of Santi Vitale e Agricola. It is also known as Palazzo degli Elefanti because of the sculpted, elephant decorations on the façade. The Palace was designed in 1517 by Andrea da Formigine. Part of the palace is now used for art exhibitions.

Before the move to the Parco della Musica,
the Academy was in Campo Marzio

Travel tip:

The St Cecilia Academy - Accademia Nazionale di Santa Cecilia - where Respighi taught and also met his wife, is one of the oldest musical academies in the world. It was founded in Rome by Pope Sixtus V in 1585 at the Church of Santa Maria ad Martires, better known as the Pantheon. Over the centuries, many famous composers and musicians have been members of the Academy, which lists opera singers Beniamino Gigli and Cecilia Bartoli among its alumni. Since 2005 the Academy’s headquarters have been at the Parco della Musica in Rome, which was designed by the architect Renzo Piano.

More reading:

The powerful voice of mezzo-soprano Cecilia Bartoli

The poetry and politics of Gabriele D'Annunzio

Anselmo Colzani, Italian star of the New York Met

Also on this day:

1950: The birth of tennis star Adriano Panatta 

2006: Italy win their fourth World Cup by beating France

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