30 April 2021

30 April

NEW
- Antonio Sant’Elia - architectural visionary

Futurist’s ideas were decades ahead of his time

The architect Antonio Sant’Elia, best known for producing hundreds of drawings based on his vision of an idealised modern industrial city, was born on this day in 1888 in Como in Lombardy.  Sant’Elia’s life was short - he died in battle barely a year after signing up for military service in the First World War - and his physical legacy comprised only one completed building, a modest villa in the hills above his home city.  Yet, thanks to the boldly imaginative designs he captured in dozens of sketches illustrating how he saw the cities of the future, Sant’Elia is still seen as one of modern architecture’s most influential figures, more than a century after his death.  A builder by trade, in 1912 Sant’Elia set up a design office in Milan with fellow architect Mario Chittone.  He was already a follower of Futurism, the avant-garde artistic, social and political movement that had been launched by the poet Filippo Tommaso Marinetti in 1909.  The Futurists’ admiration for the speed and technological advancement of cars and aeroplanes and the new industrial cities, which they saw as demonstrating the triumph of humanity over nature through invention, aligned with his own rejection of traditional design.  Read more...

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Andrea Dandolo - Doge of Venice

Reign tested by earthquake, plague and war

Andrea Dandolo, the fourth member of a Patrician Venetian family to serve as Doge of the historic Republic, was born on this day in 1306.  A notably erudite scholar, Dandolo wrote two chronicles of the history of Venice in Latin and reformed the Venetian legal code by bringing together all of the diverse laws applicable to the Venetian Republic within one legal framework.  He achieved these things despite his reign being marked by a devastating earthquake, a catastrophic outbreak of the Black Death plague and two expensive wars, against Hungary and then Genoa.  Dandolo studied at the University of Padua, where he became a professor of law, a position he maintained until he was elected Doge. He quickly rose to a position of prominence in Venetian life, being appointed Procurator of St Mark’s Basilica, the second most prestigious position in the Venetian hierarchy after the Doge, at the age of just 25.  He was elected Doge in 1343, aged 37.  It was a particularly young age at which to be given the leadership of the Republic, but his family history and the manner in which he had conducted himself.  Read more…

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Pope Pius V - Saint

Pontiff dismissed jester and clamped down on heretics

The feast day of Saint Pius V is celebrated every year on this day, the day before the anniversary of his death in 1572 in Rome.  Saint Pius V, who became Pope in 1566, is remembered chiefly for his role in the Counter Reformation, the period of Catholic resurgence following the Protestant Reformation.  He excommunicated Queen Elizabeth I of England for heresy and for persecuting English Catholics and he formed the Holy League, an alliance of Catholic states against the Turks.  Saint Pius V was born Antonio Ghislieri in Bosco, now Bosco Marengo, in Piedmont. At the age of 14 he entered the Dominican Order, taking the name of Michele. He was ordained at Genoa in 1528 and then sent to Pavia to lecture.  He became a bishop under Pope Pius IV but after opposing the pontiff was dismissed. After the death of Pius IV, Ghislieri was elected Pope Pius V in 1566. His first act on becoming Pope was to dismiss the court jester and no Pope has had one since.  Protestantism had by then conquered many parts of Europe and Pius V was determined to prevent it getting into Italy. He therefore took a personal interest in the activities of the Inquisition in Rome and appeared to be unmoved by the cruelty practiced.  Read more…

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Luigi Russolo – painter and composer

Futurist artist who invented 'noise music'

Luigi Russolo, who is regarded as the first ‘noise music’ composer, was born on this day in 1885 in Portogruaro in the Veneto.  Russolo originally chose to become a painter and went to live in Milan where he met and was influenced by other artists in the Futurist movement.  Along with other leading figures in the movement, such as Carlo Carrà, he signed both the Manifesto of Futurist Painters and the Technical Manifesto of Futurist Painting as the artists set out how they saw Futurism being represented on canvas, and afterwards participated in Futurist art exhibitions.  Russolo issued his own manifesto, L’arte dei rumori, - The Art of Noises - in 1913, which he expanded into book form in 1916.  He stated that the industrial revolution had given modern man a greater capacity to appreciate more complex sounds. He found traditional, melodic music confining and envisioned noise music replacing it in the future.  Russolo invented intonarumori - noise-emitting machines - and conducted concerts using these machines. The audiences reacted with either enthusiasm or hostility to the style of music he produced.  None of these machines survived although they have since been reconstructed for use in performances.  Read more…


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Antonio Sant’Elia - architectural visionary

Futurist’s ideas were decades ahead of his time

Antonio Sant'Elia's design for an apartment block with external lifts, above a network of roads
Antonio Sant'Elia's design for an apartment block
with external lifts, above a network of roads 

The architect Antonio Sant’Elia, best known for producing hundreds of drawings based on his vision of an idealised modern industrial city, was born on this day in 1888 in Como in Lombardy.

