Sigismondo Pandolfo Malatesta - condottiero

Brutal tyrant or sensitive patron of the arts?

A portrait of Sigismondo by Piero della
Francesca, painted in about 1451

One of the most daring military leaders in 15th century Italy, Sigismondo Pandolfo Malatesta, died on this day in 1468 in Rimini.

He had been Lord of Rimini, Fano and Cesena since 1432 and is remembered as a generous patron of the arts during his rule.

Sigismondo commissioned the architect Leon Battista Alberti to build the most famous monument in Rimini, the Church of San Francesco, which is also known as the Tempio Malatestiano, and he welcomed artists and writers to his court.  But partly as a result of a systematic campaign of defamation by his enemy, Pope Pius II, some historians have ascribed a reputation for brutality to him.

Sigismondo was one of three illegitimate sons of Pandolfo Malatesta, who had ruled over Brescia and Bergamo between 1404 and 1421.

At the age of ten, after the death of his father, Sigismondo went to Rimini with his brothers to the court of his uncle, Carlo Malatesta. His birth was later legitimised by Pope Martin V.

After Carlo’s death, Sigismondo’s older brother inherited the Lordship of Rimini, but after two years he abandoned it to go into a monastery and handed over power to Sigismondo.

Pope Pius II accused Sigismondo
of a number of crimes

From the age of 16, Sigismondo sold his military talents as a condottiero (mercenary captain) to all sides during the Italian wars.

In 1434, when he was 17, he married Ginevra, the daughter of Niccolò III d’Este and a few years later he commissioned the building of Castel Sismondo in Rimini.

After the death of Ginevra, he married Polissena, the daughter of Francesco Sforza. When she died eight years later, Sigismondo could finally make his relationship with his lover, Isotta degli Atti, public and they married in 1456.

Sigismondo surrounded himself with artists and intellectuals, including Piero della Francesca, one of the greatest painters of the Renaissance.

After Pope Pius II was elected in 1459 he imposed humiliating conditions on Sigismondo who rebelled against him. He was excommunicated and his reputation was tarnished by the Pope.

Sigismondo was deprived of all his land, apart from the city of Rimini, and was ruined financially. In an attempt to improve his fortunes, Sigismondo went to Morea, the Peloponnese peninsula in Southern Greece, in 1464 to fight on behalf of Venice against the Turks and he did not return to Italy until after the death of Pope Pius II.

He died on 7 October 1468 in Castel Sismondo in Rimini and was buried in the Malatesta Temple, even though it was still not finished. He was succeeded by his son and nominated heir, Sallustio, who ruled Rimini under the regency of his mother, Isotta.

Sigismondo Malatesta with Galeazzo Maria
Sforza in a fresco by Benozzo Gozzoli

Sigismondo was popular as a ruler and admired as a condottiero but he also gained a reputation for brutality, which was perpetuated by historians, partly because he was repeatedly defamed by one of his most powerful enemies, Pope Pius II, who accused him of murder, rape, adultery and incest. In a unique ceremony, Pius II ‘canonised him to hell’ while he was still alive.

One theory is that the Pope wanted Sigismondo’s land and resorted to invoking supernatural aid and using earthly propaganda against him when he couldn’t beat him in war.

Sigismondo acknowledged he was not without sins and tried to justify them in a series of love sonnets dedicated to Isotta.

In 1906, Edward Hutton published the historical novel, Sigismondo Malatesta, which was mostly sympathetic to its hero.

The American poet Ezra Pound published Malatesta Cantos in 1923, which were about Sigismondo’s career as a soldier, lover and patron of the arts. But more than 500 years after his death, some of the mud the Pope threw at Sigismondo still sticks.

The remains of the Castel Sismondo, designed in part by
the great architect Filippo Brunelleschi

Travel tip:

Work began on Castel Sismondo in 1437 but only the central part of the structure remains today in Piazza Malatesta in Rimini.  Sigismondo is said to have designed it himself but the architect Brunelleschi also worked on it, visiting Rimini in 1438. You can see how the castle would have looked originally in one of Piero della Francesca’s paintings in the Tempio Malatestiano. Sigismondo died in the castle in 1468. In 1821 the castle was turned into barracks for the local Carabinieri but it is now used for cultural exhibitions.

