Andrea Doria – Admiral

Military commander with outstanding tactical talent

Andrea Doria's portrait was painted by
Sebastiano del Piombo in around 1526

Andrea Doria, the most important naval leader of his time, was born on this day in 1466 in Oneglia in Liguria.

Because of his successes on both land and sea he was able to free Genoa from domination by foreign powers and reorganise its government to be more stable and effective.

Doria was part of an ancient aristocratic family but he was orphaned while still young and grew up to become a condottiero, or soldier of fortune.

He served Pope Innocent VIII, King Ferdinand I and his son Alfonso II of Naples, and other Italian princes.

Between 1503 and 1506 he helped his uncle, Domenico, crush the Corsican revolt against the rule of Genoa.

Attracted to the sea, Doria fitted out eight galleys and patrolled the Mediterranean, fighting the Ottoman Turks and Barbary pirates, adding to his wealth and reputation along the way.

He then entered the service of Francis I of France who was fighting the Emperor Charles V in Italy and helped him capture Genoa.

A medal bearing the image of Andrea
Doria, who continued to sail in his '80s

But after becoming disillusioned with French policies in Genoa, Doria transferred his support to Charles V and helped him drive the French out of Genoa.

Charles made him grand admiral of the imperial fleet and gave him the title of Prince of Melfi.

As the new ruler of Genoa, Doria imposed a government made up of the city’s main aristocratic families. His reformed constitution for the city was to last until 1797.

He also continued to command naval expeditions against the Turks and helped Charles V extend his domination of the Italian peninsula.

In 1547 a rival family started to plot against Doria and they eventually murdered his nephew, Giannetino, but the conspirators were quickly defeated and severely punished by Doria.

The house where Andrea Doria was born, overlooking
the port in Oneglia on the Ligurian coast

At the age of 84, Doria was still regularly sailing against the Barbary pirates and he went to fight against the French when they seized Corsica, which was under the control of Genoa at the time Doria finally retired in 1555 and passed his command to his great nephew, Giovanni Andrea Doria.

Doria died in 1560 in Genoa at the age of 93 and left his estate to Giovanni Andrea.  The family of Doria-Pamphili-Landi is descended from the famous Admiral and bears his title, Prince of Melfi.

Several Italian and US ships have been named after Andrea Doria.  An Italian passenger ship, the SS Andrea Doria, sank off the coast of Massachusetts after colliding with another ship in 1956, causing the deaths of 46 people.

A football club named after him - the Società Ginnastica Andrea Doria, founded in 1895 - was a forerunner of one of Genoa's two major teams, Sampdoria, which was formed in 1946 after a merger of SG Andrea Doria with another club, Sampierdarenese.

The port city of Genoa has a proud
 history as a maritime power

Travel tip:

Genoa, which was once ruled over by Doria, is the capital city of Liguria and the sixth largest city in Italy. It has earned the nickname of La Superba because of its proud history as a major port. Part of the old town was inscribed on the World Heritage List in 2006 because of the wealth of beautiful 16th century palaces there.

Oneglia is part of the larger port of Imperia in Liguria

Travel tip:

Oneglia, where Doria was born, was a town on the Ligurian coast that had been purchased by the Doria family in the 13th century. It was joined to Porto Maurizio in 1923 by Mussolini  to form the comune of Imperia. The area has become well known for cultivating flowers and olives and there is a Museum of the Olive in the part of the city that used to be Oneglia.



More reading:

When Genoa's ships routed the fleet of Pisa

How architect Renzo Piano gave new life to the port of his home town of Genoa

The founding of Genoa Cricket and Football Club

Also on this day:

1485: The birth of writer and stateswoman Veronica Gambara

1954: The birth of Godfather actress Simonetta Stefanelli

1954: The death of tenor Beniamino Gigli


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Agostino Chigi - banker and arts patron

Nobleman from Siena became one of Europe’s richest men

A Roman coin bearing the image of Agostino Chigi,
who was one of the 16th century's richest bankers

The banker Agostino Chigi, who was a major sponsor of artists during the Renaissance, was born on this day in 1466 in Siena.

At its height, Chigi’s banking house in Rome was the biggest financial institution in Europe, employing up to 20,000 people, with branches throughout Italy and abroad, as far apart as London and Cairo.

Chigi invested a good deal of his wealth in supporting the arts, notably providing financial backing to almost all the main figures of the early 16th century, including Perugino, Sebastiano del Piombo, Giovanni da Udine, Giulio Romano, Il Sodoma (Giovanni Bazzi) and Raphael.

Perugino painted The Chigi Altarpiece, dated at around 1506-1507, which hangs in the Chigi family chapel in the church of Sant'Agostino in Siena. 