Sant’Elia’s life was short - he died in battle barely a year after signing up for military service in the First World War - and his physical legacy comprised only one completed building, the Villa Elisi, a modest house in the hills above his home city.

Yet, thanks to the boldly imaginative designs he captured in dozens of sketches illustrating how he saw the cities of the future, Sant’Elia is still seen as one of modern architecture’s most influential figures, more than a century after his death.

A builder by trade, in 1912 Sant’Elia set up a design office in Milan with fellow architect Mario Chittone.

He was already a follower of Futurism, the avant-garde artistic, social and political movement that had been launched by the poet Filippo Tommaso Marinetti in 1909.

Sant'Elia's vision of an airport rail terminal with escalators from the rail platforms
Sant'Elia's vision of an airport rail terminal
with escalators from the rail platforms
The Futurists’ admiration for the speed and technological advancement of cars and aeroplanes and the new industrial cities, which they saw as demonstrating the triumph of humanity over nature through invention, aligned with his own rejection of traditional design.

The movement’s Manifesto of Futurist Architecture, published by Marinetti in 1914, is thought to have been written by Sant’Elia, outlining his vision for the industrialised and mechanised city of the future, comprising interconnected multi-level buildings in the style of modern skyscrapers, with integrated transport systems that facilitated fast, efficient movement.

In the same year, a collection of Sant’Elia’s drawings called Città Nuova - New City - was displayed in May 1914 at an exhibition of the Nuove Tendenze group, of which he was a member, at the Famiglia Artistica gallery in Milan.

It was these drawings that revealed Sant’Elia’s remarkable vision, his designs so futuristic they would scarcely have seemed dated had another architect unveiled them towards the end of the 20th century rather than in its infancy.

Antonio Sant'Elia opened a  design studio in Milan
Antonio Sant'Elia opened a 
design studio in Milan
They featured pyramids, buttresses and towers, giant factories and multi-floor, stepped residential buildings complete with external elevators, linked with walkways, and interspersed with roads and railways suspended at different levels. 

One of Sant’Elia’s drawings was of a transport portal for trains and aircraft with escalators linking the railway platforms with the runway.

Although the Città Nuova was never built, Sant’Elia’s ideas influenced many generations of future architects. The Pompidou Centre in Paris (1977), designed by Richard Rogers and Renzo Piano, Rogers’s Lloyds Building in London (1986) and Piano’s The Shard, also in London (2012) all carry echoes of Sant’Elia’s designs, as does Helmut Jahn’s James R Thompson Centre in Chicago and the Marriott Marquis hotel in Georgia by John Portman, both built in the 1980s.

Many within the Futurist movement were strongly nationalist in their political leanings, which inevitably led some to be drawn towards Fascism and its vision of a powerful, self-contained Italy free from foreign influence.

It was Sant’Elia’s own nationalism and irredentism that persuaded him to join the army as Italy entered World War I in 1915, excited at the idea that he could play a part in finally evicting the Austrians from northeast Italy, where they still controlled an area stretching from Trentino through the South Tyrol to Trieste.

Sadly, he did not live to see that ambition realised. The focus of the Italian-Austrian conflict was the valley of the Isonzo river, also known as the Soça, which runs from its source in the Julian Alps in western Slovenia and enters the Gulf of Trieste near Monfalcone, and there were a series of 12 battles fought along this front between June 1915 and November 1917.

Sant’Elia died in the eighth of these battles in October 1916 near Gorizia. In all, the Battles of the Isonzo, concluding with the catastrophic Battle of Caporetto, resulted in almost one million Italian casualties including 300,000 dead, half of the number of Italians killed in the whole of World War One.

Sant'Elia's only finished building, the Villa Elisi
Sant'Elia's only finished
building, the Villa Elisi
Travel tip:

The Villa Elisi can be found in the San Maurizio area above the town of Brunate, about 8km (5 miles) up a winding road from Como, to which it is also linked by a funicular railway. The area offers spectacular views of Lake Como. Villa Elisa, the only building designed and built by Antonio Sant’Elia, was commissioned by the Como industrialist Romeo Longatti as a holiday home. The villa features the asymmetrical, geometric designs typical of much of Sant'Elia's work. It represented an opportunity for Sant’Elia to prove his worth as an architect and overcome the structural problems posed by the house’s location on steeply sloping ground.

