Documentary style put him among greats of Italian cinema
Rosi, who made his directing debut in 1958 and filmed his last movie in 1997, built on the fashion for neo-realism that dominated Italian cinema in the immediate post-war years and his films were often highly politicised.
Many of his works were almost pieces of investigative journalism, driven by his revulsion at the corruption and inequality he witnessed in the area in which he grew up, and the dubious relationships between local government and figures from the crime world.
His film Hands Over the City, for example, starring Rod Steiger as unscrupulous land developer, sought to show how the landscape of Naples was shaped by greed and political interests. The film's disclaimer stated that “All characters and events narrated in this film are fictitious, but the social reality that created them is authentic.”
The Mattei Affair, which starred Gian Maria Volonté - himself a political activist - tells the story of Enrico Mattei, a former Italian resistance fighter who rose to be head of ENI, the state-owned oil company, and died in a plane crash in Sicily. Conspiracy theorists linked his death with his attempt, in the middle of the Cold War, to break America's dominance of the Italian market, sign deals with Arab countries and even court Russia as a possible trading partner.
The project took Rosi's team into such dangerous political territory that one of his researchers, the journalist Mauro de Mauro, disappeared. He was never found and it is presumed he was murdered for finding out too much about the case.
|Gian Maria Volonté (centre) in a scene from The Mattei Affair|
Later, with Illustrious Corpses, Rosi sought to shine light on the dark machinations of what would come to be known as 'The Strategy of Tension' during the 1980s, in which a series of deadly attacks carried out by right-wing extremists with the apparent collusion of the secret services would be blamed on activists on the hard left in order to derail an alliance being proposed between the Christian Democrat Party and the Communist Party.
Among his many awards was a Palme d'Or at the 1972 Cannes Film Festival for The Mattei Affair, a Golden Lion at the 1963 Venice Biennale for Hands Over the City and ten David di Donatello awards from the Academy of Italian Cinema.
In 2012, he was awarded an honorary Golden Lion at the Venice Biennale for lifetime achievement and leaving "an indelible mark on the history of Italian film-making".
Rosi was born in Montecalvario, a neighbourhood of central Naples that includes part of the Spanish Quarter, the Piazza Carità and the bustling Via Toledo. His father worked in the shipping industry, but also drew satirical cartoons, once earning a reprimand for his insulting depictions of Benito Mussolini and King Vittorio Emmanuel III.
|Giorgio Napoletana, a schoolfriend of Francesco Rosi,|
who would go one to become President of the Republic
The connections he made through the radio station led him into theatre work and film. After several films as assistant director, learning from Ettore Giannini and Luchino Visconti among others, he made his solo debut in 1958 with La Sfida (The Challenge), an expose of corruption in the retail trade in Naples which quickly made clear Rosi's preoccupation with social justice and the complex labyrinths in Italian society.
His breakthrough in terms of international acclaim came in 1962 with Salvatore Giuliano, a fictional exploration of the life of the Sicilian bandit of the title, his connections with the state and the church, and his role in fighting against communism in Sicily. Rosi's aim was to use the bandit’s life and death to convey the complexities of post-war Sicilian politics and society in which "resolving the truth was an impossibility."
Salvatore Giuliano won the Silver Bear for Best Director at the Berlin International Film Festival in 1962 and established Rosi as one of the central figures of the post-neorealist phase in Italian cinema, along with Gillo Pontecorvo, Pier Paolo Pasolini, the Taviani brothers, Ettore Scola and Valerio Zurlini.
Rosi’s later movies were accomplished productions but critics felt they lacked the power of his earlier work, although in his adaptation of Christ Stopped at Eboli, Carlo Levi's memoir about his experiences as a doctor exiled in southern Italy for his anti-Fascist views, with Volonté in the title role, came close, winning a BAFTA for Best Foreign Language Film.
After ending his career in film with The Truce, based on holocaust survivor Primo Levi's memoir of returning to Italy after his liberation from Auschwitz, he returned to theatre, notably directing the Neapolitan comedies of Eduardo De Filippo.
He spent his last years living in Rome on Via Gregoriana, near the Spanish Steps. He died in 2015 aged 92.
|The Via Toledo in Naples has a typical flavour of the city|
Montecal- vario, where Francesco Rosi was born, is said by many visitors to capture the essence of Naples. Bordered on one side by the Via Toledo, the busy shopping street which links Piazza Dante with Piazza Trieste e Trento, it includes the part of the Spanish Quarter in which can be found the Teatro Nuovo, an historic theatre originally built in 1724 and twice destroyed by fire. The theatre became famous for comic opera in the 19th century and in the 20th century staged the plays of the great Neapolitian comic dramatist, Eduardo de Filippo.
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The Via Gregoriana, where Francesco Rosi spent his last years, is a street almost in the centre of Rome, very close to the tourist hubbub of Piazza di Spagna and the Spanish Steps, yet still retains the air of a peaceful residential thoroughfare, the kind you might expect to find in a well-to-do suburb. Commissioned by Pope Gregory XIII in 1575, it runs from the church of Trinita dei Monti, which looks down over Piazza di Spagna, towards Via del Tritone and has long been popular with artists and intellectuals.
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1905: The birth of conductor Annunzio Mantovani
(Picture credits: Francesco Rosi by Georges Biard; Gian Maria Volonté by Pèter; Giorgio Napoletana by Ralf Roletschek; Via Toledo by Inviaggiocommons all via Wikimedia Commons)