Chigi’s significant legacy to Rome was to have built a chapel in the church of Santa Maria della Pace, another - his mortuary chapel, the Chigi Chapel - in the church of Santa Maria del Popolo, and the superb suburban villa in Trastevere, on the banks of the Tiber, which since 1579 has been known as the Villa Farnesina. 

The altarpiece painted by Perugino
for Agostino Chigi in Siena

Agostino Chigi was the son of the prominent Sienese banker Mariano Chigi, from an ancient and illustrious Tuscan family. He moved to Rome around 1487, taking with him a rich fund of capital.

He grew the wealth of his own bank by lending considerable sums to Pope Alexander VI and others, and by diversifying from regular banking practice by buying monopoly control of salt mining in the Papal States and the Kingdom of Naples, as well as that of alum, a mineral used in the textile industry.

After the death of the Borgia pope Alexander VI and his short-lived Sienese successor Pius III Piccolomini, Chigi helped Pope Julius II, in return for which he became treasurer and notary of the Apostolic Camera.  Agostino even accompanied Julius in the field in his military campaigns and went to Venice on his behalf to buy Venetian support for the papal forces in the War of the League of Cambrai.

Work began on his magnificent palace in Trastevere in 1506. Chigi took the unusual step of commissioning an untried pupil of Bramante, Baldassare Peruzzi, to design and oversee the construction of the villa, although he may have been helped Giuliano da Sangallo, the favored architect of Lorenzo de' Medici.

Raphael's fresco The Triumph of Galatea.
in the loggia at the Villa Farnesina

His design differed from that of the typical urban palazzo, which tended to be rectangular, with an enclosed courtyard. This villa, intended as an airy summer pavilion, had a U-shaped plan with a five-bay loggia between the arms, facing north, which was the main entrance.

The best known element of the sumptuous decorations are Raphael's frescoes on the ground floor, both in the loggia depicting the classical and secular myths of Cupid and Psyche, and in the east-facing loggia, depicting The Triumph of Galatea. 

This was a mythological scene from an intended series inspired by the Stanze per la giostra of the Florentine poet Angelo Poliziano. It shows the near-naked sea nymph Galatea on a shell-shaped chariot drawn by two dolphins, surrounded by other sea creatures.

It has been noted that Raphael’s Galatea bore similarities to the courtesan, Imperia Cognati, who was Agostino Chigi's lover and is said to have posed for Raphael on more than one occasion. The art historian and Raphael's near-contemporary, Giorgio Vasari, noted, however, that Raphael had said that Galatea was the product of his imagination, an idealised beauty.

It was at this villa that Chigi held sumptuous banquets. He was recognised as the richest man in Rome but was said to have affected a contempt of money by throwing silver dishes into the Tiber at the end of the parties, although it is thought his servants were on hand to collect them in nets draped under the windows.

The villa was called the Viridario in Chigi's time. It became the property of the Farnese family in 1577, more than a half-century after his death.

The Palazzo Chigi, the current official residence of Italian prime ministers, was bought by Fabio Chigi, related to Agostino as a descendent of his father’s brother, shortly after he became Pope Alexander VII in 1655.

The northern aspect of the Villa Farnesina, which was
Agostino Chigi's summer palace in Rome

Travel tip:

The Villa Farnesina can be found on Via della Lungara in the Trastevere district of Rome.  After the Farnese family, the villa belonged to the Bourbons of Naples and in 1861 to the Spanish Ambassador in Rome, Bermudez de Castro, Duke of Ripalta. Today, it is owned by the Italian State and accommodates the Accademia dei Lincei, a long-standing academy of sciences. The main rooms of the villa, including the Loggia, are open to visitors from 9am to 2pm on Monday to Saturday, and on every second Sunday of the month from 9am to 5pm. For more details, visit http://www.villafarnesina.it

The Palazzo Chigi in Rome was built originally for the
Aldobrandini family before passing to the Chigi family in 1659

Travel tip:

The 16th-century Palazzo Chigi, which overlooks the Piazza Colonna and the Via del Corso in Rome, was begun in 1562 by Giacomo della Porta and completed by Carlo Maderno in 1580 for the Aldobrandini family. It was in the ownership of the Chigi family, who had it remodelled by Felice della Greca and Giovan Battista Contini, from 1659 until the 19th century. It became the residence of the Austro-Hungarian Ambassador to Italy in 1878 before being bought by the Italian state in 1916, when it became the home of the Minister for Colonial Affairs. Later it was the official residence of the Italian Minister of Foreign Affairs and in 1961 became the official meeting place of Council of Ministers, whose president is the head of the Italian government - the prime minister - and can now use the palace as his official residence.