The Tempio Malatestiano is the cathedral church of the
Italian Adriatic resort town of Rimini

Travel tip:

The Tempio Malatestiano is the cathedral church of Rimini, originally dedicated to St Francis. Sigismondo commissioned Leon Battista Alberti to rebuild the original 13th century Gothic church and make it into a mausoleum for himself and his wife, Isotta. The building was never finished because Sigismondo’s fortunes declined after his excommunication. Inside there is a fresco by Piero della Francesca portraying Sigismondo kneeling before St Sigismund, the patron saint of soldiers.

More reading:

How Piero della Francesca explored the use of perspective

Niccolò III d'Este and the rise of Ferrara

Giovanni Sforza - Lord of Pesaro and Gradara

Also on this day:

304: The execution of Saint Giustina of Padua

1675: The birth of Venetian portrait painter Rosalba Carriera

1972: The birth of celebrity cook Gabriele Corcos


Home

6 October

Ottavio Bianchi - football coach

The northerner who steered Napoli to first scudetto

Ottavio Bianchi, the coach who guided Napoli to their first Serie A title in the Italian football championship, was born on this day in 1943 in the northern Italian city of Brescia.  Napoli, who had been runners-up four times in Italy's elite league, broke their duck by winning the scudetto in the 1986-87 season, when Bianchi built his side around the forward line consisting initially of the World Cup-winning Argentina star Diego Maradona, the Italy strikers Bruno Giordano and Andrea Carnevale.  After the arrival of the Brazilian forward Careca to partner Maradona and Giordano, the trio become collectively known as MaGiCa.  Bianchi’s team began the 1986-87 season with a 13-match unbeaten run. It came to an end with an away defeat against Fiorentina but Napoli lost only two more matches all season, winning the title by three points from Juventus to spark wild celebrations in Naples.  It is a reflection of how defensively-minded Italian football coaches were at the time that Napoli won the title despite scoring only 41 goals in 30 matches, with Maradona (10) the only individual player to reach double figures.  Bianchi’s team also won the Coppa Italia in 1987 and, after finishing second in Serie A in 1987-88, the UEFA Cup in 1989, which is the club’s only European trophy so far.  Read more…

_________________________________________________________________

Maria Bertilla Boscardin – wartime nurse

Brave nun was prepared to die caring for others

Maria Bertilla Boscardin, a nun who was canonised for her devoted nursing of sick children and air raid victims in the First World War, was born on this day in 1888 in Brendola, a small town in the Veneto.  She was beatified by Pope Pius XII in 1952, just 30 years after she died, and made a saint by Pope John XXIII nine years later.  It was one of the quicker canonisations of modern history. Sometimes many decades or even hundreds of years pass before a person’s life is recognised with sainthood.  Boscardin’s came so swiftly that relatives and some of the patients she cared for were present at her canonisation ceremony. Indeed, her father, Angelo, was asked to provide testimony during the beatification process.  Born into a peasant family, who knew her as Annette, her life in Brendola, which is about 15km (9 miles) southwest of Vicenza, was tough.  She was seen as rather a slow-witted child, mocked by her peers and unkindly nicknamed ‘the goose’ even by the local priest. Her father, a drunkard, was often abusive and violent.  She wanted to become educated but her attendance at school was at times only sporadic because her family required her to work.  Read more…

_________________________________________________________________

Bruno Sammartino - wrestling champion

How a sickly kid from Abruzzo became king of the ring

Bruno Sammartino, who found fame as a professional wrestler in the United States, was born on this day in 1935 in Pizzoferrato, a village in the province of Chieti in the Abruzzo region.  Until his death in 2018,  he lived in Ross Township in Pennsylvania, about six miles north of the city of Pittsburgh.  Sammartino held the title of world heavyweight champion under the banner of the World Wide Wrestling Federation - now known as World Wrestling Entertainment - for more than 11 years in two reigns. The first of those, spanning seven years, eight months and one day, is the longest any individual has held the title continuously since it was first contested in 1963.  At his peak in the ring, Sammartino weighed in at 265lbs (120kg), yet it was something of a miracle that he survived his childhood.  Sammartino grew up in a mountainous region of Abruzzo now known as the Majella (or Maiella) National Park, still populated by bears, wolves and wild cats.  Life was tough, especially during the harsh winter   months. He was the youngest of seven brothers and sisters, four of whom did not make it into adulthood.  Read more…