Palazzo Volpi in Como, home of the city's civic art gallery, where Sant'Elia's drawings can be seen
Palazzo Volpi in Como, home of the city's civic
art gallery, where Sant'Elia's drawings can be seen
Travel tip:

Sant’Elia’s drawings of his Città Nuovo are on permanent display in Como’s Pinocoteca Civica, the city’s art gallery. Inaugurated in 1989 in the 17th-century Palazzo Volpi in Via Armando Diaz, the gallery houses a collection that spans the Middle Ages through to contemporary times, documenting the Como area’s artwork from religious buildings to portraiture, landscapes and 20th century works related. In addition to Sant’Elia’s drawings, the centrepieces are the sixth century Portraits of Illustrious Men collection by Paolo Giovio and some major works by the Gruppo Como, a group of 20th century abstract artists from Como.

Also on this day:

1306: The birth of Venetian Doge Andrea Dandolo

1885: The birth of Futurist composer Luigi Russolo

The Feast Day of Saint Pius V


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29 April 2021

29 April

Giovanni Antonio Pellegrini - painter

Venetian artist who made mark in England

The painter Giovanni Antonio Pellegrini, who is regarded as one of the most important Venetian painters of the early 18th century, was born on this day in 1675 in Venice.   He played a major part in the spread of the Venetian style of large-scale decorative painting in northern Europe, working in Austria, England, France, Germany, and the Netherlands.  With a style that had influences of Renaissance artist Paolo Veronese and the Baroque painters Pietro da Cortona and Luca Giordano, he is considered an important predecessor of Giovanni Battista Tiepolo in the development of Venetian art.  A pupil of the Milanese painter Paolo Pagani, Pellegrini began travelling while still a teenager, accompanying Pagano to Moravia and Vienna.  After a period studying in Rome, he returned to Venice and married Angela Carriera, the sister of the portraitist Rosalba Carriera.  Soon afterwards, he accepted the commission to decorate the dome above the staircase at the Scuola Grande di San Rocco in 1709.  Pellegrini spent a significant part of his career in England, where he was invited, along with Marco Ricci, the nephew of Sebastiano Ricci, by Charles Montagu, the future Duke of Manchester.  Read more…

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Liberation of Fornovo di Taro

How Brazilian soldiers hastened Nazi capitulation

The town of Fornovo di Taro in Emilia-Romagna acquired a significant place in Italian military history for a second time on this day in 1945 when it was liberated from Nazi occupation by soldiers from the Brazilian Expeditionary Force fighting with the Allies.  Under the command of General João Baptista Mascarenhas de Morais, the Brazilians marched into Fornovo, which is situated about 13km (8 miles) south-west of Parma on the east bank of the Taro river, at the conclusion of the four-day Battle of Collecchio.  It was in Fornovo that the 148th Infantry Division of the German army under the leadership of General Otto Fretter-Pico offered their surrender, along with soldiers from the 90th Panzergrenadier Division and the 1st Bersaglieri and 4th Mountain Divisions of the Fascist National Republican Army.  In total, 14,779 German and Italian troops laid down their arms after Fretter-Pico concluded that, with the Brazilians surrounding the town, aided by two American tank divisions and one company of Italian partisans, there was no hope of escape.  Although the total capitulation of the German and Fascist armies in Italy was not officially announced until 2 May in Turin, the surrender in Fornovo effectively brought the war in the peninsula to an end.  Read more…

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Sara Errani -- tennis champion

Five-times Grand Slam doubles winner reached No 5 in singles

Tennis star Sara Errani, who was born in Bologna on this day in 1987, is arguably the most successful Italian tennis player of all time.  She and partner Roberta Vinci's career record of five Grand Slam doubles titles is unparalleled.  No other Italian combination has won more than one Grand Slam title and no Italian singles player has won more than two.  Nicola Pietrangeli, who was ranked the No 3 men's singles player at his peak, won the French Open championship in 1959 and 1960 and was runner-up in Paris on two other occasions, as well as winning the men's doubles at the French in 1959, with fellow Italian Orlando Sirola.  But Errani and Vinci have won on all surfaces, achieving a career Grand Slam in 2014 when they triumphed in the women's doubles at Wimbledon, having already won the French and US titles in 2012 and the Australian in both 2013 and 2014.  They are only the fifth pairing in tennis history to complete a career Grand Slam.  Errani also achieved a world ranking of No 5 in singles in 2013, having been runner-up to Maria Sharapova in the 2012 French Open as well as winning five WTA singles titles in the space of 12 months.  Read more…