More reading:

Raphael: The precocious genius from Urbino

How the courtesan Imperia Cognati became a 16th century celebrity

Pope Alexander VI - the scheming Borgia pope

Also on this day:

1463: The birth of antiquities collector Andrea della Valle

1797: The birth of composer Donizetti

1850: The birth of Agostino Richelmy, the cardinal who fought with Garibaldi

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Caterina Scarpellini – astronomer and meteorologist

Female ‘assistant’ remembered for her important discoveries

Caterina Scarpellini moved to work at
Campidoglio Observatory aged 18

The astronomer Caterina Scarpellini, who discovered a comet in 1854 and was later awarded a medal by the Italian government for her contribution to the understanding of astronomy and other areas of science, died on this day in 1873 in Rome.

Caterina had moved from her native Foligno in Umbria to Rome at the age of 18 to work as an assistant to her uncle, Abbe Feliciano Scarpellini, who was the director of the Roman Campidoglio Observatory. He had been appointed in 1816 by Pope Pius VI to a new chair of sacred physics in the Roman College of the Campidoglio, marking a turning point in the attitude of the Roman Catholic Church to science.

From 1847 onwards, Caterina edited Corrispondenza Scientifica in Rome, a bulletin publishing scientific discoveries. She carried out her observations six times a day and reported on her findings.

The observatory was part of the Palazzo Senatorio on
Piazza del Campidoglio in the centre of Rome

She married Erasmo Fabri, who was also an assistant at the observatory, and together they established a meteorological station in Rome in 1856.

Caterina published reports of her astronomical observations and meteorological measurements in Italian, French and Belgian journals and also wrote about electrical, magnetic and geological phenomena.

Along with another scientist, she reported on a chemical analysis of sand that had fallen in Rome over three nights in February 1864, which she discovered had blown there from the Sahara desert during a storm.

She compiled the first Italian meteor catalogue and was the only observer in Rome of the 1866 Leonid meteor shower.

Caterina Scarpellini, here depicted in a magazine
illustration, made many important scientific findings

Caterina also wrote about Saturn’s rings, her ideas about the formation of the planets and her hypotheses concerning celestial mechanics.

She became a member of the Accademia dei Georgofili in Florence, an historic institution promoting scientific and agricultural research.

Her writings on the influence of the moon on earthquakes brought her honours from the Moscow Imperial Society of Naturalists and the Viennese Royal Geological Institute.

After Caterina’s death at the age of 65 following a stroke, a statue of her was erected in the Campo Verano cemetery in Rome. A crater on the planet Venus has been named after her.

The Palazzo Orfini in Foligno, where a printing shop
opened in 1470, printing Dante's Divine Comedy

Travel tip:

Foligno, where Caterina Scarpellini was born in 1808, is an ancient town in the province of Perugia in Umbria, situated 40km (25 miles) south east of Perugia. It has suffered several major earthquakes, including one as recently as 1997, but still standing are the 13th century Palazzo Communale and the Renaissance-style Palazzo Orfini, where a printing shop opened in 1470 and Dante’s Divine Comedy was printed there in 1472, becoming the first book to be printed in the Italian language.

The present-day Rome Observatory is in Villa di
Parco Mellini, at the top of Monte Mario

Travel tip:

The Campidoglio Observatory in Rome, where Caterina worked as assistant to her uncle, was located in the eastern tower of the Palazzo Senatorio in Piazza del Campidoglio on the top of Capitoline Hill. The observatory was later acquired by the Italian state and its equipment was transferred to the Villa di Parco Mellini at the top of Monte Mario outside Rome, which is still the location of the Astronomical Observatory of Rome and an Astronomical Museum housing an important collection of historic astronomical instruments.



More reading:

How 18th century scientist Laura Bassi broke new ground for women

Margherita Hack and the popularising of science

Why Giovanni Schiaparelli believed there were canals on Mars

Also on this day:

1907: The birth of writer Alberto Moravia

1913: The birth of film music composer Mario Nascimbene

1977: The birth of World Cup hero Fabio Grosso


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Senesino - operatic castrato

Sienese singer who worked with composer Handel

The castrato singer Senesino was one of the
highest paid performers in 18th century London

The acclaimed contralto castrato singer Senesino, who enjoyed a long professional relationship with the composer George Frideric Handel, died on this day in 1758 in Siena.

During the 18th century, when opera’s popularity was at its height, the castrati singers - male singers castrated as boys to preserve their prepubescent vocal range - were the highest paid members of the cast and the likes of Carlo Broschi, who sang under the stage name Farinelli, Giovanni Carestini (“Cusanino”), Gaetano Majorano ("Caffarelli") and Gaspare Pacchierotti were the genre’s first superstars.