Home

5 October

Alberto Sughi - painter

20th century artist who was unwitting victim of plagiarism

The artist Alberto Sughi, an acclaimed  20th century painter whose style was defined as “existential realism”, was born on this day in 1928 in Cesena in Emilia-Romagna.  Sughi was regarded as one of the greatest artists of his generation but is often remembered mainly for his unwitting part in a famous case of plagiarism.  It happened in 2006 when a Japanese painter, Yoshihiko Wada, was awarded the prestigious Art Encouragement Prize, the Japanese equivalent of the Turner Prize, for a series of paintings depicting urban life in Italy - one of Sughi’s specialities.  A month after the award was announced in March of that year, the Japan Artists Association and the Agency for Cultural Affairs received an anonymous tip-off questioning the authenticity of Wada's work, which then sparked an investigation into possible plagiarism.  The anonymous accuser had noted that several pieces of Wada’s art in an exhibition before the award was decided bore striking similarities to paintings by Sughi. Two examples were Wada’s Boshi-zo (Mother and Child), which looked almost exactly like Sughi’s Virgo Laurentana, even in tiny details.  Read more…

_________________________________________________________________

Mary of Modena – Queen of England

Catholic wife of James II greeted with suspicion

Maria Beatrice Anna Margherita Isabella d'Este, who would become known in England as Mary of Modena when she served as queen consort for almost four years in the 17th century, was born on this day in 1658.   The daughter of Alfonso IV, Duke of Modena, the princess, descended from the Bourbon royal family of France and the Medici family of Italy, was born in the Ducal Palace in Modena. Her mother, Laura Martinozzi, from Fano in the Marche, hailed from a noble Roman family.  Tall, elegant and highly educated – she was fluent in French as well as Italian and had a good knowledge of Latin – Maria Beatrice was sought after as a bride for James, Duke of York, heir to Charles II.  She was picked as a suitable prospective bride for his Catholic master by Lord Peterborough, one of the Duke’s closest aides, who communicated with the d’Este family through French diplomatic channels.  James was a widower following the death of his first wife, Anne Hyde. He was no great catch, 25 years older than Maria Beatrice, scarred by smallpox and venereal disease and afflicted with a stutter.  Her mother was more interested in holding out for a possible match with Charles II of Spain, then only 11 years old.  Read more…

________________________________________________________________

Francesco Guardi - painter

Artist evoked image of republic’s final years

One of the last great artists of the Venetian school, Francesco Lazzaro Guardi, was born on this day in 1712 in Venice.  Guardi’s wonderful scenes of crowds, festivals, regattas and concerts in Venice have kept the heyday of the republic alive for future generations to enjoy in art galleries all over the world.  The artist was born into a family of nobility from Trentino, who lived in a house in the Cannaregio district of Venice.  Guardi’s father and brothers were also painters and his sister, Maria Cecilia, married the great Venetian artist, Giovanni Battista Tiepolo.  Guardi’s first known works were painted in the 1730s in Vigo Anuania in Trentino, where he was working alongside his older brother, Gian Antonio.  The first work to be signed by Guardi is the picture Saint Adoring the Eucharist, which was painted in about 1739.  Guardi seemed equally comfortable painting landscapes or figures, but his early views of Venice show the influence of Canaletto on his style.  In 1757 Guardi married Maria Mattea Pagani, the daughter of another painter, Matteo Pagani.  One of his most important works was The Doge’s Feasts, a series of 12 canvases commissioned to celebrate the ceremonies held in 1763 for the election of Doge Alvise IV Mocenigo.  Read more…


