24 July

Eugene de Blaas - painter

Austro-Italian famous for Venetian beauties

Eugene de Blaas, a painter whose animated depictions of day-to-day life among ordinary Venetians - especially young Venetian women - were his most popular works, was born on this day in 1843 in Albano Laziale, just outside Rome.  Sometimes known as Eugenio Blaas, or Eugene von Blaas, he was of Austrian parentage. His father, Karl, also a painter, was a teacher at the Accademia di Belle Arti (Academy of Fine Arts) in Rome. His brother, Julius, likewise born in Albano, was also a painter.  In 1856, the family moved to Venice after his father was offered a similar position at the Venetian Academy. At that time, Venice attracted artists from all over Europe and the young De Blaas grew up in a social circle that was largely populated by painters and poets.  Like his father, he became interested in the school known as Academic Classicism, a style which seeks to adhere to the principles of Romanticism and Neoclassicism.  He exhibited at the Venice Academy when he was only 17 years old.  Religious painting was still in demand and one of his earliest important commissions, in 1863, was an altarpiece for the parish church of San Valentino di Merano.  Read more…

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Ermanno Olmi - film director

Won most prestigious awards at Cannes and Venice festivals

The film director Ermanno Olmi, who won both the coveted Palme d’Or at Cannes and the Venice Film Festival’s equivalent Golden Lion with two of his most memorable films, was born on this day in 1931 in the Lombardy city of Bergamo.  His 1978 film L'albero degli zoccoli - The Tree of Wooden Clogs - a story about Lombard peasant life in the 19th century that had echoes of postwar neorealism in the way it was shot, won the Palme d’Or - one of the most prestigious of film awards - at the Cannes Film Festival of the same year.  A decade later, Olmi won the Golden Lion, the top award at the Venice Film Festival, with La leggenda del santo bevitore - The Legend of the Holy Drinker - a story adapted from a novella by the Austrian author Joseph Roth about a homeless drunk in Paris, who is handed a 200-francs lifeline by a complete stranger and vows to find a way to pay it back as a donation to a local church.  He also won three David di Donatello awards  - the Italian equivalent of the Oscars - as Best Director, for Il posto - The Job - his first full length feature film, in 1962, for The Legend of the Holy Drinker, and for Il mestiere delle armi - The Profession of Arms - in 2002. Read more…

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Giuseppe Di Stefano – tenor

Singer from Sicily who made sweet music with Callas

The opera singer Giuseppe Di Stefano, whose beautiful voice led people to refer to him as ‘the true successor to Beniamino Gigli’, was born on this day in 1921 in Motta Sant’Anastasia, a town near Catania in Sicily.  Di Stefano also became known for his many performances and recordings with the soprano, Maria Callas, with whom he had a brief romance.  The only son of a Carabinieri officer, who later became a cobbler, and his dressmaker wife, Di Stefano was educated at a Jesuit seminary and for a short while contemplated becoming a priest.  But after serving in the Italian army he took singing lessons from the Swiss tenor, Hugues Cuenod. Di Stefano made his operatic debut in Reggio Emilia in 1946 when he was in his mid-20s, singing the role of Des Grieux in Massenet’s Manon. The following year he made his debut at La Scala in Milan in the same role.  Di Stefano made his debut at the Metropolitan Opera in New York in 1948 as the Duke of Mantua in Verdi’s Rigoletto. After his performance in Manon a month later, a journalist wrote in Musical America that Di Stefano had ‘the rich velvety sound we have seldom heard since the days of Gigli.’  Read more…

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Victor Emmanuel of Sardinia

The first king to be called Victor Emmanuel

The King of Sardinia between 1802 and 1821, Victor Emmanuel I was born on this day in 1759 in the Royal Palace in Turin.  He was the second son of King Victor Amadeus III of Sardinia and was known from birth as the Duke of Aosta.  When the King died in 1796, Victor Emmanuel’s older brother succeeded as King Charles Emmanuel IV of Sardinia.  Within two years the royal family was forced to leave Turin because their territory in the north was occupied by French troops.  After his wife died, Charles Emmanuel abdicated the throne in favour of his brother, Victor Emmanuel, because he had no heir.  The Duke of Aosta became Victor Emmanuel I of Sardinia in June 1802 and ruled from Cagliari for the next 12 years until he was able to return to Turin.  During his reign he formed the Carabinieri, which is still one of the primary forces of law and order in Italy.  On the death of his older brother in 1819, he became the heir general of the Jacobite succession as Victor Emmanuel I of England, Scotland and Ireland, but he never made any public claims to the British throne.  He abdicated in favour of his brother, Charles Felix, in 1821 and died three years later at the Castle of Moncalieri in Turin.  Read more…

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Book of the Day: Eugene de Blaas: The Complete Works, by Eelco Kappe

Eugene de Blaas: The Complete Works provides a complete overview of all known works of De Blaas (both paintings and studies), as well as a detailed description of his life and career.  Typical works in the oeuvre of Eugene de Blaas carry titles like The Love Letter, The Flower Seller, and Flirtation. He painted these easily-accessible themes with a colorful palette and a highly polished technique, creating an immediate appeal to his international clientele. Looking at his oeuvre, it is clear that De Blaas preferred to eternalize the happier and lighter moments of Venetian life on the canvas.  The central theme throughout his career was the beauty of young Venetian women, often dressed in colorful and elegant outfits. The women in De Blaas' paintings are engaged in all sorts of daily activities, like flirting, gossiping, selling flowers, and washing. De Blaas was particularly adept at capturing their body language, which he used to create intriguing narratives engaging the viewers.

Eelco Kappe is an author of several books on artists from the 19th and early 20th centuries. He specializes in artists whose paintings predominantly reside in private collections, intending to bring their art and life stories to a larger audience. Formerly a specialist in marketing, in 2018 he decided to follow his passion for art and focus on writing about great artists who have received little attention from art historians. 

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