Senesino could be added to that list.  When he made his first appearance for Handel in his three-act opera Radamisto in 1720 his salary was reported as between 2000 and 3000 guineas, which today would be worth around £250,000 to £365,000 (€280,000-€400,000).

Born Francesco Bernardi in 1686, Senesino took his name from his home town, Siena. His father was a barber in the Tuscan city.

He joined the choir of Siena’s Duomo - the Cattedrale di Santa Maria Assunta - in 1695 and was castrated at the comparatively late age of 13. He made his stage debut in Venice in 1707, and over the next decade his reputation and salary grew exponentially.

A magazine illustration of Senesino on stage with the
sopranos Francesca Cuzzoni and Faustina Bordoni

Although his acting skills were sometimes mocked by the critics, acclaim for his voice was universal.  One composer with whom he worked described it as “a powerful, clear, equal and sweet contralto voice, with a perfect intonation and an excellent shake. His manner of singing was masterly and his elocution unrivalled.”

Senesino was engaged by Handel as primo uomo (lead male singer) in his company, the Royal Academy of Music, in London in 1720.

He would stay in England for much of the next 16 years, along the way becoming a prominent figure in London society, numbering the Duke of Chandos, Lord Burlington and the landscape designer William Kent among his friends. He embraced English culture, amassing a collection of paintings, rare books, scientific instruments and other treasures.

At his peak, Senesino was so popular he would sometimes upstage the great rival Italian sopranos of the era, Francesca Cuzzoni and Faustina Bordoni, who were also employed by Handel’s company.

Handel created 17 leading roles for Senesino, among them Giulio Cesare, Andronico in Tamerlano, Bertarido in Rodelinda, Floridante and Ottone.

Senesino had a reputation for being touchy
and full of professional vanity

Yet their relationship was often stormy.  Senesino was touchy, vain and insolent, full of professional vanity and with a love of intrigue.  He would frequently test Handel’s patience.

They split for the first time in 1728 following the break-up of the Royal Academy, although after singing for a while in Paris and Venice, Senesino rejoined Handel in 1730, singing in four more new operas and several oratorios.

Yet their relationship was little better and when the Neapolitan Nicola Porpora arrived in London in 1733 to be chief composer at the rival company, Opera of the Nobility, Senesino was lured away for good.

In his new position, he sang alongside the aforementioned Farinelli, who is regarded as the finest soprano castrato of all time.

Senesino ended his career in England in 1736. He continued to perform in Italy before deciding to retire in 1740, by which time the opera-going public had new favourites and saw his style as somewhat dated. He made his final appearance in Porpora's Il trionfo di Camilla at the Teatro San Carlo in Naples.

He returned to Siena, where he used his wealth to build a handsome town house. It was stocked with furniture imported from England. In fact, he lived as much as he could like an English gentleman. Tea was his preferred drink, he employed a black servant, as was popular in England during his time there, and amused himself with pets that were fashionable in London, including a monkey and a parrot.

The shell-shaped Piazza del Campo in Siena is regarded as
one of Europe's most beautiful medieval squares

Travel tip:

At the centre of Siena is the shell-shaped Piazza del Campo, established in the 13th century as an open marketplace on a sloping site between the three communities that eventually merged to form Siena. It is regarded as one of Europe's finest medieval squares, looked over by the Palazzo Pubblico and the Torre del Mangia.  The red brick paving, fanning out from the centre in nine sections, was put down in 1349. It has become famous as the scene of the historic horse race, the Palio di Siena.

Siena's magnificent Duomo, where Senesino sang as a boy.
is a masterpiece of Italian Romanesque architecture

Travel tip:

Siena’s Duomo - the Cathedral of St Mary of the Assumption - was designed and completed between 1215 and 1263 on the site of an earlier structure. It has a beautiful façade built in Tuscan Romanesque style using polychrome marble. There had been plans to build an enormous basilica, which would have been the largest in the world, but the idea was abandoned because of lack of funds due to war and the plague. Nonetheless, the cathedral built in its place, with a pulpit designed by Nicola Pisani, is considered a masterpiece of Italian Romanesque-Gothic architecture.



More reading:

Why Farinelli was music's first superstar

When Cuzzoni and Bordino came to blows on stage

How Nicola Porpora died impoverished

Also on this day:

8BC: The death of the Roman poet Horace

1570: The death of the architect Jacopo Sansovino

1964: The birth of former soccer player and Italy coach Roberto Mancini


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