13 September

Andrea Mantegna – artist

Genius led the way with his use of perspective

The painter Andrea Mantegna died on this day in 1506 in Mantua.  He had become famous for his religious paintings, such as St Sebastian, which is now in the Louvre in Paris, and The Agony in the Garden, which is now in the National Gallery in London.  But his frescoes for the Bridal Chamber (Camera degli Sposi) at the Palazzo Ducale in Mantua were to influence many artists because of his innovative use of perspective.  Mantegna studied Roman antiquities for inspiration and was also an eminent engraver.  He was born near Padua in about 1431 and apprenticed by the age of 11 to the painter, Francesco Squarcione, who had a fascination for ancient art and encouraged him to study fragments of Roman sculptures.  Mantegna was one of a large group of painters entrusted with decorating the Ovetari Chapel in the Church of the Eremitani in Padua.  Read more…

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Girolamo Frescobaldi – composer

Organist was a ‘father of Italian music’

Girolamo Alessandro Frescobaldi, one of the first great masters of organ composition, was born on this day in 1583 in Ferrara.  Frescobaldi is famous for his instrumental works, many of which are compositions for the keyboard, but his canzone are of historical importance for the part they played in the development of pieces for small instrumental ensembles and he was to have a strong influence on the German Baroque school.  Frescobaldi began his career as organist at the church of Santa Maria in Trastevere in Rome in 1607. He travelled to the Netherlands the same year and published his first work, a book of madrigals, in Antwerp.  In 1608 he became the organist at St Peter’s Basilica in Rome and, except for a few years when he was court organist in Florence, he worked at St Peter’s until his death.  Read more…

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Fabio Cannavaro - World Cup winner

Defender captained azzurri to 2006 triumph

The footballer and coach Fabio Cannavaro, who was captain of the Italy team that won the 2006 World Cup in Germany, was born on this day in 1973 in Naples.  In a hugely successful playing career, the central defender was part of the excellent Parma team that won the UEFA Cup and the Coppa Italia under coach Alberto Malesani in the late 1990s, winning another Coppa Italia in 2002 with Pietro Carmignani in charge.  But his biggest glories were to come after he left Italy to play for Real Madrid under the Italian coach Fabio Capello, winning La Liga twice, in 2006 and 2007.  His 136 appearances for the Italian national team made him the most capped outfield player in history and the feat of winning La Liga and the World Cup in the same year helped him win the coveted Ballon d’Or, awarded annually by the magazine France Football. Read more…

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Saverio Bettinelli – writer

Jesuit scholar and poet was unimpressed with Dante

Poet and literary critic Saverio Bettinelli, who had the temerity to criticise Dante in his writing, died at the age of 90 on this day in 1808 in Mantua.  Bettinelli had entered the Jesuit Order at the age of 20 and went on to become known as a dramatist, poet and literary critic, who also taught rhetoric in various Italian cities.  In 1758 he travelled through Italy and Germany and met the French writers Voltaire and Rousseau.  Bettinelli taught literature from 1739 to 1744 at Brescia, where he formed an academy with other scholars. He became a professor of rhetoric in Venice and was made superintendent of the College of Nobles at Parma in 1751, where he was in charge of the study of poetry and history and theatrical entertainment.  After travelling to Germany, Strasbourg and Nancy, he returned to Italy.  Read more…

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Francesco Manelli – Baroque composer

Theorbo player staged the world’s first public opera

Musician and opera composer Francesco Manelli, who is remembered for the important contribution he made to bringing commercial opera to Venice, was born on this day in 1595 in Tivoli in Lazio.  Manelli (sometimes spelt Mannelli) was also a skilled player of the theorbo, which is a plucked string instrument belonging to the lute family that has a very long neck.  From the age of ten, Manelli used to sing in Tivoli's Duomo, the Basilica Cattedrale di San Lorenzo Martire, and he was taught music by the various maestri di cappella working there at that time.  Manelli moved to Rome with the intention of studying for a career in the church, but after meeting and marrying a singer, Maddalena, he decided to dedicate himself exclusively to music.  In 1627, Manelli went back to Tivoli where he himself became a maestro di cappella at the Duomo, a post he held for two years.  Read more…

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Book of the Day: Andrea Mantegna: Making Art (History), edited by by Stephen J Campbell and Jérémie Koering

The 15th-century Italian painter Andrea Mantegna is widely regarded as one of the most virtuosic and conceptually ambitious artists of the European tradition. Andrea Mantegna: Making Art (History) features a collection of readings that reveal Mantegna as challenging the parameters of art history in the demands it makes upon historical interpretation, and which explore the artist’s potentially transformative impact on the study of the early Renaissance. Essays on the artist’s devotional paintings, two of his monumental mural projects (the Camera Picta and Ovetari Chapel), signing practices, self-portraiture, and the meta-artistic character of his “stony” style provide a complement as well as an alternative to the narrowly iconographic tradition, concerned primarily with textual sources. The essays serve to enrich the narrow and restrictive conceptions of the relationship of a text with new models positioned at the confluence of ancient, Renaissance, and modern poetics. With its array of approaches and methodologies, Andrea Mantegna: Making Art (History) offers striking new insights into the life and works of one of the true defining geniuses of the early Renaissance.

Stephen J Campbell, who is Henry and Elizabeth Wisenfeld Professor at Johns Hopkins University, in Baltimore, is a specialist in Italian art of the 15th and 16th centuries, focusing on the artistic culture of North Italian court centres, on the Ferrarese painter Cosimo Tura, and the Paduan Andrea Mantegna.  Jérémie Koering is professor of early modern art history at the University of Fribourg, in Switzerland.

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