Home

4 October

Francesco Solimena - painter

Neapolitan artist who influenced a generation

Francesco Solimena, a prolific painter in the Baroque style who became one of the wealthiest and most influential artists in Europe, was born on this day in 1657 in Canale di Sereno, a village in Campania about 14km (9 miles) southeast of Avellino.  He spent most of his working life in Naples yet his fame spread far beyond and his work was in such demand among his wealthy patrons, including Prince Eugene of Savoy, Louis XIV of France and Pope Benedict XIII, that he acquired a considerable fortune, was given the title of baron and lived in a palace.  His workshop became effectively an academy, at the heart of the Naples cultural scene. Among many who trained there were the leading painters Francesco de Mura, Giuseppe Bonito, Corrado Giaquinto and Sebastiano Conca.  The Scottish portraitist Allan Ramsay was a pupil in his studio in around 1737-38.  Solimena’s own training came initially from his father, Angelo, a revered painter of frescoes, with whom he worked at the cathedral of Nocera in the province of Salerno, and at the church of San Domenico at Solofra, not far from his home village.  He often worked in Nocera later in life.   Read more…

_________________________________________________________________

Bernardino Ramazzini - physician

Pioneer in knowledge of occupational diseases, cancer and malaria

The physician Bernardino Ramazzini, often described as the “father of occupational medicine” and responsible also for pioneering work in the study of cancer and the treatment of malaria, was born in Carpi in Emilia-Romagna on this day in 1633.  Ramazzini’s tour de force, which he completed at the age of 67, was his book De Morbis Artificum Diatriba - Discourse of the Diseases of Workers - which came to be regarded as a seminal work in his field, the lessons from which still influence practice today in the prevention and treatment of occupational diseases.  A student at the University of Parma, Ramazzini was appointed chair of theory of medicine at the University of Modena in 1682 and professor of medicine at the University of Padua from 1700 until his death in 1714.  It was while he was in Parma that he began to take an interest in diseases suffered by workers.  When he became a departmental head at Modena, he began to study the health problems of workers in a more systematic way.  He would visit their workplaces, observe the activities they undertook in their work and discuss their health problems with them.  Read more…

___________________________________________________________________

Giovanni Battista Piranesi – artist

Genius who put 18th century Rome on the map

Draftsman, printmaker and architect Giovanni Battista Piranesi was born on this day in 1720 in Mogliano Veneto near Treviso in the Veneto.  He became famous for his large prints depicting the buildings of Rome, which stimulated interest in Rome and inspired the neoclassical movement in art in the 18th century.  Piranesi went to Rome to work as a draftsman for the Venetian ambassador when he was 20. There he studied with some of the leading printmakers of the day.  It was during this period that he developed his own, original etching technique, producing rich textures and bold contrasts of light and shadow by means of intricate, repeated bitings of the copperplate.  Among his finest early prints are the Prisons - Carceri - imaginary scenes depicting ancient Roman ruins, which are converted into fantastic dungeons filled with scaffolding and instruments of torture.  Piranesi later opened a workshop in Via del Corso and created the series of vedute - views - of Rome that established his fame.  Among his best mature prints are the series Roman Antiquities (Le antichita romane), Views of Rome (Vedute di Roma) and views of the Greek temples at Paestum.   Read more…

_________________________________________________________________

Feast of Saint Francis of Assisi

Lamps light up Assisi in memory of saint

The city of Assisi in Umbria is today celebrating the Feast Day - la festa - of their famous Saint, Francis - Francesco -  who is one of the most venerated religious figures in history.  It is the most important festival in the Franciscan calendar as it commemorates Saint Francis’s transition from this life to the afterlife.  For two days Assisi is illuminated by lamps burning consecrated oil. Special services are held in the Basilica Papale di San Francesco and the Basilica di Santa Maria degli Angeli.  The feast day is also celebrated in other churches all over the world and children are encouraged to bring their pets to be blessed in memory of Saint Francis’s love for animals.  Saint Francis was born Giovanni di Pietro di Bernardone in about 1181 in Assisi but he was informally known as Francesco by his family.  A theory is that his father, Pietro di Bernardone, a prosperous silk merchant, decided to call his new son Francesco - the Frenchman - because he had been on business in France at the time of the birth.  His wife, Pica de Bourlemont, was a noblewoman from Provence, although it was she who chose the name Giovanni.  Read more…


Home