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Rafael Sabatini – writer

Author of swashbucklers had the ‘gift of laughter’

Rafael Sabatini, who wrote successful adventure novels that were later made into plays and films, was born on this day in 1875 in Iesi, a small town in the province of Ancona in Le Marche.  Sabatini was the author of the international best sellers, Scaramouche and Captain Blood, and afterwards became respected as a great writer of swashbucklers with a prolific output.  He was the son of an English mother, Anna Trafford, and an Italian father, Vincenzo Sabatini, who were both opera singers.  At a young age he was exposed to different languages because he spent time with his grandfather in England and also attended school in both Portugal and Switzerland, while his parents were on tour.  By the time Sabatini went to live in England permanently, at the age of 17, he was already proficient in several languages. Although his first attempts at writing were in French when he was at school in Switzerland, he is said to have consciously chosen to write in English, saying at the time that all the best stories had been written in English.  Sabatini wrote short stories in the 1890s, some of which were published in English magazines.   Read more…


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28 April 2021

28 April

Nicola Romeo - car maker

Engineer used profits from military trucks to launch famous marque

Nicola Romeo, the entrepreneur and engineer who founded Alfa Romeo cars, was born on this day in 1876 in Sant’Antimo, a town in Campania just outside Naples.  The company, which became one of the most famous names in the Italian car industry, was launched after Romeo purchased the Milan automobile manufacturer ALFA - Anonima Lombarda Fabbrica Automobili.  After making substantial profits from building military trucks in the company’s Portello plant during the First World War, in peacetime Romeo switched his attention to making cars. The first Alfa Romeo came off the production line in 1921.  The cars made a major impact in motor racing, mainly thanks to the astuteness of Romeo in hiring the the up-and-coming Enzo Ferrari to run his racing team, and the Fiat engineer Vittorio Jano to build his cars.  Away from the track, the Alfa Romeo name sat on the front rank of the luxury car market.  Romeo’s parents, originally from an area known as Lucania that is now part of the Basilicata region, were not wealthy but Nicola was able to attend what was then Naples Polytechnic – now the Federico II University – to study engineering.  Read more…

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The death of Benito Mussolini


Fascist dictator captured and killed on shores of Lake Como

Benito Mussolini, the dictator who ruled Italy for 21 years until he was deposed in 1943, was killed by Italian partisans on this day in 1945, at the village of Giulino di Mezzegra on the shore of Lake Como.  The 61-year-old leader of the National Fascist Party had been captured the previous day in the town of Dongo, further up the lake, as he attempted to reach Switzerland along with his mistress, Claretta Petacci, and a number of Fascist officials.  With Nazi Germany on the brink of defeat, Mussolini had been planning to board a plane in Switzerland in order to fly to Spain.  Mussolini was said to have donned a Luftwaffe helmet and overcoat in the hope that he would not be recognised but the disguise did not work.  Fearing that the Germans would try to free him, as they had two years earlier when Italy's King Victor Emmanuel III placed him under house arrest in mountainous Abruzzo, the partisans hid Mussolini and the others in a remote farmhouse.  The following morning, along the coast of the lake at Mezzegra, their captives were stood against a wall and shot dead. The executions were said to have been carried out by a partisan who went under the name of Colonnello Valerio.  Read more…

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Baldus de Ubaldis – lawyer

Legal opinions have stood the test of time

An expert in medieval Roman law, Baldus de Ubaldis, died on this day in 1400 in Pavia.  De Ubaldis had written more than 3,000 consilia - legal opinions - the most to remain preserved from any medieval lawyer.  His work on the law of evidence and gradations of proof remained the standard treatment of the subject for centuries after his death.  De Ubaldis was born into a noble family in Perugia in 1327. He studied law and received the degree of doctor of civil law when he was 17.  He taught law at the University of Bologna for three years and was then offered a professorship at Perugia University where he remained for 33 years.  De Ubaldis subsequently taught law at Pisa, Florence, Padua, Pavia and Piacenza.  He taught Pierre Roger de Beaufort, who became Pope Gregory XI, whose immediate successor, Urban VI, summoned De Ubaldis to Rome in 1380 to consult with him about the anti-pope, Clement VII. The lawyer’s view on the legal issues relating to the schism are laid down in his Questio de schismate.  One of the best works of De Ubaldis is considered to be his commentary on the Libri Feudorum, a compilation of feudal law provisions.  Read more…


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